Ostracon Ancient Art, fine antiquities

Attic Red-figure Pelike with a Grypomachy, Group G, 350-330 BC

Attic Red-figure Pelike with a Grypomachy, Group G, 350-330 BC


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Directory: Antiques: Regional Art: Ancient World: Greek: Pottery: Pre AD 1000: Item # 1341355
Ostracon Ancient Art
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Bernhard I. Müller, PhD
Gallery by appointment
Zurich, Switzerland

Guest Book
 $12,600.00 
Large Attic pelike of the Kerch style decorated with an Arimasp on horseback fighting off two griffins. The Amazon is riding a prancing horse, turns back and raises her sword-wielding arm above the head.
The woman wears a Phrygian cap and is clad in an oriental costume with trousers. Her defeated companion lays on the ground. The griffins with reserved wings.
Three draped youths on the reverse, the leftmost holding a staff. Their cursory style is reminiscent of the Group G(riffin).
For related examples, cf. Beazley Archive nos. 230206 and 230383.
Tongues as ground line, further tongues along the neck and the outside rim. Well-drawn palmettes under the handles.
The grypomachy is a battle between griffins and the Arimasps, who were generally depicted as Eastern barbarians or amazons.
In Greek mythology griffins lived far in the north and guarded large deposits of gold. They were in permanent conflict with the tribe of the Arimasps, who regularly tried to steal their treasures.
The presence of non-Greek scenes upon Attic ceramics denotes the attempt to design wares that would appeal to foreign markets.
Specially Kerch vases were exported to the Black Sea area, many of them to the Greek colony of Panticapaeum, on name-giving the Kerch Strait.
For the detailed discussion of the grypomachy motif: Kathleen MacDonald. The Grypomachy in Fourth-Century Attic Vase Painting. Hamilton 1987.
Ceramic
Athens, Group G, 350-330 BC
H. 35.5 cm (14 in)
D. rim 22.5 cm (8.9 in)
Fine condition, reconstituted from fragments. White color for the the griffins, the female skin and the garments. Sword, trapping, details of the garments and frieze decoration piped onto the surface in barbotine technique.
English private collection Wright, acquired between the late 1990s and 2002.

The authenticity of the object is unconditionally guaranteed.