Offered here is one of two identical silver trays (or bowl) by Ellis Barker, England. The tray is 16" in diameter and about 1 1/2" deep. The entire interior of the bowl is engraved except for a small circle in the center, which could be monogrammed if so desired. The edge of the bowl is rich with repousse' floral, foliage motifs and scrolls. The back is marked ENGLAND, and bears the Menorah mark, which has been the Ellis Barker mark since 1912. These trays are circa 1940.
Offered here is one of two identical silver trays (or bowl) by Ellis Barker, England. The tray is 16" in diameter and about 1 1/2" deep. The entire interior of the bowl is engraved except for a small circle in the center, which could be monogrammed if so desired. The edge of the bowl is rich with repousse' floral, foliage motifs and scrolls. The back is marked ENGLAND, and bears the Menorah mark, which has been the Ellis Barker mark since 1912. These trays are circa 1940.
Here we have a wonderful, folky, small weathervane that probably dates to about 1930 or so. It has great chippy paint, which is early but not original, since there is evidence of other layers beneath it. It measures 13" high and is 14" at it's widest point.
Here we have a lovely little sculpture of a Great Horned Owl perched on a branch. It is a fine casting with superb detail and lovely patina. It is signed, and I have photographed the signature for you, but I have been unable to decipher it so far. I think it was probably cast late 19th century to early 20th century. It is perfect, and is approximately 3" tall.
Here is a nude male torso cast in aluminum, probably done mid 20th century, maybe as late as 1970. It is one sided, the opposite side being hollow. It is flat on the bottom so it stands on it's own. The signature is really difficult to make out but, by process of elimination, I came up with Chemin. Joseph Victor Chemin was a 19th century sculptor, whose signature looks like the one on this torso, but I am only familiar with his animal sculptures, for which he is most famous. Anyway...th ...click for details
Offered here is a handsome, solid brass candlestick cast in the form of the old altar sticks. This candlestick was made sometime in the 20th century. It has a beautiful column, the base has those lovely scrolled feet, and it has developed some patina. It's quite heavy, not something you have to worry about the cat knocking over. A stand out decorative piece to be sure, and 23" tall.
Here we have a whimsical tole painted candelabra in the form of a happy tangle of flowers, fruit, foliage and vines. It's early, as tole goes, and probably dates to the 40's or 50's. The flowers are sort of splashed with bright colors, and neither flowers or leaves are painted in one dimension. Everything has shading and outlines, despite the slightly haphazard approach. I love that whimsy, but also particularly like the curly feet and the twisted column. The candle stand is in ...click for details
Here we have a wonderful gilt metal jardinier that dates to late 19th- early 20th century. It is made of pressed metal, possibly brass, with a gilt finish which is less bright now on the outside than it is on the inside. The planter is embossed with various Egyptian Revival motifs including urns and fans, and has a rope twist edge on the top and the bottom. It is raised on four embossed feet. The liner is tin and is removable by two little loops on the inside. The interior is painted dark g ...click for details
Here we have my latest tole tray, found on my recent shopping trip and, if the color alone isn't just over the moon, the pierced edge and the charming little hand painted scene is. The size is a substantial 21.5" by 14.5" and it is in good condition with the expected scratches and evidence of age and use. Early 20th century.
Offered here is a stunning tole tray, hand painted in gilt enamels on black. The tray is substantial in size, measuring 26.5" by 19.5". It is signed by the artist and is in excellent condition. Early 20th century.
