Sciarrotta was smuggled out of Italy into the US during World War II to work on submarine technology. Afterwards he settled in Newport, RI and created a small line of hand-made sterling silver hollowware. These were retailed in his own shop and eventually by a few select stores including Shreve Crump & Low, Gorham, and Bailey Banks and Biddle. This is the only example we’ve seen with Cartier’s retailer mark. Cartier generally does not allow its designers to sign their work, and in keeping with this policy, the only mark besides the Cartier name is an “S” for Sciarrotta. The pattern number is 9. Sciarrotta’s designs are in several museum collections including the Smithsonian.

Sciarrotta was smuggled out of Italy into the US during World War II to work on submarine technology. Afterwards he settled in Newport, RI and created a small line of hand-made sterling silver hollowware. These were retailed in his own shop and eventually by a few select stores including Shreve Crump & Low, Gorham, Bailey Banks & Biddle, and Cartier. This copper example has the earlier and less common hallmark that Sciarrotta used only at his own studio. Sciarrotta’s designs are in several museum collections including the Smithsonian.

This set was featured in Gorham's 1929 catalogue under the heading, "Sterling Splendor: Eminently Indispensible Silver Necessities of the Luxurious Modern Home." The set was the most expensive shaker offered by Gorham and cost the equivalent of a car or a small farm. Partly as a result of its sellling price, this set is one of the rarest cocktail shakers ever made. Gorham produced silver in the Art Deco and modernist style for only a short period (1926-29) under the guidance of famed silversmith Erik Magnussen worked there. Though it has been attributed to Magnussen (Visakay), it was probably not one of his designs since none of the very few examples are signed by the designer.