This carved jade dog in a reclining position measures 3.25 inches long by about 1.25 inches tall by 1.5 inches in depth.
It is carved from a piece of nephrite jade that has colors that range from off white and pale celadon to pale yellow and brown in areas.
It dates from the late 19th to early 20th Century in China.
It is in excellent condition with no damage or restoration.
This pair of Chinese Seated Lions date from the 17th -19th Century or possibly a bit earlier.
These pottery or earthenware lions each measure about 9.5 - 10 inches tall by 6 inches wide by about 4 inches in depth.
They are in very good condition with only a small loss to one of the tails.
This jade carving of a Chinese lion, Chimera or Fu dog sits at an alert posture on all four paws.
It has a split or bifurcated tail and stylized wings.
It measures 2 1/2 inches by 1 7/8 inches by 1 1/4 inch (57 mm x 49 mm x 31 mm).
It is carved from a piece of off white to celadon colored jade with natural striations running through it. There is a natural brown irregularity which runs from it's foot to it's ear on one side along with a small area of brown suffusion on it's flank.
(This is the fancy way of saying it has few areas of rust. Not a bad thing for a genuine antique jade carving.)
We are dating this one to the Qing Dynasty, but it may actually be much earlier.
This original bronze figure of a seated and robed official holding a jui (symbol of power) measures 8 1/2 inches tall by 5 inches wide by 3 1/2 inches.
It is covered overall with a very subtle and dark patina. It has a softness of detail that only comes from hundreds of years of handling. It also has a few cracks and slight losses to it's surface that do not detract from it's overall appearance.
It dates to a period ranging from the 15th through the 17th centuries in China.
The buyer will not be disappointed, as it is nicer than the photos would indicate. This bronze figure is guaranteed to be an original ( of the period. It is NOT a copy or reproduction of any kind.
This Japanese Satsuma pitcher or condiment jar measures about 6 inches tall by 4 inches in diameter at it's widest point.
It dates from the late 19th century-early 20th Century( Meiji Period) (circa 1880-1915).
It is in excellent condition with some minor losses to the gilding on the handle.
It is covered overall with a finely detailed series of patterns, which include a bird and dragon motif with fans.
Based on it's rounded and smoothed edges, it appears that this small vessel never originally had a permanent top or stopper.
It is unmarked as to maker or country of origin . This one fact helps to date it pre 1895 when US import export laws were established. After that date it would have had to have been marked as to country of origin.
This 19th century Japanese carved ivory okimono measures approximately 9 inches tall by 2 1/2 inches in diameter at it's widest point.
It is intricately carved with fully delineated scales and teeth on the fish. The figure riding a fish is carved from one solid walrus tusk and it sits on a separate oval section as a base. The crystalline pattern that is so indicative of walrus ivory can be seen in many places on the carving, including Kinko's robe (interior front left) and the belly of the carp or koi.
It dates from the Meiji Period in Japan (circa 1870-1900).
It is in very good condition with some stabilized antique ivory fractures as are seen on many of these okimonos that are well over 100 years old.
Japan originally imported and adapted many Taoist and Buddhist teachings from China, which were then combined with native Shinto beliefs.
One Taoist figure incorporated into Japanese artwork was Kinko, a holy hermit. He is often depicted mounted on the enormous carp that carried him to the Undersea Kingdom. There, sea creatures taught him that all life is sacred.
In Japan the carp (koi) is also a symbol of persistence, longevity, and fertility. Land-locked farmers have kept carp in their ponds to provide food for centuries and also bred them for their beautiful colors.
This museum quality silvered bronze Nepalese or Sino-Tibetan figure of Tara (also known as Kuan Yin or Guanyin) dates to the 14th to 15th century or earlier.
It stands 10 1/2 inches tall by 3 inches in diameter.
It has exquisite details and very subtle modeling.
It is in excellent condition and retains much of it's original silver finish.
A similar example can be seen in "Oriental Art: India, Nepal & Tibet" by Michael Ridley, 1970, Plate 37 (listed as 14th Century or earlier).
This Chinese ceramic or porcelain charger measures 15-15.25 inches in diameter. It measures about 2.5 inches in depth.
It dates to the Qing Dynasty in China (1644-1911).
It is hand painted in the Famille Rose palette and design.
It has a black ground border with green scrolling leaves and foliage and rose to pink colored flowers.
The level of detail and the quality of the painting is exceptional.
It is in outstanding condition with no repairs or restoration. It has an amazing clear ring and there are no hidden or hairline cracks.
NOTE: It does have a small number of tiny flake losses to the painting. They are not significant and can be seen in the photographs- if you look closely. They do not detract from it's overall appearance.
This has been in our personal collection for well over thirty years.
This rather substantial jade carving of a frog is in a style which originated in the late Neolithic to Shang Period, but we estimate it to actually date from the middle to late Ming Period (15th -17th Century).
It measures 2 1/2 by 4 1/2 by 1 inch in depth.
It is a gray-green celadon color with dark brown suffusions on it's back.
It is covered with symmetrical designs and shows evidence of much handling. It also has fully articulated toes on the bottom of it's feet. Location-GH-BX6
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This bronze figure of Jambhala (also known as Vaisravana) measures about 11.5 inches tall by 9 inches wide by 5 inches in depth (including the bronze lotus mount and lion that it sits on).
He is commonly considered to be the god of wealth and protector of the north, riding on a lion.
A mongoose sits on a lotus under his left foot.
His right hand holds a citron or lemon (a symbol of fertility).
The character of Jambhala or Vaisavana is founded upon the Hindu deity Kubera, but although the Buddhist and Hindu deities share some characteristics, each of them has different functions and associated myths.
Although brought into East Asia as a Buddhist deity, Vaisravana has become a character in folk religion and has acquired an identity that is independent of the Buddhist tradition .
Vaisravana is the guardian of the northern direction, and his home is in the northern quadrant of the topmost tier of the lower half of Mount Sumeru. He is the leader of all the yaksas who dwell on the Sumeru's slopes.
He is often portrayed with a yellow face.
He is also sometimes displayed with a mongoose, often shown ejecting jewels from its mouth.
The mongoose is the enemy of the snake, a symbol of greed or hatred; the ejection of jewels represents generosity.
In Tibet, Vaisravana is considered a worldly dharmapala or protector of the Dharma, a member of the retinue of Ratnasambhava.
He is also known as the King of the North. As guardian of the north, he is often depicted on temple murals outside the main door.
He is also thought of as a god of wealth. As such, he is sometimes portrayed carrying a citron(a type of lemon), the fruit of the jambhara tree, a pun on another name of his, Jambhala . The fruit helps distinguish him iconically from depictions of Kuvera.
He is sometimes represented as corpulent and covered with jewels.
His mount is a snow lion.
This intricate bronze has much of it's original over painting remaining on the faces of both Jambala and his mount. There is a large amount of gilding applied to jeweled portions and accent details. This was a style of decoration that was popular during the later portion of the Ming Dynasty (1368-1644) and also occasionally during the early portion of the Qing Dynasty( 1644-1912).
We estimate this antique bronze to date to the 17th or 18th century, but it may be a bit earlier than that.
This antique bronze is in excellent condition, with one exception. It sits on three mount pins that extend into the sealed lotus base. One of these pins has broken off and is apparently roaming around within the base itself. Sitting on two pins rather than three has had no adverse effect on it's stability whatsoever.
Pair of Imperial Bronze Dragon Seals: Qianlong Marks and Period
This large pair of dragon handled bronze seals date from the period of Qianlong (1735-1795), emperor of the Qing Dynasty (1644-1911) in China.
The rectangular base measures 8 ½ inches by 7 ¼ inches (21.5 cm x 19.5 cm). The dragon handle stands up about 3 inches tall (8 cm.).
The top portions of the seals are covered with chiseled and engraved patterns of dragons and swirling lines representing the ocean or the sky. Standing on top of all this is the dragon handle.
The bottom of the seals are covered in archaic old Chinese pictogram script (see closeup photos). They also include traditional Chinese characters in one corner which are easily interpreted as Qianlong Reign Marks.
Some folks thought these might be paperweights because of their rather large size, compared to most seals of either bronze or jade. A recent article in the Jakarta Post referred to a very similar bronze seal as a “casted paperweight from the Qianlong Period”. See link below:
( http://www.thejakartapost.com/news/2011/04/04/scholar-objects-undervalued-small-treasures.html )
These bronzes may have served double duty, with an original purpose yet to be determined by deciphering the archaic script and the possibility of also having been used as massive scroll weights.
The Emperor Qianlong had a serious interest in painting and was known to dabble in it himself on occasion. Some scrolls are exceptionally long and might have required a substantial scroll weight to keep them open for viewing (or possible two or more to hold the whole long thing open in the privacy of one's palace).
On April 4, 2010 , one identical bronze seal/scroll weight was sold at auction in China for the amount of RMB 651,200. (about $108,000.00 US ). The auction estimate had originally been 600,000-800,000 RMB (about $100,000-$130,000) for one single bronze seal.
The pair of bronze seals or scroll weights or “paperweights” are both in excellent condition. The buyer will not be disappointed.
They were purchased about 30 years ago in Southern California.
NOTE: Although the photos below make the the bronzes appear to be of different sizes , only the photos are of different sizes, not the bronzes themselves.
ADDITIONAL NOTE: THERE ARE A FEW VERY TINY SPOTS OF VERDIGRIS ON ONE OF THE SEALS . THIS IS NOT UNUSUAL FOR A BRONZE ITEM THAT IS OVER 200 YEARS OLD. IT IS REALLY NOT WORTH MENTIONING BUT WE ALWAYS LIKE TO HAVE FULL DISCLOSURE SO THERE ARE NO SURPRISES FOR THE BUYER.
This glazed ceramic seated Buddha measures 7 inches tall by 6 1/2 inches wide by about 5 inches in depth.
It consists of a blue glaze over buff ceramic. The glaze is a deep sky blue ranging to shades of turquoise and pooling to black in the crevices. The bottom has a very fine mesh pattern embedded in it that resembles linen. There are no marks of any kind on it.
This seated figure dates to the Kangxi period of the Ching Dynasty (1644-1911) or possibly earlier.
It is in excellent condition, period.
This small stone figure of a standing Jizo Bosatsu (Buddha)with both hands holding the sacred jewel.
It measures 5 3/4 inches tall or 14.5 cm in height.
It dates to the Meiji Period: circa 1900.
It is in excellent condition with a softening of the lines and contours and very minor losses.
It's origin would be Sadogashima Island, off the coast of Japan, which is famous for its production of figurative stone Jizo.
It is carved from Sado granite from the island and known as Sado Jizo.
Small examples are uncommon and rarely found in such good condition.
This Japanese ceramic figure of Kannon measures 17 inches tall and about 6 inches in diameter at its widest point.
It has four incised marks on it's base, two Kutani marks and two potters mark (see closeup photo).
It dates to the Meiji Period in Japan. Kwannon is also known as Kannon or Kwan Yin and Guanyin in China.
It is in outstanding condition with no flaws, cracks, chips or losses.
Price on Request
This antique gilt bronze figure of Tara dates to 11th-12th century Nepal.
It measures approximately 12 inches tall (13 inches with custom wooden stand).
It is in outstanding condition, especially considering that it is over 900 years old.
NOTE: This 900+ year old bronze does have one condition issue:
The lotus flower on Tara's left shoulder is bent forward slightly and needs to be repositioned professionally.
It is a relatively simple and inexpensive process, but it should be done by someone with experience in such matters.
Just bending it back might have the unwanted effect of snapping it off. It needs to be heated, softened and gently moved back into place by a pro.
Tara is the most important goddess in the Buddhist pantheon.
She stands, gracefully and powerfully modeled in a hip-shot posture.
Her right hand is held in a gesture of varadamudra (fearlessness and wish granting).
Her left hand is held in a teaching gesture (vitarkamudra) while holding a lotus flower rising to her shoulder.
Her face has a serene expression with downcast eyes flanked by large earrings.
She is wearing a diaphanous dhoti rolled down to the waist. It is incised with floral patterns and secured with a jeweled sash inset with precious stones.
She also wears a jeweled neck piece, armbands and tiara enclosing her up swept hair.
Tara occupies a unique status in that she has mythological origins as a goddess, as a Bodhisattva and is also frequently viewed as a Buddha.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
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These two original Chinese bronze figures date from the Ming Dynasty (1368-1644) along with the gilt bronze screens behind them.
The bronze Buddha measures 7 3/4 inches tall by 5 3/4 inches wide by 3 3/4 inches in depth. (19.5 cm x 14.5 cm x 10.0 cm). The Buddha has a large percentage of it's original gilding remaining as do both of the gilt bronze backs. The Buddha also has a Wan symbol on his chest.
The bronze Guanyin or Avalokitesvara measures 8.25 inches tall by 5 inches wide by 3.5 inches in depth. (21 cm x 12.5 cm x 8.5 cm).
We are offering both of the bronzes and both of the finely detailed gilt bronze backs as a group (4 pieces -2 figures and 2 screen backs -all at one price.)
A comparable seated bronze Buddha of the same size (8.25 inches) sold at auction recently at Christies London, South Kensington on May 18th 2012 for $81, 349.00
All of these bronzes are original, of the period (Ming Dynasty) and guaranteed as such.
Price on Request
This blue glazed on buff colored ceramic or pottery figure of a seated Buddha measures just over 4 inches tall by 2 1/2 inches wide by 1 1/4 inches in depth.
It is in excellent condition with the glaze pooling to black in the crevices.
It dates to the Qing (Ching) Dynasty (1644-1911).