Jozef Israels, Dutch fisherman"s wife at the beach waiting for his return. A beautiful impressionist painting oil on canvas signed lower left measuring approx. 14 x 18 inches in excellent condition.
Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche.
Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen.
Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.
Claude Lacaze original oil on panel cubist nudes by the sea signed lower left. measuring Approximately 20 x 30 inches in excellent condition.
Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote.
He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty.
At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights.
Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.
Original Antique 19th century Italian oil painting on canvas. Titled "Lake Como" and initialed SPH. lower right. Canvas 14"L x 20"W. Overall framed size 20" L x 26" W.
Vintage charcoal drawing of a female nude, presented matted and in a 19th C carved antique-gold frame. Image size: 24" x 18". less
Dimensions 28.5ʺW × 2.0ʺD × 34.5ʺH
A fine original modernist bronze by Heriberto Juárez signed edition # 6 of 100 measuring overall approximately 11 inches tall in excellent condition a beautiful work of art by this Mexican master. Biography
Heriberto Juárez was born in San Juan Teotihuacan, State of Mexico, and it was precisely there, land of pyramid builders and legendary sculptors, where he took his first lessons on artistic pottery, sculpture and drawing which helped him acquire the knowledge and skills he materializes in his work perform on chromium plated iron and tin, onyx, marble, bronze...
The quality, strength, expressive ability and good taste found in his work have taken him through important galleries and museums around the world and have made him worthy of recognition as one of the prominent artists who have collaborated most different cultural fields in Mexico. In addition to the fertile production of sculptural pieces Juárez Castañeda's work includes drawing, construction of monuments and to a lease degree but with the same qualities, panting. In these regards, Berta Taracen, whose opinion is acknowledged in the artistic space says: "His historical-humanistic tendency, in agreement with the society it serves, does not resign to topical and futuristic categories, but enhances the message and content of perfect technics, considering that technology, in the widest sense of the word, is the central problem of this age and praxis of the actions of modern man; having as a result a Juárez who is characteristically a Mexican artist, who makes of his technics and craftsmanship part of the historical and spiritual order without rendering them obsolete".
A highlighted part of his work and probably the most widespread is constituted by his pieces, in different materials, on bullfight subjects; magical and sometimes cryptical world which he deeply knows, due to his experience as a bullfighter while he was a young man. Along his already broad trajectory, Heriberto Juárez has been chosen to represent Mexican Art in shows, exhibitions and events of the highest world level. He has been granted scholarships to enrich his already vast knowledge of technics and artistic avant gard concepts. He has been selected to construct important monuments in the national and international ambits as well...
A nude slave girl on a bear skin rug orientalist manner oil by A. Goldwhite a listed artist. This stunningly beautiful painting is c. 1900 oil on board framed in a quality period gold leafed frame. Signed lower right A. Goldwhite measuring approximately 18 x 24 inches framed size 24 x30 inches the condition is excellent. A quality painting would be a fine addition to any collection.
Original beautiful ethereal Japanese landscape watercolor painting signed lower left Takeda. Measuring 13 x 20 inches unframed.
A fine 17th century Dutch landscape by Solomon Van Ruisdael oil on oak panel 19 x 25.5 inches signed lower right. The scene is from a area near old Haarlem where he often painted pictured is a ferryboat in the distance and an angler and woman by a cottage in the foreground. An exquisite old master painting. Biography, (1600/03-1670) Salomon van Ruysdael was called De Goyer until he and his brother Isaack changed their name to Ruysdael, after the castle near their father's birthplace, Blaricum. Salomons nephew Jacob was the only member of the family to write the new name with an 'i': Ruisdael. Salomon lived in Haarlem, but probably travelled throughout the Netherlands. He painted townscapes of various Dutch cities. Who taught Salomon van Ruysdael the art of landscape painting is no longer known. His early work is clearly influenced by Esaias van de Velde. Van Ruysdael mainly painted riverscapes. In the 1630s he and Jan van Goyen developed a new, monochrome style.
Original Vintage c.1930s oil painting Seascape by Greenwood. Dramatic colorful seascape of waves crashing over the rocks. Address on verso of former owner at Bolinas beach California. Image size 24 x 30 Inches framed in quality gallery carved gilt wood frame overall 30 x 38 inches.
A FINE ORIGINAL LITHOGRAPH SIGNED IN PENCIL LOWER RIGHT AND INITIALED IN THE PRINT AND DATED 1945. FULL MARGINS ON PAPER WITH MADE IN FRANCE WATERMARK FROM AND EDITION OF 250. 9 5/8 X 15 3/4 INCHES 14 X 18 INCHES OVERALL PAPER SIZE. ARCHIVAL MATTE AND FRAMING IN VERY GOOD CONDITION SOME MINOR LIGHT FADING AROUND MATTED AREA A PAPER SCUFF IN THE LEFT MARGIN NOT AFFECTING THE IMAGE. EXAMPLE WOULD MAKE A NICE ADDITION TO ANY COLLECTION.
John Steuart Curry: November 14, 1897 -1946
John Steuart Curry was born and raised on his family farm in northeast Kansas, and though his life and career would take him to many different locales, his heart and indeed his work never left the land of his birth. Studying art originally at home as a boy in Kansas, and later in Kansas City, Chicago, and briefly in Paris, Curry’s enthusiasm for painting developed and grew in the 1910s and 20s. Working originally illustrating magazines and books, his “Baptism in Kansas,” painted in 1928 and purchased in 1931 by Gertrude Vanderbilt Whitney gained him not only recognition but the funds to make a career in painting. By this time, he has settled in Connecticut and begun to continue painting in the “regionalist” style, depicting and glorifying images of the United States Midwest. In 1936, he was named the “artist in residence” at the University of Wisconsin, and continued to produce works and gain regional acclaim for the next decade. At the very end of his life the works of his and other Regionalist painters were beginning to recede into obscurity as Abstract and other modern forms of art rose to national prominence. Curry died of a heart attack in 1946, at the age of 49.
A Beautiful and important historic original oil painting by Leland Curtis from the Antarctica Expedition of 1939 - 40. The scene is of Adelaide Island at Marguerite Bay. Oil on canvas signed lower right and noted from the Antarctic Exp. A historical and beautiful painting.
Born in Denver, CO on Aug. 7, 1897, Curtis was a resident of Seattle before moving to Los Angeles in 1914. He was inspired to become an artist by his teacher Rob Wagner at Manual Arts High School. After working as a bank teller and serving in WWI, he soon was able to support himself as an illustrator. He served as official artist of the U.S. Antarctica Expedition in 1939-40 and again in 1957.
About 1960 he changed his residence from Los Angeles to Twenty Nine Palms, California, with summers in Moose, Wyoming. An avid mountain climber, his studio in the Grand Tetons was a rustic log cabin. In 1972 he moved to Carson City, Nevada, where he remained until his demise on March 17, 1989.
He is best known for his landscapes of the High Sierra, Grand Tetons, and Antarctica. His works won dozens of medals and prizes from the early 1920s in southern California shows.
Member: Carmel Art Association; Artland Club.
Exh: California Art Club, 1923-27; Laguna Beach Art Association, 1924; California State Fair, 1926; Cannell & Chaffin Gallery (Los Angeles), 1926; Ebell Club (Los Angeles), 1926; Painters & Sculptors of Los Angeles, 1926-31; National Academy of Design, 1930; Toledo Museum, 1931; American Painters & Sculptors, Los Angeles County Museum of Art, 1931, 1937 (solo), 1946 (solo); Oakland Art Gallery, 1932; Tuesday Afternoon Club (Glendale), 1934; Golden Gate International Exhibition, 1939; California Palace Legion of
A beautiful antique Italian Neapolitan gouache painting grand tour era 19th century. Depicting the bay of Naples in the Moonlight with a couple on a bridge Mt. Vesuvius Erupting in the distance. Image 6"L x 9"W. Matted and framed overall size 13" L x 16" W.
Original Besler Botanical engraving with period hand coloring c.1613 text on verso. Basilius Besler¹s magnificent engravings are the first large-folio natural history botanicals. His work, Hortus Eystettensis (Garden of Eichstätt), is man¹s earliest documentation of a specific garden and is the oldest of all of the great botanicals. Over 1,000 varieties of flowers are depicted in 367 exquisitely engraved and colored plates. Plate mark image 18.5"L x 15.25"W. overall sheet size 21"L x 16"W. Unframed.
Condition: Good antique condition some age yellowing small hole upper left commensurate of age.
Original American Impressionist oil on panel of the harbor at Edgartown Martha"s Vineyard Mass. Signed lower left A Bonine. Measuring 28 x 36 inches.
Lithograph titled Bodhisattva Figure by Chen Yi Ming signed lower right numbered 27/28 dated 5/20/85. Matted unframed Image 9"L x 6"W matted overall 16" x 20".
Mixed Media Titled Power of Classical Thought" By Richard Hall signed lower right dated 1988. "Hall born in 1952 in Bradford, England. Master of Fine Sussex University. Living in United States he works in painting and sculpture. Hall's works in corporate and public collectors, including the Trump Plaza (New York), Christies Contemporary Art (New York), Hyatt Wiakalea (Hawaii). Partial list of exhibitions, Los Angeles Artexpo, New York Artexpo, Tokyo Art Show, Miami Art Show. Image 30"L x 22"W. Framed size 39" L x 30" W.
Wild Horses by Ted Waddell oil and charcoal on paper measuring 30 x 40 " overall framed size 39 x 49. signed lower right.
Theodore Waddell is a cattle rancher and painter who lives on the Musselshell River northwest of Billings, Montana. Waddell most often paints freely-rendered range animals roaming the vast plains of Eastern Montana. In his work, Waddell draws a deliberate parallel between his subject and the elements of abstract* art: cattle and horses are motifs formally arranged on the flattened and enveloping painted "ground" characteristic of modernism. Noted earlier for heavily textured surfaces, Waddell's recent paintings are more atmospheric*, with translucent wax medium layers suggesting the drift of grazing animals, transitions of days, and the procession of the seasons. Waddell was born in Laurel, Montana, and studied at the Brooklyn Museum Art School; Eastern Montana College; and Wayne State University, Detroit (MFA, 1968). He taught at the University of Montana from 1968 to 1976 and has since been a full-time artist and rancher. He has had more than 90 one-man exhibitions, including a major survey at the Eiteljorg Museum, Indianapolis. Waddell’s work has been singled out in reviews in the Washington Post and The New York Times, and was the subject of a Newsweek article. He now divides his time between homes in Manhattan, Montana, and Hailey, Idaho, where his wife, Lynn Campion, a writer and photographer, teaches at the Sun Valley Art Center.
Herman Rose Gansevoort st pier New York oil on canvas signed lower left measuring 10 3/8” x 20 3/4” in excellent condition.
Known for small scale, modernist urban views of New York City, he depicted the city as a jumble of architecture in varying sombre colors in a mood reminiscent of 19th century Romanticism. He had a highly original technique, which was covering a drawing with small dabs of paint and pushing spots of warm and cool color over one another, which dried into a kind of low relief.
It took him about a decade, from 1929 to 1939, to arrive at this style and method that seemed right for him. He decided to paint what he saw without consciousness as to style or composition and with spiritual commitment, devoting himself to divinity in nature, separated from the modern world.
By the 1960s, he was doing horizontal work in brighter hues that gave the viewer the impression of being swept along a street or urban path.