Original 1940-50s Watercolor: New England Village Landscape
This original watercolor painting measures 15 by 22 inches.
It dates circa 1940-1950.
It is from a regional style of painting found in, but not limited to California .
It is painted on heavy watercolor paper, in excellent condition, unsigned and unframed.
This original painting (it is NOT a giclee or print of any kind) is in the style of the early-mid 20th Century painters such as Robert Landry, Rex Brandt or Herbert Vincent Olsen.
This is one painting from a collection of California watercolor paintings that were originally purchased from the estate of a student of the well known and listed California artist, Robert Landry.
This painting is unsigned and we will leave it at that. Further research may very well allow for it to be more specifically described at a later date.
Robert Landry's work may be seen on askart .com, where auction records are available and examples of his signed work are offered for between $2000.00-$4000.00.
NOTE-WE ARE NOT OFFERING THIS WORK AS A SIGNED PAINTING OF ROBERT LANDRY. It is unsigned.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of stamp).
It is in excellent condition, unsigned and unframed.
This white nephrite jade carving of a pig dates from the Han Dynasty (206 BC-220 AD).
It measures 4 inches nose to tail, by about 1 3/8 inches tall by 1 inch in width.
It is an overall white color with traces of brown oxidation in the crevices. It has areas of irregularity on it's flat and rounded surfaces that create an almost spider web like pattern (off white on white colors).
It is in excellent condition except for one drill hole in the tail which does not appear to be contemporary with the piece. It was most likely added so it could be worn as a pendant.
This original contemporary Chinese ink and watercolor painting measures 23 by 49 inches (painting only) and 28 by 66 inches, including the silk brocaded scroll it is mounted on.
It has two seals and the signature of the artist (reputed to be Yang Ruifen) along the lower right edge. It also has an additional collector's seal (lower left corner).
Yang Ruifen (1950- ) is a contemporary Chinese artist working in China today. She is a member of the Beijing Art Academy and the Chinese Artist's Association. Her works are curently held in the collection of the Chinese National Art Museum. Her works have been sold at auction houses in both Europe and China.
The subject of the painting are three red and orange koi swimming among the lush foliage of a lotus pond.
It has an interesting speckled appearance in a few areas where the painting has been sprinkled with what looks like mica specks: presumably to give the effect of sparkling water.
It is in excellent condition. The brocade border surrounding the painting has a few loose threads along the outside edge: not really worth mentioning, but otherwise in outstanding condition.
This original ink and watercolor painting dates to the late 20th Century in China.
This original oil painting on artist's panel board measures 11 x 14 inches and sits in a carved wood and gesso period frame measuring 17 x 20 inches.
It is signed Ricardo in the lower right corner.
It is in excellent condition.
This Japanese Satsuma Vase is unmarked, 15 inches tall and about 9 inches in diameter.
It dates to the Meiji Period (1868-1912) and has Kwannon and Lohans with an elephant pictured upon it.
It is in excellent condition with some light rubbing on the high relief gilded areas exposing an outstanding crackle beneath.
This triple ceramic dish with handle dates to the 19th through early part of the 20th century.
It is designed with a shape similar to a shamrock or three leaf clover.
It measures about 11 inches by 11 inches by about 4 inches tall.
It is hand painted with numerous designs of yellow daisies.
It is in excellent condition with losses to the gilding--primarily on the handle.
It appears to be European or Baltic in origin.
This may have originally been used as a relish or condiment dish.
There are no marks, makers names or country of origin. That in itself helps to date it to about circa 1900 or earlier.
THIS LARGE ORIGINAL WATERCOLOR PAINTING ON HEAVY WATERCOLOR PAPER IS SIGNED RUTH LEE(LR)
IT MEASURES 22 BY 29 INCHES (UNFRAMED).
RUTH HUDSON LEE (1885-?) was born in Syracuse, New York. She studied with Hawthorne, Adams, George Pearce Ennis, Eliot O'Hara & Paul Ludwig Gill. She also was a member of and exhibited at: the American Watercolor Society in NY, the Washington Watercolor Club and the National Association of Women Artists in New York City. In addition, she was associated with the SYRACUSE EIGHT watercolorists. Her works were shown at the Philadelphia and Baltimore Watercolor Societies, Argent Gallery, Rochester Memorial Art Gallery, Munson Williams Proctor Institute, Binghampton Art Gallery (1 WOMAN SHOW), Auburn Art Museum, ETC, ETC.
She is well listed in numerous artist's biographies and price guides.
This MUSEUM QUALITY WATERCOLOR is in OUTSTANDING CONDITION !!
This unframed work will be shipped ROLLED IN A WIDE TUBE to protect it.
This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
Price on Request
This original oil painting measures 16 by 24 inches (painting only) and 18 1/2 by 26 1/2 inches including the carved and gilded frame.
It is signed J.R. Ashton in the lower left corner (photo). It is also signed, dated and titled: Woodland, Merri Creek, J.R. Ashton 1900 on a paper label on the reverse of the frame (photo).
It is in outstanding condition, period.
This is a museum quality, oil painting by one of the most renown Australian artists of the 19th-20th centuries.
Julian Rossi Ashton is listed in many published artists biographical references. His works are held by many national museums throughout the world. One museum in Australia (The AG in New South Wales ) has 17 of his paintings in their permanent collection. Many of his accomplishments are listed in the artist biography below. He also has auction estimates and records for his truly exceptional works that range up into six figures.
Earlier this year(2010), an Australian auction house sold a tiny(6 x 9 inches) and somewhat similar oil painting for $18,000.00 including added costs. this works out to about $275.00 per square inch. If we used a similar or comparable measure for evaluating our early, signed and titled work, we would have to ask over $100,000.00 for it. Every painting is a one of a kind entity and although we believe that our painting is actually better, That is only one small criteria that we used to determine it's value. _____________________________________________________________________
Artist Biography : Julian Rossi Ashton was an influential portrait and landscape artist, and teacher known for his vigorous support of the Australian Impressionist Heidelberg School to which his authority has been both powerful and extensive.
Ashton attended the West London School of Art and the Academie Julian in Paris. He arrived in Australia in 1878 when he was invited to Melbourne by newspaper owner David Syme to work as an illustrator for the Illustrated Australian News. Due to creative differences with the editorial staff, he was forced to resign and transfer to the Australasian Sketcher. When Edmund Smith of the Howard Shipping Line offered Ashton a free trip to Sydney in 1883 he began working as an illustrator for The Picturesque Atlas of Australia, and regularly contributed to the Sydney Bulletin Magazine.
Working in both oil paint and watercolor, Ashton used landscapes, portraits and figure composition as subjects in his works which were effectively complemented by his poignant style of precise draftsmanship and delicate atmospheric effects.
His artistic skills proved to help him greatly when teaching at the Art Society of New South Wales from 1892 to 1896 when as a teacher he stressed the importance of accuracy in drawing and the plein air style.
His influence over the Australian art world attracted a wide circle of followers including Charles Conder, Alfred James Daplyn and Albert Henry Fullwood, who often accompanied him to paint in the picturesque Hawkesbury River Region in New South Wales.
Upon completion of one of his most well-known works, Evening, Merri Creek (1882; Sydney, A.G. NSW) he claimed to have accomplished the first plein air landscape in Australia. His works were outstanding examples of the desolate majesty of the Australian landscape.
In 1887 Julian Ashton became President of the Art Society of New South Wales. He used his position to vigorously campaign for the cause of Australian art. Later, as a trustee of the Art Gallery of New South Wales he helped emerging Australian artists of the Impressionist or Heidelberg School. The decision to keep a permanent collection of these works owes much to Ashton’s influence. As a trustee he declared that not less than 500 pounds be spent annually on the purchase of Australian Art. He also encouraged Government purchases which made possible the NSW Society of Artists’ Traveling Scholarship and the foundation of the Education Department Gallery in Sydney in 1913.
Ashton organized the first overseas exhibition of Australian art which helped the artists of the Heidelberg School to be recognized as significant contributors to the international art world.
Ashton also established the Sydney Art School in 1896, later renamed the Julian Ashton Art School. This institution, since it's inception, has been a center of activity for many aspiring young artists. With such prominent artists as William Dobell, John Passmore, John Olsen and Brett Whiteley among those who attended, the art school became famous to generations of students and continues its rich heritage in educating art students today.
A highly regarded gentleman of Australian art until his death in 1942 Ashton continued to push for the cause of Australian Art in which his influence is still strongly felt today.____ http://www.artgallery.nsw.gov.au/collection/works/?q=Julian+Ashton&sort_by=relevance
This original Chinese watercolor painting measures 20 by 42 inches (ink and watercolor painting only) and 24 by 71 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one or two additional seals which may be collector's seals.
The subject is a classic Chinese motif which includes people walking across bridges in a small village situated in an extensive mountain and waterfall landscape. There is also a temple on the highest point of the mountain which is likely their destination.
It dates from the late 20th Century.
It is in excellent condition.
Price on Request
This is an antique jade carving of a seated monkey holding a Peach (Late Ming to Qing Dynasty)
It is a finely polished blue grey nephrite jade with white jade areas utilized to accent the nose and extremities.
There are remnants of oxidation or calcification in the crevices.
This antique carved jade is in outstanding condition. It is an excellent example of 17th-19th century jade carving.
Subject is a seated monkey with a finger in his mouth, holding a peach
3 1/4 x 1 1/2 X 1 1/2 inches (79mm x 40mm x 42 mm)
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th century and is specifically associated with the Econolite Jr. models.
These rotating and painted lamps were very popular from 1920 -1960 and even have had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few very small scuffs to the canvas, causing a minor amount of paint loss ( easily restoreable).
This painting should be of interest to any serious lamp collector, especially one who collects the type of lamps that Aubrey Leech designed. The fact that the subject of the painting is also a lamp or lantern can be considered an added bonus.
This is one of two similar paintings by the same artist that we are currently offering. A discount of 25% is available if both paintings are purchased at the same time. They are close enough in style, content and size to look like a matched pair.
This forest green glazed Kochi ware vase with handles measures 12 cm tall by 12 cm in diameter by 19 cm wide (handle to handle). It most likely dates to the beginning of the 20th century. The glaze pools dark green in the crevices.
There are NO marks or signatures on this vase.
It is in excellent condition. No chips, cracks, hairlines, repairs, etc. It does have a few very light surface scratches to the glaze. There are four round felt pads on the bottom of the vase (see enlargement photos).
The glaze is even and complete. Any white spots or lines are from the flash and are NOT on the vase itself.
Japanese Awaji ware was influenced by or copied after, Chinese Cochin ware: a 16th century pottery originally produced in Southern China or Vietnam. It consisted primarily of green glazed wares with low relief decoration* (*Ceramic Art of Japan, Seattle Art Museum, Page 164)(CAJ).
Another theory about the origin of Cochi or Cochin ware is that it was carried from China to South East Asia (modern Day Vietnam and Thailand) during the Song or Yuan Dynasty . In 1206 the Mongolian tribes met and agreed to unite under Genghis Khan. In 1215 Genghis Khan captured Beijing. In 1279 Kublai Khan, his grandson, completed the Quest of China, ending the Song Dynasty. The Yuan dynasty that they created lasted from 1279 to 1368 (1368- 1644 A.D. Ming dynasty). Faced with Mongol rule artists, potters, merchants and exporters left China and set up their operations in Vietnam and Thailand. The Sung kiln and glaze technologies were transferred to Vietnam. Bat Trang (in Vietnam) prospered and continued to do so as the Ming dynasty maintained a closed-door policy until 1567. It was not until 1684 that the Chinese competed effectively with Vietnamese ceramics exporters. By this time Vietnamese pottery had achieved such popularity in Japan that even the Japanese potters produced ceramics in the Vietnamese style, which they called Cochi or Kochi ware. During the late Edo Period there was a fashion among Kyoto potters (including Eiraku Hozen, Ogata Kenzan, and Aoki Mokubei) to emulate the Chinese wares of the 16th century, especially the export blue and white, gosu-akae, and Kochi ware** (**CAJ-pg 158).
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
This original oil painting on stretched canvas measures 22 by 27 inches and sits in an original period frame measuring 27 by 32 inches.
It is signed PETER NIELSEN in the lower left corner.
Peter Nielsen has numerous biographical listings and auction records. A contemporary of William Wendt, Peter Nielsen's works have recently begun to move up in price towards the high prices realized by his peers.
THIS IS AN EXCELLENT CALIFORNIA PLEIN AIR PAINTING AND IT'S AUTHENTICITY IS GUARANTEED.
NOTE: Any white spots on the photos are merely bounce back from the flash. They are not on the painting itself. IT IS IN EXCELLENT CONDITION AND READY TO HANG.
This is a Tibetan copper & white metal/silver prayer box or portable shrine (Gao) with a small bronze figure of Ganesh inside.
It dates circa 1890-1930, or possibly earlier.
It also has stitched covers from the early to middle 20th Century.
The front cover is covered with wonderfully hand tooled images, including a Tibetan mythical beast or lion surrounded by Buddhist calligraphy, topped by a flame. The rest of the box is copper, under the protective, stitched cover.
It measures 5 inches tall by 4 1/4 inches wide by 1 1/2 inches in depth.
It is part of a small collection of antique Asian silver artifacts that were originally acquired together. Some of these items will also be offered for sale, now or at a later date.
This original unsigned oil painting on very heavy canvas (tarp quality) measures 24 by 36 inches (image only).
It is painted on a 29 by 41 inch canvas which needs to be stretched on wooden stretcher bars (standard 24 by 36 inch size).
It is a classic 1950's American Home with a picket fence and a television (note the antenna on the roof). This scene could be 'Anywhere USA___Circa 1955.
We estimate it as circa 1940's-1950's.
Except for needing to be mounted and framed, it is in excellent condition.
It will be delivered rolled in a wide tube. The paint condition is outstanding and it will not be adversely affected by rolling it for shipment.