This original oil painting is in the style of a well known California Plein Air Painter of the 1920's-1930's. It is, however, unsigned.
It measures 16 by 20 inches and sits in a period 22 by 26 inch frame.
Both the frame and the painting are in outstanding condition.
This original oil painting on stretched canvas measures 18 by 24 inches and sits in a 25 by 31 inch painted wooden frame.
It is apparently unsigned, but has Bernice Jensen 1970, written lightly in pencil on the reverse stretcher bar.
It is in excellent condition, period.
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
This original Chinese ink & watercolor painting measures 13 1/2 by 52 inches (watercolor only) and about 18 1/2 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Ma Yongquiang.
The subject is leopard climbing a tree. It is in excellent condition and has crisp and vibrant details.
Ma YongQuian is a 20th century artist of Chinese ancestry, who was born and working in Indonesia. In April 2007, an exhibition of his work was held at the Haisu Art Museum in Shanghai, China.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
This original oil painting on masonite board measures 20 x 24 inches (painting only ) and it is framed in a carved and gilded frame that measures 28 x 32 inches.
It dates circa 1930-40 and is signed M.Magnesson in the lower right hand corner. It also has the remnants of one old label ( circa 1930 ) and another old paper label with the title and artist's full name.
It is in outstanding condition, period!
This original oil painting on stretched canvas and wooden stretchers measures 26 by 40 inches unframed.
It is signed Paine in the upper left portion of the canvas. It is also signed Louise Paine on the reverse and again on the stretchers bars.
Marie Louise Mattingly Paine is listed on Askart.com and Artprice.com as Marie Louise Paine. She is also listed in Who was Who in American Art and Davenport's Art Reference & Price Guide as M.L. Mattingly.
It dates circa 1920-35.
It is in excellent condition with the exception of one small triangular dent or puncture and a slight loss to the outside edge of the canvas where it wraps around the stretcher (see photo enlargements).
This original CALIFORNIA SCHOOL MISSION OIL PAINTING on old artist's canvas panel board measures 18 by 24 inches, UNFRAMED.
It is approximately 60-70 years old and in very good condition except for one small tear (with no losses) in the canvas.
This original oil painting on masonite measures 18 by 24 inches and is framed 20 by 26 inches.
it is signed Cal Bailey 60 in the lower left corner.
Artist Biography: Calvin Bailey (1915- )
Calvin (Cal) Bailey is listed on Askart.com and in additional publications:
Who Was Who in American Art 1564-1975 (3 Vol) 1999 Falk, Peter Hastings (Editor)
Afro-American Artists: A Bio-Bibliographical Directory 1973 Cederholm, Theresa Dickason
Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.
Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th century and is specifically associated with the Econolite Jr. models.
These rotating and painted lamps were very popular from 1920 -1960 and even have had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few very small scuffs to the canvas, causing a minor amount of paint loss ( easily restoreable).
This painting should be of interest to any serious lamp collector, especially one who collects the type of lamps that Aubrey Leech designed. The fact that the subject of the painting is also a lamp or lantern can be considered an added bonus.
This is one of two similar paintings by the same artist that we are currently offering. A discount of 25% is available if both paintings are purchased at the same time. They are close enough in style, content and size to look like a matched pair.
This original, unsigned oil painting on panel board measures about 18 by 24 inches, not including the simple frame it currently sits in.
The scene is the ocean with storm swept skies and heavy waves breaking against the rocks. In the background, a portion of the Northern California coastline can be seen.
It is in outstanding condition, period.
It dates circa 1940-1960 based on the style of painting, the subject matter, and the board it is painted on.
This original California School oil painting is painted on artist's canvas board measures 16 by 20 inches and it sits in a 22 by 26 inch frame.
It is unsigned and in excellent condition, except for a few scuffed areas on the frame.
If this outstanding old oil painting was executed in shades of green, rather than blue, we would probably assume it was done by William Wendt or by a student of his, in his style.
This original watercolor painting measures 10 by 14 inches and it is matted in a carved and gilded frame measuring 12 by 16 inches.
It is signed W.R. Cameron, lower middle right.
The subject is a few of the warships drydocked at the Mare Island Naval shipyard with a sailboat sailing in the foreground.
It is in excellent condition, period.
William Ross Cameron is listed in Edan Hughes, "Artists in California 1786- 1940". Biographical Information from that source is listed below: William Ross Cameron was an illustrator, etcher, watercolorist, lithographer. He was born in NYC on June 14, 1893.
By 1905 Cameron had settled in San Francisco where he later studied under Macky and Martinez at the CSFA and Perham Nahl at the CCAC. After further art studies in London and Paris, he worked as a freelance illustrator and as a staff artist for the Oakland Post, San Francisco Chronicle and Call Bulletin newspapers.
By 1930 he was exhibiting nationally and was known for his miniature watercolors of the San Francisco Bay area. He had then moved across the bay to Alameda and later settled in Berkeley. Cameron died there on Dec. 9, 1971.
He was a member of: SWA; Alameda Art Association; Artists Guild of America; San Francisco Art Association; California Society of Etchers; Oakland Art Association; and Thirteen Watercolorists.
Exhibitions Held: Oakland Art Gallery, 1917, 1928, 1932, 1934; California Society of Etchers, Stanford University., 1928; San Francisco Art Association, 1931; Golden Gate International Exhibition, 1939; Society for Sanity in Art, CPLH, 1940.
His paintings are held in the following collections: AIC; De Young Museum; PAFA. AAA 1917-33; WWAA 1936
His paintings have sold at numerous art auctions over the year, which can be found on askart.com.
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed "Mt. Rainier, Wash, by F.A. DeHaven, Artist, 840 Raymond Ave" in pencil on the reverse.
It is in excellent condition.
It dates circa 1890-1920.
This outstanding old California landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier.
This original unsigned oil painting on very heavy canvas (tarp quality) measures 24 by 36 inches (image only).
It is painted on a 29 by 41 inch canvas which needs to be stretched on wooden stretcher bars (standard 24 by 36 inch size).
It is a classic 1950's American Home with a picket fence and a television (note the antenna on the roof). This scene could be 'Anywhere USA___Circa 1955.
We estimate it as circa 1940's-1950's.
Except for needing to be mounted and framed, it is in excellent condition.
It will be delivered rolled in a wide tube. The paint condition is outstanding and it will not be adversely affected by rolling it for shipment.
This original oil painting measures 11 by 14 1/4 inches (16 3/4 by 19 1/2 inches, including gilded frame). It is painted on an old Windsor Newton artist's canvas panel and set in a period style gilded frame.
It is in excellent condition.
It is signed Clif Sawyer, lower left.
Clifton Howard Sawyer was a California artist ( 1896-1966) who lived in Altadena, California. He is listed in numerous artist's biographical references such as Hughes' Artist's in California 1786-1940: Volume 2 and Davenport's Art References.
His works have sold at Butterfields and John Moran Auctions, among others.