This original oil painting measures 11 by 14 1/4 inches (16 3/4 by 19 1/2 inches, including gilded frame). It is painted on an old Windsor Newton artist's canvas panel and set in a period style gilded frame.
It is in excellent condition.
It is signed Clif Sawyer, lower left.
Clifton Howard Sawyer was a California artist ( 1896-1966) who lived in Altadena, California. He is listed in numerous artist's biographical references such as Hughes' Artist's in California 1786-1940: Volume 2 and Davenport's Art References.
His works have sold at Butterfields and John Moran Auctions, among others.
This original oil painting on stretched canvas measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships and the bridge in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are similar in size, colors and subject matter.
Artist Biographical Information: Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.
This original oil painting on stretched canvas and wooden stretchers measures 26 by 40 inches unframed.
It is signed Paine in the upper left portion of the canvas. It is also signed Louise Paine on the reverse and again on the stretchers bars.
Marie Louise Mattingly Paine is listed on Askart.com and Artprice.com as Marie Louise Paine. She is also listed in Who was Who in American Art and Davenport's Art Reference & Price Guide as M.L. Mattingly.
It dates circa 1920-35.
It is in excellent condition with the exception of one small triangular dent or puncture and a slight loss to the outside edge of the canvas where it wraps around the stretcher (see photo enlargements).
This original painting on thin stretched linen on canvas measures 7 by 11 inches, including the bamboo style wooden frame it sits in.
The subject is a young Chinese girl in a colorful robe holding a fan made of peacock feathers.
This painting is in "As Found" condition which means it needs some level of restoration. The painting shows a heavy level of crackle (similar to that found on old Chinese ceramics. It also has a 3 to 4 inch split along the right side. There are a few other other small problems in this painting. It will require some restoration, but will be worth it. This little gem will be a classic after restoration. However,it is being sold AS-IS, due to it's current condition.
It is unsigned but there are Chinese characters on the reverse stretcher, which may be the equivalent of a signature.
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
This original, unsigned oil painting on panel board measures about 18 by 24 inches, not including the simple frame it currently sits in.
The scene is the ocean with storm swept skies and heavy waves breaking against the rocks. In the background, a portion of the Northern California coastline can be seen.
It is in outstanding condition, period.
It dates circa 1940-1960 based on the style of painting, the subject matter, and the board it is painted on.
This original oil painting on masonite measures 18 by 24 inches and is framed 20 by 26 inches.
it is signed Cal Bailey 60 in the lower left corner.
Artist Biography: Calvin Bailey (1915- )
Calvin (Cal) Bailey is listed on Askart.com and in additional publications:
Who Was Who in American Art 1564-1975 (3 Vol) 1999 Falk, Peter Hastings (Editor)
Afro-American Artists: A Bio-Bibliographical Directory 1973 Cederholm, Theresa Dickason
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed "Mt. Rainier, Wash, by F.A. DeHaven, Artist, 840 Raymond Ave" in pencil on the reverse.
It is in excellent condition.
It dates circa 1890-1920.
This outstanding old California landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier.
This original oil painting on canvas mounted on wooden panel board measures 15 by 23 inches (image only). It measures 18 by 26 inches including the carved period frame it sits in.
The subject is a landscape with a series of buildings by a river, including waterfalls and a logging flume. The location of the scene is most likely the Northwest corner of the US (Oregon, Washington or Northern California) or Western Canada.
The condition of the painting is excellent, although it is slightly dry and could use a touch of light varnish to bring up the depth of the colors a bit.
It is signed, somewhat illegibly, in the lower right corner. It appears to be Fanelli or something very similar.
There is an old label on the reverse of the frame: "Duncan Vail Co, Established 1869, Los Angeles, San Francisco".
This original oil painting on masonite board measures 20 x 24 inches (painting only ) and it is framed in a carved and gilded frame that measures 28 x 32 inches.
It dates circa 1930-40 and is signed M.Magnesson in the lower right hand corner. It also has the remnants of one old label ( circa 1930 ) and another old paper label with the title and artist's full name.
It is in outstanding condition, period!
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.
This original oil painting on artist's canvas panel measures 11 x 14 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed J. Guzman in the lower left corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots.
His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
It is in OUTSTANDING CONDITION, period.
All of my paintings by Juan Guzman were purchased directly by me from the artist himself and are guaranteed authentic unconditionally. Category: Fine Art:Paintings:Oil:N. America:American
This original oil painting on artist's panel board measures 11 x 14 inches and sits in a carved wood and gesso period frame measuring 17 x 20 inches.
It is signed Ricardo in the lower right corner.
It is in excellent condition.
This ORIGINAL OIL PAINTING on stretched canvas measures about 31 by 36 inches framed (25 x 30 inches - oil only).
It is in EXCELLENT CONDITION!
It is signed Elizabeth Crawford (see photo enlargement #5) in the UPPER LEFT corner.
This painting dates to the early part of the 20th century.
Elizabeth Crawford is listed in Artprice.com as a 20th century artist.
This original watercolor painting measures 10 by 14 inches and it is matted in a carved and gilded frame measuring 12 by 16 inches.
It is signed W.R. Cameron, lower middle right.
The subject is a few of the warships drydocked at the Mare Island Naval shipyard with a sailboat sailing in the foreground.
It is in excellent condition, period.
William Ross Cameron is listed in Edan Hughes, "Artists in California 1786- 1940". Biographical Information from that source is listed below: William Ross Cameron was an illustrator, etcher, watercolorist, lithographer. He was born in NYC on June 14, 1893.
By 1905 Cameron had settled in San Francisco where he later studied under Macky and Martinez at the CSFA and Perham Nahl at the CCAC. After further art studies in London and Paris, he worked as a freelance illustrator and as a staff artist for the Oakland Post, San Francisco Chronicle and Call Bulletin newspapers.
By 1930 he was exhibiting nationally and was known for his miniature watercolors of the San Francisco Bay area. He had then moved across the bay to Alameda and later settled in Berkeley. Cameron died there on Dec. 9, 1971.
He was a member of: SWA; Alameda Art Association; Artists Guild of America; San Francisco Art Association; California Society of Etchers; Oakland Art Association; and Thirteen Watercolorists.
Exhibitions Held: Oakland Art Gallery, 1917, 1928, 1932, 1934; California Society of Etchers, Stanford University., 1928; San Francisco Art Association, 1931; Golden Gate International Exhibition, 1939; Society for Sanity in Art, CPLH, 1940.
His paintings are held in the following collections: AIC; De Young Museum; PAFA. AAA 1917-33; WWAA 1936
His paintings have sold at numerous art auctions over the year, which can be found on askart.com.
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th century and is specifically associated with the Econolite Jr. models.
These rotating and painted lamps were very popular from 1920 -1960 and even have had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few very small scuffs to the canvas, causing a minor amount of paint loss ( easily restoreable).
This painting should be of interest to any serious lamp collector, especially one who collects the type of lamps that Aubrey Leech designed. The fact that the subject of the painting is also a lamp or lantern can be considered an added bonus.
This is one of two similar paintings by the same artist that we are currently offering. A discount of 25% is available if both paintings are purchased at the same time. They are close enough in style, content and size to look like a matched pair.