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This antique bronze figure of Mahakala measures 10 inches wide by 12 inches tall by 3 inches in depth (at it's widest points)
It dates from 17th to 18th century Nepal or Tibet (circa 1600's-1700's)
It is in very good condition with remnants of gilt along with green verdigris (oxidation). Note: the bronze is slightly loose on its base. This does not affect it when placed against a wall.
This original old oil painting on heavy canvas measures 25 inches by 30 inches (image only) and 30 x 36 inches framed .
It is unsigned.
It is in excellent condition, with an overall crackle to the surface as should be expected from a painting between 180-220 years old .
Portraits of this type were very expensive at the time, so this would have been a wealthy or important person of the period.
The level of detail in the face is outstanding, so this was very likely painted by an accomplished artist, unlike the numerous folk artist painters who produced the two dimensional portraits so collectible (and expensive) today.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of a similar page stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time.
Check our other listings for additional offerings of similar period watercolor paintings.
This original oil painting on stretched canvas measures 16 by 20 inches and sits in a dark, heavily carved antique style frame measuring 20 by 24 inches.
Although painted in a much older style, this painting dates to the middle of of the 20th century.
It is signed Burgy, in the lower right corner.
It is in excellent condition.
This original CALIFORNIA SCHOOL MISSION OIL PAINTING on old artist's canvas panel board measures 18 by 24 inches, UNFRAMED.
It is approximately 60-70 years old and in very good condition except for one small tear (with no losses) in the canvas.
These two sterling silver porringers date from the early to middle 20th century.
Both are marked sterling. One is Gorham sterling and the other is Wallace sterling.
The measure 6.25-6.5 inches at their longest point (about 17 cm).
Each is about 4.5 inches in diameter (11.5 cm). They weigh together 8.3 ounces-see the last photo on scale. They came from the same estate collection years ago. One is simply marked "James". The other is marked, " To James Richard Hittle - From His Godfather, Douglas Fairbanks Jr.
They are both in very good condition generally, but have numerous small bungs as would be expected from a gift given to a small child as a christening present.
This original watercolor measures approximately 12 by 16 inches (sight) and it is matted under glass in a 15 by 19 inch frame.
It is signed lower left, Verna Evans.
Verna Evans was an artist living in San Marino, California during the early to middle 20th century. She was a student of Millard Sheets and also exhibited at local art shows in San Bernardino County.
This is only one work from a folio collection purchased many years ago from a local estate.
It is in excellent condition.
This Chinese Export or Chinoiserie lacquered wooden box measures 7 1/4 inches by 5 1/4 inches by 1 3/4 inches.
It dates from the late 18th century to middle 19th century.
It is hand painted with a scene of five figures in a pagoda and garden landscape. The figures are painted in gold over a black lacquer and wood base.
It is in very good condition except for a few very minor cracks and small losses to the lacquer.
These two apple green jade carvings are close enough in size, style and color to be loosely called a pair.
Each is carved on both sides with a happy Buddha figure also known as a Bodhai or Putai (see photos).
They each measure about 20mm x 25 mm x 5 mm in depth.
They are both apple green jade.
They are a close match, but not absolutely identical-with minor inclusions that differ slightly.
These date to about the middle of the 20th century in China.
They are in excellent condition with no damage or restoration-and drilled for hanging.
We don't believe these are dyed, based on where and when they were acquired, but we cannot guarantee that without testing them- which was not done. Instead we have priced them so that it won't matter either way. In addition, if we are correct and they aren't dyed, the buyer should be even more pleased with the purchase.
This original contemporary Chinese ink and watercolor painting measures 23 by 49 inches (painting only) and 28 by 66 inches, including the silk brocaded scroll it is mounted on.
It has two seals and the signature of the artist (reputed to be Yang Ruifen) along the lower right edge. It also has an additional collector's seal (lower left corner).
Yang Ruifen (1950- ) is a contemporary Chinese artist working in China today. She is a member of the Beijing Art Academy and the Chinese Artist's Association. Her works are curently held in the collection of the Chinese National Art Museum. Her works have been sold at auction houses in both Europe and China.
The subject of the painting are three red and orange koi swimming among the lush foliage of a lotus pond.
It has an interesting speckled appearance in a few areas where the painting has been sprinkled with what looks like mica specks: presumably to give the effect of sparkling water.
It is in excellent condition. The brocade border surrounding the painting has a few loose threads along the outside edge: not really worth mentioning, but otherwise in outstanding condition.
This original ink and watercolor painting dates to the late 20th Century in China.
This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
This carving of a dragon in the clouds is carved from one large piece of ruby-zoisite. It measures about 11 by 5 1/2 by 2 inches and weighs about 5 pounds.
Ruby-zoisite is usually found in small pieces of jewelry and sold by the carat. With one carat weighing about 1/5 of a gram, this carving is somewhere around 10,000 carats of ruby-zoisite.
The details of the carving are exceptional and it is excellent condition.
Ruby zoisite fits in well with any collection of jade carvings, because it looks like good jade with rubies floating through it, although it is a completely different mineral from nephrite.
This original, unsigned oil painting measures 24 by 36 inches unframed. It is painted on stretched canvas over wooden stretcher boards.
It is in excellent condition, except for one small paint loss chip measuring about 1/2 by 1 inch. See closeup photo.
This engraved Sterling Silver tankard dates from the decade following the American Civil War (circa 1870-79 ).
It measures 3.5 inches tall by 2.5 -2.75 inches in diameter (not including the handle). It also measures 4 inches from the handle to the front edge of the cup.
It weighs 189 grams or 6.08 troy ounces.
It is marked on the bottom of the cup: ENG' STERLING 925-100 .
This is an American Silver Tankard Dated 1879 which may have served as a Christening cup.
A somewhat similar mark can be seen at the link below
It has been suggested that ENG may mean English Silver. This is incorrect because all English silver from this period had to be hallmarked in the English manner. However, before the sterling standard was fully adopted by the American silver manufacturing establishment, manufacturers who WERE making sterling often marked their wares "ENGLISH STERLING", as in this example.
This piece is not English, it just is up to the English sterling standard.
It also has the number 26 with gothic B's in diamond stamps on either side (B 26 B)
In 1866 William Bogert bought out the business of prominent New york City manufacturer Charles Grosjean, and formed William Bogert & Co. with Bernard Beiderhase. We believe that this silver cup or tankard was manufactured by Bogert and Beiderbase (B and B) under the eventual name of William Bogert and Company.
This is a solid sterling silver tankard and guaranteed as such.
It is in excellent condition with a nice even finish and a subtle patina.
It has a couple of extremely minor scrapes along the outside bottom edge where it appears to have been tested for silver purity during the last 130 years.
It is also engraved on the front: Tracey Lay Turner --September 1879 (surrounded by a delicate flowing engraving of wheat and or berries.)
Overall, this is a very clean and pristine example of late 19th century American Silver with documentation that leads us all the way back to it's original owner.
Tracey lay Turner was a Stock broker and banker (among other things) who lived and worked in 19th century Chicago.
The following information is an excerp from the Book Of Chicagoans (a sort of Who’s Who from the 19th-20th Century):
TURNER, Tracy lay, stock broker: born Chicago, Aug. 26, 1879*
Son of Edward H. and Ida B. (Foster) Turner; educated in private schools; married Chicago, Oct. 3, 1899, Claribel Countiss; 2 sons: Tracy L.,Jr. and Foster.
Began in Marshall Field & Co.'s wholesale house, 1896, and later was with Whiteside & Wentworth, real estate.
In 1897 he entered the employ of Chapln & Gaylord, stock and bond brokers and later became office manager.
In February 1901, he is lsted as a partner in the firm of S. B. Chapln & Co , bankers and brokers.
Republican. Episcopalian. Clubs: Chicago Athletic, Union League, South Shore Country, Glen View, Kenwood Country, Tuscumbia. Recreations: golf, fishing and motoring. Residence: 1120 E. 48th St. Office: The Rookery.
*Note_ Tracey Lay Turner was born on August 26, 1879, so either the Chicagoan or the engraver got it wrong by 4 days. It has been suggested that the difference or error may be related to a Christening date. So the date on the cup may actually be the date of christening rather than the date of birth.
This original oil painting on canvas mounted on wooden panel board measures 15 by 23 inches (image only). It measures 18 by 26 inches including the carved period frame it sits in.
The subject is a landscape with a series of buildings by a river, including waterfalls and a logging flume. The location of the scene is most likely the Northwest corner of the US (Oregon, Washington or Northern California) or Western Canada.
The condition of the painting is excellent, although it is slightly dry and could use a touch of light varnish to bring up the depth of the colors a bit.
It is signed, somewhat illegibly, in the lower right corner. It appears to be Fanelli or something very similar.
There is an old label on the reverse of the frame: "Duncan Vail Co, Established 1869, Los Angeles, San Francisco".
This outstanding quality Ding Yao covered ceramic box, although Song Dynasty in appearance, may actually date from the Ming or Ching Dynasty.
It measures 8 inches in diameter by about 3 inches in height.
The domed cover is incised with repeating leaf patterns around a central leaf set within a circle.
It is in excellent condition with a circular kiln fracture around the outside of the bottom rim (see enlargement photo). This is original to the piece and is not considered damage.
Price on Request
This large Chinese Cloisonne covered box measures 15 inches in diameter. It actually measures 17.5 inches wide, when you include the bronze handles on either side. It also measures 8 inches tall.
It is in excellent condition with the exception of a small circular restored spot on the bottom of the exterior. It appears to have been repaired in the late 19th century, based on the odd shade of green enamel that was used in the repair.
The cloisonne scene on the lid consists of a phoenix (fenghuang) looking down on a mountain range across the waters and under a red sun (a possible reference to Japan).
The chrysanthemums in the foreground may refer to Japanese royalty. This could have been designed as a gift for Japanese royalty.