This pair of Chinese Seated Lions date from the 17th -19th Century or possibly a bit earlier.
These pottery or earthenware lions each measure about 9.5 - 10 inches tall by 6 inches wide by about 4 inches in depth.
They are in very good condition with only a small loss to one of the tails.
Pair of Imperial Bronze Dragon Seals: Qianlong Marks and Period
This large pair of dragon handled bronze seals date from the period of Qianlong (1735-1795), emperor of the Qing Dynasty (1644-1911) in China.
The rectangular base measures 8 ½ inches by 7 ¼ inches (21.5 cm x 19.5 cm). The dragon handle stands up about 3 inches tall (8 cm.).
The top portions of the seals are covered with chiseled and engraved patterns of dragons and swirling lines representing the ocean or the sky. Standing on top of all this is the dragon handle.
The bottom of the seals are covered in archaic old Chinese pictogram script (see closeup photos). They also include traditional Chinese characters in one corner which are easily interpreted as Qianlong Reign Marks.
Some folks thought these might be paperweights because of their rather large size, compared to most seals of either bronze or jade. A recent article in the Jakarta Post referred to a very similar bronze seal as a “casted paperweight from the Qianlong Period”. See link below:
( http://www.thejakartapost.com/news/2011/04/04/scholar-objects-undervalued-small-treasures.html )
These bronzes may have served double duty, with an original purpose yet to be determined by deciphering the archaic script and the possibility of also having been used as massive scroll weights.
The Emperor Qianlong had a serious interest in painting and was known to dabble in it himself on occasion. Some scrolls are exceptionally long and might have required a substantial scroll weight to keep them open for viewing (or possible two or more to hold the whole long thing open in the privacy of one's palace).
On April 4, 2010 , one identical bronze seal/scroll weight was sold at auction in China for the amount of RMB 651,200. (about $108,000.00 US ). The auction estimate had originally been 600,000-800,000 RMB (about $100,000-$130,000) for one single bronze seal.
The pair of bronze seals or scroll weights or “paperweights” are both in excellent condition. The buyer will not be disappointed.
They were purchased about 30 years ago in Southern California.
NOTE: Although the photos below make the the bronzes appear to be of different sizes , only the photos are of different sizes, not the bronzes themselves.
ADDITIONAL NOTE: THERE ARE A FEW VERY TINY SPOTS OF VERDIGRIS ON ONE OF THE SEALS . THIS IS NOT UNUSUAL FOR A BRONZE ITEM THAT IS OVER 200 YEARS OLD. IT IS REALLY NOT WORTH MENTIONING BUT WE ALWAYS LIKE TO HAVE FULL DISCLOSURE SO THERE ARE NO SURPRISES FOR THE BUYER.
This glazed ceramic seated Buddha measures 7 inches tall by 6 1/2 inches wide by about 5 inches in depth.
It consists of a blue glaze over buff ceramic. The glaze is a deep sky blue ranging to shades of turquoise and pooling to black in the crevices. The bottom has a very fine mesh pattern embedded in it that resembles linen. There are no marks of any kind on it.
This seated figure dates to the Kangxi period of the Ching Dynasty (1644-1911) or possibly earlier.
It is in excellent condition, period.
This Japanese Satsuma Vase is unmarked, 15 inches tall and about 9 inches in diameter.
It dates to the Meiji Period (1868-1912) and has Kwannon and Lohans with an elephant pictured upon it.
It is in excellent condition with some light rubbing on the high relief gilded areas exposing an outstanding crackle beneath.
These two bronze figures date from the 17-18th century or earlier.
Each one represents either Mahakala or Samantabhadra standing on a prostrate human figure surrounded by a ring of fire and wearing a garland of severed human heads.
Each measures about 8 inches tall by 5 inches wide.
Both are in excellent condition except for a small square opening on the back of one.
This Japanese bronze handled mirror measures about 8 inches in diameter (21cm) with an extended handle which increases the full height to about 12 inches or 30 centimeters(cm).
It dates to the late Edo Period or Early Meiji period ( about the middle of the 19th century (1840-1860).
It is signed in the left portion of the front. It also has birds flying over churning waves in the ocean.
It still has most of it's silver ovrlay on the two large Kanji marks on the front. It also has remnants of it's silver on the reverse or "Face" of the mirror.
Bronze mirrors were introduced into Japan from China and Korea about 300 BC - AD 300.
At first they had a religious function and were regarded as symbols of authority.
The Japanese soon learned to make their own mirrors using lost-wax casting and decorated them with Japanese or Chinese designs.
By the Nara period (AD 710-794) mirrors were made for everyday use and used designs such as plants and animals to symbolize good fortune.
From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular.. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568).
During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimetres across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tinners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868).
This Meiji period JAPANESE KUTANI VASE measures 7 inches in diameter and 11 inches tall. We date this one circa 1880-1910.
It is in excellent condition overall with the raised gilding in outstanding condition.
It is unsigned, but there is a hand painted mark on the bottom edge that looks like: I I I O .
This carved jade dog in a reclining position measures 3.25 inches long by about 1.25 inches tall by 1.5 inches in depth.
It is carved from a piece of nephrite jade that has colors that range from off white and pale celadon to pale yellow and brown in areas.
It dates from the late 19th to early 20th Century in China.
It is in excellent condition with no damage or restoration.
This rather substantial jade carving of a frog is in a style which originated in the late Neolithic to Shang Period, but we estimate it to actually date from the middle to late Ming Period (15th -17th Century).
It measures 2 1/2 by 4 1/2 by 1 inch in depth.
It is a gray-green celadon color with dark brown suffusions on it's back.
It is covered with symmetrical designs and shows evidence of much handling. It also has fully articulated toes on the bottom of it's feet. Location-GH-BX6
This original 19th century wooden carving of a Chinese Emperor with gilded and polychrome details measures 11 inches tall, 5 3/4 inches wide and 4 1/2 inches deep. It is in outstanding condition with ornate detailing and symbols in high relief on it's golden robe.
The one exception to it's unusually good condition is the loss of one hand. The hair in it's beard is REAL.
This antique jade carving of a reclining ox or water buffalo measures 4 inches wide by 2.5 inches tall by about 2.5 inches in depth.
This classic jade is carved in the style of the Song Dynasty (980 AD -1279 AD), but it is more likely that it was carved during the Ming Dynasty (1368 AD - 1644 AD) or the Qing Dynasty (1644 AD-1911 AD).
It is in excellent condition with subtle details and carving.
This carving may have begun it's existence as a somewhat lighter-off white color, but time and oxidation have worked to give it a lovely pale yellow or honey color with subtle inclusions and minor color changes.
This is a museum quality nephrite jade carving which is evidenced by the subtle modeling of it's overall design. This one is a gem.
The next owner will not be disappointed!
This antique Chinese nephrite jade carving of a naturalistic motif, possibly a squash or gourd.
It measures 2 inches long by 1 1/8 inches tall by about 1/2 inch in depth.
It dates to the Qing Dynasty (1644-1911)in China and is carved from a pale green celadon jade.
This original bronze figure of a seated and robed official holding a jui (symbol of power) measures 8 1/2 inches tall by 5 inches wide by 3 1/2 inches.
It is covered overall with a very subtle and dark patina. It has a softness of detail that only comes from hundreds of years of handling. It also has a few cracks and slight losses to it's surface that do not detract from it's overall appearance.
It dates to a period ranging from the 15th through the 17th centuries in China.
The buyer will not be disappointed, as it is nicer than the photos would indicate. This bronze figure is guaranteed to be an original ( of the period. It is NOT a copy or reproduction of any kind.
This antique gilt bronze figure of Tara dates to 11th-12th century Nepal.
It measures approximately 12 inches tall (13 inches with custom wooden stand).
It is in outstanding condition, especially considering that it is over 900 years old.
NOTE: This 900+ year old bronze does have one condition issue:
The lotus flower on Tara's left shoulder is bent forward slightly and needs to be repositioned professionally.
It is a relatively simple and inexpensive process, but it should be done by someone with experience in such matters.
Just bending it back might have the unwanted effect of snapping it off. It needs to be heated, softened and gently moved back into place by a pro.
Tara is the most important goddess in the Buddhist pantheon.
She stands, gracefully and powerfully modeled in a hip-shot posture.
Her right hand is held in a gesture of varadamudra (fearlessness and wish granting).
Her left hand is held in a teaching gesture (vitarkamudra) while holding a lotus flower rising to her shoulder.
Her face has a serene expression with downcast eyes flanked by large earrings.
She is wearing a diaphanous dhoti rolled down to the waist. It is incised with floral patterns and secured with a jeweled sash inset with precious stones.
She also wears a jeweled neck piece, armbands and tiara enclosing her up swept hair.
Tara occupies a unique status in that she has mythological origins as a goddess, as a Bodhisattva and is also frequently viewed as a Buddha.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
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This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
This antique hardstone carving of a reclining ox dates from the Song Dynasty (960-1279 AD) or the early portion of the Ming Dynasty (1368-1644 AD).
It measures about 2 3/4 x 1 1/2 X 1 1/4 inches or 58mm x 31mm x 30 mm.
It is carved from white variegated stone with a small area of pale gray in the center.
It is in excellent condition with a substantial amount of reddish brown oxidation on it's base.
We are describing this as hard stone because it does not pass the scratch test for jade. The possibility exists, however, that it is actually altered jade which has been softened over time and proximity to the elements.
Nepalese Bronze Bodhisattva Avalokiteshvara Padmapani
11th to 14th century: circa 1000-1300 AD.
This outstanding bronze statue of the Bodhisattva Avalokiteshvara Padmapani stands 13.5 inches tall not including the two rectangular mounts that extend into it's bronze base.
It stands 15 inches tall including it's bronze lotus base.
It is in excellent condition with much of it's original gilt remaining on the raised areas and his face. The remainder of the original gilt has been lost over the last thousand years or so, exposing a deep copper colored bronze surface.
Among the many forms of Avalokiteshvara, Padmapani is probably the oldest.
Avalokiteshvara is the embodiment of all of the Buddha's infinite compassion.
Padmapani means "lotus in hand". His left hand holds the lotus stalk, while his right hand is lowered in the gesture of granting favors.
This is an early example the use of semi precious stone inlays, a distinctive feature of Tibetan and Nepali sculpture.
His smooth torso and broad shoulders reflect the impact of the Gupta style, which existed in Northern India from the fourth to sixth century. The armlets and crown are traditionally found on 10th to 12th century sculpture.
Additional Nepalese or Nepali scuptural traditions can be seen in the shape of the broad face and full cheekbones which differ from the smaller and fuller facial features found in Indian art. The curves of the eyebrows and eyes and the long line of the nose are also typically Nepalese in style. In addition, the delicately engraved or incised floral pattern of the sarong around his waist is also typically found on early Nepali sculptures .
A larger, but stylistically similar example of an 11th century bronze Bodhisattva Avalokiteshvara Padmapani is held in the Cleveland Museum of Art:
On September 21, 2007 Christies NY sold a 14 inch gilt bronze Avalokitesvara Padmapani for $577,000.00 .
Recently - On March 20, 2012, a 17 7/8 inch tall bronze Padmapani was sold for $2.8 million dollars by Christies Auction House in New York.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
This large Chinese Cloisonne covered box measures 15 inches in diameter. It actually measures 17.5 inches wide, when you include the bronze handles on either side. It also measures 8 inches tall.
It is in excellent condition with the exception of a small circular restored spot on the bottom of the exterior. It appears to have been repaired in the late 19th century, based on the odd shade of green enamel that was used in the repair.
The cloisonne scene on the lid consists of a phoenix (fenghuang) looking down on a mountain range across the waters and under a red sun (a possible reference to Japan).
The chrysanthemums in the foreground may refer to Japanese royalty. This could have been designed as a gift for Japanese royalty.