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Mother & Children in Garden: Adolphe Monticelli
Catalogue:
Fine Art:
Paintings:
Oil:
Europe:
French:
Pre 1900 item# 1130504 (stock# 2562)
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King Art
414-276-6779
"Price on Request"
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Adolphe Monticelli, French, 1824-1886. This lovely oil on panel is 14 6/8"h by 11 3/8"w in a lovely 19th C Frame (22 1/4"h by 18"w). It is signed and in good condition. A pupil of Paul Delaroche, the master who was to have the greatest influence over the young Monticelli was N. V. Diaz de la Peña, whom he met when he returned to Paris from 1855 to 1856. Monticelli’s visits to Paris exposed him to the Rococo Revival, which was being popularized by artists including Diaz, and he started producing scenes of courtly figures in garden settings à la Watteau. This became a favorite subject, and from the 1860s until the end of his career Monticelli treated numerous variations on the theme. His final sixteen years were his most productive. The vibrant colors and thick, impastic surfaces of his late works struck a responsive chord in the young Vincent Van Gogh, who collected Monticelli’s paintings and expressed his indebtedness to the older artist’s work.Museums:Atlanta, High Museum of Art; Caen, Musée des Beaux-Arts; Compiègne, musée national du château; Dijon, Musée national Magnin; London, National Gallery; Lyon, Musée des Beaux-Arts; Marseille, Musée Cantini, Musée des Beaux-Arts; New York, Metropolitan Museum of Art; Paris, Musée du Louvre, Musée d’Orsay, Musée national Jean Jacques Henner; Péronne, Musée Alfred Danicourt; Rouen, Musée des Beaux-Arts; Strasbourg, Musée d’art moderne et contemporain;
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Landscape: Red Haired Woman & Child: Claude Buck
Catalogue:
Fine Art:
Paintings:
Oil:
N. America:
American:
Pre 1950 item# 1130306 (stock# 2561)
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King Art
414-276-6779
"$3500"
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Claude Charles Buck, Santa Cruz, California, 1890-1974. This stunning jewel is Claude Buck at his usual dreamy best. It is oil on board of a beautiful red haired mother and child in a landscape with a crescent moon and flowers. It is 9 1/2" H" by 7 3/8" W in the original American frame with overall dimensions of 15 1/2" H by 13 3/8" W. It is oil on board. His painting go for up to $25,000 and he is listed in Davenport and Who was Who in American Art.
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Expansive River Landscape: Levi wells Prentice
Catalogue:
Fine Art:
Paintings:
Oil:
N. America:
American:
Pre 1930 item# 1122686 (stock# 2559)
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King Art
414-276-6779
"$50,000."
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Levi wells Prentice, American,born 1851, Harrisburgh, New York-1935, Philadelphia, Pennsylvania. This large oil on canvas is a beautiful example of his semi primitive landscapes. It is 24"h by 36"w and is in the original frame. It is signed and in good condition, has been restored and lined. He lived and was active in New York and Connecticut A self-taught artist Levi Wells Prentice is best known for his realistic still-life compositions of fruit arranged within a landscape, or abundantly spilling from bushel baskets. Early in his career, he painted portraits and landscapes of the Adirondack Mountain region of Lewis County, New York, where Prentice was born in 1851.
Prentice later turned to painting still-life subjects when he moved to Brooklyn, New York in 1883. He was a member of the Brooklyn Art Association and frequently exhibited his paintings there. In addition to his artistic talents, Prentice also designed his own frames and made his own brushes and palettes.
Prentice's fruit still lifes are compositions are intended to create dramatic contrasts. The shift between dark background areas and the vibrant hues of the fruit are done to give the compositions an exciting, visual energy. The fruit is presented with clarity and precision. An emphasis is placed on the idea of man vs. nature. The wooden baskets with hand wrought nails represents a structured, man-made object, while the overly ripe fruit represents the fleeting qualities of nature.
These paintings also demonstrate Prentice’s remarkable skills at rendering color, form, and texture. Noted art historian, William H. Gerdts observed: “there are several works by Prentice in which he achieves a quality of illusionism which is unsurpassed.” (1)
In 1993, the skillful 'illusionism' of Levi Wells Prentice was celebrated in a retrospective exhibition at the Adirondack Museum in New York. His works continue to receive a high degree of appreciation by collectors today. His works are represented in many museums including the New York State Museum, Museum of Fine Arts, Boston, Montclair Art Museum, Philbrook Museum of Art and Yale University Art Gallery.
His paintings sell for up to $150,000.
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Mexican Girl in Braids: Diego Rivera
Catalogue:
Fine Art:
Paintings:
Watercolor:
Pre 1930 item# 1120470 (stock# 2557)
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King Art
414-276-6779
Price on Request
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Diego Rivera, Mexican, 1886-1957, Title Flower market, Medium Lithograph, Year of Work 1930-1930, Size Height 10.8 in.; Width 16.1 in. / Height 27.4 cm.; Width 40.9 cm. Edition 45/100, Found./Pub. Weyhe Gallery, pub. Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada, whose printmaking shop stood near the school. At the age of twenty he won a traveling scholarship and spent the next three years in
museums and painting in Europe, expressing little of what he felt. In 1910 he returned to Mexico and became involved in the revolution that ended with the forcing out of office the aging dictator Diaz. In 1911 his scholarship was renewed and he sailed for Europe again, this time for a period of ten years. In Paris, he set up housekeeping with a pretty Russian blonde named Angeline Beloff, his first common-law wife; from her he learned the Russian language and from her friends he learned all about Marxism. He also learned about Cubism and Picasso. A trip to Italy gave him a chance to study Giotto, Uccello and Andrea del Castagno. In 1922 he returned again to Mexico and joined forces with two other revolutionaries, Siqueiros and Orozco. They formed a government-backed syndicate of artists who changed from easel painting to working on murals. In the next decade he did what was probably his greatest work: frescoes in Cuernavaca and in Chapingo, where his favorite model was Guadalupe Marin, a tempestuous olive-skinned beauty. They married and she bore him two daughters. He proved to be a master of figure composition, of space and light, of crowds of farm workers and battle scenes, etc.
In 1927 Rivera decided it was time for a visit of homage to Moscow; he met and sketched Stalin for which he was very honored. Later he did a complete reversal about Stalin. When he got home from Moscow he met and married a pretty art student named Frida Kahlo. They moved into her home in Coyoacan, a Mexico City suburb. Among their many guests was Leon Trotsky who lived with them for two years while he wrote a biography of Stalin, his enemy. Kahlo died in 1954 and not long after, Rivera married again; this time he married Emma Hurtado, a magazine publisher who also had a gallery dealing in Rivera paintings. Rivera was notorious for his murals in which he openly expressed his opinions on many controversial subjects of the day. The most notorious of these was the one in Rockefeller Center which was reduced to dust by the Rockefeller family after Rivera refused to remove the painting of Lenin uniting the workers. Rivera also worked hard at painting society portraits by the dozen; he did very popular flower paintings, sexy nudes and typical Mexican scenes. He painted the beautiful Dolores Del Rio and Paulette Goddard, the movie actress who posed for him at least twelve times. He made a lot of money which he got rid of as fast as he could make it. He was known as the softest touch in all of Mexico, giving away money to friends, guests and street beggars. He died in Mexico City on November 24, 1957.
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Bronze Figural Sculptures: Javier Marin
Catalogue:
Fine Art:
Sculpture:
Bronze:
Pre 1990 item# 1120469 (stock# 2556)
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King Art
414-276-6779
Price on Request
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Born in Michoacán in 1962, Javier Marín has lived and worked in Mexico City since the 1970s. He studied at the National School of Visual Arts (Academy of San Carlos) of the National Autonomous University of Mexico.
In his work, Marín has developed historically universal aspects of art. Employing the human figure as the basis for his formal language, he deals with multiple themes, ranging from the fragile nature of human existence to the condition of man capable of transforming the world, using the potential of artwork to transmit meaning to its fullest. He conceptually and physically constructs each sculpture, based on an innovative combination of diverse materials: ranging from bronze with polyester resin to resin combined with amaranth seeds, dried meat, earth, flower petals, or tobacco.
Beginning in 1983 Javier Martin began to participate in group exhibitions, and three years later, he had his first solo exhibition. Since that time, with more than 50 one-man and 200 group exhibitions, his work has been presented in cultural institutions and spaces of major importance in Mexico, Latin America, the United States, Europe, and Asia.
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Modernist Original Drawings: John Ulbricht
Catalogue:
Fine Art:
Drawings:
Pencil:
Pre 1950 item# 1120464 (stock# 2555)
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King Art
414-276-6779
Price on Request
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John Ulbricht, Cuba, Illinois, and working living in Majorca, Spain for many years, 1913-2007. He is known for Figural, Modernist and Abstract Compositions, Paintings and Drawings. These dynamic drawings represent his early original drawings from 1946-50 when he was living in the USA: Chicago and Denver, before moving to Majorca, Spain. His early work can be considered a period of peak artistic energy and exploration. They are pencil on paper out of his original drawings books from the estate of his Father in Law Robert Von Neumann, an important Midwestern wpa artist. Ulbricht has a long and productive artistic career and is listed in Who was Who in American Art. He has a extensive gallery and exhibition record and is in many museums including The National Portrait Gallery.
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