ANCIENT- EYES
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #691834
Ancient -Eyes
$1,295.00

This original oil painting on canvas mounted on wooden panel board measures 15 by 23 inches (image only). It measures 18 by 26 inches including the carved period frame it sits in.

The subject is a landscape with a series of buildings by a river, including waterfalls and a logging flume. The location of the scene is most likely the Northwest corner of the US (Oregon, Washington or Northern California) or Western Canada.

The condition of the painting is excellent, although it is slightly dry and could use a touch of light varnish to bring up the depth of the colors a bit.

It is signed, somewhat illegibly, in the lower right corner. It appears to be Fanelli or something very similar.

There is an old label on the reverse of the frame: "Duncan Vail Co, Established 1869, Los Angeles, San Francisco".

All Items : Fine Art : Paintings : Oil : Europe : Pre 1910 item #81872 (stock #TR0097)
Ancient -Eyes
$2,400.00

This original oil painting on old artist's board measures 12 1/2 by 18 inches and it sits in a gilded oak frame (18 x 24 inches) with a raised antique rake motif on it (see photo).

It is unsigned and dates circa 1880-1910. It appears to be Russian or Baltic in origin and the simple frame with rake motif seems to verify that observation.

It is in excellent condition with no evidence of restoration or repairs. It has the remnant of an old label on the reverse. The simple frame appears to be contemporary with the work itself.

All Items : Fine Art : Paintings : Oil : N. America : Canadian : Contemporary item #123680 (stock #TR0211)
Ancient -Eyes
$240.00

This original, contemporary oil painting on stretched canvas measures 16 by 20 inches and sits in a simple wood frame (18 by 22 inches).

It is signed in ink on the stretcher, "Spring Bouquet" 3/90 R.D.Kick.

Insured shipping is included within the United States.

All Items : Fine Art : Paintings : Oil : N. America : Pre 1940 item #314995
Ancient -Eyes
Currently Being Researched

This large oil painting on canvas was apparently painted during the early 20th Century, based on the age and quality of the canvas and the paints used. It is unusual in that it is painted on the "inside" of the stretched canvas and the painted image extends onto and over the stretcher bars.

It is painted in the style of David Siqueros or other Mexican Muralist painters.".

The subject is an intense woman. One name for the woman comes to mind but we are not allowed to mention it without suffering the wrath (and possible lawsuits) of overly protective name/copyright owners (One name that comes to mind would have the initials, FK).

It measures 24 by 32 inches, unframed.

It is in outstanding condition and the paint is applied with thick, heavy and powerful brush strokes.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #689709
Ancient -Eyes
$16,000.00

This original oil painting on stretched canvas measures 22 by 28 inches (image only) and 26 by 32 inches framed.

The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships and the bridge in the background.

It is signed Helen Louise Conser in the lower left corner.

It is in outstanding condition overall.

It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.

This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are similar in size, colors and subject matter.

Artist Biographical Information: Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.

All Items : Fine Art : Paintings : Oil : Pre 1900 item #720892
Ancient -Eyes
This item is currently being auctioned

This original oil painting measures 16 by 24 inches (painting only) and 18 1/2 by 26 1/2 inches including the carved and gilded frame that it sits in.

It is signed J.R. Ashton in the lower left corner (see closeup photo). It is also signed, dated and titled: Woodland, Merri Creek, J.R. Ashton 1900 on a paper label on the reverse of the frame (see closeup photo).

It is in outstanding condition, period.

This is a museum quality, plein air painting in an impressionist style by one of the most renown Australian artists of the 19th-20th centuries.

Julian Rossi Ashton is listed in many published artists biographical references. His works are held by many national museums throughout the world. One museum in Australia (The AG in New South Wales ) has 17 of his paintings in their permanent collection. Many of his accomplishments are listed in the artist biography below. He also has auction estimates and records for his truly exceptional works that range up into six figures.

Earlier this year(2010), an Australian auction house sold a tiny(6 x 9 inches) and somewhat similar oil painting for $18,000.00 including added costs. this works out to about $275.00 per square inch. If we used a similar or comparable measure for evaluating our early, signed and titled work, we would have to ask over $100,000.00 for it. Every painting is a one of a kind entity and although we believe that our painting is actually better, That is only one small criteria that we used to determine it's value. _____________________________________________________________________

Artist Biography : Julian Rossi Ashton was an influential portrait and landscape artist, and teacher known for his vigorous support of the Australian Impressionist Heidelberg School to which his authority has been both powerful and extensive.

Ashton attended the West London School of Art and the Academie Julian in Paris. He arrived in Australia in 1878 when he was invited to Melbourne by newspaper owner David Syme to work as an illustrator for the Illustrated Australian News. Due to creative differences with the editorial staff, he was forced to resign and transfer to the Australasian Sketcher. When Edmund Smith of the Howard Shipping Line offered Ashton a free trip to Sydney in 1883 he began working as an illustrator for The Picturesque Atlas of Australia, and regularly contributed to the Sydney Bulletin Magazine.

Working in both oil paint and watercolor, Ashton used landscapes, portraits and figure composition as subjects in his works which were effectively complemented by his poignant style of precise draftsmanship and delicate atmospheric effects.

His artistic skills proved to help him greatly when teaching at the Art Society of New South Wales from 1892 to 1896 when as a teacher he stressed the importance of accuracy in drawing and the plein air style.

His influence over the Australian art world attracted a wide circle of followers including Charles Conder, Alfred James Daplyn and Albert Henry Fullwood, who often accompanied him to paint in the picturesque Hawkesbury River Region in New South Wales.

Upon completion of one of his most well-known works, Evening, Merri Creek (1882; Sydney, A.G. NSW) he claimed to have accomplished the first plein air landscape in Australia. His works were outstanding examples of the desolate majesty of the Australian landscape.

In 1887 Julian Ashton became President of the Art Society of New South Wales. He used his position to vigorously campaign for the cause of Australian art. Later, as a trustee of the Art Gallery of New South Wales he helped emerging Australian artists of the Impressionist or Heidelberg School. The decision to keep a permanent collection of these works owes much to Ashton’s influence. As a trustee he declared that not less than 500 pounds be spent annually on the purchase of Australian Art. He also encouraged Government purchases which made possible the NSW Society of Artists’ Traveling Scholarship and the foundation of the Education Department Gallery in Sydney in 1913.

Ashton organized the first overseas exhibition of Australian art which helped the artists of the Heidelberg School to be recognized as significant contributors to the international art world.

Ashton also established the Sydney Art School in 1896, later renamed the Julian Ashton Art School. This institution, since it's inception, has been a center of activity for many aspiring young artists. With such prominent artists as William Dobell, John Passmore, John Olsen and Brett Whiteley among those who attended, the art school became famous to generations of students and continues its rich heritage in educating art students today.

A highly regarded gentleman of Australian art until his death in 1942 Ashton continued to push for the cause of Australian Art in which his influence is still strongly felt today.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #83217 (stock #TR0119)
Ancient -Eyes
$1,695.00

This original, unsigned California School oil painting on canvas board measures 16 by 20 inches and sits in a 22 by 26 inch carved and gilded frame.

This classic mountain lake landscape is reminiscent of many locations in California, Colorado, Utah, Washington, Idaho or even Oregon

It is in excellent condition and ready to hang.

All Items : Fine Art : Paintings : Oil : Asia : Pre 2000 item #179164 (stock #scr1013)
Ancient -Eyes
Price on Request

This original contemporary Chinese watercolor painting measures 17 by 26 inches (watercolor only) and about 21 by 65 inches, including the brocaded scroll it is mounted on.

It has the seal and signature of the artist, along with one collector's seal.

The subject is two small birds in a lotus pond.

It is in excellent condition and has very fine details. This is an outstanding example of Contemporary Chinese Art.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #567375
Ancient -Eyes
$8,000.00
This original oil painting measures 16 by 20 inches and it is framed about 24 by 28 inches. It is signed DARWIN DUNCAN in the lower right corner. This classic California Eucalyptus School landscape is one of the artist's best works. Darwin Duncan is a well listed California artist (1905-2002) with many biographical references and auction records. THIS PAINTING IS IN OUTSTANDING CONDITION WITH NO DAMAGE REPAIRS OR RESTORATION.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #506715
Ancient -Eyes
Sold

This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.

The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.

It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).

It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.

Biographical information:

Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.

Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.

By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.

By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.

Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."

When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.

In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.

Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.

After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.

He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #686183
Ancient -Eyes
$350.00

This original unsigned oil painting on very heavy canvas (tarp quality) measures 24 by 36 inches (image only).

It is painted on a 29 by 41 inch canvas which needs to be stretched on wooden stretcher bars (standard 24 by 36 inch size).

It is a classic 1950's American Home with a picket fence and a television (note the antenna on the roof). This scene could be 'Anywhere USA___Circa 1955.

We estimate it as circa 1940's-1950's.

Except for needing to be mounted and framed, it is in excellent condition.

It will be delivered rolled in a wide tube. The paint condition is outstanding and it will not be adversely affected by rolling it for shipment.

All Items : Fine Art : Paintings : Oil : N. America : Pre 1940 item #861213
Ancient -Eyes
$12,000.00

This is an original oil painting on canvas panel mounted on wooden stretchers.

It measures 21 3/4 x 28 inches, not including the carved and gilded period frame it sits in. It measures 26 x 30 inches, including the frame.

It is signed, Josephine E. Hyde in the lower left corner of the canvas. It is also stamped "OTIS" & "HYDE" on the cross braces on the reverse side of the painting. Otis Hyde was Josephine's husband and a very well known artist in his own right. It would appear that Josephine "borrowed" some of her husband's art supplies for her own use.

The subject is a still life wth a small Japanese figure seated on a table with an oriental carpet, with a green pitcher and a Chinese porcelain charger.

The painting is in excellent condition. It has a few tiny scuff marks near the signature that can be easily touched up.

It is painted in a broad pallette of colors: toned down by both time and grime. It could use a good cleaning to make the already strong colors even more vivid and bright.

________________________________________________________________

Artist Biography:

Josephine Hyde was a listed California painter born in Columbus, Ohio in 1885.

She studied at Stanford University with painters, Nell Walker Warner, Edward Withers and Will Foster. She became an art teacher in the Los Angeles and Long Beach school systems from 1923 to the 1950’s. She was also married to the well known artist, Otis Hyde. She died in 1965.

She was a member of the California Art Club, Women Painters of the West, Long Beach Art Association, Painters of the Southwest, and the La Jolla Art Association.

She is listed in Who’s Who in American Art 1953-1962, Artists in California 1786-1940 by Edan Milton Hughes, Davenport’s Art Reference & Price Guide.

She is also listed on the internet with biographical information and auction sale listing on Askart.com

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #81784 (stock #TR0095)
Ancient -Eyes
$7,500.00

This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.

It is in outstanding condition!

It is signed, C.C. Hamilton 1937 in the lower left corner.

The subject is a mountain lake beneath a snow capped mountain.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #143636 (stock #TR0235)
Ancient -Eyes
$550.00

This old original oil painting on canvas panel board measures 12 x 16 inches and 17 x 21 inches in the period frame it sits in.

It is signed: "Helen Burke Waggonman, painted August 1950, Albuquerque, New Mexico" on the reverse (see photo).

It is in good condition except for some slight losses to the paint in the lower left corner of the oil.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #84677 (stock #TR0125)
Ancient -Eyes
$3,200.00
This original oil painting on panel measures about 28 by 40 inches including it's original carved and gilded frame. It is signed Leonard Borman in the lower left corner. Condition is excellent and any white spots that show up are bounce back from the FLASH.

Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.

Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #100191 (stock #TR0163)
Ancient -Eyes
$4,800.00

This ORIGINAL OIL PAINTING on stretched canvas measures about 31 by 36 inches framed (25 x 30 inches - oil only).

It is in EXCELLENT CONDITION!

It is signed Elizabeth Crawford (see photo enlargement #5) in the UPPER LEFT corner.

This painting dates to the early part of the 20th century.

Elizabeth Crawford is listed in Artprice.com as a 20th century artist.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #593322
Ancient -Eyes
$895.00

This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.

The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.

It is in excellent condition, period.

It dates circa 1920-35.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #689725
Ancient -Eyes
$16,000.00

This original oil painting on old hard panel board measures 22 by 28 inches (image only) and 26 by 32 inches framed.

The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships in the background.

It is signed Helen Louise Conser in the lower left corner.

It is in outstanding condition overall.

It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.

This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are very similar in size, use of colors and subject matter.

Artist Biographical Information:

Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.