Catalog (430)

This is a very charming kimono made of thick cotton from the Meiji era. The outer material is stencil dyed, and the back side is asamai-shibori cloth with indigo dyeing. It's a technique called aigaeshi. There are no stains or damage, and the condition is very excellent. Recommended for your collection. Size:Length:131cm(51.57inch)inch / Cuff to cuff, across the back: 120cm (47.2inch)

It is a sashiko hanten from the Meiji era. All sashiko are hand-sashiko. It was made in Hirosaki City, Aomori Prefecture during the Meiji era. The white thread is used to express indigo-dyed cotton-type dyeing with sashiko stitches. There is a little dirt. But it doesn't stand out. There is no damage. The condition is very good. Cotton is thick and feels good. It is a valuable gem. Size::length 70cm (27.6inch)

This was made in Amagi area in the Meiji era. This cotton was spun by hand. This Shibori was dyed with an indigo plant of nature. It is a swallow and a rainy image.In the small ring of Mame-ire Shibori, size delicately changes for handwork. And the vertical stripe has little rolling. It is a good point and fun of the handwork. F3.White cloth of the lining has thin stain and several places of eyelets. F1F2. However, they are hardly seen from the surface. An item of the same kind is placed in...

This is Yogi of the great high quality of Edo period. As for this, the Kaiki- silk of the high quality is used. As for this, silk Katazome is used for the part of the shoulder. It is dyed with an indigo plant. And it is a cover for the shoulder regions. As for this, around four holes from 2cm to 3cm are seen in a Katazome part. The green Tumugi- silk thread is basting thread. In this Yogi, good-quality silk spun by hand is used. And it is very thin. Because it is dyed, as for this, dye of high ...

Hand-sashiko is a hand-spun, moderately soft cotton cloth dyed with high-quality indigo dye. The good color of natural indigo dyeing and the stabbed with soft hand-spun cotton cloth make a beautiful change with moderate effort. It is the tranquility used by wealthy farmers in the Shonai region during the Edo period. This modified natural indigo dyeing has something in common with the dark blue comfort of Van Gogh's painting The Night Café. It is an item that heals the remaining eyes without u...

This is tsutsugaki textile from the Edo period. A design of lions and peonies in the midst of silent falling snow. It's not flashy, but it looks like a fusuma painting from the Edo period. Both the indigo dye and the cotton are from the Edo period, and they have a very nice texture. There is one slight repair mark on the upper left corner. There are some light stains, but overall the item is in very good condition.Size:Length:170cm (66.9inch)inch / Width:150cm(59inch)

This is the Katazome cotton festival costume used in Edo during the Edo period. It is dyed with natural indigo. Cotton is hand-spun and thick. It has a few repair marks, but it doesn't stand out. The condition is good and there are no stains. Size: Length 142cm / 55.9inch Cuff to cuff, across the back: 122cm / 48inch Box.c

Japanese antique natural indigo dye hand-spun Thick hemp long Roll katazome. is no damage and it is in very good condition. Size: Length:964cm / 379.52inches Width: 34cm / 13.3inches

This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage. Size::length:162㎝　/ Width129cm

This is a japanese antique very rare Ramie( choma )child kimono used for edo in Kyoto. This is dyed in natural indigo plant and Benibana. This is colored the both sides into in Katozome. This hemp is spun by hand. This has five places of small stains, but does not stand out. There is no damage really. The state is complete. Size 123cmx 121cm (38.1 "x 38.9 ")

This is a Fusube-kawa (Smoked leather) wallet from the Edo period(1800-1867). Fusube-kawa is a leather that smokes the ground black with the smoke of pine needles and leaves a white pattern. The pattern is expressed by collecting samples of Fusube-kawa type dyeing. It is a valuable item to know a part of Fusube-kawa crafts in the Edo period. Wealthy people in the Edo period put koban (gold coins) in this wallet. People in the Edo period carried this wallet in the tummy of a kimono, so a cloth wa...

This is a Very rare in the Edo period Asamai-shibori textile.It's handspun & natural indigo dye cotton. The texture of this thick indigo-dyed cotton has the characteristics of the Edo period. Shibori thread remains in several places. There is no stain. There is one small hole. The lining has brushed cotton and is double-layered. Size:Length:124cm(48.8inch ) / Width: 86.0cm(33.8inci)Box.D

This japanese antique katazome thick noragi is made by splicing together fabrics from the Edo and Taisho periods. The katazome of the Edo period, hand-spun indigo dyed cotton, is very beautiful. Light stains do not stand out. There is one damage on the back. Size:Length:82cm (32.2inch) Cuff to cuff: 122cm 48.0inch)

This is Japanese Antique Textile Excellent shibori (Tie-dye)& sashiko stitch Farmer's Vest at the Meiji era.(1890~1910) This item was made in the Meiji era in Hirosaki prefecture, Aomori prefecture. Almost unused. All sashiko are hand-stitched. Indigo dyed cotton and shibori (Tie-dye) & sashiko stitch are wonderfully beautiful. It's a wonderfully beautiful motif. It's very gorgeous. The condition is very nice and beautiful. It's a work of art with great antique textile. ...

This is japanese antique idigo dye cotton boro long noragi Shonai sashikoused in the Shonai region of Yamagata Prefecture during the Meiji period. (1868-1911) The indigo dyeing on the back is also very charming. Thick hand-spun cotton cloth is layered and sewn with Sashiko stitching. 　 Enjoy wearing it. Size:Length:107cm (42.1inch) Cuff to cuff, across the back: 122cm(48inch)

This is a Japanese antique indigo dye cotton Boro noragi old Farmclothes Thick of patched and sashiko stitch Meiji (1868-1912). It was repaired many times, and the boro rag that were used became wonderful folk art by themselves. The patchwork & sashiko stitch of the indigo dye cotton for the repaired is very beautiful. The string of the repair is also charming. This noragi can enjoy both sides. size: Length 90cm (35.4inch) sleeve to sleeve 90.5cm (35.6inch)

This is shijira Noshime kimono of the samurais with luster dyed with an indigo plant of nature of the Edo era. This has two places of small holes and thin stain This Nosime features deep indigo dyeing with clean luster and Kasuri of transparent blue. In this way, Nosime of the indigo dyeing of Sijira with the luster is rare. This was made in Kyoto and was used in Akita. Size 141cm x 132cm (55.5” x 51.9”)

This is Tsumugi-Silk Zansi kimono used in Niigata in the end of the Meiji era. This Tsumugi-Silk is spun by hand. This is thick. As for this, very good-quality dyed Tsumugi-Silk is used for a weft. As for this, the warp is a cotton thread. You can enjoy gradation of colorful silk thread. As for this, cotton cloth and muslin cloth are used for lining. There are many small holes on the muslin cloth. However, the state that a dress material does not have the stain damage at all is complete. This...