Japanese woodblock print triptych of swimming turtles and fish with actor mons and human faces by Yoshu Chikanobu (1838-1912) dated 5th month of Meiji 19 (1886). The convention of disguising portraits of actors arose in the Edo period when bust portraits of actors were banned, through the Tempo Reforms of 1841-1843, for being conspicuous and a detriment to public morality. Each panel measures about 14"V x 9 1/8"H. The print is in good overall condition with fading evident. The pane ...click for details
Japanese Meiji period woodblock print depicting William Howard Taft viewing a sumo match during his 1905 diplomatic mission to Japan. With Taft weighing in at over 300 lbs., this print is likely offering a subtle comparison between Taft and the wrestler. This print is unsigned and undated. 14 3/4"V x 10 3/8"H. Very good color and impression quality. Good overall condition with pigment transference at the upper left corner, some minor soiling, and a few small holes and thinned area ...click for details
Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish receiving punishment after being found guilty by a judge for causing the Ansei earthquake of 1855. A group of human-like catfish watch as the punishment is being meted out. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements. A series of namazu-e were published anonymously in Japan shortly after the Ansei ea ...click for details
Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish playing a samisen beside an oni (demon) who is seated casually reading a book. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements. A series of namazu-e were published anonymously in Japan shortly after the Ansei earthquake hit Edo (now Tokyo) in 1855. The prints were believed to offer protection against fut ...click for details
Rare Japanese woodblock print kakemono (vertical diptych) by Toyohara Kunichika (1835-1900) depicting Onoe Kikugoro V as Nikki Danjo, the archvillain of kabuki roles, transforming himself magically into a rat. The kabuki play “Meibuku Sendai Hagi” (“The Disputed Succession”), deals with an assassination attempt on Tsuruchiyo, a child who had inherited the position as head of a Semdai clan. A stolen scroll containing a list of assassination conspirators is in Nikki Danjo’s mouth. Published by ...click for details
Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V. Each ...click for details
Russo-Japanese War triptych illustrating the surprise attack on Russia’s Far Eastern Fleet at Port Arthur that initiated the war. A large torpedo-boat is at the center. Two Russian ships at the upper left have been hit and are sinking. Three Japanese battleships are at the upper right. The title cartouche at the upper right describes the scene in both Japanese and English as “On the night of the 8th of February 1904, our brave fleet of torpedo-boats fired at the Russian squadron at Port Arth ...click for details
Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H). ...click for details
Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background. The print is signed “Issen Yoshikazu” a ...click for details
Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident. The print has been stored away from sunlight ...click for details
