This outstanding example of a Muhuashi (Petrified Wood Scholar's Rock) measures 8 inches by 5 1/2 inches by 4 inches tall (including the carved wooden stand it sits in). One photo enlargement shows the stand and the bottom of the rock.
It has the appearance of a craggy old mountain. It was at one time part of a collection of jade mountains. The mineralized wood is actually as hard or harder than jade.
It is difficult to put an actual age on this stone, but we can easily assume that it's age can be measured in centuries, lot's of them!
This seated bronze Buddha in Sukhothai style most likely dates from the 16th to 18th century in Thailand. It may actually be earlier. but we prefer to be conservative in estimations .
It measures 16 inches tall by about 11 inches wide by 7 inches in depth.
It is in very good condition with areas of green patination and overall oxidation in various shades of pale to rusty brown. It has a few areas of casting loss, particularly on one end of the base (see the photo close ups). It also has a few areas where the bronze has either thinned out or pitted (again, primarily on the reverse of the base,)
The history of Thai sculpture dates from sometime during the thirteenth century, when a distinct national school emerged and broke away from Cambodian and Mon influences in terms of the stylistic development of Buddha images. Specific schools and sub-styles are defined on the basis of relatively slight variations in the prescribed dress, the treatment of the hair and so on.
This Buddha is seated on an undecorated pedestal in the cross-legged yogic posture of satvaparyankasana, the right leg placed over the left. His right hand is lowered, long fingers pointing downward in the earth touching gesture. The latter symbolizes Shakyamuni's triumph over the forces of the demon Mara, who attempted to distract him from his quest for enlightenment, a ubiquitous theme in Thai Buddhist art. The Buddha's monastic robe is worn leaving his right shoulder bare, and a long thin section of cloth representing his narrowly folded shawl falls downs from his left shoulder to below his navel terminating in two points.
This is a Tibetan copper & white metal/silver prayer box or portable shrine (Gao) with a small bronze figure of Ganesh inside.
It dates circa 1890-1930, or possibly earlier.
It also has stitched covers from the early to middle 20th Century.
The front cover is covered with wonderfully hand tooled images, including a Tibetan mythical beast or lion surrounded by Buddhist calligraphy, topped by a flame. The rest of the box is copper, under the protective, stitched cover.
It measures 5 inches tall by 4 1/4 inches wide by 1 1/2 inches in depth.
It is part of a small collection of antique Asian silver artifacts that were originally acquired together. Some of these items will also be offered for sale, now or at a later date.
This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
This Japanese Satsuma Vase is unmarked, 15 inches tall and about 9 inches in diameter.
It dates to the Meiji Period (1868-1912) and has Kwannon and Lohans with an elephant pictured upon it.
It is in excellent condition with some light rubbing on the high relief gilded areas exposing an outstanding crackle beneath.
This 19th century Japanese carved ivory okimono measures approximately 9 inches tall by 2 1/2 inches in diameter at it's widest point.
It is intricately carved with fully delineated scales and teeth on the fish. The figure riding a fish is carved from one solid walrus tusk and it sits on a separate oval section as a base. The crystalline pattern that is so indicative of walrus ivory can be seen in many places on the carving, including Kinko's robe (interior front left) and the belly of the carp or koi.
It dates from the Meiji Period in Japan (circa 1870-1900).
It is in very good condition with some stabilized antique ivory fractures as are seen on many of these okimonos that are well over 100 years old.
Japan originally imported and adapted many Taoist and Buddhist teachings from China, which were then combined with native Shinto beliefs.
One Taoist figure incorporated into Japanese artwork was Kinko, a holy hermit. He is often depicted mounted on the enormous carp that carried him to the Undersea Kingdom. There, sea creatures taught him that all life is sacred.
In Japan the carp (koi) is also a symbol of persistence, longevity, and fertility. Land-locked farmers have kept carp in their ponds to provide food for centuries and also bred them for their beautiful colors.
Price on Request
This small jade or hard stone carving of a stylized face measures 2.25 inches x 2.75 inches x 1.5 inches in depth.
It's colors range from a medium to dark green to a pale green with areas of translucence. It also has natural inclusions in the stone with areas of dark brown or off white oxidation.
It is carved in the style of old Olmec carvings, but it may be early 20th century. It may also be Chinese, rather than Latin American in origin, but neither origin has been documented yet.
It is unusual in that it has a mounting bracket extending from the reverse side. Similar brackets have been seen on occasion to allow for mounting as architectural components or as decorations in religious settings.
If this stylized carving actually is older than our estimate, it would be worth a great deal more than our asking price.
The mounting bracket would allow for this piece to be worn as a belt slide or buckle, or as a large pendant.
This rather substantial jade carving of a frog is in a style which originated in the late Neolithic to Shang Period, but we estimate it to actually date from the middle to late Ming Period (15th -17th Century).
It measures 2 1/2 by 4 1/2 by 1 inch in depth.
It is a gray-green celadon color with dark brown suffusions on it's back.
It is covered with symmetrical designs and shows evidence of much handling. It also has fully articulated toes on the bottom of it's feet. Location-GH-BX6
This late 18th century to early 19th century whale oil lamp measures approximately 11 inches tall by 4.5 -5 inches in diameter at it's widest points.
It was crafted in pewter and is Swiss or Austro Hungarian in origin, as it was acquired with a set of very similar figural Swiss candlestands with readable Hallmarks dating to about the same time period. Even so, this oil lamp is not marked or the marks have worn off over the centuries.
It consists of a standing figure in 17th-18th Century costume, holding up a four spigot oil font. The figure wears a cap with a crossed hammer insignia on it (partially obscured by wear)
It is signed with a date and initials on the base (18 GPP 27) which translates as GPP 1827.
This is a small, antique Tibetan copper & white metal or silver prayer box and /or portable shrine (Gao) with a small gold colored seated Buddha statue inside.
It dates circa 1890-1930.
It measures 3 1/3 inches tall by 3 inches wide by 1 1/2 inches in depth.
The front cover is covered overall with wonderfully tooled reposse images, including a Tibetan beast or lion surrounded by Buddhist calligraphy, topped by a flame. The rest of the box is copper, under the protective, stitched cover.
It also has stitched covers from the early to middle 20th Century.
It is part of a small collection of antique Asian silver artifacts that were acquired a while ago. Please check our other listings to see additional items from this small but select collection that we are currently offering for sale.
This antique bronze head of Kandoba or Shiva with a Naga canopy dates from 18th century India (Rajastan).
This may also be known as a Muhkalinga.
It measures approximately 10 inches (24 cm) tall and 5 inches (12 cm) in diameter.
This is a very substantial old bronze in both weight and appearance and it is in excellent condition.
This 18th-19th century Tibetan or Nepalese bronze oil lamp measures approximately 6 inches tall by 6 inches wide (pan tip to dragon tail).
It was designed to be used as a lamp using either Yak butter or oil.
It has a standing dragon for a handle and a pan with Ganesha on a shield. It is a classic design which incorporates motif from the two cultures (India and China) which are major influences on Tibet (situated between the two of them).
It dates from the late 18th through the middle of the 19th century.
It is in excellent condition with a small amount of verdigris in the recessed areas. It does appear to have been cleaned at some time in it's history and appears to be toning down nicely. It also has some wax residue remaining in a few crevices.
The copper and silver lid is covered with repeating patterns, auspicious symbols and tiny cabachons in turquoise and coral.
The lid is topped by a large (24mm) turquoise bead giving the appearance of a small globe of the earth. In addition, it has four silver shield shapes with large inset carved jades that may represent the four directions (North, South, East, West).
It dates from the late 19th to early 20th century in Tibet or Nepal.
It is in excellent condition with a nice even patinas on the both the copper and silver areas.
This white nephrite jade carving of a pig dates from the Han Dynasty (206 BC-220 AD).
It measures 4 inches nose to tail, by about 1 3/8 inches tall by 1 inch in width.
It is an overall white color with traces of brown oxidation in the crevices. It has areas of irregularity on it's flat and rounded surfaces that create an almost spider web like pattern (off white on white colors).
It is in excellent condition except for one drill hole in the tail which does not appear to be contemporary with the piece. It was most likely added so it could be worn as a pendant.
This original, signed painting on wooden panel measures 17 1/2 inches by 18 inches (44cm x 46 cm) not including the ornately carved wooden frame it sits in. With frame, it measures 23 1/2 by 24 inches.
The subject of the painting is two samurai with drawn blades.
It is signed on both the front and reverse of the painting. There is also an additional hand painted seal in the upper right corner.
We date this painting to the late Meiji Period, although it is quite possible that it could be much earlier.
The condition of the painting is very good, but there are a few minor scrapes to the soft wood evident in the picture, but only from a certain angle. They really do not detract from the charm of this outstanding work.
Last, but not least, the frame is an amazing example of wood carving, and in outstanding condition.
This substantial bronze handled pitcher measures 6 inches tall by 4 inches wide by 7 inches in depth.
We are dating this one to circa 1790-1820, but it may be much, much older. It is either a Neoclassical bronze copy of a Roman bronze or the real thing. We have priced it as a copy, but if real, you can add a couple of "00"s to it's price.
It is in excellent condition, except for a few small bungs and a restoration to the base. The bottom appears to have had three holes filled a long time ago. It may also have been leveled a bit to allow it to sit evenly (this part is speculation).
It has an even greenish black patina overall.
This blue & white ceramic bottle or jar measures 9 inches tall by 3 1/4 inches in diameter.
It is hand painted with scenes in cobalt blue on a white ground.
It is in excellent condition with a few natural fissures and irregularities to the glaze (see close up photos).
We estimate it to date circa 1700-1900.
This antique Persian Silver vase measures 7 inches tall (17 cm) by 5 1/2 inches in diameter (14.5 cm).
It dates circa 1700-1850 or earlier.
It is finely engraved with alternating medallions of bird in an ornate floral landscape and medallions of symmetrical calligraphy. Between the medallions are additional engraved floral wreaths
There are three silver hallmarks on the base. The usual standard of Persian silver is .84 or 84/100 pure silver.
Condition is excellent except for a small bung (see enlargement). Overall, this is an outstanding work of art and much nicer than my poor photos would indicate. Any color changes in the photos are from the flash and not on the vase itself.