Chinese white bowl carved on the outside with two rows of overlapping lotus petals. Covered with a clear ivory glaze that falls to reveal the white ware. The base and the top rim left unglazed.

Age: Song dynasty (960-1279)

Condition: Very good condition

Size: Approximately 6-1/2 cm high by 14-1/2 cm diameter

Elizabeth Keith (1887-1956)
Little Pavilion, Peking, 1935.
(aka. Little Pavilion, Coal Hill, Peking)
Size: Approximately 14.75 x 9.25 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with a couple of very faint creases. Title noted in pencil on back.

Ohara Koson
Willow Tit Sitting on a Vine
Date: 1910s-23.
Size: 14.125 x 7.5 inches.
Publisher: Daikokuya.
Koson signature and seal.
Reference: K29.1. in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Back lower left corner is toned.

This is an excellent hand-carved Japanese Netsuke depicting Shoki, the demon queller, in his usual standing position, with his sword drawn. Although he appears to have captured one of them, the other Oni is playfully standing on his shoulders while pulling one of Shoki's ears. Outstanding detail and form symmetry characterizes this miniature sculpture...

Ohara Koson
Cormorants at Coast
Size: Dai-oban. Approximately 17.25 x 11.25 inches.
Date: 1930s. This edition ca. 1960.
Reference: K3.3 and page 141 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Saito Hodo (aka Nishimura Hodo)
Street in Front of Restaurant
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist...

Ohara Koson
Owl and Moon
Size: O-tanzaku. Approximately 14.5 x 8.5 inches.
Date: 1930s. This edition post 1950.
Reference: K20.6 and page 97 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins. Never framed.

Kasamatsu Shiro (1898 - 1991)
Spring Night, Ginza
Publisher: Watanabe Shozaburo
Size: Oban. Approximately 15.25 x 10.625 inches.
Date: 1934.
Publisher: Watanabe Shozaburo. 1946-57 edition.
Watanabe black 6mm seal at lower left corner.
"Printed in Japan" and "Original Works of Art" stamped on back.
Medium: Japanese woodblock print.
Condition: Pencil note "Shiro" and tape residue at top margin.

Frank Brangwyn and Yoshijiro Urushibara
In the Docks
Series: "Ten Woodcuts" No. 8.
Paper size: Approximately 11 x 9.5 inches.
Image size: Approximately 8.5 x 7.0 inches.
Date: 1924
Edition: No...

Ohara Koson (Shoson)
Crows in Moonlight
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S5.3 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A couple of very faint spots in white sky at lower right.

Kawase Hasui (1883-1957)
Snow at Shiba Park, 1931.
(Shiba Koen no Yuki)
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower right, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #244.
Condition: Excellent. Very faint mark near left side of top margin.

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace...

A vintage Japanese 2 section Tansu chest made entirely of Kirinoki (Paulownia) wood. All original bronze hardware with straight dovetail joinery and hardened wooden nail construction. 3 drawer top section and 2 drawer bottom section. Both sections can be separated for use and display in different rooms of a home...

Kawase Hasui (1883-1957)
Rain at Omiya
Date: 1930
Size: Oban. 16.75 x 12 inches.
Date: 1930. This edition later.
Publisher: Shobisha (Acquired original blocks from Kawaguchi and Sakai).
Signed and sealed by the artist.
Reference: Hotei #215.
Condition: Crease at top center margin (photo). Light toning. Top back margin has tape. Framer's pencil note in back bottom margin.

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted nearly seven decades. The pieces shown here then would be from an earlier period and are evidence of his competency with varied styles and glazes—not just the ones he is most well-known for...

Ohara Koson
Leaping carp
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (54)
Reference: K39.3 and plate 97 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with slight toning on the back. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

Kawase Hasui (1883-1957)
Evening Rain in Kawarago
Date: 1947
Size: Oban. Approximately 14.75 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe 6mm seal at lower left corner. Used 1946-1957.
Reference: Hotei #504.
Stamped "Original works of art" on back.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil notation at upper right margin. Partial stamp at lower right margin.

Saito Hodo (aka Nishimura Hodo)
Street After Rain (雨後の街)
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed as "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist...