This original watercolor painting measures 10 by 14 inches and it is matted in a carved and gilded frame measuring 12 by 16 inches.
It is signed W.R. Cameron, lower middle right.
The subject is a few of the warships drydocked at the Mare Island Naval shipyard with a sailboat sailing in the foreground.
It is in excellent condition, period.
William Ross Cameron is listed in Edan Hughes, "Artists in California 1786- 1940". Biographical Information from that source is listed below: William Ross Cameron was an illustrator, etcher, watercolorist, lithographer. He was born in NYC on June 14, 1893.
By 1905 Cameron had settled in San Francisco where he later studied under Macky and Martinez at the CSFA and Perham Nahl at the CCAC. After further art studies in London and Paris, he worked as a freelance illustrator and as a staff artist for the Oakland Post, San Francisco Chronicle and Call Bulletin newspapers.
By 1930 he was exhibiting nationally and was known for his miniature watercolors of the San Francisco Bay area. He had then moved across the bay to Alameda and later settled in Berkeley. Cameron died there on Dec. 9, 1971.
He was a member of: SWA; Alameda Art Association; Artists Guild of America; San Francisco Art Association; California Society of Etchers; Oakland Art Association; and Thirteen Watercolorists.
Exhibitions Held: Oakland Art Gallery, 1917, 1928, 1932, 1934; California Society of Etchers, Stanford University., 1928; San Francisco Art Association, 1931; Golden Gate International Exhibition, 1939; Society for Sanity in Art, CPLH, 1940.
His paintings are held in the following collections: AIC; De Young Museum; PAFA. AAA 1917-33; WWAA 1936
His paintings have sold at numerous art auctions over the year, which can be found on askart.com.
This ORIGINAL OIL PAINTING on stretched canvas measures about 31 by 36 inches framed (25 x 30 inches - oil only).
It is in EXCELLENT CONDITION!
It is signed Elizabeth Crawford (see photo enlargement #5) in the UPPER LEFT corner.
This painting dates to the early part of the 20th century.
Elizabeth Crawford is listed in Artprice.com as a 20th century artist.
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.
Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.
Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.
This original oil painting on stretched canvas measures 28.5cm by 33cm (about 11 1/4 by 13 inches, not including the simple but detailed wooden frame it sits in.
The subject is an alpine mountain landscape with a Swiss or Bavarian style building and a dome topped church or building beyond. The scene includes snow capped mountains in the distance.
It is signed J. Felsinger in the lower right portion of the painting. Josef Felsinger (1908-1972) is listed on Artprice.com with a history of auction sales.
This painting is executed in a very crisp, well detailed impressionist style.
The colors are vibrant and better looking in person than the photos would indicate. Any white dots on the pictures are the result of flash bounce back and are NOT on the painting itself.
There is a very fine spiderweb pattern of crackling of the canvas from age that does not show up in the photos, but only when the painting is lit from behind.
Overall, this is a very attractive little gem of a painting by a known artist. The buyer will not be disappointed.
This original oil painting on stretched canvas measures 16 x 20 inches and is framed 22 x 26 inches.
It is signed Guzman in the lower right corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This painting was purchased by me directly from the artist a number of years ago and has been hanging in my home ever since.
He is also listed and known as Juan Guzman Maldonado.
It is in OUTSTANDING CONDITION, period.
He is also listed on Askart.com. see the link below:
( http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&artist=11168533 )
This original, contemporary oil painting on stretched canvas measures 16 by 20 inches and sits in a simple wood frame (18 by 22 inches).
It is signed in ink on the stretcher, "Spring Bouquet" 3/90 R.D.Kick.
Insured shipping is included within the United States.
This original oil painting measures 16 by 24 inches (painting only) and 18 1/2 by 26 1/2 inches including the carved and gilded frame that it sits in.
It is signed J.R. Ashton in the lower left corner (see closeup photo). It is also signed, dated and titled: Woodland, Merri Creek, J.R. Ashton 1900 on a paper label on the reverse of the frame (see closeup photo).
It is in outstanding condition, period.
This is a museum quality, plein air painting in an impressionist style by one of the most renown Australian artists of the 19th-20th centuries.
Julian Rossi Ashton is listed in many published artists biographical references. His works are held by many national museums throughout the world. One museum in Australia (The AG in New South Wales ) has 17 of his paintings in their permanent collection. Many of his accomplishments are listed in the artist biography below. He also has auction estimates and records for his truly exceptional works that range up into six figures.
Earlier this year(2010), an Australian auction house sold a tiny(6 x 9 inches) and somewhat similar oil painting for $18,000.00 including added costs. this works out to about $275.00 per square inch. If we used a similar or comparable measure for evaluating our early, signed and titled work, we would have to ask over $100,000.00 for it. Every painting is a one of a kind entity and although we believe that our painting is actually better, That is only one small criteria that we used to determine it's value. _____________________________________________________________________
Artist Biography : Julian Rossi Ashton was an influential portrait and landscape artist, and teacher known for his vigorous support of the Australian Impressionist Heidelberg School to which his authority has been both powerful and extensive.
Ashton attended the West London School of Art and the Academie Julian in Paris. He arrived in Australia in 1878 when he was invited to Melbourne by newspaper owner David Syme to work as an illustrator for the Illustrated Australian News. Due to creative differences with the editorial staff, he was forced to resign and transfer to the Australasian Sketcher. When Edmund Smith of the Howard Shipping Line offered Ashton a free trip to Sydney in 1883 he began working as an illustrator for The Picturesque Atlas of Australia, and regularly contributed to the Sydney Bulletin Magazine.
Working in both oil paint and watercolor, Ashton used landscapes, portraits and figure composition as subjects in his works which were effectively complemented by his poignant style of precise draftsmanship and delicate atmospheric effects.
His artistic skills proved to help him greatly when teaching at the Art Society of New South Wales from 1892 to 1896 when as a teacher he stressed the importance of accuracy in drawing and the plein air style.
His influence over the Australian art world attracted a wide circle of followers including Charles Conder, Alfred James Daplyn and Albert Henry Fullwood, who often accompanied him to paint in the picturesque Hawkesbury River Region in New South Wales.
Upon completion of one of his most well-known works, Evening, Merri Creek (1882; Sydney, A.G. NSW) he claimed to have accomplished the first plein air landscape in Australia. His works were outstanding examples of the desolate majesty of the Australian landscape.
In 1887 Julian Ashton became President of the Art Society of New South Wales. He used his position to vigorously campaign for the cause of Australian art. Later, as a trustee of the Art Gallery of New South Wales he helped emerging Australian artists of the Impressionist or Heidelberg School. The decision to keep a permanent collection of these works owes much to Ashton’s influence. As a trustee he declared that not less than 500 pounds be spent annually on the purchase of Australian Art. He also encouraged Government purchases which made possible the NSW Society of Artists’ Traveling Scholarship and the foundation of the Education Department Gallery in Sydney in 1913.
Ashton organized the first overseas exhibition of Australian art which helped the artists of the Heidelberg School to be recognized as significant contributors to the international art world.
Ashton also established the Sydney Art School in 1896, later renamed the Julian Ashton Art School. This institution, since it's inception, has been a center of activity for many aspiring young artists. With such prominent artists as William Dobell, John Passmore, John Olsen and Brett Whiteley among those who attended, the art school became famous to generations of students and continues its rich heritage in educating art students today.
A highly regarded gentleman of Australian art until his death in 1942 Ashton continued to push for the cause of Australian Art in which his influence is still strongly felt today.
This original oil painting on stretched canvas and wooden stretcher bars measures 24 by 30 inches unframed.
It is signed Dega Vierra in the lower left corner.
It is in outstanding condition, period.
We estimate the period on this original oil painting as circa 1940-1960.
the subject is an open landscape with beech trees in the foreground and a few homesteads in the distance.
This original oil painting measures 11 by 14 1/4 inches (16 3/4 by 19 1/2 inches, including gilded frame). It is painted on an old Windsor Newton artist's canvas panel and set in a period style gilded frame.
It is in excellent condition.
It is signed Clif Sawyer, lower left.
Clifton Howard Sawyer was a California artist ( 1896-1966) who lived in Altadena, California. He is listed in numerous artist's biographical references such as Hughes' Artist's in California 1786-1940: Volume 2 and Davenport's Art References.
His works have sold at Butterfields and John Moran Auctions, among others.
This original California School oil painting is painted on artist's canvas board measures 16 by 20 inches and it sits in a 22 by 26 inch frame.
It is unsigned and in excellent condition, except for a few scuffed areas on the frame.
If this outstanding old oil painting was executed in shades of green, rather than blue, we would probably assume it was done by William Wendt or by a student of his, in his style.
This original oil painting on masonite measures 18 by 24 inches and is framed 20 by 26 inches.
it is signed Cal Bailey 60 in the lower left corner.
Artist Biography: Calvin Bailey (1915- )
Calvin (Cal) Bailey is listed on Askart.com and in additional publications:
Who Was Who in American Art 1564-1975 (3 Vol) 1999 Falk, Peter Hastings (Editor)
Afro-American Artists: A Bio-Bibliographical Directory 1973 Cederholm, Theresa Dickason