This forest green glazed Kochi ware vase with handles measures 12 cm tall by 12 cm in diameter by 19 cm wide (handle to handle). It most likely dates to the beginning of the 20th century. The glaze pools dark green in the crevices.
There are NO marks or signatures on this vase.
It is in excellent condition. No chips, cracks, hairlines, repairs, etc. It does have a few very light surface scratches to the glaze. There are four round felt pads on the bottom of the vase (see enlargement photos).
The glaze is even and complete. Any white spots or lines are from the flash and are NOT on the vase itself.
Japanese Awaji ware was influenced by or copied after, Chinese Cochin ware: a 16th century pottery originally produced in Southern China or Vietnam. It consisted primarily of green glazed wares with low relief decoration* (*Ceramic Art of Japan, Seattle Art Museum, Page 164)(CAJ).
Another theory about the origin of Cochi or Cochin ware is that it was carried from China to South East Asia (modern Day Vietnam and Thailand) during the Song or Yuan Dynasty . In 1206 the Mongolian tribes met and agreed to unite under Genghis Khan. In 1215 Genghis Khan captured Beijing. In 1279 Kublai Khan, his grandson, completed the Quest of China, ending the Song Dynasty. The Yuan dynasty that they created lasted from 1279 to 1368 (1368- 1644 A.D. Ming dynasty). Faced with Mongol rule artists, potters, merchants and exporters left China and set up their operations in Vietnam and Thailand. The Sung kiln and glaze technologies were transferred to Vietnam. Bat Trang (in Vietnam) prospered and continued to do so as the Ming dynasty maintained a closed-door policy until 1567. It was not until 1684 that the Chinese competed effectively with Vietnamese ceramics exporters. By this time Vietnamese pottery had achieved such popularity in Japan that even the Japanese potters produced ceramics in the Vietnamese style, which they called Cochi or Kochi ware. During the late Edo Period there was a fashion among Kyoto potters (including Eiraku Hozen, Ogata Kenzan, and Aoki Mokubei) to emulate the Chinese wares of the 16th century, especially the export blue and white, gosu-akae, and Kochi ware** (**CAJ-pg 158).
This ancient marble carving of a reclining lion measures 6 1/2 inches wide by 5 inches in depth by 4 1/2 inches high.
It dates to either the Tang Dynasty in China (618 AD 907 AD) or slightly earlier in one of the Roman provinces ( possibly 300-400 AD). It is in excellent condition and quite rare.
This outstanding quality Ding Yao covered ceramic box, although Song Dynasty in appearance, may actually date from the Ming or Ching Dynasty.
It measures 8 inches in diameter by about 3 inches in height.
The domed cover is incised with repeating leaf patterns around a central leaf set within a circle.
It is in excellent condition with a circular kiln fracture around the outside of the bottom rim (see enlargement photo). This is original to the piece and is not considered damage.
Pair of Imperial Bronze Dragon Seals: Qianlong Marks and Period
This large pair of dragon handled bronze seals date from the period of Qianlong (1735-1795), emperor of the Qing Dynasty (1644-1911) in China.
The rectangular base measures 8 ½ inches by 7 ¼ inches (21.5 cm x 19.5 cm). The dragon handle stands up about 3 inches tall (8 cm.).
The top portions of the seals are covered with chiseled and engraved patterns of dragons and swirling lines representing the ocean or the sky. Standing on top of all this is the dragon handle.
The bottom of the seals are covered in archaic old Chinese pictogram script (see closeup photos). They also include traditional Chinese characters in one corner which are easily interpreted as Qianlong Reign Marks.
Some folks thought these might be paperweights because of their rather large size, compared to most seals of either bronze or jade. A recent article in the Jakarta Post referred to a very similar bronze seal as a “casted paperweight from the Qianlong Period”. See link below:
( http://www.thejakartapost.com/news/2011/04/04/scholar-objects-undervalued-small-treasures.html )
These bronzes may have served double duty, with an original purpose yet to be determined by deciphering the archaic script and the possibility of also having been used as massive scroll weights.
The Emperor Qianlong had a serious interest in painting and was known to dabble in it himself on occasion. Some scrolls are exceptionally long and might have required a substantial scroll weight to keep them open for viewing (or possible two or more to hold the whole long thing open in the privacy of one's palace).
On April 4, 2010 , one identical bronze seal/scroll weight was sold at auction in China for the amount of RMB 651,200. (about $108,000.00 US ). The auction estimate had originally been 600,000-800,000 RMB (about $100,000-$130,000) for one single bronze seal.
The pair of bronze seals or scroll weights or “paperweights” are both in excellent condition. The buyer will not be disappointed.
They were purchased about 30 years ago in Southern California.
NOTE: Although the photos below make the the bronzes appear to be of different sizes , only the photos are of different sizes, not the bronzes themselves.
ADDITIONAL NOTE: THERE ARE A FEW VERY TINY SPOTS OF VERDIGRIS ON ONE OF THE SEALS . THIS IS NOT UNUSUAL FOR A BRONZE ITEM THAT IS OVER 200 YEARS OLD. IT IS REALLY NOT WORTH MENTIONING BUT WE ALWAYS LIKE TO HAVE FULL DISCLOSURE SO THERE ARE NO SURPRISES FOR THE BUYER.
This blue glazed on buff colored ceramic or pottery figure of a seated Buddha measures just over 4 inches tall by 2 1/2 inches wide by 1 1/4 inches in depth.
It is in excellent condition with the glaze pooling to black in the crevices.
It dates to the Qing (Ching) Dynasty (1644-1911).
This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
This glazed pottery incense burner measures 7 inches tall by 4 3/4 inches in diameter.
It is covered with hand painted floral designs on a coral colored background. It has a lid with gilded spiderweb designs and a seated kylin finial.
It dates circa 1880-1910.
It is in good condition with the exception of an old repaired break on one leg (see enlarged photo). It still retains a good portion of it's original gilding, except on the legs or finial.
It is unmarked, except for a partial calligraphic mark on the inside lid.
This is an antique jade carving of a seated monkey holding a Peach (Late Ming to Qing Dynasty)
It is a finely polished blue grey nephrite jade with white jade areas utilized to accent the nose and extremities.
There are remnants of oxidation or calcification in the crevices.
This antique carved jade is in outstanding condition. It is an excellent example of 17th-19th century jade carving.
Subject is a seated monkey with a finger in his mouth, holding a peach
3 1/4 x 1 1/2 X 1 1/2 inches (79mm x 40mm x 42 mm)
This original carved "oosik" or penis bone measures about 11 inches long by 1 inch wide by 1 1/2 inches in depth at it's wide at the base.
Although it has the appearance of ivory, it is actually carved from heavily fossilized walrus penile bone. It is much harder than traditional ivory and as such has been used by native people for generations to producing knives and important implements.
This is likely a fertility totem in as much as it has a hooded woman riding a phallus with the raven and a stylized bear above her.
A work of this quality would have taken a great deal of time talent and effort to create.
The workmanship and details of the carving are outstanding and can honestly be described as museum quality.
This carved jade dog in a reclining position measures 3.25 inches long by about 1.25 inches tall by 1.5 inches in depth.
It is carved from a piece of nephrite jade that has colors that range from off white and pale celadon to pale yellow and brown in areas.
It dates from the late 19th to early 20th Century in China.
It is in excellent condition with no damage or restoration.
This outstanding example of a Muhuashi (Petrified Wood Scholar's Rock) measures 8 inches by 5 1/2 inches by 4 inches tall (including the carved wooden stand it sits in). One photo enlargement shows the stand and the bottom of the rock.
It has the appearance of a craggy old mountain. It was at one time part of a collection of jade mountains. The mineralized wood is actually as hard or harder than jade.
It is difficult to put an actual age on this stone, but we can easily assume that it's age can be measured in centuries, lot's of them!
This glazed ceramic seated Buddha measures 7 inches tall by 6 1/2 inches wide by about 5 inches in depth.
It consists of a blue glaze over buff ceramic. The glaze is a deep sky blue ranging to shades of turquoise and pooling to black in the crevices. The bottom has a very fine mesh pattern embedded in it that resembles linen. There are no marks of any kind on it.
This seated figure dates to the Kangxi period of the Ching Dynasty (1644-1911) or possibly earlier.
It is in excellent condition, period.
This Qing Dynasty Chinese carved jade double tube vase or nuptial cup measures just slightly less than 7 inches tall by about 4 inches wide by 3 inches in depth.
It is also known as a "Champion Vase".
It is carved from one piece of celadon colored nephrite jade with inclusion of lighter jade that give it the appearance of cloud formations. It also has a few rust colored inclusions that follow the natural inclusions of the stone.
It is carved in the shape of a mythological bird or phoenix standing on a Chinese lion or Chilung while holding two ornately carved tubular vases with its wings. The lids of both vases are conjoined by a dragon wrapped around both sides.
Double jade carvings of this type have been described not only as “Marriage or Nuptial Cups”, but also as “Champion Vases” by their owners over the centuries.
These are quite rare and can be found in museum collections throughout the world. There is a jade champion vase in the Victoria and Albert museum in England.
There is also one at the National Palace Museum in Taiwan.
Prices for similar but not absolutely identical jade champion vases have been increasing over the last decade or so. There are major similarities in most all of these vases but the minor details often vary from one to the next.
On November 1, 2004 , Christies Hong Kong sold a calcified green jade Champion vase for $80,256.00 against an estimate of $25,831.00- $38, 746.00 (sale 2177-Lot 834).
On November 27, 2007, Christies Hong Kong sold a white jade Champion vase for $248,842.00 (sale 2388-Lot 1547). It had an estimate of $38,730.00 - $51,640.00. It was 5 1/8 inches tall ( 13 cm).It was exceptional and from a well known collection.
On March 18, 2008, Christies Auction House sold a Champion Vase of somewhat similar appearance for $50,000.00 US (Christies: Sale 2267-Lot #440) It was 5 7/8 inches tall. On June 12, 2012, another jade Champion vase was sold for $64,000.00 (Christies –Sale 3509 /Lot #161). It was 5 1/8 inches tall.
Another jade champion vase is scheduled to go up to auction very soon ( Christies NY- September 13, 2012 (sale 2580- Lot # ?). Estimated Value: $50,000.00-$70,000.00. _________________________________________________________________________________
This original carving of a Chinese lions and cub.
It dates from the Qing Dynasty (1644-1911).
Each one holds a lingzhi in its mouth.
It measures about 55 mm x 41 mm x 20 mm ( 2.1 x 1.5 x .75 inches)
It is carved from a uniformly pale celadon jade.
This is a Tibetan copper & white metal/silver prayer box or portable shrine (Gao) with a small bronze figure of Ganesh inside.
It dates circa 1890-1930, or possibly earlier.
It also has stitched covers from the early to middle 20th Century.
The front cover is covered with wonderfully hand tooled images, including a Tibetan mythical beast or lion surrounded by Buddhist calligraphy, topped by a flame. The rest of the box is copper, under the protective, stitched cover.
It measures 5 inches tall by 4 1/4 inches wide by 1 1/2 inches in depth.
It is part of a small collection of antique Asian silver artifacts that were originally acquired together. Some of these items will also be offered for sale, now or at a later date.
This rather substantial jade carving of a frog is in a style which originated in the late Neolithic to Shang Period, but we estimate it to actually date from the middle to late Ming Period (15th -17th Century).
It measures 2 1/2 by 4 1/2 by 1 inch in depth.
It is a gray-green celadon color with dark brown suffusions on it's back.
It is covered with symmetrical designs and shows evidence of much handling. It also has fully articulated toes on the bottom of it's feet. Location-GH-BX6
This antique bronze head of Kandoba or Shiva with a Naga canopy dates from 18th century India (Rajastan).
This may also be known as a Muhkalinga.
It measures approximately 10 inches (24 cm) tall and 5 inches (12 cm) in diameter.
This is a very substantial old bronze in both weight and appearance and it is in excellent condition.