The various events feature the following big name boxers: Muhammad Ali or Cassius Clay, Joe Frazier, George Foreman, Floyd Patterson, Jimmy Ellis, Jerry Quarry, Joe Bugner, Bonavena and Inoki. Dates of the various events range from 1967 - 1976.

These UNSOLD tickets were acquired from the Albany area printer who printed the tickets for each of the theatre telecast events; they remained his property over the years and are guaranteed original!

All tickets are in absolute mint condition! Please ignore any color variations or shape distortion that may be seen in the photos- such are the result of poor photography and do not reflect the condition of the tickets which is perfect!

This rarely found copy was written and illustrated by the renowned author of a number of Raggedy Ann and Raggedy Andy stories of the period, Johnny Gruelle. The book was published in both the United States and Great Britain in 1926, by the P.F. Volland Company of Joliet, Illinois.

This copy has superficial scratches to the front and back covers, wear on book cover edges, subtle bending of the cover boards and some staining to the back cover (see photos). The book retains a 1929 dated inscription as well as pages numbered in pencil by a previous owner. A couple of pages also have minor tearing and staining. The binding is super-tight and all pages remain present.

The book is eleven chapters in length, approximately 88 un-numbered pages. Book is filled with a variety of black-ink and full-color illustrations as represented in photos. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.

In wonderful, all-original condition, the bank retains its original screw closure and the majority of its paint, with minor and insignificant paint loss as noted in photos.

In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but the mechanism does have the tendency to stick a little. There is no maker's mark evident.

The CZAR Baking Powder card was printed by the Empire Lithography Company, Pearl Street, New York, and is so marked at the bottom of the front side. This card is brilliantly colored with a phenomenal graphic of a Mammy and her son admiring an utterly huge loaf of bread which presumably owes its immense size to CZAR Baking Powder. The reverse side carries a testimony by a Yale College professor attesting to the wonder of the CZAR product which is manufactured by Steele and Emery Company of New Haven, Connecticut. The card measures 3 inches x 4.75 inches.

The MISFIT Clothing Company card is copyrighted 1898 by J.H. Bufford Company in the lower right front corner. In the upper left corner, the card is entitled "In the Land of Cotton" and features a wonderfully detailed scene of African-American families working the cotton fields with a large cotton gin looming in the background. The card measures 2.75 inches x 4.50 inches. The reverse side is an advertisement for Misfit Clothing sold by the J. Bamott & Company of Washington Street, Boston.

The Welcome Soap advertising card also measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.

All three trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading. The back sides of the Czar card and the MISFIT CLOTHING card have glue stains.

These rare trade cards would be stunning matted and framed as a group!

The character of Rastus was based on an actual person- a black waiter from Chicago- who was paid $5 for the use of his image by Colonel Mapes, the General Manager of the Nabisco Company, the owner of Cream of Wheat. The company began using the waiter’s image in the early 1900’s, replacing the original woodcut of a black chef that appeared on the packaging from 1894 until that time. Interestingly from a social and historical perspective, the depiction of the ever-pleasant, always-smiling Rastus was both a subtle yet positive departure from the extremely derogatory advertising much more typical of the era- advertising that nearly always featured blacks with wildly contorted and exaggerated features most often in very undignified poses and predicaments.

This beautiful puzzle, which is in excellent condition, is attractively framed in a hardwood molding colored in walnut, ebony and gold. The puzzle frame is original to the puzzle, and it is contemporary to the production date of the puzzle as it still retains its original wood panel backing, a framing technique not typically found after 1910. The puzzle pieces, themselves, are very finely and delicately cut, and are of a much smaller size than what is typically found in puzzles dating from the 1920’s and beyond.

A phenomenal piece that would be a centerpiece to any serious Black Americana, Advertising, or Cream of Wheat collection!

A tiny bisque black boy holding a watermelon slice is seated on a throne of sea shells. The name of the location that this sea shell souvenir was meant to commemorate is worn and is no longer readable.

The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.

Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.

The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!

The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.

The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).

Certainly a very visually appealing trio!