This original oil painting on masonite board measures 20 x 24 inches (painting only ) and it is framed in a carved and gilded frame that measures 28 x 32 inches.
It dates circa 1930-40 and is signed M.Magnesson in the lower right hand corner. It also has the remnants of one old label ( circa 1930 ) and another old paper label with the title and artist's full name.
It is in outstanding condition, period!
This original oil painting on stretched canvas measures approximately 24 by 36 inches (image only) and it is mounted in a simple carved and painted wooden frame.
The subject is a small European or Baltic village set in a snow covered landscape by a lake or river.
It is signed, somewhat illegibly, in the lower right corner (see enlarged photo). It appears to be E. Brac--- (Possibly E Bracht or E. Bracket?)
We estimate this painting to be between late 18th to 19th century in style and execution.
The quality of the work is exceptional and was obviously painted by a very talented artist.
The condition of the painting is generally good, but it has an overall craquelure which shows up more obviously under certain lighting conditions.
It also has a small, less than professional repair in the lower left corner (see enlarged photo). It is not that obvious because it is in a dark bush, but it is there.
For a collector with a bit of imagination, this painting may turn out to be an amazing work of art, after a little repair and additional research.
This original oil painting on stretched canvas measures 15 by 21 inches, unframed. It is in excellent condition with no damage, flaking, losses or repairs. The varnish is a bit dry and it's colors would improve with a new coat of varnish, but we will leave that decision to the new owner. It is signed O'loughlin 52 in the lower right corner. (Thomas) O'loughlin is a listed California Artist in Davenport's Art Reference & Price Guide (1994-5 Edition). This is a loose attribution and not verified. This painting was purchased about 35 years ago in Southern California.
This original, contemporary oil painting on stretched canvas measures 16 by 20 inches and sits in a simple wood frame (18 by 22 inches).
It is signed in ink on the stretcher, "Spring Bouquet" 3/90 R.D.Kick.
Insured shipping is included within the United States.
Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.
Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.
This original California School oil painting on stretched canvas measures 16 by 20 inches and is framed in a finely detailed wood frame.
It dates circa 1950-1960, and although unsigned, it was obviously painted by an experienced and very talented artist.
It is in outstanding condition.
This original oil painting measures 12 by 16 inches and is mounted in a 15 by 19 inch wooden frame. It is painted on a Fredrix canvas panel board.
It is an impressionist seashore with homes and a rock strewn cove beyond. It is unsigned, but by a talented artist. This painting would fit right in with a collection of California School or plein air paintings.
It is in excellent condition.
This old original oil painting on canvas panel board measures 12 x 16 inches and 17 x 21 inches in the period frame it sits in.
It is signed: "Helen Burke Waggonman, painted August 1950, Albuquerque, New Mexico" on the reverse (see photo).
It is in good condition except for some slight losses to the paint in the lower left corner of the oil.
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
This ORIGINAL OIL PAINTING on stretched canvas measures about 31 by 36 inches framed (25 x 30 inches - oil only).
It is in EXCELLENT CONDITION!
It is signed Elizabeth Crawford (see photo enlargement #5) in the UPPER LEFT corner.
This painting dates to the early part of the 20th century.
Elizabeth Crawford is listed in Artprice.com as a 20th century artist.
This original oil painting on old hard panel board measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are very similar in size, use of colors and subject matter.
Artist Biographical Information:
Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.
This original oil painting on hard panel board measures 8 x 10 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed Guzman in the lower right corner. Juan "Pepe" Guzman is a contemporary California artist. His strong use of color and light is influenced by both his Latin American background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This Fauve impressionist landscape has a outstanding mix of brilliant colors. This little gem also makes use of the palette knife for a strong three dimensional quality
The painting is in OUTSTANDING CONDITION, period. There are a few scuff marks on the upper edges of the nicely detailed frame.
The buyer will not be disappointed!
This original, unsigned California School oil painting on canvas board measures 16 by 20 inches and sits in a 22 by 26 inch carved and gilded frame.
This classic mountain lake landscape is reminiscent of many locations in California, Colorado, Utah, Washington, Idaho or even Oregon
It is in excellent condition and ready to hang.
This original Chinese ink & watercolor painting measures 13 1/2 by 52 inches (watercolor only) and about 18 1/2 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Ma Yongquiang.
The subject is leopard climbing a tree. It is in excellent condition and has crisp and vibrant details.
Ma YongQuian is a 20th century artist of Chinese ancestry, who was born and working in Indonesia. In April 2007, an exhibition of his work was held at the Haisu Art Museum in Shanghai, China.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original oil painting on canvas laid down on board measures 12 by 16 inches, and it is mounted in an original carved and gilded frame which measures 16 by 20 inches.
It is unsigned and in excellent condition.
We estimate it to date circa 1930-1940.
The subject is the San Gabriel Mission which has numerous Moorish or Spanish architectural motifs.
It is painted in a loose, impressionist style with very bright, almost Fauve colors.
The Mission San Gabriel Arcángel is a fully functioning mission and also an historic landmark in San Gabriel, California.
It was founded by Spaniards of the Franciscan Order on "The Feast of the Birth of Mary" (September 8) in 1771.
The Mission often referred to as the "Godmother of the Pueblo of Los Angeles," was designed by Father Antonio Cruzado (who hailed from Córdoba, Spain, which accounts for the strong Moorish influence).
In 1776, a flash flood destroyed much of the crops and ruined the Mission complex, which was subsequently relocated five miles closer to the mountains in present-day San Gabriel (the native settlement of 'Iisanchanga).
The Mission is the base from which the pueblo that became the City of Los Angeles, California was sent. On December 8, 1812 (the "Feast Day of the Immaculate Conception of the Blessed Virgin") a series of massive earthquakes shook Southern California. The 1812 Wrightwood Earthquake caused the three-bell campanario, located adjacent to the chapel's east façade, to collapse. A larger, six-bell structure was subsequently constructed at the far end of the capilla.
Legend has it that the founding expedition was confronted by a large group of native Shoshone peoples whose intention was to drive the strangers away. One of the padres laid a painting of "Our Lady of Sorrows" on the ground for all to see, whereupon the natives (known to the settlers as the Gabrieliños) made peace with the missionaries, so moved were they by the painting's beauty. Today the 300-year-old painting hangs in the Mission's sanctuary.
This original oil painting on old artist's board measures 12 1/2 by 18 inches and it sits in a gilded oak frame (18 x 24 inches) with a raised antique rake motif on it (see photo).
It is unsigned and dates circa 1880-1910. It appears to be Russian or Baltic in origin and the simple frame with rake motif seems to verify that observation.
It is in excellent condition with no evidence of restoration or repairs. It has the remnant of an old label on the reverse. The simple frame appears to be contemporary with the work itself.
This original contemporary Chinese watercolor painting measures 17 by 26 inches (watercolor only) and about 21 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one collector's seal.
The subject is two small birds in a lotus pond.
It is in excellent condition and has very fine details. This is an outstanding example of Contemporary Chinese Art.
This original California School oil painting is painted on artist's canvas board measures 16 by 20 inches and it sits in a 22 by 26 inch frame.
It is unsigned and in excellent condition, except for a few scuffed areas on the frame.
If this outstanding old oil painting was executed in shades of green, rather than blue, we would probably assume it was done by William Wendt or by a student of his, in his style.