Catalog: Vintage Arts: Regional Art (266)

The use of long and short stitch in this Hazara textile from central Afghanistan gives a more detailed surface that better reflects the light than satin stitch. Silk thread on a fine cotton ground, the overall design alternates densely embroidered areas with others left unworked. This napkin measures 32.5 x 34.8 cm and is in excellent condition. Estimated age: late 20th century. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front.

In central Afghanistan where villages are commonly cut off from the rest of the world during the winter months, the time spent by Hazara women in embroidering textiles such as this one is considerable. Depicting eight-pointed stars and triangles densely embroidered in silk thread on a fine cotton linen cloth, this napkin measures 38 x 40.5 cm and is in excellent condition. Estimated age: mid to late 20th century.

This is an old prayer cloth from central Afghanistan measuring 35.7 x 35.7 cm. The embroidery technique is satin stitch in silk thread intricately worked on a fine cotton linen ground. These cloths are unique to the Hazara and used to protect the prayer stone from Kerbala, Iraq, which is a holy city of pilgrimmage to the Hazara and other Shi'ite Muslims. The terra cotta prayer stones depict the mosque and minarets of Kerbala and are traditionally brought back by pilgrims to be used during prayer, where the stone is placed on a small square on the cloth which the man touches with his forehead. The textile is in good condition but has some fading due to its age (early to mid 20th century).

Varied repeating geometric patterns exquisitely embroidered in satin stitch in silk thread characterize this dress panel from Kandahar province, Afghanistan. Executed in a counted-thread technique in relief on a cotton linen background, the monochrome colors of the thread reflect the light in such a way as to confer a high degree of elegance to this textile which measures 17 x 148 cm and is fully reversible on each side. Condition is perfect, no stains, no holes, no odors. Estimated age: mid 20th century.

Embroidered in satin stitch in silk thread on a fine cotton linen ground, this napkin measures 37.2 x 37.8 cm and is estimated to date from the mid to late 20th century. Such textiles are unique to the Hazara, Shi'ite Muslims who comprise the third largest ethnic group of Afghanistan, forming about 19% of the total population and inhabiting mostly the central provinces of central Afghanistan. This textile is in excellent condition overall with only one small stain.

Embroidered in satin stitch and Holbein stich in red, green and blue silk thread, this Pashtun napkin measures 21 x 22 cm and is dated to the early to mid 20th century. Condition is good overall given the age of this textile, though with a few light brown stains and some missing threads. The repetitive geometric design alternates the embroidered areas with others left unworked, leaving a surprisingly dynamic impression.

Freely executed floral motifs in vivid colors adorn this hand-embroidered napkin from southern Afghanistan. The embroidery technique is satin stitch in silk thread on a fine cotton linen ground. The composition overall is very nicely balanced, with an eight-petaled red flower at the center. This textile measures 41.5 x 43 cm and is in excellent condition.

This little Hazara purse from Afghanistan was designed to hold kohl or some other small item. Embroidered in fine brick stitch in various colors of silk with the edges fringed with white glass beads, the purse measures 12 x 12 cm with the flap closed. It is in excellent condition, dating to the late 20th century.

A hand-emboidered purse from Pakistan, measuring 19 cm x 21 cm. The embroidery technique is a combination of ladder stitch and satin stitch in silk on a black cotton ground. The purse is framed on all three sides by white glass bead tassels. Estimated age: late 20th century. Condition is excellent.

This tobacco pouch ("kochor") from Indus Kohistan is embroidered in silk thread on cotton, with extremely fine cross- tent and satin-stitch, and white glass beaded tassels to adorn the edges. The bag measures 7" x 8" with the tassels. There is a string on the side of the bag which is used to hang the purse from the water pipe ("huqqa") while it is being smoked. There is some slight damage on one face, unsurprising given the age of this purse which is estimated to date from the mid to late 20th century. Kohistan (meaning "land of mountains") has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "ustaan" means province". In its usual modern sense Kohistan District is an administrative district within Pakistan's Khyber-Pakhtunkhwa Province covering an area of 7,492 square kilometres (2,893 sq mi). In a broader historic and geographic sense, Kohistan is used for a region that stretches from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west.

Embroidered in silk thread on a fine cotton linen ground, this little purse is from Badakhshan province in northeastern Afghanistan and measures 11.3 x 13.5 cm. Badakhshan province is mostly inhabited by Tajiks and is the home of the world's most important lapis mines. The embroidery technique is a combination of brick stitch and long and short stitch, depicting chevrons and floral motifs. Three silk pompoms adorn each corner of the purse which is in excellent condition overall, just a few tiny stains to be expected from a textile of this age (mid 20th century).

A densely beaded woman's dress panel made by Kuchi nomads from Afghanistan, probably dating to the mid to late 20th century. Woven glass seed beads attached to a cloth background at the top, overlaid by a second layer with twisted acrylic threads and beaded tassles. Several layers of fabric at the top make this piece stiff and sturdy. This panel measures 11¼ x 21 inches. Kuchis (from the Persian word "koch" meaning migration) are Pashtun nomads, primarily from the Ghilzai, Kakarh, Lodi, Ahmadzai as well as some Durrani tribes, but occasionally there may also be some Baluch people among them. There are 3 million Kuchis in Afghanistan, with at least 60% of them remaining fully nomadic, and over 100,000 have been displaced in the past few years due to war, natural disasters and drought. "A nomad's territory is in one sense boundless, but there is an established path linking a tribe's seasonal pastures, known as 'the way". Packing up and moving of the tribe along the path was, and still is, a twice-yearly ritual in which bags and animal trappings decorated with beads, shells, buttons and metal discs, long wrapped cords and tassles, add to the color and ceremony." (see Janet Harvey, Traditional Textiles of Central Asia).

This is a woman's shift known as a "jumlo" from the remote Indus Kohistan area of northern Pakistan. Jumlos are among the most lavishly embroidered textiles in all of Asia and are usually worn with an embroidered shawl known as a "chuprai". This tunic is embroidered in silk floss thread on black cotton in extremely fine half cross-stitch ("petit point") and the surface darning stitch for which Swati embroidery is famous. It is further embellished with assorted metal trinkets, amulets and buttons, which are used extensively in the embroidery from this district. In addition to providing decoration, they act as charms to avert evil from the wearer. The gored and flounced skirt features no less than 350 inserted triangular panels. The textile measures 149 cm when measured across the shoulders and back from sleeve end to sleeve end. Measured from neck to flounce hem the length is 85.5 cm. Condition: Excellent, there are a few small moth holes in the skirt, the largest measuring 3 x 4.5 cm (under repair). Estimated age: mid 20th century.

This Tibetan woven wool sash from the mid to late 20th century measures 5½ x 104 inches (14 x 264.2 cm) including the braided fringes and is in excellent condition. These sashes are used by Tibetans to tie their traditional apron attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. The luster of these wool belts is derived from the high lanolin content to be found in the hairs of high-altitude goats living in the Himalayan range from which these belts are woven. Enlargement #12 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird). These sashes are known as "kaabo" among the Tibetans and are carefully woven on backstrap looms.

Measuring 8 x 116 inches (20.3 x 294.6 cm) including the braided fringes, this woven wool sash from Tibet is in excellent condition. The sash is a dark bergundy with indigo stripes and orange thread sewn along the edges to prevent fraying. Estimated age: mid to late 20th century. These sashes are called kaabo and are traditionally used to tie and secure the national attire called chuba for women, lokpa for men (see enlargement #5, courtesy of Thomas Laird and Peter Matthiessen, East of Lo Manthang © 1995). The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau. The last enlargement is a photo by Heinrich Harrer depicting a traditional loom on which these sashes are woven (Ladakh, © 1988).

This woven textile is from Tibet. Measuring 21.8 x 376 cm, it is in excellent condition. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau. Enlargement #12 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird). These sashes are used to tie knives and bundles and more importantly, to secure the dress of the natives (chuba for women, lokpa for men). This sash is estimated to date from the mid to late 20th century.

A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

This Tibetan wool sash measures 12.7 cm x 340.4 cm in length including the silky fringes. The tigma (cross) motif is an ancient good luck charm among Tibetans and here it is depicted in a discontinuous weft pattern design. These sashes are traditionally worn to secure the traditional Tibetan attire called a chuba. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau. The last photo shows a typical loom on which these sashes are woven. Condition: Excellent. Mid to late 20th century.

A child's cap embroidered in acrylic thread, tent stitch and satin stitch, it is embellished with pompoms, buttons, metal trinkets and white beads which are traditional decorative elements of Kohistani embroidery. Diameter is 16.5 cm, circumference 43 cm. Mid to late 20th century. Some fraying.

This child's cap from the from the high valleys of Indus Kohistan is dated to the mid-late 20th century and embellished with cowry shells, white beads and metal snaps and trinkets. The embroidery is tent stitch worked in cotton thread, forming interlocking diamond motifs on the crown. Condition: overall good, some fraying. Diameter is 7 inches, circumference 15 1/4 inches.

In the high valleys of Indus Kohistan the children still wear hats such as this one, made of tent stitch, fine cross stitch and metallic amulets to ward off the evil eye. Silk thread on cotton ground, accented with beading, sea shells, pompoms, and metal trinkets. Estimated age mid 20th century. Condition of this hat is excellent. No holes, no fraying, no stains. Diameter is 7 inches, circumference 18 inches.

A child's cap from Indus Kohistan which is part of Khyber Pakhtunkhwa (formerly known as NWFP). Some of the finest embroidery of this region comes from the area between Patan and Komila, where small settlements beside tributaries of the Indus produce embroidered costume and small bags worked in minute cross stitch and tent stitch. This cap with its beaded tassle is very typical of the region in its use of pompoms, buttons, white beading, and incredibly fine petit point stitch in silk thread. Condition: overall very good, albeit with some fraying which is to be expected from a cap of this age. Diameter 15.2 cm, circumference 43 cm. Some portion of the cap lining from inside is a printed cotton fabric.

The embroidery of Baluchistan is called "doch" and is unique in its intricate repetitive geometric patterns and colors. This woman's dress yoke from Baluchistan ("pashk kurta") features a repertoire of densely embroidered patterns in silk thread on a dark blue silk background. Extremely fine satin stitch combined with herringbone stitch in silk thread, some metallic, along with buttonhole stitching, depicting geometric motifs. The most intricate pushks are produced in Makran and other coastal areas of Baluchistan. This one measures 42 x 62 cm and is in excellent condition. Estimated age: mid 20th century.

An old Uzbek puttee dating from the 1950s or 1960s. Silk embroidery on an ivory linen ground, embroidered in long and short stitch, the trademark of Uzbek embroidery. Condition is very good, some staining on one side. It measures 8.3 cm x 58 cm (w/o string). The string measures 31 cm. Puttees are a strip of cloth wound spirally around the leg from the ankle to the knee.

A pair of puttees from northern Afghanistan, hand-embroidered by Uzbek women. Each puttee measures 8.4 cm x 48 cm (3 1/4 x 19 inches)and is hand-embroidered in silk thread on a red cotton ground. The embroidery technique is long and short stitch, typical of Uzbek embroidery. Condition: excellent, no stains, no flaws of any kind. The puttee with the braided thread measures 48 cm x 47 cm.

This Uzbek textile measures 8.2 cm x 52 cm, 8.2 cm x 89 cm with the string. Depicting rosettes in long and short stitch and cross stitch in silk thread on a black cotton ground, this Uzbek puttee dates from the mid 20th century and is in excellent condition. Puttees are a strip of cloth wound spirally around the leg from ankle to knee.

Measuring 33 x 39 cm, this vintage Hazara child's vest from Afghanistan is from the 1960s. The embroidery is extremely fine straight stitch and long and short stitch in wool thread on a light brown linen ground, depicting geometric motifs in vibrant color. Condition: Excellent, no stains, no holes, no odors. The Hazara are the third largest ethnic group of Afghanistan. They are a Persian-speaking people who live mostly in central Afghanistan (Bamiyan and Ghazni provinces) and are overwhelmingly Shia Muslims, forming about 19% of the total population of Afghanistan.

A hand-embroidered Uzbek curtain from northern Afghanistan, mid to late 20th century. Silk floss thread on green cotton in long and short stitch, this textile is fully reversible and either side may be used as the face. It measures 84 x 105 cm including the silk fringe. The central rosette is enclosed by borders and surrounded by curved and sinuous patterns in vivid contrasting color. Condition is very good but with some slight fading and a few small dark stains in one corner.

A child's hat from Indus Kohistan, measuring 18 cm in diameter, 44 cm in circumference. The embroidery is extremely fine satin stitch and cross stitch. Kohistan means "Land of Mountains" and has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "istaan" means "land of". In its usual modern sense, Kohistan District is an administrative district within Pakistan's Khyber-Pakhtunkhwa Province covering an area of 7,492 square kilometres. In a broader historic and geographic sense, Kohistan refers to the region that stretches from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west. This child's cap is dated to the mid 20th century.

An old Uzbek textile from northern Afghanistan, traditionally used in the yurt. Each side measures 26 x 40 cm including the wool fringe. It is in very good condition, appropriate for its age and origin. The embroidery is very fine cross stitch ("petit point") in silk thread. The reverse is lined in white cotton. Estimated age: mid to late 20th century. Condition is overall very good, just one minor stain (see first two photos).

This is a wedding shawl from Indus Kohistan in the province of Pakistan formerly known as NWFP (North-West Frontier Province). Comprised of two large rectangular panels which are densely embroidered in floss silk thread, it is embellished with colored sequins, brass mirrors and decorative metal trinkets, with corded and beaded tassels on the outer edges. The bottom panel is fringed with white and red glass beads. Diamond and chevron patterns adorn the top band, which is executed in minute cross stitch (petit point) and satin stitch in bright pink silk thread. The shawl measures 150 x 224.5 cm and is in good condition, with only a few brass mirrors missing here and there. The reverse is lined with a printed cotton cloth. Estimated age: mid to late 20th century.

This lovely cap made by Uzbek women residing in northern Afghanistan measures 21 cm in diameter and 59.5 in circumference. Silk thread in satin stitch on a cotton muslin ground with silk and cotton ikat strips on the dome. Condition is excellent. Estimated age: mid 20th century.

An antique Lakai Uzbek V-shaped panel (saye gosha/segusha) from northern Afghanistan, early to mid 20th century. The surface is embroidered in polychrome solar and volute motifs in silk thread on a faded red cotton ground, with a star medallion at the apex, edged with metallic couching and crocheted wool fringe. Each side measures 162.6 x 61 cm including the fringe. In very good condition, appropriate for its age and origin.

A child's helmet (khohl) from Pakistan which is daily attire for both girls and boys of the villages in Kohistan. It measures 34 cm from the beaded tassel on the peaked crown to the forehead hem, and 102.5 cm from the tassle to the V-shaped bottom hem. The diameter of the cap is 27.5 cm. Satin stitch and petit point (half cross stitch) in silk thread on a black cotton ground, the helmet is embellished all over with white and red glass beads and buttons. Its condition is excellent with no flaws. The high peaked crown is supported from the interior by sticks of wood. Kohistan means "Land of Mountains" and has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "istaan" means "land of". In its usual modern sense, Kohistan District is an administrative district within Pakistan's Khyber-Pakhtunkhwa Province covering an area of 7,492 square kilometres. In a broader historic and geographic sense, Kohistan refers to the region that stretches from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west.

A pair of old Uzbek sleeve embroideries dated to the mid to late 20th century. They measure 14.5 x 36 cm combined together. Cross stitch in silk thread depicting geometric motifs on a cotton ground. Condition: Excellent.

A hand-embroidered Turkman Yomut nomad's skullcap from Herat dated to the early to mid 20th century. Exceptionally fine ladder stitch combined with satin stitch and couching in silk thread. Condition is very good, just some tiny stains. Diameter: 18 cm, circumference 48.5 (approx. 19 inches).

This child's cap from Indus Kohistan, Pakistan is dated to the mid 20th century and measures 7 cm in diameter, 42 cm in circumference. Kohistan in Persian means "land of mountains" and has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "istaan" means "land of". Kohistan is one of the most isolated and the most deprived districts, not only in Hazara Division but in the entire Khyber Pakhtunkhwa province of Pakistan. This child's cap shows the typical decorative amulets of Indus Kohistan embroidery, with coiled zippers, buttons, plastic poppers and beads. The embroidery work is exceptionally fine cross stitch (petit point) and satin stitch in silk thread and acrylic thread on black cotton. Condition of the cap is excellent.

This small pouch from Hazara district in Pakistan measures 12 x 15.5 cm and is hand-embroidered in extremely fine satin stitch in silk thread. Its age is approximately early to mid 20th century. Condition is near excellent, two light stains on one face. As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley.

Measuring 81.5 x 100 cm, this gorgeous textile made by Uzbek women is machine-embroidered in silk thread with crocheted silk fringe edging. The bouquet motifs are typical of Uzbek embroidery. Condition is very good, with only one small hole (1 cm x 1 cm) in the center panel. Estimated age: late 20th century.

This charming little girl's cap from Indus Kohistan measures 21 cm in diameter and 44 cm in circumference. It is densely embroidered in silk thread on black cotton, a combination of extremely fine cross stitch (petit point) and satin stitch forming geometric patterns. As well, the cap is embellished with decorative trinkets including buttons, embossed silver discs, glass beads and tiny brass bells and pendants which are considered to have amuletic power. The vibrant pinks and magenta colors are characteristic of the embroidery of Swat Valley and Indus Kohistan. The cap dates to the late 20th century and has some slight fraying in one small area.

This Uzbek suzani from northern Afghanistan dates to the mid 20th century or later and measures 76 x 99 cm including the fringes. The textile is hand-embroidered in silk thread in vivid colors on a green rayon ground with copper encrustations throughout, and edged on two sides with crocheted silk fringe. Couching stitch ("basma") is the embroidery technique. The textile is reversible and either face may be used as the front. Condition is overall very good, but with some dye run and one small tear from the metal accents. The combination of abstract floral designs and moon-disc motifs are characteristic of Uzbek suzani.

This is a bed decoration from northern Afghanistan made by Uzbeks of the Lakai tribe. Traditionally these textiles were placed between layers of bedding quilts at the back of the yurt. This segusha measures 72 x 80 x 115 cm when folded into a triangle, and the embroidery is silk thread on faded red cotton edged with silk fringes, combining satin stitch with long and short stitch. The overall design is dense but not overcrowded, depicting stylized flowers, insects and birds, evoking the image of a garden in bloom. The outline of one unfinished detail can be seen in the upper right hand corner (enlargement #4). Condition: Excellent on the front, but there are some small stains on the reverse side of the textile. Estimated age: mid 20th century.

An Uzbek ikat-dyed silk ceremonial robe (chapan) from northern Afghanistan, quilted with cotton interlining. Condition is overall good, albeit with some minor staining. It is hand-sewn and densely embroidered along the front collar, bottom hem and wrist cuffs. The inside of the collar is lined with traditional Russian printed fabric. Estimated age: mid to late 20th century. Measurements are provided below. 136.5 cm from the neckline to the bottom hem (measured from the back of the coat); 37.5 cm measured from the base of the collar to the shoulder hem; 88.9 cm measured from the fullest part of the chest/bust; 68.6 cm sleeve length.

This cushion cover from Swat Valley measures 45 x 78.5 cm and is in excellent condition. Estimated age: mid to late 20th century. The dark red embroidery depicts the typical ram's horn pattern seen not only in Swati embroideries but also in other Central Asian textiles. This pattern is juxtaposed with the repeating diamond motif - a stylistic feature of Swat and Hazara embroideries - seen here in the white checkered borders done in filling stitch and Holbein stitch. Silk floss thread on black cotton, in mostly long and short stitch.

Measuring 38.5 x 86 cm, this cushion cover from Hazara District in Pakistan is in excellent condition. As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley. However, these pieces are generally more complex in design and construction. On one face of this textile the space is stabilized by two central medallions set within an elaborate network of octagons, diamonds and ram's horns in perfect symmetry. These motifs are very tightly constructed and densely embroidered, with subtle variations in hue and the utilization of negative space to maximum effect. The other face depicts a grid of eight-pointed stars embroidered in subtle gradations of pink and purple. These pillow covers ("thakia") are traditionally made for weddings. Mostly long and short stitch, cross stitch and satin stitch in silk floss thread, on a light pink cotton background. Condition: Excellent. Estimated age: mid to late 20th century.

Measuring 27 x 29 cm, this embroidery from Afghanistan is composed of mostly satin stitch in silk thread. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent, no stains, no flaws of any kind.

This little girl's chemise was made by Uzbek women and measures 45 cm across the shoulders, 49 cm from the top to the bottom hem. Silk ikat combined with jajim and silk thread embroidered in long and short stitch. Condition is excellent.

Measuring 39 x 40.5 cm, this textile from Afghanistan astounds in its meticulous satin stitch in vibrant, multicolored silk thread. Condition is excellent. No stains, no odors, no flaws of any kind. Estimated age: mid 20th century. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. "Consisting of, or generated from, such simple forms as the circle and the square, geometric patterns were combined, duplicated, interlaced, and arranged in intricate combinations, thus becoming one of the most distinguishing features of Islamic art. However, these complex patterns seem to embody a refusal to adhere strictly to the rules of geometry. As a matter of fact, geometric ornamentation in Islamic art suggests a remarkable amount of freedom; in its repetition and complexity, it offers the possibility of infinite growth and can accommodate the incorporation of other types of ornamentation as well..." see http://www.metmuseum.org/toah/hd/geom/hd_geom.htm

Embroidered in vivid pink on olive cotton, this purse from Swat valley is 50-60 years old and in excellent condition. Geometric patterns embroidered in straight stitching in pink floss silk are outlined in yellow and white double running stitch, with accents of purple and cream. The purse measures 18 x 19.5 cm.

This child's dress front from Paktya province, Afghanistan measures 24 x 24.5 cm and is embroidered in fine cross stitch in silk thread, depicting eight-pointed stars and amuletic motifs. Condition is excellent. Mid 20th century.

This lovely embroidery from Afghanistan measures 27 x 36 cm and depicts eight pointed stars in very fine cross stitch on a purple linen background, arranged in four quadrants. Circa mid to late 20th century. Condition: Excellent.

Measuring 8 x 36.5 cm, this embroidered band from northern Afghanistan was hand-embroidered by Uzbek women in an exceptionally fine cross stitch on a pumpkin linen background. Condition is excellent. Estimated age early to mid 20th century.

This Uzbek embroidery dating from the early to mid 20th century is embroidered on a mauve linen background. Two embroidered bands are joined together in exceptionally fine cross stitch and satin stitch to form interlocking geometric motifs and chevrons in silk thread. Condition is excellent. 15.5 x 34.5 cm.

This small Afghanistan textile is embroidered in extremely fine satin stitch with repetitive triangular motifs in silk thread on a silk background. The Hazara are the third largest ethnic group in Afghanistan, inhabiting mostly central Afghanistan (Ghazni and Bamiyan provinces). This piece was probably made during the winter months where the women are commonly cut off from the world for six months out of the year due to the extreme climate. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition is excellent. No stains, no flaws of any kind. Estimated age mid to late 20th century. It measures 20.3 x 20.8 cm.

Four eight-pointed stars are the central theme of this gorgeous textile made by Hazara women, dated to the mid 20th century. Hand-embroidered in extremely fine cross stitch in silk thread on a tan cotton linen, it is the workmanship that marvels. The cross stitch on this textile can be more properly appreciated under a loupe. Each of the four eight-pointed stars is echoed by more eight-pointed stars and accented by triangular hooked motifs down the middle of the piece. The Hazara are the third largest ethnic group in Afghanistan and are Shi'a Muslims. Inhabiting mostly the central region of Afghanistan, embroidery is an important ritual for Hazara women who are isolated by cold and snow for as long as five months per year. This textile measures 22.5 x 23 cm and is in excellent condition.

This Pashtun nomad's pistol holster from Katawaz is embroidered in ladder stitching on a red silk background, depicting whorls and arabesque motifs in vibrant yellow, green, blue, purple and white. The holster is ornamented with mirrors and blue beads along the edges, blue beads being a traditional feature of Pashtun embroidery for protection against the blue evil eye. Silk and metallic thread with a printed cotton lining. Mid to late 20th century. Condition is overall very good with one small stain on the flap.

Embroidered purses ("bushkiri") are used by the Baluch for carrying and storing valuables and bridal dowry gifts. This purse from Baluchistan measures 20.3 x 32.5 cm when opened, 19.2 x 20 cm when closed, and is dated to the early to mid 20th century. This densely worked purse features intricate repeating geometric patterns and colors worked in a delicate satin stitch, combined with a meticulously worked interlacing stitch on a fine linen ground. The renowned vibrancy of Baluchi embroidery can be seen in this piece by the complex division of the design into contrasting areas of densely worked embroidery, intricately arranged into a wider design field of triangular motifs. The vertical lines, divided by rows of chain stitch in black thread held by small white stitches, are typical of Baluchi work. Baluchistan is the largest but most sparsely populated province of Pakistan, largely inhabited by nomadic and semi-nomadic groups whose culture and traditions are quite distinct from the other ethnic groups of Pakistan. The condition of this purse is good, some discoloration on the purse flap.

A pair of sleeve cuffs from Katawaz in Ghazni province, early to mid 20th century. Measuring 36.2 x 54 cm, they are stitched in bergundy silk thread on two fine white linen cloths. The overall design is a densely arranged pattern of repeating whorl designs and curvilinear motifs, flanked by two eight-pointed stars on both ends. The embroidery technique is a tightly worked ladder stitch, a characteristic feature of the small purses from Katawaz. This textile is in very good condition but with a stain on one corner.

This man's wedding shawl (known as "malir", or "doshalo") is from Tharparker district in Sindh province and would be a gift from a bride and her family to the groom for his wedding day attire. It is basically an embroidered "ajrak", meaning a red handspun, mordant-dyed, resist-printed cotton, embroidered in the four corners with stylized peacocks symbolizing fertility, and randomly placed mirrors ("shisha") as accents. The embroidery is a combination of ladder stitch, satin stitch and chain stitch in silk thread, with some couching. These wedding shawls were originally produced in the village of Malir in the Tharparker district and are still being made in other villages of Tharparker. Estimated age: mid to late 20th century. The textile measures 59.5 x 93 inches (151.1 x 236.2 cm) and is in pristine condition.

Measuring 15.5 x 16 inches (39.4 x 40.6 cm), this textile from Kandahar, Afghanistan is embroidered in silk thread embroidery on a fine silk ground which is stitched onto a fine cotton linen panel. Depicting eight pointed star and rosette motifs in exquisitely fine satin stitching in counted-thread technique, the sheen of the silk is worked so that the light catches it in different settings, a characteristic feature of the embroidery ("khamak") of Kandahar. This textile is dated to the early to mid 20th century. Condition is almost perfect with only two stains on one side.