This original California School oil painting on stretched canvas measures 16 by 20 inches and is framed in a finely detailed wood frame.
It dates circa 1950-1960, and although unsigned, it was obviously painted by an experienced and very talented artist.
It is in outstanding condition.
This original oil painting on wooden panel board measures approximately 20 by 26 inches and sits in a carved and gilded frame measuring about 26 by 32 inches.
It is signed J. Winterholler just left of center bottom.
It is a view of Garmisch-Partenkirchen in the Bavarian Alps (site of the 1936 Winter Olympics).
The condition of the painting is very good except for a very small one inch long wood split on either edge, with no losses (see photo enlargements of both). The painting appears to date to the 1940-50 period, or possibly earlier. The frame is newer and has a few very minor losses to detail, but is overall quite presentable.
This original oil painting on canvas laid down on board measures 12 by 16 inches, and it is mounted in an original carved and gilded frame which measures 16 by 20 inches.
It is unsigned and in excellent condition.
We estimate it to date circa 1930-1940.
The subject is the San Gabriel Mission which has numerous Moorish or Spanish architectural motifs.
It is painted in a loose, impressionist style with very bright, almost Fauve colors.
The Mission San Gabriel Arcángel is a fully functioning mission and also an historic landmark in San Gabriel, California.
It was founded by Spaniards of the Franciscan Order on "The Feast of the Birth of Mary" (September 8) in 1771.
The Mission often referred to as the "Godmother of the Pueblo of Los Angeles," was designed by Father Antonio Cruzado (who hailed from Córdoba, Spain, which accounts for the strong Moorish influence).
In 1776, a flash flood destroyed much of the crops and ruined the Mission complex, which was subsequently relocated five miles closer to the mountains in present-day San Gabriel (the native settlement of 'Iisanchanga).
The Mission is the base from which the pueblo that became the City of Los Angeles, California was sent. On December 8, 1812 (the "Feast Day of the Immaculate Conception of the Blessed Virgin") a series of massive earthquakes shook Southern California. The 1812 Wrightwood Earthquake caused the three-bell campanario, located adjacent to the chapel's east façade, to collapse. A larger, six-bell structure was subsequently constructed at the far end of the capilla.
Legend has it that the founding expedition was confronted by a large group of native Shoshone peoples whose intention was to drive the strangers away. One of the padres laid a painting of "Our Lady of Sorrows" on the ground for all to see, whereupon the natives (known to the settlers as the Gabrieliños) made peace with the missionaries, so moved were they by the painting's beauty. Today the 300-year-old painting hangs in the Mission's sanctuary.
Price on Request
This original OIL PAINTING on artist's canvas panel board measures 16 by 20 inches, not including the gilded frame it sits in (20 x 24 inches).
It appears to have been signed in the lower right corner, but it is mostly illegible. It is difficult to see in good light and virtually impossible to photograph.
Although it is somewhat similar to the early works of Fairfield Porter, we are not selling it as one of his works.
This is an unattributed painting.
This beautifully colored and detailed oil painting is in outstanding condition and was obviously done by a very accomplished hand.
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th century and is specifically associated with the Econolite Jr. models.
These rotating and painted lamps were very popular from 1920 -1960 and even have had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few very small scuffs to the canvas, causing a minor amount of paint loss ( easily restoreable).
This painting should be of interest to any serious lamp collector, especially one who collects the type of lamps that Aubrey Leech designed. The fact that the subject of the painting is also a lamp or lantern can be considered an added bonus.
This is one of two similar paintings by the same artist that we are currently offering. A discount of 25% is available if both paintings are purchased at the same time. They are close enough in style, content and size to look like a matched pair.
Price on Request
This original oil painting on artist's canvas panel measures 11 x 14 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed J. Guzman in the lower left corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots.
His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
It is in OUTSTANDING CONDITION, period.
All of my paintings by Juan Guzman were purchased directly by me from the artist himself and are guaranteed authentic unconditionally. Category: Fine Art:Paintings:Oil:N. America:American
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
This original oil painting on stretched canvas measures 18 by 24 inches and sits in a 25 by 31 inch painted wooden frame.
It is apparently unsigned, but has Bernice Jensen 1970, written lightly in pencil on the reverse stretcher bar.
It is in excellent condition, period.
This original oil painting on stretched canvas measures 22 by 27 inches and sits in an original period frame measuring 27 by 32 inches.
It is signed PETER NIELSEN in the lower left corner.
Peter Nielsen has numerous biographical listings and auction records. A contemporary of William Wendt, Peter Nielsen's works have recently begun to move up in price towards the high prices realized by his peers.
THIS IS AN EXCELLENT CALIFORNIA PLEIN AIR PAINTING AND IT'S AUTHENTICITY IS GUARANTEED.
NOTE: Any white spots on the photos are merely bounce back from the flash. They are not on the painting itself. IT IS IN EXCELLENT CONDITION AND READY TO HANG.
Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.
Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.
This is an original oil painting on canvas panel mounted on wooden stretchers.
It measures 21 3/4 x 28 inches, not including the carved and gilded period frame it sits in. It measures 26 x 30 inches, including the frame.
It is signed, Josephine E. Hyde in the lower left corner of the canvas. It is also stamped "OTIS" & "HYDE" on the cross braces on the reverse side of the painting. Otis Hyde was Josephine's husband and a very well known artist in his own right. It would appear that Josephine "borrowed" some of her husband's art supplies for her own use.
The subject is a still life wth a small Japanese figure seated on a table with an oriental carpet, with a green pitcher and a Chinese porcelain charger.
The painting is in excellent condition. It has a few tiny scuff marks near the signature that can be easily touched up.
It is painted in a broad pallette of colors: toned down by both time and grime. It could use a good cleaning to make the already strong colors even more vivid and bright.
Josephine Hyde was a listed California painter born in Columbus, Ohio in 1885.
She studied at Stanford University with painters, Nell Walker Warner, Edward Withers and Will Foster. She became an art teacher in the Los Angeles and Long Beach school systems from 1923 to the 1950’s. She was also married to the well known artist, Otis Hyde. She died in 1965.
She was a member of the California Art Club, Women Painters of the West, Long Beach Art Association, Painters of the Southwest, and the La Jolla Art Association.
She is listed in Who’s Who in American Art 1953-1962, Artists in California 1786-1940 by Edan Milton Hughes, Davenport’s Art Reference & Price Guide.
She is also listed on the internet with biographical information and auction sale listing on Askart.com
This original oil painting on stretched canvas and wooden stretchers measures 26 by 40 inches unframed.
It is signed Paine in the upper left portion of the canvas. It is also signed Louise Paine on the reverse and again on the stretchers bars.
Marie Louise Mattingly Paine is listed on Askart.com and Artprice.com as Marie Louise Paine. She is also listed in Who was Who in American Art and Davenport's Art Reference & Price Guide as M.L. Mattingly.
It dates circa 1920-35.
It is in excellent condition with the exception of one small triangular dent or puncture and a slight loss to the outside edge of the canvas where it wraps around the stretcher (see photo enlargements).
This original oil painting on canvas mounted on wooden panel board measures 15 by 23 inches (image only). It measures 18 by 26 inches including the carved period frame it sits in.
The subject is a landscape with a series of buildings by a river, including waterfalls and a logging flume. The location of the scene is most likely the Northwest corner of the US (Oregon, Washington or Northern California) or Western Canada.
The condition of the painting is excellent, although it is slightly dry and could use a touch of light varnish to bring up the depth of the colors a bit.
It is signed, somewhat illegibly, in the lower right corner. It appears to be Fanelli or something very similar.
There is an old label on the reverse of the frame: "Duncan Vail Co, Established 1869, Los Angeles, San Francisco".
This original oil painting on stretched canvas measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships and the bridge in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are similar in size, colors and subject matter.
Artist Biographical Information: Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.
This original oil painting on stretched canvas measures 16 by 20 inches and sits in a dark, heavily carved antique style frame measuring 20 by 24 inches.
Although painted in a much older style, this painting dates to the middle of of the 20th century.
It is signed Burgy, in the lower right corner.
It is in excellent condition.
This original oil painting on stretched canvas measures 28.5cm by 33cm (about 11 1/4 by 13 inches, not including the simple but detailed wooden frame it sits in.
The subject is an alpine mountain landscape with a Swiss or Bavarian style building and a dome topped church or building beyond. The scene includes snow capped mountains in the distance.
It is signed J. Felsinger in the lower right portion of the painting. Josef Felsinger (1908-1972) is listed on Artprice.com with a history of auction sales.
This painting is executed in a very crisp, well detailed impressionist style.
The colors are vibrant and better looking in person than the photos would indicate. Any white dots on the pictures are the result of flash bounce back and are NOT on the painting itself.
There is a very fine spiderweb pattern of crackling of the canvas from age that does not show up in the photos, but only when the painting is lit from behind.
Overall, this is a very attractive little gem of a painting by a known artist. The buyer will not be disappointed.
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed F.A. DeHaven on the lower left corner.
It is in excellent condition except for a band of color change along the far right edge, which appears to be either light staining or varnish discoloration.
It dates circa 1890-1920.
This outstanding old American School landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier in Washington State.
This original CALIFORNIA SCHOOL MISSION OIL PAINTING on old artist's canvas panel board measures 18 by 24 inches, UNFRAMED.
It is approximately 60-70 years old and in very good condition except for one small tear (with no losses) in the canvas.