This original oil painting on stretched canvas measures 16 x 20 inches and is framed 22 x 26 inches.
It is signed Guzman in the lower right corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This painting was purchased by me directly from the artist a number of years ago and has been hanging in my home ever since.
He is also listed and known as Juan Guzman Maldonado.
It is in OUTSTANDING CONDITION, period.
He is also listed on Askart.com. see the link below:
( http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&artist=11168533 )
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed F.A. DeHaven on the lower left corner.
It is in excellent condition except for a band of color change along the far right edge, which appears to be either light staining or varnish discoloration.
It dates circa 1890-1920.
This outstanding old American School landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier in Washington State.
This original old oil painting on heavy canvas measures 25 inches by 30 inches (image only) and 30 x 36 inches framed .
It is unsigned.
It is in excellent condition, with an overall crackle to the surface as should be expected from a painting between 180-220 years old .
Portraits of this type were very expensive at the time, so this would have been a wealthy or important person of the period.
The level of detail in the face is outstanding, so this was very likely painted by an accomplished artist, unlike the numerous folk artist painters who produced the two dimensional portraits so collectible (and expensive) today.
Price on Request
This original oil painting measures 16 by 24 inches (painting only) and 18 1/2 by 26 1/2 inches including the carved and gilded frame.
It is signed J.R. Ashton in the lower left corner (photo). It is also signed, dated and titled: Woodland, Merri Creek, J.R. Ashton 1900 on a paper label on the reverse of the frame (photo).
It is in outstanding condition, period.
This is a museum quality, oil painting by one of the most renown Australian artists of the 19th-20th centuries.
Julian Rossi Ashton is listed in many published artists biographical references. His works are held by many national museums throughout the world. One museum in Australia (The AG in New South Wales ) has 17 of his paintings in their permanent collection. Many of his accomplishments are listed in the artist biography below. He also has auction estimates and records for his truly exceptional works that range up into six figures.
Earlier this year(2010), an Australian auction house sold a tiny(6 x 9 inches) and somewhat similar oil painting for $18,000.00 including added costs. this works out to about $275.00 per square inch. If we used a similar or comparable measure for evaluating our early, signed and titled work, we would have to ask over $100,000.00 for it. Every painting is a one of a kind entity and although we believe that our painting is actually better, That is only one small criteria that we used to determine it's value. _____________________________________________________________________
Artist Biography : Julian Rossi Ashton was an influential portrait and landscape artist, and teacher known for his vigorous support of the Australian Impressionist Heidelberg School to which his authority has been both powerful and extensive.
Ashton attended the West London School of Art and the Academie Julian in Paris. He arrived in Australia in 1878 when he was invited to Melbourne by newspaper owner David Syme to work as an illustrator for the Illustrated Australian News. Due to creative differences with the editorial staff, he was forced to resign and transfer to the Australasian Sketcher. When Edmund Smith of the Howard Shipping Line offered Ashton a free trip to Sydney in 1883 he began working as an illustrator for The Picturesque Atlas of Australia, and regularly contributed to the Sydney Bulletin Magazine.
Working in both oil paint and watercolor, Ashton used landscapes, portraits and figure composition as subjects in his works which were effectively complemented by his poignant style of precise draftsmanship and delicate atmospheric effects.
His artistic skills proved to help him greatly when teaching at the Art Society of New South Wales from 1892 to 1896 when as a teacher he stressed the importance of accuracy in drawing and the plein air style.
His influence over the Australian art world attracted a wide circle of followers including Charles Conder, Alfred James Daplyn and Albert Henry Fullwood, who often accompanied him to paint in the picturesque Hawkesbury River Region in New South Wales.
Upon completion of one of his most well-known works, Evening, Merri Creek (1882; Sydney, A.G. NSW) he claimed to have accomplished the first plein air landscape in Australia. His works were outstanding examples of the desolate majesty of the Australian landscape.
In 1887 Julian Ashton became President of the Art Society of New South Wales. He used his position to vigorously campaign for the cause of Australian art. Later, as a trustee of the Art Gallery of New South Wales he helped emerging Australian artists of the Impressionist or Heidelberg School. The decision to keep a permanent collection of these works owes much to Ashton’s influence. As a trustee he declared that not less than 500 pounds be spent annually on the purchase of Australian Art. He also encouraged Government purchases which made possible the NSW Society of Artists’ Traveling Scholarship and the foundation of the Education Department Gallery in Sydney in 1913.
Ashton organized the first overseas exhibition of Australian art which helped the artists of the Heidelberg School to be recognized as significant contributors to the international art world.
Ashton also established the Sydney Art School in 1896, later renamed the Julian Ashton Art School. This institution, since it's inception, has been a center of activity for many aspiring young artists. With such prominent artists as William Dobell, John Passmore, John Olsen and Brett Whiteley among those who attended, the art school became famous to generations of students and continues its rich heritage in educating art students today.
A highly regarded gentleman of Australian art until his death in 1942 Ashton continued to push for the cause of Australian Art in which his influence is still strongly felt today.____ http://www.artgallery.nsw.gov.au/collection/works/?q=Julian+Ashton&sort_by=relevance
This original, unsigned oil painting on panel board measures about 18 by 24 inches, not including the simple frame it currently sits in.
The scene is the ocean with storm swept skies and heavy waves breaking against the rocks. In the background, a portion of the Northern California coastline can be seen.
It is in outstanding condition, period.
It dates circa 1940-1960 based on the style of painting, the subject matter, and the board it is painted on.
This original oil painting on old artists board measures 9 by 13 inches (12 by 16 inches with carved frame).
Apparently unsigned, although the dark varnish may hide small details.
It has an old label from E.B. Heimstreet in Janesville, Wisconsin.
It dates to circa 1870-1900.
The varnish is dark, somewhat dry and slightly stippled.
This original oil painting on old artist's board measures 12 1/2 by 18 inches and it sits in a gilded oak frame (18 x 24 inches) with a raised antique rake motif on it (see photo).
It is unsigned and dates circa 1880-1910. It appears to be Russian or Baltic in origin and the simple frame with rake motif seems to verify that observation.
It is in excellent condition with no evidence of restoration or repairs. It has the remnant of an old label on the reverse. The simple frame appears to be contemporary with the work itself.
This original Chinese ink & watercolor painting measures 13 1/2 by 52 inches (watercolor only) and about 18 1/2 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Ma Yongquiang.
The subject is leopard climbing a tree. It is in excellent condition and has crisp and vibrant details.
Ma YongQuian is a 20th century artist of Chinese ancestry, who was born and working in Indonesia. In April 2007, an exhibition of his work was held at the Haisu Art Museum in Shanghai, China.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original CALIFORNIA SCHOOL MISSION OIL PAINTING on old artist's canvas panel board measures 18 by 24 inches, UNFRAMED.
It is approximately 60-70 years old and in very good condition except for one small tear (with no losses) in the canvas.
This original oil painting is in the style of a well known California Plein Air Painter of the 1920's-1930's. It is, however, unsigned.
It measures 16 by 20 inches and sits in a period 22 by 26 inch frame.
Both the frame and the painting are in outstanding condition.
This original oil painting on masonite measures 18 by 24 inches and is framed 20 by 26 inches.
it is signed Cal Bailey 60 in the lower left corner.
Artist Biography: Calvin Bailey (1915- )
Calvin (Cal) Bailey is listed on Askart.com and in additional publications:
Who Was Who in American Art 1564-1975 (3 Vol) 1999 Falk, Peter Hastings (Editor)
Afro-American Artists: A Bio-Bibliographical Directory 1973 Cederholm, Theresa Dickason
Price on Request
This original oil painting on masonite board measures 20 x 24 inches (painting only ) and it is framed in a carved and gilded frame that measures 28 x 32 inches.
It dates circa 1930-40 and is signed M. Magnusson in the lower right hand corner. It also has the remnants of one old label ( circa 1930 ) and another old paper label with the title and artist's full name.
It is in outstanding condition, period!
This original oil painting measures 12 by 16 inches and is mounted in a 15 by 19 inch wooden frame. It is painted on a Fredrix canvas panel board.
It is an impressionist seashore with homes and a rock strewn cove beyond. It is unsigned, but by a talented artist. This painting would fit right in with a collection of California School or plein air paintings.
It is in excellent condition.
This ORIGINAL OIL PAINTING on stretched canvas measures about 31 by 36 inches framed (25 x 30 inches - oil only).
It is in EXCELLENT CONDITION!
It is signed Elizabeth Crawford (see photo enlargement #5) in the UPPER LEFT corner.
This painting dates to the early part of the 20th century.
Elizabeth Crawford is listed in Artprice.com as a 20th century artist.
It measures 16 x 20 inches, and is in EXCELLENT CONDITION.
It is signed, Lillie Durham in the lower right corner.
This original California School oil painting on stretched canvas measures 16 by 20 inches and is framed in a finely detailed wood frame.
It dates circa 1950-1960, and although unsigned, it was obviously painted by an experienced and very talented artist.
It is in outstanding condition.
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.