Tiffany Studios most likely produced this stunning pink favrile vase in the last decade of the 19th century. The design is free form decoration, with a collar of gold petals with tiny lines; and, a deep pink (over a gold luster), moving to a lighter pink at the base, In the middle of the vase, there is a wavy band which appears to be a "cut back" to a lighter color underneath the dramatic pink.
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An amazing Quezal art glass shade by Quezal in that the iridescent yellow pulled feather has a border of a light aquamarine, which is echoed in the opalescent art glass of the base. The interior of this 5.5" trumpet shaped shade is gold iridescence. It has 18 ribs, which flare out gracefully into the 4" wide slightly rippled opening. The opening for the fitter is 2 1/4". Also unusual is that it is signed "Q", instead of the normal "Quezal". Nevertheless, we un ...click for details
These are gorgeous, mint condition Lustre Art Glass Shades, first produced and identical to the pattern, shape and size introduced earlier by Quezal Glass (Martin Bach. The shades are signed in the silver white "Lustre Art". The size is 5.5" high with the standard 2.25" fitter. Their condition is mint, with no chips, roughness, cracks or repairs. Circa early 1930's.
This is a rare Chimney shaped Quezal art glass shape in a heavy gold leaf and vine pattern. The 5" shade has stunning magenta iridescence. The name "Quezal" is engraved on the fitter rim, which is 2.25". The shade has no cracks, chips or flakes and is in excellent condition.
The real mastery of Louis C. Tiffany lies in the execution and the uniqueness of the most simple of shades. For this 4.25" high bell shaped gold Favrile shade, Tiffany Studios has created an illusion of a window pane pattern by alternating the layers of glass. The fitter, on which is engraved, "LCT", is 2.25". The opening for the base is 3". Note the light blue and pink highlights. Except for two small flakes which will be covered by the fitter, this shade is in excellen ...click for details
Although manufactured by Steuben and designed by Frederick Carder during the Art Nouveau period, this white pulled feather over a bronze gold aurene glass shade has a definite Victorian feel to it. 5 1/2" high, with a standard 2 1/4" fitter, the glass when tapped, "chimes" like fine crystal. On the fitter rim, however, there is some roughness and a minor, shallow chip. Both of these issues will be hidden when the shade is placed in a fixture. However, for the sake of accuracy ...click for details
This is Trevaise Art Glass produced by The Alton Glass Company, during the sole year of its operation 1907. The 10" high vase is a green tinted, golden aurene glass, with large hearts against a King Tut wave design is a rare example of the Company's stunning production. Not a lot is known about the Company, except that they are rumored to have shared workers with Tiffany and Quezal. The quality of the vase; its design and workmanship certainly would support this idea. It is in excellen ...click for details
