Sawankhalok Shukokai hard paste pottery Jarlet in cream Glaze with a faint lotus pattern around base. Nice piece with a very hard smooth foot unusual. Size 2" by 2.75"

Chased Silver Metal Betel Nut box . South east Asian tooled metal boz, well done 2 compartments. 6.25" by 2.25"

Swanhalok Green crackle Glazed Jarlet with painted decoration and a spout top. The body well potted nice glaze and a band and floral decoration. The entire jar is filled with burial debris. Size 2" by 2"

Thailand vintage reverse glass eglomise zodiac painting . Early to mid 20th c depicting temples and year of the tiger. Original wood frame 11.25 by 5.25"

Thailand vintage reverse glass eglomise zodiac painting . Early to mid 20th c depicting temples and year of the rooster. Original wood frame 11.25 by 5.25"

Ming or SE Asian Blue and White glazed Jarlet , nice potting with a flowering band at the shoulder. Size 2" by 1.5"

Semi antique blanket or sarong from the Stieng/Xtiêng ethnic group Vietnam. Over 60 years. Woven from all handspun cotton threads and is unusually large for a single panel. There is one ink stain and a small hole (see cover image- there is a stain on the right and further down and small hole). W: 100cm/39.8in and L: 185cm72in.

A Dance Mask Topeng representing Rumyang. Cirebon West Java. This mask is one of the five characters in Babakan solo dances. Each portrays an individual character. Rumyang represents a prince in his early adulthood. He is sanguine and his moves are quick and passionate. Some wear `height`; 7 3/4" (19.5 cm)

Two bone “knives” from the Golden Triangle. I acquired these in Chiang Mai Thailand about 20 years ago and was told that were used by a “hill tribe”, for ritual ceremonies that involved the symbolic letting of blood to heal the patient. Using bones in spiritual practices is a syncretic tradition in this region as the boundaries between Buddhism and the earlier Animist practices are blurred and seem to work in harmony with one another...

Rare woman’s skirt (pukhang) from the Kachin/Jingpo ethnic group, Northeast Burma. This is two panels with supplementary weft trim on the ends made of dog hair. Mostly natural dye and indigo. It is quite a durable weave with denim like feel. There is some staining, one small hole as well as a bit of dye bleeding. I could only find examples this in “Textiles of the Hill Tribes of Burma”: Michael C. Howard (plate 107) and the Metropolitan Museum of Art: Accession Number: 2002.312...

DESCRIPTION: A complete 29-piece flatware / cutlery set, made in Thailand during the late 1940s to early 1950s. Each utensil is shaped from solid brass and encased between rosewood slab handles, the tips of each with a raised brass figure in court dress and “Siam” stamped at the base. The set consists of dining or dessert cutlery for 8 people (knives, forks & spoons), plus a serving fork & spoon, sugar spoon, and a carving set...

Rare phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival. Originally these were worn by men at the waist and were thought to protect the wearer from any harm to his penis and in a more general sense they also are believed to bring luck especially in terms of “wealth generating or protection”, so a woman might keep one in her cash box to increase your money flow or in her purse to prevent it being “snatched”...

Colorful Stieng woman’s wrap around skirt from the Xtiêng (Stieng), estimated population of 7000, minority Binh Duong Province and Dong Nai Province of southeastern Vietnam. Hand woven with handspun cotton field and patterns of combination synthetic and cotton commercial yarns, this piece dates to circa 1970 to 1980 (i.e. post Vietnam War era). The Keith Harring (ish) anthropomorphic images are quite unusual. Provenance- Rob C. Clark Ethnobotanist PhD...

Square Philippine Ifugao basket with cover, known as a hu'up, used at meal time for steamed rice by the Ifugaos. Purchased in the Cordillera Region of Luzon island in the mid 1980s. Age of basket not known, but probably mid-century. 11.5"x 11.5"x 5" in height. In overall good condition.

Lovely vintage wearable woman’s dress from the Tai Dam ethnic group Vietnam. The “waist band” is all hand woven cotton cloth, while the black central panel is black raw silk, colorful silk embroidered wide bordered hem is particularly nice. Good condition, with a couple of fading streaks at the waist panel, as well as a repair in the last enlargement. Old piece- made in the 60’s or 70’s. W: 136cm/54in and L: 97cm/38in. Free shipping

Thailand Sawankhalok Celadon Brown Glaze Pottery Jarlet 13-14thc, well potted with a nice multi tone brown glaze and a beautiful rim edge. Size 2.25" by 1.75"

1# Vintage woman’s peasant dress from Isaan, Eastern Thailand. Good condition and very wearable. Made of all handspun cotton cloth with silk embroidered wide hem border. Width at waist: 151cm/59in and L: 86cm/33.8in. 2# Vintage woman’s peasant dress from Isaan, Eastern Thailand. One faded spot otherwise good condition and very wearable. Made of all handspun cotton cloth with silk embroidered wide hem border. Width at waist band: 128cm/50.5in and L: 84cm/33in.

Phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival...