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Catalogue: Artisan and Design (151)

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Featured Works  (15)
featured item Iga Vase by Kanzaki Shiho
featured item Unrai Tsubo-Jar by Morino Taimei


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Two Bizen Yunomi-Tea Cups by Kakurezaki Ryuichi

Catalogue: Artisan and Design: Ceramics: Pottery: Cups: Pre 2000   item# 747659

Two Bizen Yunomi-Tea Cups by Kakurezaki Ryuichi
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33,000 yen each--Exchange Rates at www.xe.com/ucc/ 

Even with his yunomi-green tea cups, Kakurezaki Ryuichi shows his distinctive style and flair, here seen with perfectly etched lines for gripping and also decoration. One is round and the other a slight square; both have fine 'clay flavor' and are in perfect condition with signed boxes; both 9.5cm.tall; the left dating to early in Kakurezaki's career and the right about 10 years ago.


Iga Vase by Tsujimura Kai

Catalogue: Artisan and Design: Ceramics: Pottery: Vases: Contemporary   item# 747347

Iga Vase by Tsujimura Kai
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88,000 yen--Exchange Rates at www.xe.com/ucc/ 

Here is an Iga vase by Tsujimura Kai very much in the style of classic Momoyama period 16th century and father's Shiro's works. Kai has been labeled as being too good for his young thirties age, except he had a grand advantage of being at his father's side since his early youth. Lots of character in form and firing here; in perfect condition with a signed box,29.3cm.tallx15, signed on base. Look for a Kai one-man exhibition in early April.


Kohiki Karatsu Tokkuri by Nakagawa Jinembo

Catalogue: Artisan and Design: Ceramics: Pre 2000   item# 745858

Kohiki Karatsu Tokkuri by Nakagawa Jinembo
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58,000 yen--Exchange Rates at www.xe.com/ucc/ 

Tokkuri-sake flasks have many different shapes and names and one style is called an owazuke-dokkuri. These are usually larger in size and hold san-go (540cc) of sake---enough for two-three people at a formal kaiseki meal. Here is such an owazuke-dokkuri yet one doesn't need a kaiseki meal to enjoy it. It was made by Nakagawa Jinembo(b.1953), a very popular Karatsu ceramic artist that exhibits throughout Japan; Nakagawa established his own kiln in 1982. The rounded form recalls Korean prototy ...click for details


Shodai 'Boat' Flask-Vase by Inoue Taishu

Catalogue: Artisan and Design: Ceramics: Contemporary   item# 745387

Shodai 'Boat' Flask-Vase by Inoue Taishu
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On Reserve 

This is a hatsu-gama or 'first kiln' piece dating to the New Year 2007; it again shows the mastery Inoue has of Shodai pottery; in perfect condition with a signed box, 13.3cm.tallx15, signed on base; more tomorrow, have to run to Tokyo now!


Shodai Serving Platter by Inoue Taishu/Others

Catalogue: Artisan and Design: Ceramics: Pottery: Plates: Contemporary   item# 744958

Shodai Serving Platter by Inoue Taishu/Others
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On Reserve 

Inoue Taishu(b.1941) is a ceramic artist who should be recognized as a Living National Treasure for Shodai-yaki. As every worthy potting center needs a LNT, or simply a leader, without a doubt for Shodai-yaki it's Inoue-sensei. He first studied in Kyoto with Morino Kako (1959) and then studied at the Takemiya kiln(1960) with the first Chikashige Jitaro. A few years later he established his own kiln in Kumamoto in 1965 and then built a noborigama kiln at the base of Mt.Shodai in 1968. It' ...click for details


Large Mashiko Tsubo-Jar by Sakuma Fujiya

Catalogue: Artisan and Design: Ceramics: Pottery: Jars: Contemporary   item# 743647

Large Mashiko Tsubo-Jar by Sakuma Fujiya
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185,000 yen--Exchange Rates at Exchange Rates at www.xe.com/ucc/ 

Sakuma Fujiya(b.1963.) is a fourth generation Mashiko potter and current master of the Sakuma Totaro kiln. His grandfather is the legendary Sakuma, great friend to Hamada Shoji, and a grand potter in his own right; a good article on Totaro can be read on e-yakimono.net. Fujiya studied art at Nagoya University of Art before returning to Mashiko to work with his father Kenji. He uses traditional Mashiko materials in a very fresh way; his glazing is exceptional with kaki-persimmon, nuka-rice husk, ...click for details


Various Drinking Vessels by Ichino Masahiko

Catalogue: Artisan and Design: Ceramics: Pottery: Cups: Contemporary   item# 743645

Various Drinking Vessels by Ichino Masahiko
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Please See Description 

The vertical striped cups recall the Edo period style known as mugiwara-de and the horizontal lined cups take the motif in another direction; all the work of Tamba's innovative and celebrated ceramic artist Ichino Masahiko(b.1961). No reason why not to add a bit of flair and style to the table; the two tallest cups are 13.5cm.tall and priced at 16,800 yen each; the three horizontally striped cups are 13cm.tall and priced at 12,600 yen each; and the three shortest ones are 7.8cm.tall and pric ...click for details


Bizen Crane's Neck Vase by Kakurezaki Ryuichi

Catalogue: Artisan and Design: Ceramics: Pottery: Vases: Pre 2000   item# 742948

Bizen Crane's Neck Vase by Kakurezaki Ryuichi
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Price On Request 

This tsurukubi-crane's neck vase is Kakurezaki's take on an ancient form, of which he's given it his own flair and style. He did so by making a disc-like base and a tall leaning neck that ends in a beak-like opening; the firing here is also top-notch and was placed in a key point in the kiln. In perfect condition with a signed box, dating to 1994, 28cm.tall, signed on base. More about this important Bizen ceramic artist in our archives or at e-yakimono.net


Roof Tile Plate by Ichino Masahiko

Catalogue: Artisan and Design: Ceramics: Contemporary   item# 742082

Roof Tile Plate by Ichino Masahiko
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48,000 yen--Exchange Rates at www.xe.com/ucc/ 

Based on ancient temple roof tiles, this very contemporary plate is the work of Ichino Masahiko, more about Ichino--a very innovative Tamba ceramic artist--in our archives or see a fine interview on e-yakimono.net. In perfect condition with a signed box 6.5cm.tallx25x18.7,signed on base.


Shigaraki 'Jar' by Kato Takahiko

Catalogue: Artisan and Design: Ceramics: Contemporary   item# 741165

Shigaraki 'Jar' by Kato Takahiko
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100,000 yen--Exchange Rates at www.xe.com/ucc/ 

Shigaraki ceramic artist is totally unique in his approach to this ancient style, having more in common with a Kyoto cosmopolitan sensibility than a country potter. Should be, as Sodeisha founding member Suzuki Osamu took Kato under his wing at a very early age, right around elementary school age in fact. Suzuki was also an admirer of Kato's work as he matured in his 20s. This piece was fired just last month and continues with Kato's shinogi arched forms, this time captured in a smaller ...click for details

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