Netsuke carved by Ryoshu (born in 1912) - one of the best Japanese netsuke carvers of the 20th century. Netsuke represents a doll of Daruma (founder of Zen Buddhism) enveloped in monastic robe, and his eyes can pop in and out. Perfectly captured facial expression, beautifully incised and etched facial hair and 3 flowering chrysanthemums on his robe. It appears that the artist etched a different design on every piece of this model of his - see the other Darumas by Ryoshu on my site...

1950's Japanese Makie Lacquer Box Silver inner lining with Mandarin Duck

It is 2 inches (5.1 cm) tall by 3.78inches (9.6 cm) long and 4.65 inches (11.8 cm) wide.

It has a chip at he edge, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Old Chinese Dark Cherry Amber Bakelite Faturan Carved Lady Figure

She is 19.5 inches (49.5 cm) tall by 5.2 inches (13.2 cm) wide. She is 2342 gram.

She has inclusions, chips at the flower, fingers, hair, and surface wears and scratches (as seen in the photos).

Tested with simichrome.

Our Guarantee: We stand behind all of the items that we sell...

The size of Foo Dog Koro: 4 1/2" L x 3 3/8" H x 1 3/4" W
This is lovely Vintage Cast Brass Foo Dog Koro (incense burner).
The finish of Koro is very well made in detail as photos showing.
I believe it is Japanese Made. The condition of Foo Dog is excellent.
Dating from 1970’s. The weight of Foo Dog is 1 pound 1 oz (0.453 Kg).
Very nice heavy weight. Our price including priority mail insured.

Pair of unusual 1930s Japanese sterling silver salt and pepper shakers in a shape of Amida Buddha sitting with his hands in jo-in mudra - hand gesture signifying concentration. Excellent quality work, great faces and textile lines. Sliding door on the bottom, marked STERLING 950. Excellent design, very well made, wonderful table objects. Height 2.1 inches, weight of the two 54 grams.

Exquisite Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989). The glaze is the same prized biwa color and earthy texture as that achieved by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians...

Sublime Celadon Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989) with the original signed box. The glaze is the same prized celadon color and refined texture as that achieved by 12th century Korean potters. She has expertly created pools of thicker glaze and resulting darker color around the circumference of the rim, foot, and carved raised band. She has highlighted the single subtle carved lotus blossom with the same glaze pooling technique...

Refined Inlaid Celadon Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989) with the original signed box. The glaze has the same prized celadon color and precise inlaid technique as that achieved by 12th century Korean potters. A Chinese philosopher of that period described Korean celadons as "The first under Heaven." The interior of the bowl features cranes flying in clouds (both longevity symbols) around a chrysanthemum in full bloom...

Bold Buncheong Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989). The white slip is applied in powerful brushstrokes in the style of Joseon Dynasty potters. The chrysanthemums have their ancient symbolism for prosperity multiplied with the many flowers painted on the bottom of the bowl. Diameter: 5.5 inches, 14 cm. Height: 2.5 inches, 6 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians...

Heartwarming Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989) with the original signed box. This bowl is a spectacular achievement in ceramic artistry and technique. The glaze is a pale biwa color that was highly prized by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm...

Vintage Japanese burlwood stand of irregular shape to be used for placing objects during tea ceremony, or for display of ceramics or okimono. Wonderful dense wood with supremely beautiful texture resembling altocumulus clouds, in excellent condition. Length 5 1/4 inches, maximum width 3 inches, height 11/16 inches.

Vintage glass ojime (slide bead for tightening the cord going from netsuke to inro) in flattened ball shape, its surface made to resemble distressed jasper. Beautifully made, very pleasant patina. Diameter 0.68 Inches

19th century good size agate ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with beautiful play of natural agate colors. Nice surface, very pleasant patina. Diameter 0.98 inches.

Vintage glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape, its surface covered with concentric “eyes” and dots, suspiciously resembling “Jellyfish Eyes” by Takashi Murakami. Beautifully made, very pleasant patina. Diameter 0.75 Inches.

Unusual vintage Japanese glass scholar’s brush rest with transparent body and beautiful white and blue stripes in the core. Very well made, in great condition except for a few small chipped areas as seen on photos, very pleasant to handle. Length 3.42 inches.

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household...

Gorgeous silk panel with fine embroidery design, with embroidered band on outside, the scene depicting a rich image of flowers, fruit and an elaborate flying creature, appears to be a butterfly, all on salmon ground with vivid colors and fine peking knot details in the butterflies, late Qing era. Measures 13 1/4" x 15 1/2". The outer band is varying shades of blue on a black background, foliate designs with classical Asian geometric background...