Catalog: Vintage Arts: Regional Art (266)

A Hazara prayer cloth from Wardak or Bamiyan province, Afghanistan, circa early 20th century. Satin stitch in multicolored silk thread on fine white linen. Squares and triangles are embroidered in complex symmetrical arrangements to form a very balanced, unified composition. Measures 32 x 32 cm. Condition: Very good, a small mend on the perimeter.

A hand-embroidered Hazara prayer cloth, made to protect the prayer stone, with a stylized depiction of the prayer niche, probably from Ghazni or Bamiyan province, circa mid 20th century. This exquisite embroidery on a white linen background depicts the severed hands of Hazrat Abbas, alluding to the battle of Kerbala. Silk thread in bright colors executed in a fine satin stitch and tassles on each of the four corners. These cloths are used in prayer to place the forehead. Condition of this textile is near excellent except for the slight brown staining in the upper right hand corner. This textile measures 38.1 x 39.4 cm.

This vintage textile is from Bamiyan province, Afghanistan and measures 25.5 x 26 cm. Embroidered in pastel-colored silk thread on a fine white linen, it depicts in satin stitch the triangular shapes that are typical of Hazara embroidery. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent (e.g., no tears, holes, stains). Estimated age: probably 1950-1960.

Measuring 39 x 40.5 cm, this textile from Afghanistan astounds in its meticulous satin stitch in vibrant, multicolored silk thread. Condition is excellent. No stains, no odors, no flaws of any kind. Estimated age: mid 20th century. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. "Consisting of, or generated from, such simple forms as the circle and the square, geometric patterns were combined, duplicated, interlaced, and arranged in intricate combinations, thus becoming one of the most distinguishing features of Islamic art. However, these complex patterns seem to embody a refusal to adhere strictly to the rules of geometry. As a matter of fact, geometric ornamentation in Islamic art suggests a remarkable amount of freedom; in its repetition and complexity, it offers the possibility of infinite growth and can accommodate the incorporation of other types of ornamentation as well..." see http://www.metmuseum.org/toah/hd/geom/hd_geom.htm

Embroidered in long and short stitch in rayon thread, this prayer cloth is from central Afghanistan where the minority Shi'a Hazara people live, comprising about 19% of the total population of Afghanistan. The textile depicts the domed tomb ("Mashhad Hussein") of Hussein, the grandson of the prophet Muhammad, in Kerbala, Iraq, the holiest shrine of the the Twelve-Imam Shi'ite Muslims. The background is a polyester cloth embroidered in vibrant primary colors, alluding to the mosque and minarets of Kerbala. The image is tersely framed by embroidered rosettes and leaves. This textile is in excellent condition and dates to the late 20th century.

This is an old prayer cloth from central Afghanistan measuring 35.7 x 35.7 cm. The embroidery technique is satin stitch in silk thread intricately worked on a fine cotton linen ground. These cloths are unique to the Hazara and used to protect the prayer stone from Kerbala, Iraq, which is a holy city of pilgrimmage to the Hazara and other Shi'ite Muslims. The terra cotta prayer stones depict the mosque and minarets of Kerbala and are traditionally brought back by pilgrims to be used during prayer, where the stone is placed on a small square on the cloth which the man touches with his forehead. The textile is in good condition but has some fading due to its age (early to mid 20th century).

Measuring 27 x 29 cm, this embroidery from Afghanistan is composed of mostly satin stitch in silk thread. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent, no stains, no flaws of any kind.

This small Afghanistan textile is embroidered in extremely fine satin stitch with repetitive triangular motifs in silk thread on a silk background. The Hazara are the third largest ethnic group in Afghanistan, inhabiting mostly central Afghanistan (Ghazni and Bamiyan provinces). This piece was probably made during the winter months where the women are commonly cut off from the world for six months out of the year due to the extreme climate. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition is excellent. No stains, no flaws of any kind. Estimated age mid to late 20th century. It measures 20.3 x 20.8 cm.

An old prayer napkin from Afghanistan, measuring 10 x 11 inches. It features very fine stitching characteristic of Hazara embroideries - satin stitch on a white linen background, in silk threads (yellow, blue, orange, green and red). The embroidery on the reverse side of this textile is exactly identical to the front side. Estimated age: early to mid 20th century. Condition is excellent except for some minor stain on the reverse side, displayed in the last photo.

This lovely embroidery from Afghanistan measures 27 x 36 cm and depicts eight pointed stars in very fine cross stitch on a purple linen background, arranged in four quadrants. Circa mid to late 20th century. Condition: Excellent.

This textile from central Afghanistan was made by Hazara women and depicts the severed hands and shrine of Hazrat Abbas, the half-brother of Hussein ibn Ali, during the battle of Kerbala in Iraq. The scene is embroidered in very fine cross stitch in rayon thread on a polyester background and measures 47 x 59 cm. Condition: Excellent. Estimated age: late 20th century. The inscription at the top reads "Turbah-i-Kerbala" in Dari ("soil of Kerbala"), referring to the holy and curative properties of the clay from Kerbala.

Embroidered in satin stitch in silk thread on a fine cotton linen ground, this napkin measures 37.2 x 37.8 cm and is estimated to date from the mid to late 20th century. Such textiles are unique to the Hazara, Shi'ite Muslims who comprise the third largest ethnic group of Afghanistan, forming about 19% of the total population and inhabiting mostly the central provinces of central Afghanistan. This textile is in excellent condition overall with only one small stain.

Living in the mountainous terrain of central Afghanistan where the cold and snow isolate entire villages for months, the minority Hazara women have developed a terse embroidery style of cross stitch and interlocking eight-pointed star motifs to produce their dowries. This textile from central Afghanistan is embroidered in silk thread on a plain weave cotton linen background. The top right corner is left unfinished, part of this textile's understated appeal. It measures 14 inches by 14 1/2 inches. It is being sold in a glass frame (black metal frame). Condition is perfect. Estimated age: late 20th century.

This is a hinggi from east Sumba, probably dated to the mid to late 20th century. The weave technique is warp ikat, plain woven and hand spun cotton. It measures 132.08 x 274.32 cm and is in immaculate condition. Ikat is a resist-dye method of patterning textiles. Prior to weaving, the maker ties the warp and/or weft threads tightly and immerses them in a dye bath. The tied sections resist the dye. When applied to several sections of threads in a sequence of dye baths, the method creates unique, vibrant and colorful patterns. This textile showcases the horse, which plays a huge role in the life of Sumbanese. Horses are their wealth and centuries ago the Sumbanese were trading their horses to the Chinese for ceramics (see The World of Indonesian Textiles by W. Warming and M. Gaworski, copyright 1981 Kodansha Int'l). The hinggi completes the attire of the Sumbanese horseman by functioning as a wrapper around his waist, which is held up by a wide leather belt, letting the fringed ends dangle between his legs. The textile is dyed with the traditional indigo blue from the young leaves of the indigo plant (indigofera tinctoria) and the prized kombu red from the roots of the mengkudu tree (morinda citrifolia). Both ends are fringed, though one end band at the top is turned over the rod in the catalog photo.

A woman's dress bodice from Afghanistan, hand-embroidered by the Kakarh tribe. The Kakarh are primarily found in Baluchistan, where they still make up the majority of indigenous Pashtuns, but they also reside in the southern districts of Zabul province in Afghanistan as well as eastern Iran. This piece measures 18 x 56 inches (45.7 x 142.2 cm). Black, yellow and red pompoms accentuate the front of the bodice which is embroidered in satin and herringbone stitch. The vibrant colors also feature areas of metallic couching.

Pompoms adorn the edges of this densely embroidered textile made by the Kakarh tribe of Afghanistan. Metallic couching combined with Holbein, herringone and satin stitching characterize this piece. The reverse side is lined in plainweave striped cotton. The Kakarh have descendants in western provinces of Pakistan but are mostly found in Afghanistan and eastern Iran. This textile is in perfect condition and measures 20 x 31 1/2 inches (50.8 x 80 cm). Estimated age: mid 20th century.

A kilim from Maimana in subdued tones, typical of the kilims from this area. Excellent condition, estimated age mid to late 20th century. Woven from sheep's wool. Measures 110 cm by 196 cm.

The kilims from around Almar, a village near Maimana, are tightly woven and feature large central medallions with hooked motifs. This hand knotted kilim measures 96.5 x 124.5 cm and is in excellent condition. It dates to the late 20th century and is made of sheep's wool. The palette is subdued as is typical of the kilims from this area of Afghanistan. This kilim was made of vegetable dyes.