A superb pair of miniature portrait paintings done by Joseph Dunkerley. Labels on the reverse of each case identify the sitters as Joseph Packwood and Denise Wright Packwood, and are dated 1780.

Mrs. Packwood is wearing a large white hat with a blue ribbon and accents, a light blue gown with flowers embroidered on it and with dark lace edging at the bodice. Her husband is wearing a blue jacket and waistcoat, and a white cravat.

Excellent and scarce examples, and in fine condition...

A beautifully done Horace Hone portrait, painted on natural wafer, signed and dated "HH 1782" on the right. The sitter might well be Mary, Viscountess Dillon, as she bears a great resemblance to another portrait Hone did of her. Whether this is the case or not, the subject of this miniature is a striking blue-eyed woman, with a coquettish mien to her...

This fine work, done in watercolor and bodycolor on organic material, was most probably done in Naples. The sitter is an attractive child looking directly at the viewer and holding a jumping jack toy of Pulcinella, a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. The reverse of the portrait is also quite special, with its plaited hair, ivory plaque, golden hair work initials, metallic threads, and pearls...

A beautiful portrait, by Gervase Spencer, of a striking young woman, painted in enamels on copper. Signed and dated "GS 1759" on the lower right. The subject of the painting, with brown hair and blue eyes, is clearly wealthy, attired in a blue gown with lace trim, and accessorized with pearl earrings, a pearl encrusted hair barrette, a pearl choker, and a long pearl necklace centered by a pearl, onyx and gold brooch...

A fine example of American folk art, painted by John Brewster Jr. on natural organic material. The sitter is a gentleman with light red hair and blue eyes. He is attired in a black coat, white vest, white ruffled shirt, and white silk cravat. The miniature is in its original case, the reverse with a glazed window containing a plait of hair atop which is a gold initial.

The condition is excellent, with no chips, cracks, bowing, paint loss, or restoration...

A striking miniature portrait painting on organic material, finely painted by John Ramage. The sitter, a gentleman elegantly attired in the height of late 18th century fashion, is wearing a white shirt with a ruffled white cravat and a brick-red coat over a brown-striped vest.

The condition of the painting is superb, with no flaws whatsoever, as is that of the later case. Sight size is 1 5/8" by 1 1/4", and the case size is 1 3/4" by 1 1/2"...

A watercolor on organic natural wafer of a somewhat older woman wearing a blue jacket with fur edging, a pearl choker, and a rust colored cap with lace. The unusual characteristics of the piece are the hand decorated paper surround and that the painting is in a frame that slides into a close fitting leather case.

The condition of the painting is excellent, with no issues, while the case has exterior wear but is structurally sound. Sight size is 2: by 1 5/8", and the case is 2 7/8" by 2 1/8"

A fine miniature portrait on natural wafer, done en grisaille in watercolor and ink against a blue background. The sitter, an older woman wearing a lace cap and fichu, is beautifully limned in profile, an uncommon approach. Housed in a gold plated metal frame with fabric on the reverse.

There are no condition problems with the painting, which measures 2 1/2" in diameter.

PROVENANCE: The well-known Dr. Leo Catzenstein Collection, and thence to his descendants.

An extremely fine enamel on copper miniature portrait painting done by William Prewett (Prewitt). The sitter is an older gentleman, of quite aristocratic bearing, wearing a powdered wig, white shirt and stock, and a reddish-brown jacket. The painting is in its original gold bezel case.

Condition is excellent, with no issues. The discoloration at the top is due to scanner reflection. The sight size is 1 7/8" by 1 1/2", while the overall size is 2 1/4" by 1 5/8".

IMPORTANT NOTES:1...

Hindola Ragamala miniature painting on card. 23x17cm Undated estimated to be 18th century. Can be viewed in central London and shipped worldwide

Italian. 17th-18th Century, Oil on Copper, 21"w by 15.25"h in an antique frame 26.25"w by 22"h. On the verso is an antique inscription that attributes the painting to Jean Honore'Fragonard 1775. The inscription is obviousely antique and written in English.

Joseph (Jusepe) Ribera, Spanish, 1588-1656. This exquisite portrait of a boy brings to mind Caravaggio. It is oil on canvas and signed faintly with the Monogram J R lower right. It is in good condition, has been relined long ago, and is 34.2cm H by 23.1cm H. It is in an antique frame with outer dimensions of 47.3cm W by 36.8cm H. Paintings by ribera sell for up to 4.5 Million USD.

A nice example of a miniature portrait, painted by Nathaniel Hancock on organic material. The sitter is a woman in a blue gown with a lace edged bodice. The gold case has chamfered glass on the front, and the reverse identifies the sitter as "Ridgely 1791."

The condition of this little gem is very fine, with no flaws to speak of. There was some minimal clean-up of a few painting drips in the background...

A fine miniature of a handsome gent with strawberry blond hair, painted by Henry Jacob Burch. Adding to the desirability of this example is the Burch trade card that was fitted to the back of the painting, rarely seen in his works.

Excellent condition, with an overall size of 2 3/4" by 2 1/4".

BIOGRAPHICAL NOTE: Henry Jacob Burch was born in London in 1763. He entered the Royal Academy Schools at the age of 16, and exhibited at the Royal Academy from 1787 to 1834...

Confidently attributed to Edward Savage, this miniature portrait is painted on organic material. The sitter, who has a strong countenance and blue eyes, is wearing a deep blue coat with gold buttons, a white vest and shirt, and a white cravat.

The painting is in excellent condition, with no flaws, and is housed in a gilt copper case, the reverse of which has a glazed aperture containing woven plaits of hair...

A wonderful English watercolor miniature on natural wafer, painted by Ozias Humphry. The gentleman depicted is clearly of the upper class, dressed in a dusty rose colored jacket with a lace collar, a style worn in England specifically in the 1765 to 1770 period...

An extremely fine watercolor and gouache on organic substrate miniature portrait done by Henry Benbridge, painted in his crisp, realistic style. The sitter is attired in a blue coat and a white ruffled shirt and collar, the fabrics of which are carefully and richly depicted, a characteristic of Benbridge's work. The surround to the painting is gold, while the original case, with a pin on the reverse, is gold filled.

Both the painting and the case are in excellent condition. The sight size of t...

A beautifully painted watercolor on natural wafer, with a very strong attribution to John Barry as the artist. The sitter is an attractive woman with brown eyes and gray-brown hair cascading down her shoulder. She is wearing a dark blue velvet bow in her hair, a gauzy white fichu, and a blue dress with fine white lines and small white dots.

The painting is in superb condition, with no chips, cracks, bowing, or restoration. The sight size is 2" by 1 1/2" and the gold case is 2 3/16" by 1 3/4"....