This original Chinese ink & watercolor painting measures 13 1/2 by 52 inches (watercolor only) and about 18 1/2 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Ma Yongquiang.
The subject is leopard climbing a tree. It is in excellent condition and has crisp and vibrant details.
Ma YongQuian is a 20th century artist of Chinese ancestry, who was born and working in Indonesia. In April 2007, an exhibition of his work was held at the Haisu Art Museum in Shanghai, China.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original old oil painting on heavy canvas measures 25 inches by 30 inches (image only) and 30 x 36 inches framed .
It is unsigned.
It is in excellent condition, with an overall crackle to the surface as should be expected from a painting between 180-220 years old .
Portraits of this type were very expensive at the time, so this would have been a wealthy or important person of the period.
The level of detail in the face is outstanding, so this was very likely painted by an accomplished artist, unlike the numerous folk artist painters who produced the two dimensional portraits so collectible (and expensive) today.
This original oil painting on masonite measures 18 by 24 inches and is framed 20 by 26 inches.
it is signed Cal Bailey 60 in the lower left corner.
Artist Biography: Calvin Bailey (1915- )
Calvin (Cal) Bailey is listed on Askart.com and in additional publications:
Who Was Who in American Art 1564-1975 (3 Vol) 1999 Falk, Peter Hastings (Editor)
Afro-American Artists: A Bio-Bibliographical Directory 1973 Cederholm, Theresa Dickason
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed "Mt. Rainier, Wash, by F.A. DeHaven, Artist, 840 Raymond Ave" in pencil on the reverse.
It is in excellent condition.
It dates circa 1890-1920.
This outstanding old California landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier.
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.
This original oil painting on stretched canvas measures 18 by 24 inches and sits in a 25 by 31 inch painted wooden frame.
It is apparently unsigned, but has Bernice Jensen 1970, written lightly in pencil on the reverse stretcher bar.
It is in excellent condition, period.
This original, unsigned oil painting on panel board measures about 18 by 24 inches, not including the simple frame it currently sits in.
The scene is the ocean with storm swept skies and heavy waves breaking against the rocks. In the background, a portion of the Northern California coastline can be seen.
It is in outstanding condition, period.
It dates circa 1940-1960 based on the style of painting, the subject matter, and the board it is painted on.
This original painting on thin stretched linen on canvas measures 7 by 11 inches, including the bamboo style wooden frame it sits in.
The subject is a young Chinese girl in a colorful robe holding a fan made of peacock feathers.
This painting is in "As Found" condition which means it needs some level of restoration. The painting shows a heavy level of crackle (similar to that found on old Chinese ceramics. It also has a 3 to 4 inch split along the right side. There are a few other other small problems in this painting. It will require some restoration, but will be worth it. This little gem will be a classic after restoration. However,it is being sold AS-IS, due to it's current condition.
It is unsigned but there are Chinese characters on the reverse stretcher, which may be the equivalent of a signature.
This original oil painting on stretched canvas measures 22 by 27 inches and sits in an original period frame measuring 27 by 32 inches.
It is signed PETER NIELSEN in the lower left corner.
Peter Nielsen has numerous biographical listings and auction records. A contemporary of William Wendt, Peter Nielsen's works have recently begun to move up in price towards the high prices realized by his peers.
THIS IS AN EXCELLENT CALIFORNIA PLEIN AIR PAINTING AND IT'S AUTHENTICITY IS GUARANTEED.
NOTE: Any white spots on the photos are merely bounce back from the flash. They are not on the painting itself. IT IS IN EXCELLENT CONDITION AND READY TO HANG.
This original oil painting on stretched canvas and wooden stretcher bars measures 12 by 16 inches, not including the simple black wooden frame it sits in.
The wooden stretchers are from Grumbacher, a New York Artist's material company.
It most likely dates to the latter portion of the 20th century (circa 1960-1980).
The oil painting is in excellent condition except for a few very tiny scuffs where it touches the inside top of the frame. There is a small chip out of the upper left corner of the frame. Even with the minor imperfections, it is still in excellent condition overall.
The subject of this oil portrait is an Asian or Asian American woman wearing a brightly colored robe or kimono.
It is signed MARIAN in the lower left.
This original oil painting on stretched canvas and wooden stretcher bars measures 24 by 30 inches unframed.
It is signed Dega Vierra in the lower left corner.
It is in outstanding condition, period.
We estimate the period on this original oil painting as circa 1940-1960.
the subject is an open landscape with beech trees in the foreground and a few homesteads in the distance.
This ORIGINAL OIL PAINTING on stretched canvas measures 22 by 28 inches unframed.
It is in very good condition with the exception of a tiny canvas puncture in the fruit in the bowl (about 1/4 inch with no loss to canvas).
It is unsigned but has STINE written in pencil across the back of the canvas (see enlargement).
This painting dates circa 1920-1940.
This original oil painting on canvas laid down on board measures 12 by 16 inches, and it is mounted in an original carved and gilded frame which measures 16 by 20 inches.
It is unsigned and in excellent condition.
We estimate it to date circa 1930-1940.
The subject is the San Gabriel Mission which has numerous Moorish or Spanish architectural motifs.
It is painted in a loose, impressionist style with very bright, almost Fauve colors.
The Mission San Gabriel Arcángel is a fully functioning mission and also an historic landmark in San Gabriel, California.
It was founded by Spaniards of the Franciscan Order on "The Feast of the Birth of Mary" (September 8) in 1771.
The Mission often referred to as the "Godmother of the Pueblo of Los Angeles," was designed by Father Antonio Cruzado (who hailed from Córdoba, Spain, which accounts for the strong Moorish influence).
In 1776, a flash flood destroyed much of the crops and ruined the Mission complex, which was subsequently relocated five miles closer to the mountains in present-day San Gabriel (the native settlement of 'Iisanchanga).
The Mission is the base from which the pueblo that became the City of Los Angeles, California was sent. On December 8, 1812 (the "Feast Day of the Immaculate Conception of the Blessed Virgin") a series of massive earthquakes shook Southern California. The 1812 Wrightwood Earthquake caused the three-bell campanario, located adjacent to the chapel's east façade, to collapse. A larger, six-bell structure was subsequently constructed at the far end of the capilla.
Legend has it that the founding expedition was confronted by a large group of native Shoshone peoples whose intention was to drive the strangers away. One of the padres laid a painting of "Our Lady of Sorrows" on the ground for all to see, whereupon the natives (known to the settlers as the Gabrieliños) made peace with the missionaries, so moved were they by the painting's beauty. Today the 300-year-old painting hangs in the Mission's sanctuary.
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th century and is specifically associated with the Econolite Jr. models.
These rotating and painted lamps were very popular from 1920 -1960 and even have had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few very small scuffs to the canvas, causing a minor amount of paint loss ( easily restoreable).
This painting should be of interest to any serious lamp collector, especially one who collects the type of lamps that Aubrey Leech designed. The fact that the subject of the painting is also a lamp or lantern can be considered an added bonus.
This is one of two similar paintings by the same artist that we are currently offering. A discount of 25% is available if both paintings are purchased at the same time. They are close enough in style, content and size to look like a matched pair.
This original oil painting measures 12 by 16 inches and is mounted in a 15 by 19 inch wooden frame. It is painted on a Fredrix canvas panel board.
It is an impressionist seashore with homes and a rock strewn cove beyond. It is unsigned, but by a talented artist. This painting would fit right in with a collection of California School or plein air paintings.
It is in excellent condition.
This old original oil painting on canvas panel board measures 12 x 16 inches and 17 x 21 inches in the period frame it sits in.
It is signed: "Helen Burke Waggonman, painted August 1950, Albuquerque, New Mexico" on the reverse (see photo).
It is in good condition except for some slight losses to the paint in the lower left corner of the oil.
Price on Request
This original oil painting on stretched canvas measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships and the bridge in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are similar in size, colors and subject matter.
Artist Biographical Information: Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.