This Chinese Export or English Chinoiserie lacquered box measures about 7 inches by 5 3/4 inches by 1 3/4 inches.
It dates from the late 18th-middle 19th century.
It is hand painted with a scene of eight figures in a pagoda and garden landscape. The figures are painted in gold over a black lacquer and wood base.
It is in very good condition except for a few very minor cracks and small losses to the lacquer.
This set of 5 matching porcelain dishes with flying cranes pattern dates from the late 19th through the early 20th Century in China.
Each dish measures about 6 1/8 inches in diameter.
The dishes are in generally good condition with minor edge roughness or rim frits as often found with this type of delicate thin porcelain.
The pattern of six flying cranes is transfer printed rather than hand painted: a type of detailing that became popular in the 19th century although it originated slightly earlier than that. In China it was used in the early 20th Century (Republic Period) and it's use ended about WWII.
This ancient Roman two handled glass vase is in excellent condition. It has no damage, repairs or restoration.
It measures about 4 3/4 inches tall by 3 5/8 inches in diameter at it's widest point.
It has applied glass handles which have been referred to by some as "Dolphin Handles".
It has areas of wear and iridescence overall.
It has parallel striations down the neck below the wide lip.
This is a museum quality glass vase that we have had in our personal collection for about forty years.
This antique majolica bowl on an ornately detailed bronze stand measures 17 inches wide by 15 inches tall by 7 1/2 inches in depth.
It dates circa 1760-1840. It is European, and most likely French in origin.
It is in outstanding condition, period. The majolica bowl is in excellent condition with no chips or losses, although there is a lovely crackle to the glaze on the interior of the bowl. The bronze mounts retain much of their original gilding, with no apparent repairs to their delicate, almost spiderweb designs.
This engraved Sterling Silver tankard dates from the decade following the American Civil War (circa 1870-79 ).
It measures 3.5 inches tall by 2.5 -2.75 inches in diameter (not including the handle). It also measures 4 inches from the handle to the front edge of the cup.
It weighs 189 grams or 6.08 troy ounces.
It is marked on the bottom of the cup: ENG' STERLING 925-100 .
This is an American Silver Tankard Dated 1879 which may have served as a Christening cup.
A somewhat similar mark can be seen at the link below
It has been suggested that ENG may mean English Silver. This is incorrect because all English silver from this period had to be hallmarked in the English manner. However, before the sterling standard was fully adopted by the American silver manufacturing establishment, manufacturers who WERE making sterling often marked their wares "ENGLISH STERLING", as in this example.
This piece is not English, it just is up to the English sterling standard.
It also has the number 26 with gothic B's in diamond stamps on either side (B 26 B)
In 1866 William Bogert bought out the business of prominent New york City manufacturer Charles Grosjean, and formed William Bogert & Co. with Bernard Beiderhase. We believe that this silver cup or tankard was manufactured by Bogert and Beiderbase (B and B) under the eventual name of William Bogert and Company.
This is a solid sterling silver tankard and guaranteed as such.
It is in excellent condition with a nice even finish and a subtle patina.
It has a couple of extremely minor scrapes along the outside bottom edge where it appears to have been tested for silver purity during the last 130 years.
It is also engraved on the front: Tracey Lay Turner --September 1879 (surrounded by a delicate flowing engraving of wheat and or berries.)
Overall, this is a very clean and pristine example of late 19th century American Silver with documentation that leads us all the way back to it's original owner.
Tracey lay Turner was a Stock broker and banker (among other things) who lived and worked in 19th century Chicago.
The following information is an excerp from the Book Of Chicagoans (a sort of Who’s Who from the 19th-20th Century):
TURNER, Tracy lay, stock broker: born Chicago, Aug. 26, 1879*
Son of Edward H. and Ida B. (Foster) Turner; educated in private schools; married Chicago, Oct. 3, 1899, Claribel Countiss; 2 sons: Tracy L.,Jr. and Foster.
Began in Marshall Field & Co.'s wholesale house, 1896, and later was with Whiteside & Wentworth, real estate.
In 1897 he entered the employ of Chapln & Gaylord, stock and bond brokers and later became office manager.
In February 1901, he is lsted as a partner in the firm of S. B. Chapln & Co , bankers and brokers.
Republican. Episcopalian. Clubs: Chicago Athletic, Union League, South Shore Country, Glen View, Kenwood Country, Tuscumbia. Recreations: golf, fishing and motoring. Residence: 1120 E. 48th St. Office: The Rookery.
*Note_ Tracey Lay Turner was born on August 26, 1879, so either the Chicagoan or the engraver got it wrong by 4 days. It has been suggested that the difference or error may be related to a Christening date. So the date on the cup may actually be the date of christening rather than the date of birth.
This triple ceramic dish with handle dates to the 19th through early part of the 20th century.
It is designed with a shape similar to a shamrock or three leaf clover.
It measures about 11 inches by 11 inches by about 4 inches tall.
It is hand painted with numerous designs of yellow daisies.
It is in excellent condition with losses to the gilding--primarily on the handle.
It appears to be European or Baltic in origin.
This may have originally been used as a relish or condiment dish.
There are no marks, makers names or country of origin. That in itself helps to date it to about circa 1900 or earlier.
This late 18th century to early 19th century whale oil lamp measures approximately 11 inches tall by 4.5 -5 inches in diameter at it's widest points.
It was crafted in pewter and is Swiss or Austro Hungarian in origin, as it was acquired with a set of very similar figural Swiss candlestands with readable Hallmarks dating to about the same time period. Even so, this oil lamp is not marked or the marks have worn off over the centuries.
It consists of a standing figure in 17th-18th Century costume, holding up a four spigot oil font. The figure wears a cap with a crossed hammer insignia on it (partially obscured by wear)
It is signed with a date and initials on the base (18 GPP 27) which translates as GPP 1827.