This original oil painting on canvas measures 24 by 36 inches and sits in a 31 by 43 inch carved frame.
It is signed W.E. Rollins in the lower right corner.
It is is excellent condition with the exception of a patched repair with a very small paint loss to the canvas off center right in the area of the tidepool (see enlarged photos of front and rear of repair). This is an outstanding image; even so, this old oil could use a good cleaning to brighten up the colors and a very minor touchup on the old repair.
Warren Eliphalet Rollins (1861-1962) was born in Carson City, Nevada and raised in Northern California. Following his study at the San Francisco School of Design, he traveled throughout the southwest, living with a number of Native American Tribes. He lived and painted in Pasadena, California from 1910-1917, at which time the Santa Fe Railroad Company lured him to Arizona with the offer of a studio on the Grand Canyon. He remained in Arizona for the rest of his life. He has often been called the dean of the Santa Fe and Taos Art colonies, he died in Arizona in 1962.
He is listed in many artist's publications and also online on ArtPrice.com and Askart.com. He is also listed as a WPA artist in Who Was Who In American Art(1985). Many examples of his southwest works have been offered and sold at auctions during the last decade. Very few outstanding examples of his California paintings have come to auction during that period, although a few lesser ones have.
This original Chinese watercolor painting measures 25 by 53 inches (watercolor only) and about 30 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one collector's seal.
The subject is two Chinese horses grazing in a brightly colored landscape.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of how some Contemporary Chinese Art is influenced by Western Art as much as traditional Chinese styles.
This original watercolor painting on water color paper measures 15 by 22 inches.
It dates circa 1940-1950.
It belongs to a regional school of watercolor painting loosely known as California Impressionism. A more accurate description might be "California Moderne".
It is in excellent condition and ready to be matted and framed.
This is an original watercolor painting and NOT a giclee or print of any kind.
This is one painting that was acquired as part of a collection of authentic California watercolors originally purchased from the estate of a student of Robert Landry.
Robert Landry is a well known, listed and published painter from the middle 20th century.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill.
He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics.
After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artist's biographical publications. His works have also sold at auctions over the years, such as John Moran Auctions in Pasadena, California.
He is also listed on Askart.com and other art gallery websites, where they have sold and are currently being offered for up to $4000.00 each.
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
This original work of art consists of a painting applied over what appears to be a serigraph. It is interesting in that the artist who signed and gifted it to his friends at the bottom, was known to be proficient in both mediums: print and watercolor or gouache.
It measures 13 by 19 inches (image only) on an 18 by 24 inch panel board.
It is signed: Jara Valenta, on the lower right portion of the panel. It is also signed: To Teresa and Frans, lower left.
Jaroslav Henry Valenta was born May 23, 1899 in Czechoslovakia. He is listed in Who Was Who in American Art as a Brooklyn artist.
He was also listed as a member of the America Artist's Congress ( est 1936).
He exhibited works at the Federal Art Gallery in New York City and the American Artists Congress. He is also listed as a WPA Artist.
Jaroslav (Yaroslav) Henry Valenta (1899- )is listed in Davenport's Art Reference and Price Guide. He is also listed on Artprice.Com. In addition, he has work held in the Smithsonian Art Collection.
He also has work held in the Indianapolis Museum of art: (http://www.imamuseum.org/art/collections/artist/jara-h-valenta).
He also has work that can be viewed in the AMICA Library (http://www.davidrumsey.com/amica/amico1062343-112516.html).
Additional links to other works by Jara Henry Vanenta below:
This original contemporary Chinese ink and watercolor painting measures 18.5 by 19 inches, and 22 by 59.5 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist, Zhao Bin (1939- ) on the left hand edge. It also has one collector's seal in the lower right corner.
The subject is a view of a high mountain landscape shrouded in fog with a small temple with people viewing it in the distance.
It is in excellent condition.
This is one scroll painting from our collection of over 400 original Chinese ink and watercolor paintings on paper or silk that we collected over a period of about 20 years. Most were purchased directly from the artist or their agents and mounted for us in China prior to shipping them home. All are guaranteed to be original paintings, not prints or copies of any kind.
This original Chinese watercolor painting measures 25 by 25 inches (ink and watercolor painting only) and 29 by 69 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, reportedly Hongjun, along the lower right side of the painting. It also has a collector's seal in the lower left corner.
The subject is a water garden scene with pink lotus flowers with large leaves in shadow and small fish swimming through.
This painting was painted with a very loose hand, but by an obviously talented artist.
This original ink and watercolor painting mounted as a scroll dates from the middle to the latter part of the 20th Century.
It is in excellent condition.
This original oil painting measures 12 by 16 inches and is mounted in a 15 by 19 inch wooden frame. It is painted on a Fredrix canvas panel board.
It is an impressionist seashore with homes and a rock strewn cove beyond. It is unsigned, but by a talented artist. This painting would fit right in with a collection of California School or plein air paintings.
It is in excellent condition.
Price on Request
This original oil painting measures 16 by 24 inches (painting only) and 18 1/2 by 26 1/2 inches including the carved and gilded frame.
It is signed J.R. Ashton in the lower left corner (photo). It is also signed, dated and titled: Woodland, Merri Creek, J.R. Ashton 1900 on a paper label on the reverse of the frame (photo).
It is in outstanding condition, period.
This is a museum quality, oil painting by one of the most renown Australian artists of the 19th-20th centuries.
Julian Rossi Ashton is listed in many published artists biographical references. His works are held by many national museums throughout the world. One museum in Australia (The AG in New South Wales ) has 17 of his paintings in their permanent collection. Many of his accomplishments are listed in the artist biography below. He also has auction estimates and records for his truly exceptional works that range up into six figures.
Earlier this year(2010), an Australian auction house sold a tiny(6 x 9 inches) and somewhat similar oil painting for $18,000.00 including added costs. this works out to about $275.00 per square inch. If we used a similar or comparable measure for evaluating our early, signed and titled work, we would have to ask over $100,000.00 for it. Every painting is a one of a kind entity and although we believe that our painting is actually better, That is only one small criteria that we used to determine it's value. _____________________________________________________________________
Artist Biography : Julian Rossi Ashton was an influential portrait and landscape artist, and teacher known for his vigorous support of the Australian Impressionist Heidelberg School to which his authority has been both powerful and extensive.
Ashton attended the West London School of Art and the Academie Julian in Paris. He arrived in Australia in 1878 when he was invited to Melbourne by newspaper owner David Syme to work as an illustrator for the Illustrated Australian News. Due to creative differences with the editorial staff, he was forced to resign and transfer to the Australasian Sketcher. When Edmund Smith of the Howard Shipping Line offered Ashton a free trip to Sydney in 1883 he began working as an illustrator for The Picturesque Atlas of Australia, and regularly contributed to the Sydney Bulletin Magazine.
Working in both oil paint and watercolor, Ashton used landscapes, portraits and figure composition as subjects in his works which were effectively complemented by his poignant style of precise draftsmanship and delicate atmospheric effects.
His artistic skills proved to help him greatly when teaching at the Art Society of New South Wales from 1892 to 1896 when as a teacher he stressed the importance of accuracy in drawing and the plein air style.
His influence over the Australian art world attracted a wide circle of followers including Charles Conder, Alfred James Daplyn and Albert Henry Fullwood, who often accompanied him to paint in the picturesque Hawkesbury River Region in New South Wales.
Upon completion of one of his most well-known works, Evening, Merri Creek (1882; Sydney, A.G. NSW) he claimed to have accomplished the first plein air landscape in Australia. His works were outstanding examples of the desolate majesty of the Australian landscape.
In 1887 Julian Ashton became President of the Art Society of New South Wales. He used his position to vigorously campaign for the cause of Australian art. Later, as a trustee of the Art Gallery of New South Wales he helped emerging Australian artists of the Impressionist or Heidelberg School. The decision to keep a permanent collection of these works owes much to Ashton’s influence. As a trustee he declared that not less than 500 pounds be spent annually on the purchase of Australian Art. He also encouraged Government purchases which made possible the NSW Society of Artists’ Traveling Scholarship and the foundation of the Education Department Gallery in Sydney in 1913.
Ashton organized the first overseas exhibition of Australian art which helped the artists of the Heidelberg School to be recognized as significant contributors to the international art world.
Ashton also established the Sydney Art School in 1896, later renamed the Julian Ashton Art School. This institution, since it's inception, has been a center of activity for many aspiring young artists. With such prominent artists as William Dobell, John Passmore, John Olsen and Brett Whiteley among those who attended, the art school became famous to generations of students and continues its rich heritage in educating art students today.
A highly regarded gentleman of Australian art until his death in 1942 Ashton continued to push for the cause of Australian Art in which his influence is still strongly felt today.____ http://www.artgallery.nsw.gov.au/collection/works/?q=Julian+Ashton&sort_by=relevance
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of a similar page stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a giclee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Robert Landry.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time.
Check our other listings for additional offerings of similar period watercolor paintings.
This original contemporary Chinese ink and watercolor painting measures 23 by 49 inches (painting only) and 28 by 66 inches, including the silk brocaded scroll it is mounted on.
It has two seals and the signature of the artist (reputed to be Yang Ruifen) along the lower right edge. It also has an additional collector's seal (lower left corner).
Yang Ruifen (1950- ) is a contemporary Chinese artist working in China today. She is a member of the Beijing Art Academy and the Chinese Artist's Association. Her works are curently held in the collection of the Chinese National Art Museum. Her works have been sold at auction houses in both Europe and China.
The subject of the painting are three red and orange koi swimming among the lush foliage of a lotus pond.
It has an interesting speckled appearance in a few areas where the painting has been sprinkled with what looks like mica specks: presumably to give the effect of sparkling water.
It is in excellent condition. The brocade border surrounding the painting has a few loose threads along the outside edge: not really worth mentioning, but otherwise in outstanding condition.
This original ink and watercolor painting dates to the late 20th Century in China.
This is an original oil painting on canvas panel mounted on wooden stretchers.
It measures 21 3/4 x 28 inches, not including the carved and gilded period frame it sits in. It measures 26 x 30 inches, including the frame.
It is signed, Josephine E. Hyde in the lower left corner of the canvas. It is also stamped "OTIS" & "HYDE" on the cross braces on the reverse side of the painting. Otis Hyde was Josephine's husband and a very well known artist in his own right. It would appear that Josephine "borrowed" some of her husband's art supplies for her own use.
The subject is a still life wth a small Japanese figure seated on a table with an oriental carpet, with a green pitcher and a Chinese porcelain charger.
The painting is in excellent condition. It has a few tiny scuff marks near the signature that can be easily touched up.
It is painted in a broad pallette of colors: toned down by both time and grime. It could use a good cleaning to make the already strong colors even more vivid and bright.
Josephine Hyde was a listed California painter born in Columbus, Ohio in 1885.
She studied at Stanford University with painters, Nell Walker Warner, Edward Withers and Will Foster. She became an art teacher in the Los Angeles and Long Beach school systems from 1923 to the 1950’s. She was also married to the well known artist, Otis Hyde. She died in 1965.
She was a member of the California Art Club, Women Painters of the West, Long Beach Art Association, Painters of the Southwest, and the La Jolla Art Association.
She is listed in Who’s Who in American Art 1953-1962, Artists in California 1786-1940 by Edan Milton Hughes, Davenport’s Art Reference & Price Guide.
She is also listed on the internet with biographical information and auction sale listing on Askart.com
This original, contemporary oil painting on stretched canvas measures 16 by 20 inches and sits in a simple wood frame (18 by 22 inches).
It is signed in ink on the stretcher, "Spring Bouquet" 3/90 R.D.Kick.
Insured shipping is included within the United States.
This original oil painting on stretched canvas and wooden stretcher bars measures 24 by 30 inches unframed.
It is signed Dega Vierra in the lower left corner.
It is in outstanding condition, period.
We estimate the period on this original oil painting as circa 1940-1960.
the subject is an open landscape with beech trees in the foreground and a few homesteads in the distance.
This original, unsigned oil painting on panel board measures about 18 by 24 inches, not including the simple frame it currently sits in.
The scene is the ocean with storm swept skies and heavy waves breaking against the rocks. In the background, a portion of the Northern California coastline can be seen.
It is in outstanding condition, period.
It dates circa 1940-1960 based on the style of painting, the subject matter, and the board it is painted on.
Price on Request
This original contemporary Chinese watercolor painting measures 25 1/2 by 25 1/2 inches (painting only) and about 29 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist (unknown at this time)in the lower right corner, and one additional collector's seal.
The subject is a single blue kingfisher flying among a background of blue leaves and pale green delicate flowers.
It is in excellent condition and has very fine and subtle details.
Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.
Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.
THIS LARGE ORIGINAL WATERCOLOR PAINTING ON HEAVY WATERCOLOR PAPER IS SIGNED RUTH LEE(LR)
IT MEASURES 22 BY 29 INCHES (UNFRAMED).
RUTH HUDSON LEE (1885-?) was born in Syracuse, New York. She studied with Hawthorne, Adams, George Pearce Ennis, Eliot O'Hara & Paul Ludwig Gill. She also was a member of and exhibited at: the American Watercolor Society in NY, the Washington Watercolor Club and the National Association of Women Artists in New York City. In addition, she was associated with the SYRACUSE EIGHT watercolorists. Her works were shown at the Philadelphia and Baltimore Watercolor Societies, Argent Gallery, Rochester Memorial Art Gallery, Munson Williams Proctor Institute, Binghampton Art Gallery (1 WOMAN SHOW), Auburn Art Museum, ETC, ETC.
She is well listed in numerous artist's biographies and price guides.
This MUSEUM QUALITY WATERCOLOR is in OUTSTANDING CONDITION !!
This unframed work will be shipped ROLLED IN A WIDE TUBE to protect it.