Catalog: Antiques: Regional Art (336)

A namasu or serving dish of unusual quadrilobed form with scalloped suhama style rim; a stylization of a wave washed beach. An auspicious form referencing Horai-san, the isle of the Immortals and therefore a wish for a long life. The bowl is decorated with a central mon of a stylised Lotus motif, perhaps also containing elements of the aoi-mon, and karakusa. Surrounded by four panels containing an unusual four toed Water dragon emerging from stylised waves...

Ko Imari Shochikubai-mon and Tako Karakusa Dish mid 18C A moulded dish of lotus petal form with an upturned rim decorated in underglaze blue with a central Shochikubai mon, representing the auspicious Three Friends of Winter, framed by border of scrolling waves, uzunami, and a stylised lotus arabesque of so-called octopus scroll form...

A very fine Chinese Imari saucer dish decorated with elaborate sprays of Chrysanthemums and Irises with a central motif of a Chrysanthemum all richly gilded with a minimum of underglaze blue elements in the design. The edge of the dish with a gilded brown glazed rim. The reverse painted with two prunus sprigs in iron red and underglaze blue. The dish dates to the early 18th century; late Kangxi to Yongzheng...

A Chinese porcelain moulded dish of sixteen petaloid form, (chrysanthemum form, kikugata) decorated with panels of flowers, Chrysanthemums, Plum Blossom, brocade bands and Tea flowers to the centre. The reverse painted with sprigs in iron red and underglaze blue. The dish dates to the late Kangxi circa 1700-1720. The dish measures 18.5cms in diameter...

A Japanese scalloped rimmed bowl with a janome, bulls eye base, decorated wth three lotus form reserves each containing an auspicious somewhat rotund karashishi with a ribboned cash symbol inset against a rather unusual budo karakusa, grape vine arabesque. The base decorated with a stylised lotus pattern and the rim with a pattern of alternating double crested waves and gobenka. The interior decorated with a shochikubai-mon; the Three Friends of Winter...

A rare Arita flower vase following a bronze form decorated in somenishikide style. The long flared neck decorated with a plume of stylised leaves with a pair of ring handles enamelled in green and iron red with gilding. The wasted bulbous body of the vase decorated with the figure of a Chinese scholar fishing and the reverse with stylised waves and flowering plants. The vase measures 22.5cm high and is approximately cm in diameter at its widest point 9.5cm. It weighs 620grams...

A decorative and colourful Arita nagazara or long dish decorated with a central botan-mon, double Peony motif with alternating panels of Chrysanthemums and under-glaze blue Chrysanthemum leaf arabesques, and Shishi, lion dogs, set against an iron red Peony Petal ground. The dish is good condition, with the exception of a small shallow flake to the top left hand corner of one of the dishes...

A finely painted Kakiemon dish of scalloped form painted in under-glaze blue with a pair of auspicious Hoo birds amongst clouds, harbingers of good fortune, with stylised Peony branches. The reverse painted with a classic lotus scroll and a square fuku seal. Dating circa 1680-1700 and a product of the Kama-no Tsuji (Kakiemon) kiln in the Nangawara valley, note the fine pin point spurs and carefully trimmed footrim. The dish measures approximately 21.5cm in diameter, seven suns...

A high quality crisply cast Japanese mirror. The reverse of the mirror decorated in high relief with a conventionalised representation of the utopian Isle of the Immortals typical of the Edo period integrating into the design the auspicious Takasago twin branched pine tree with a pair of flying cranes and a Minogame in the left hand corner. All set against a crisp granular ground. Probably late Edo period, or possibly slightly earlier...

A fine large fan shaped sweetmeat dish decorated with a central motif of a wide mouthed baluster form vase flanked by a pair of rectangular shallow sand filled bronze trays, suiban, containing arrangements of Cherry, Camelia, Chrysanthemums and Pinkes...

A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325. A great deal of the detail has been lost as a result of wear and over polishing...

A good quality mirror of comparatively small proportions decorated with a fine line drawn pattern of a double and single Chrysanthemum supported by a fence and a banded hedge set against a fine sand textured ground to the reverse of the mirror. Fine line drawing in this style first appears in the eighteenth century. The mirror is signed on the left hand side Fujiwara Mitsumasa...

A Japanese handled mirror, e-kagami, decorated with a Hoo Bird in flight, a harbinger of Peace, combined with Waka Matsu, Young Pine, a common motif associated with the celebration with the New Year. The design can therefore be seen as symbolising a wish for a Peaceful New Year. In the right hand portion of the mirror reverse is a set of four characters reading Fujiwara Mitsunaga...

A Japanese handled mirror, e-kagami, cast with a Hoo bird in flight, a symbol or harbinger of peace, and a Kiri tree to its right, auspicious symbols associated with the Empress of Japan, Kiri ni Hoo. Beneath which is pine tree set upon a rocky shoreline washed by seigaiha; a wave pattern symbolizing eternal peace and happiness. The design overall connoting a wish for Peace and Harmony. To the left of the pattern is a set of four characters reading Fujiwara Mitsunaga. Two individuals with this ...

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high. The cruet or condiment stand is also of hexagonal form with a central candle stick, 16.5cm by 16.5cm and standin...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which the first of the pair of figures is parodied in mitate style one of whom has a board on his head and one presumes losing opponent has a miserable expression. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinatio...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which one of the pair of figures is parodied in mitate style as a proud Rooster and Hen. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinations of painting and poetry during the late Eighteenth century. The second dish...

The dish has an unusual square form with indented corners and a raised almost vertical rim which suggests that it was probably intended to be used for the serving of sashimi, sliced raw fish. This type of dish is described in Japanese as a shihou-sumioshi sara. By the late Mid Edo period sashimi had been growing in popularity being prepared by professional chefs, and was served both in aristocratic and in wealthy households and Ryokan. The somewhat surreal landscape contains a pair of Cranes,...