An unusal, deep gold feather over a pure white base, Steuben Aurene shade. The shade is ribbed and 5.5" high, with 5" across the broadest point. The rim for the fitter is 2.25". It is in excellent condition.
This is an early opalescent, paperweight technique art glass shade by Tiffany Studios. The 5" high shade's base glass layer is a very light aqua-green, which is slightly ribbed. The middle. very thin glass sheets have a off-white, "rainy" look. The shade has a highly glossed, almost mirror iridescent finish. It has the standard 2.25" fitter and is 5" high. There are small, shallow chips on the rim of each shade. Difficult to see, the imperfections will he covered by ...click for details
This is an early Tiffany Studios Favrile Lime Green Opalescent Scone or Torchiere Shade, with a raised floral design. The shade is 6.5" high and has a 2.25" fitter. Other than an insignificant flake and some roughness on the rim for the fitter, the shade is in excellent condition.
This is a Tiffany Studios off white, slightly ribbed calcite art glass shade, with a two toned pulled feather decoration. The shade is 4 7/8" high and has a 2 1/4" fitter. On the rim for the fitter is engraved: "L.C.T.". Note: the cream base has just a hint of green. The gold border of the feathers has blue highlights. The shade is in excellent condition.
A Tiffany Studios Favrile vase in a triangular bottle shape, with slightly flatten sides which gives a wonderful sense of depth and of modern sculpture. The decoration is deep blue flame with clouds of dark green, magenta, mauve, pink and blue. The vase is 6.5" high, with the width, at the broadest point across, 2.74". The vase is engraved on the base: "R243 L.C.T."
A Tiffany Studios Favrile vase in a triangular bottle shape, with slightly flatten sides which gives a wonderful sense of depth and of modern sculpture. The decoration is deep blue flame with clouds of dark green, magenta, mauve, pink and blue. The vase is 6.5" high, with the width, at the broadest point across, 2.74". The vase is engraved on the base: "R243 L.C.T."
Louis C. Tiffany perhaps intended for this lovely Golden Tiffany Favrile Decanter to hold a Liqueur, or maybe a cordial. Or the decanter might simply have been designed as a decorative piece. The 13.5" high bottle is gracefully shaped so as to reflect the deep pink iridescence around the middle, and the silvery blue highlights along the long neck of the Decanter. It has its original label, as well as being engraved: "1869D L.C.Tiffany Favrile" on its base. The condition of the de ...click for details
Many authors have suggested that some of the same designers and gaffers moved between Tiffany Studios and Quezal, under the leadership of Martin Bach, Sr. Certainly Quezal's designer, Martin Bach, Jr. was good friends with several of Tiffany's employees. This golden Favrile cylindrical vase is offered as evidence of that theory. The gold iridescent zipper design is rare for Tiffany pieces, but was used extensively by Quezal. The over all color of the vase is a deep golden yellow, whi ...click for details
Floriforms are and have always been synonymous with the names of Louis Comfort Tiffany and his Tiffany Studios. Very few of his flower forms demonstrate Tiffany's master of design and iridescence as well as this 6.25" golden Favrile Floriform. With its moss green leaves impressed within the layers of art glass. The leaves are echoed in the surface layers by golden and green flowers with railing vines. Tiffany loved floral decorations of all kinds and was particularly influenced by t ...click for details
This diminutive Floriform in iridescent white, with a golden stretch glass center and light lemon yellow stalk is a perfect example of the mastery of iridescence and detail for which Louis Comfort Tiffany is known. Not only are the details of this 5" beauty stunning, but the colors are magnificent, including the graceful design and the two tones of amber on its base. The base is etched "L.C.T" and "T 52", as well as the label of Maude B. Feld, a well known and highly r ...click for details
