Rowlandson & Pugin aquatint. Published Ackermann's 1809
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Directory: Fine Art: Prints: Etchings: Pre 1837 VR: item # 1218681
Please refer to our stock # 69.4 when inquiring.
This is a very fine hand-coloured aquatint from Rudolph Ackermann’s “The Microcosm of London". It shows the interior of London’s Banqueting House, Whitehall, in use as a chapel.
The Banqueting House is a building in London designed in the Palladian style by Inigo Jones in 1619. It is the only component of Whitehall Palace to have survived the fire which destroyed the rest in 1698. From then until 1890 it was used as a chapel, as can be seen in this print. The ceiling, painted with allegorical scenes entitled “The Apotheosis of James I", is by Peter Paul Rubens.
“The Microcosm of London" contained over a hundred coloured aquatint plates showing London life. For these, the figures were drawn in gentle caricature by Thomas Rowlandson, one of the most famous satirical artists of Georgian England, and the architectural backgrounds were drawn by Augustus Pugin, a French émigré artist and architectural draughtsman who was father to the great Gothic Revival architect, A.W.N. Pugin. A preliminary proof of each etched plate was printed, and this was then coloured in by Pugin and Rowlandson. Using these hand coloured proofs as a guide, the plates were inked in shades of grey, brown and ochre and the prints made. The remaining colours were then added by hand.
A copy of this print is in the British Government Art Collection (GAC number 12974).
The condition is good. Minor crease at lower left.
This is a genuine antique print, over 200 years old. It is not a reproduction.
Please note that the digital watermark on the photographs here is NOT on the original print.
Artist: Thomas Rowlandson (English 1756-1827) / Augustus Charles Pugin (Anglo-French 1762-1832)
Unless otherwise stated above, prints are sold unmounted (not matted) and unframed. Photos showing a print mounted and/or framed are for illustration only unless specifically described otherwise.