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The Cremaster Cycle: Matthew BARNEY

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The Cremaster Cycle: Matthew BARNEY
"The Cremaster Cycle," by Matthew Barney, published by Guggenheim Museum, 2002, 528 pages, oversize hardcover in silk moire covered boards with clear acetate dust jacket, 12.75" by 9.5". Massive publication produced for the exhibition of Barney's cinematic magnum opus, with hundreds of color plates of film stills from each cycle in the trilogy, as well as images from the latest installment, and text, interviews, and more. A spectacular publication, now out of print and eminently collectible. 725 color plates. In MINT condition, still in shrinkwrap.

Matthew BARNEY
Matthew Barney was born in San Francisco in 1967; at age six, he moved to Idaho with his family. After his parents divorced, Barney continued to live with his father in Idaho, playing football on his high school team, and visiting his mother in New York City, where he was introduced to art and museums. This intermingling of sports and art informs his work as a sculptor and filmmaker. After graduating from Yale in 1991, Barney entered the art world to almost instant controversy and success. He is best known as the producer and creator of the CREMASTER films, a series of five visually extravagant works created out of sequence ("CREMASTER 4" began the cycle, followed by "CREMASTER 1," etc.). The films generally feature Barney in myriad roles, including characters as diverse as a satyr, a magician, a ram, Harry Houdini, and even the infamous murderer Gary Gilmore. The title of the films refers to the muscle that raises and lowers the male reproductive system according to temperature, external stimulation, or fear. The films themselves are a grand mixture of history, autobiography, and mythology, an intensely private universe in which symbols and images are densely layered and interconnected. The resulting cosmology is both beautiful and complex. His final film in the series, "CREMASTER 3," begins beneath New York Cityís Chrysler Building and includes scenes at the Saratoga race track, where apparently dead costumed horses race through a dream sequence, and at the Guggenheim Museum, where artist Richard Serra throws hot Vaseline down the Museumís famous spiral ramp. The film is scheduled for release in 2002. Matthew Barney won the prestigious Europa 2000 prize at the 45th Venice Biennale in 1996. He was also the first recipient of the Guggenheim Museumís Hugo Boss Award.

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