This is a bell shaped cream aurene, translucent shade by Frederick Carder and Steuben. The shade has a gold drape design with a ruffled edge on the larger rim. It is 4.5" high with a 2.25" rim for the fitter. The Steuben logo, the Fleur-de-Lis, is on the small rim. The shade is in excellent condition.
A pristine, white pulled feather Lustre Art shade, with dramatic iridescent threading along the bottom. The base glass also has strong light magenta highlights. The shade is 5.5" high, with a 2.25" rim for the fitter. On that rim is engraved in white: "Lustre Art". The conditon is excellent.
This is chimney shaped, Quezal Art Glass Shade in a gold fishnet design over light cream base. The shade is 7" wide, 3" high with a 3.25" rim for the fitter. The name "Quezal" is engraved in black on the small rim. It is in excellent condition.
Louis C. Tiffany frequently used turtle back tiles in his windows, mosaics and mantle pieces. But for this 15.5" high bronze lamp, the shade is composed of three tiles. The pallet is green, gold and yellow, with flashes of deep blue and purple iridescence. The bronze is the brown and green patina. The two side turtle back tile "panels" are each 3" wide and the center one with its emerald green, scarab shaped applied glass decoration, is 4" wide. The base of the lamp is 5 ...click for details
Martin Bach and Quezal produced this extraordinary bell shaped art glass shade made out of a golden heat reactive glass. The King Tut wave design is done in white. The rim of the ruffled base is in deep blue iridescence. The glass is enhanced by magenta, blue, silver, and gold highlights. The shade has the standard 2.25" fitter and is 5" high. This design and shape is Roberts' shade 18, pictured in the Darrah Roberts' book, "Art Glass Shades". The condition of the sha ...click for details
A Tiffany Candlestick Shade, in colors that we have rarely found, was originally designed for use with a bronze base or as part of a intricate candelabra. The shade is cased glass over a iridescent cream calcite. The many colors of the pulled feather decoration are in the soft green, aqua and yellow tones, with a touch of a deep burnt orange, almost brown. The accents are pure white which set off nicely the "waterfall" effect of the other colors. The shade is 5.25" higher and has ...click for details
The complexity in the execution and design of this stunning shade is wonderful. The bottom portion of the shade is gold, but because of its shiny, mirror like finish, the base's pink and green highlights give the appearance of a light magenta, or light green, depending on the light source. The pulled feather on the top portion of the shade, is on a matte, textured finish, giving a light green tone to that portion of the shade. It is 5" high with a 2.25" rim for the fitter. On the s ...click for details
Only a few designers produced white shades with no design. Steuben was one, and so was Quezal. This 6.25" shade is white, but not plain. Its gracefully ruffled edge displays the light gold iridescent interior. The shape of the shade is reminiscent of a vase, adding additional interest. The name "Quezal" is engraved on the 2.25" rim for the fitter. Not only is the color of the shade perfect, but so is the condition.
This elegant, snow white Quezal Art Glass Torchiere Shade will compliment either the Art Nouveau or the Art Deco period decor. An impressive 7" high, with a 4.25" base opening and a 2.25" rim for the fitter, the shade is in perfect condition. The name "Quezal" is engraved on the inner fitter rim.
Bright and fresh as a new copper penny, Martin Bach and Quezal produced these lovely Fishnet design art glass shades, circa 1920. The 3.5" high shade is ovoid in shape, with a opal calcite base. The shade is approximately 4.5" across the widest point. "Quezal" is engraved in black on the 2.25" rim for the fitter. The shade is in excellent condition with no chips, cracks or scratches. We also have the same design in a 6" high trumpet shape and a 4.5" high ovoid ...click for details
