This is a Tibetan copper & white metal/silver prayer box or portable shrine (Gao) with a small bronze figure of Ganesh inside.
It dates circa 1890-1930, or possibly earlier.
It also has stitched covers from the early to middle 20th Century.
The front cover is covered with wonderfully hand tooled images, including a Tibetan mythical beast or lion surrounded by Buddhist calligraphy, topped by a flame. The rest of the box is copper, under the protective, stitched cover.
It measures 5 inches tall by 4 1/4 inches wide by 1 1/2 inches in depth.
It is part of a small collection of antique Asian silver artifacts that were originally acquired together. Some of these items will also be offered for sale, now or at a later date.
This small jade or hard stone carving of a stylized face measures 2.25 inches x 2.75 inches x 1.5 inches in depth.
It's colors range from a medium to dark green to a pale green with areas of translucence. It also has natural inclusions in the stone with areas of dark brown or off white oxidation.
It is carved in the style of old Olmec carvings, but it may be early 20th century. It may also be Chinese, rather than Latin American in origin, but neither origin has been documented yet.
It is unusual in that it has a mounting bracket extending from the reverse side. Similar brackets have been seen on occasion to allow for mounting as architectural components or as decorations in religious settings.
If this stylized carving actually is older than our estimate, it would be worth a great deal more than our asking price.
The mounting bracket would allow for this piece to be worn as a belt slide or buckle, or as a large pendant.
This ANTIQUE CHINESE EXPORT PEWTER FISH BOWL & COVER measures 8 1/2 inches by 7 inches by 4 inches.
It is in excellent condition with no evidence of restoration or repairs. It does have some tarnish and wear as would be expected on a soft pewter serving dish that is between 120-160 years old.
IT IS HALLMARKED ON BOTH THE BOTTOM OF THE BOWL AND UNDER THE LID.
IT STILL RETAINS IT'S ORIGINAL GLASS EYES.
This blue glazed on buff colored ceramic or pottery figure of a seated Buddha measures just over 4 inches tall by 2 1/2 inches wide by 1 1/4 inches in depth.
It is in excellent condition with the glaze pooling to black in the crevices.
It dates to the Qing (Ching) Dynasty (1644-1911).
This original carved "oosik" or penis bone measures about 11 inches long by 1 inch wide by 1 1/2 inches in depth at it's wide at the base.
Although it has the appearance of ivory, it is actually carved from heavily fossilized walrus penile bone. It is much harder than traditional ivory and as such has been used by native people for generations to producing knives and important implements.
This is likely a fertility totem in as much as it has a hooded woman riding a phallus with the raven and a stylized bear above her.
A work of this quality would have taken a great deal of time talent and effort to create.
The workmanship and details of the carving are outstanding and can honestly be described as museum quality.
This pair of charming 18th-19th century copper censors are in the form of small archaic wine jars. They have some verdigris on them but they are in excellent condition.
They measure 5 1/4 inches tall by about 4 1/2 inches wide.
The tripod feet are comprised of foo dogs or temple lions with elongated tongues. They have been used as candle holders at some time and retain a small amount of wax on the interior.
There are no marks on these censors. Circa 1780-1840's.
This nephrite jade carving is a pale celadon to yellow jade altered to brown overall.
It appears to have been buried for an extended period of time, based on the level of alteration or oxidation.
We conservatively estimate that this antique nephrite jade dates to the late 19th - early 20th century.
It may actually be much older. Please view the detailed photos carefully.
The buyer will not be disappointed.
It measures 80 mm x 45mm x 12 mm in depth.
It is in very good condition with the exception of a slight loss to one wing tip, which appears to have happened ages ago because it shows wear and toning consistent with the rest of the carving.
The shape of the tail is unusual in that it looks like a sea monster . Without its pointed beak, it could be mistaken for a dragon or a kylin.
This antique jade carving of a reclining ox or water buffalo measures 4 inches wide by 2.5 inches tall by about 2.5 inches in depth.
This classic jade is carved in the style of the Song Dynasty (980 AD -1279 AD), but it is more likely that it was carved during the Ming Dynasty (1368 AD - 1644 AD) or the Qing Dynasty (1644 AD-1911 AD).
It is in excellent condition with subtle details and carving.
This carving may have begun it's existence as a somewhat lighter-off white color, but time and oxidation have worked to give it a lovely pale yellow or honey color with subtle inclusions and minor color changes.
This is a museum quality nephrite jade carving which is evidenced by the subtle modeling of it's overall design. This one is a gem.
The next owner will not be disappointed!
This antique gilt bronze figure of Tara dates to 11th-12th century Nepal.
It measures approximately 12 inches tall (13 inches with custom wooden stand).
It is in outstanding condition, especially considering that it is over 900 years old.
NOTE: This 900+ year old bronze does have one condition issue:
The lotus flower on Tara's left shoulder is bent forward slightly and needs to be repositioned professionally.
It is a relatively simple and inexpensive process, but it should be done by someone with experience in such matters.
Just bending it back might have the unwanted effect of snapping it off. It needs to be heated, softened and gently moved back into place by a pro.
Tara is the most important goddess in the Buddhist pantheon.
She stands, gracefully and powerfully modeled in a hip-shot posture.
Her right hand is held in a gesture of varadamudra (fearlessness and wish granting).
Her left hand is held in a teaching gesture (vitarkamudra) while holding a lotus flower rising to her shoulder.
Her face has a serene expression with downcast eyes flanked by large earrings.
She is wearing a diaphanous dhoti rolled down to the waist. It is incised with floral patterns and secured with a jeweled sash inset with precious stones.
She also wears a jeweled neck piece, armbands and tiara enclosing her up swept hair.
Tara occupies a unique status in that she has mythological origins as a goddess, as a Bodhisattva and is also frequently viewed as a Buddha.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
We prefer payment by Paypal, but also accept other methods of payment, including bank transfers on larger purchases . Email us for details.
All payments must clear completely prior to shipment.
Please check all of our feedback to find many other satisfied buyers and repeat customers.
This hand painted ceramic vase measures about 10 inches (24.5 cm)tall by 5 inches (13 cm) in diameter at it's widest point.
It dates circa 1870-1900 (during the late Meiji Period) in Japan.
It is in excellent condition with virtually all of the high relief gilding intact.
This antique hardstone carving of a reclining ox dates from the Song Dynasty (960-1279 AD) or the early portion of the Ming Dynasty (1368-1644 AD).
It measures about 2 3/4 x 1 1/2 X 1 1/4 inches or 58mm x 31mm x 30 mm.
It is carved from white variegated stone with a small area of pale gray in the center.
It is in excellent condition with a substantial amount of reddish brown oxidation on it's base.
We are describing this as hard stone because it does not pass the scratch test for jade. The possibility exists, however, that it is actually altered jade which has been softened over time and proximity to the elements.
This antique Chinese nephrite jade carving of a naturalistic motif, possibly a squash or gourd.
It measures 2 inches long by 1 1/8 inches tall by about 1/2 inch in depth.
It dates to the Qing Dynasty (1644-1911)in China and is carved from a pale green celadon jade.
This blue & white ceramic bottle or jar measures 9 inches tall by 3 1/4 inches in diameter.
It is hand painted with scenes in cobalt blue on a white ground.
It is in excellent condition with a few natural fissures and irregularities to the glaze (see close up photos).
We estimate it to date circa 1700-1900.
This Chinese Export or Chinoiserie lacquered wooden box measures 7 1/4 inches by 5 1/4 inches by 1 3/4 inches.
It dates from the late 18th century to middle 19th century.
It is hand painted with a scene of five figures in a pagoda and garden landscape. The figures are painted in gold over a black lacquer and wood base.
It is in very good condition except for a few very minor cracks and small losses to the lacquer.
This Japanese Satsuma Vase is unmarked, 15 inches tall and about 9 inches in diameter.
It dates to the Meiji Period (1868-1912) and has Kwannon and Lohans with an elephant pictured upon it.
It is in excellent condition with some light rubbing on the high relief gilded areas exposing an outstanding crackle beneath.
This Meiji period JAPANESE KUTANI VASE measures 7 inches in diameter and 11 inches tall. We date this one circa 1880-1910.
It is in excellent condition overall with the raised gilding in outstanding condition.
It is unsigned, but there is a hand painted mark on the bottom edge that looks like: I I I O .
This forest green glazed Kochi ware vase with handles measures 12 cm tall by 12 cm in diameter by 19 cm wide (handle to handle). It most likely dates to the beginning of the 20th century. The glaze pools dark green in the crevices.
There are NO marks or signatures on this vase.
It is in excellent condition. No chips, cracks, hairlines, repairs, etc. It does have a few very light surface scratches to the glaze. There are four round felt pads on the bottom of the vase (see enlargement photos).
The glaze is even and complete. Any white spots or lines are from the flash and are NOT on the vase itself.
Japanese Awaji ware was influenced by or copied after, Chinese Cochin ware: a 16th century pottery originally produced in Southern China or Vietnam. It consisted primarily of green glazed wares with low relief decoration* (*Ceramic Art of Japan, Seattle Art Museum, Page 164)(CAJ).
Another theory about the origin of Cochi or Cochin ware is that it was carried from China to South East Asia (modern Day Vietnam and Thailand) during the Song or Yuan Dynasty . In 1206 the Mongolian tribes met and agreed to unite under Genghis Khan. In 1215 Genghis Khan captured Beijing. In 1279 Kublai Khan, his grandson, completed the Quest of China, ending the Song Dynasty. The Yuan dynasty that they created lasted from 1279 to 1368 (1368- 1644 A.D. Ming dynasty). Faced with Mongol rule artists, potters, merchants and exporters left China and set up their operations in Vietnam and Thailand. The Sung kiln and glaze technologies were transferred to Vietnam. Bat Trang (in Vietnam) prospered and continued to do so as the Ming dynasty maintained a closed-door policy until 1567. It was not until 1684 that the Chinese competed effectively with Vietnamese ceramics exporters. By this time Vietnamese pottery had achieved such popularity in Japan that even the Japanese potters produced ceramics in the Vietnamese style, which they called Cochi or Kochi ware. During the late Edo Period there was a fashion among Kyoto potters (including Eiraku Hozen, Ogata Kenzan, and Aoki Mokubei) to emulate the Chinese wares of the 16th century, especially the export blue and white, gosu-akae, and Kochi ware** (**CAJ-pg 158).
This jade carving of a Chinese lion, Chimera or Fu dog sits at an alert posture on all four paws.
It has a split or bifurcated tail and stylized wings.
It measures 2 1/2 inches by 1 7/8 inches by 1 1/4 inch (57 mm x 49 mm x 31 mm).
It is carved from a piece of off white to celadon colored jade with natural striations running through it. There is a natural brown irregularity which runs from it's foot to it's ear on one side along with a small area of brown suffusion on it's flank.
(This is the fancy way of saying it has few areas of rust. Not a bad thing for a genuine antique jade carving.)
We are dating this one to the late Ming through early Qing Dynasty, but it may actually be earlier.