This hand worked Turkoman silver ring has fine details of wrapped silver wire and a gold wash.
It measures about 20 mm (interior measurement).
It is mounted with a carnelian cabochon measuring about 10 mm by 20 mm.
It is in excellent condition and weighs about 8 grams.
It was purchased as part of a collection of Afghan jewelry which included Kazak and Turkoman tribal pieces.
This antique worked silver and coral pendant with hanging loop dates from the late 19th to early 20th century in Tibet or Nepal.
It measures 53 mm long by 15 mm in diameter.
It consists of a piece of natural, undyed red coral covered with two ends of finely worked silver. This is .900+ pure silver and guaranteed as such.
It weighs .98 troy ounces (about 30 grams).
The black spots in the coral are natural imperfections in the stone and do not detract from the stone. Quite the opposite-they help to verify it's authenticity.
This Japanese bronze handled mirror measures about 8 inches in diameter (21cm) with an extended handle which increases the full height to about 12 inches or 30 centimeters(cm).
It dates to the late Edo Period or Early Meiji period ( about the middle of the 19th century (1840-1860).
It is signed in the left portion of the front. It also has birds flying over churning waves in the ocean.
It still has most of it's silver ovrlay on the two large Kanji marks on the front. It also has remnants of it's silver on the reverse or "Face" of the mirror.
Bronze mirrors were introduced into Japan from China and Korea about 300 BC - AD 300.
At first they had a religious function and were regarded as symbols of authority.
The Japanese soon learned to make their own mirrors using lost-wax casting and decorated them with Japanese or Chinese designs.
By the Nara period (AD 710-794) mirrors were made for everyday use and used designs such as plants and animals to symbolize good fortune.
From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular.. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568).
During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimetres across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tinners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868).
These hand tooled silver bracelets or bangles are Asian (possibly Miao or Tibetan) and date from the early 20th century.
They are almost identical but not a matched pair. One of them is slightly larger than the other.
The larger one measures approximately 3 1/8 inches (7.7 cm) in diameter and just under 2 1/2 inches (6.3 cm) on the interior diameter. The smaller one measures approximately 3 inches (7.4 cm) in diameter and just under 2 3/8 inches (6.1 cm) on the interior diameter.
There are no silversmiths marks, silver marks or country of origin marks of any kind on either bracelet.
We haven't weighed these, but they are appear to be hollow, with lovely hand worked details overall. They are in excellent condition.
They are part of a small collection of Asian silver items (Tibetan, Chinese & SE Asian that were acquired from the same source(see photo enlargement ) and will be offered, or are currently being offered for sale.
Each of these four knives measures approximately 8 1/4 inches by 1 inch by 1/2 inch. They all have walrus ivory handles, carved in the shape of stylized fish.
They were made in Alaska or possibly Canada circa 1920-30.
They are in excellent condition, except for one old small fracture at the mounting point where the ivory was pinned to the steel blade. It is is visual only and does not affect the knife's strength or utility.
Each of the blades is stamped KROME-PLATE & RESISTS STAINS.
Included will be an old, damaged box which may be from the period.
These two apple green jade carvings are close enough in size, style and color to be loosely called a pair.
Each is carved on both sides with a happy Buddha figure also known as a Bodhai or Putai (see photos).
They each measure about 20mm x 25 mm x 5 mm in depth.
They are both apple green jade.
They are a close match, but not absolutely identical-with minor inclusions that differ slightly.
These date to about the middle of the 20th century in China.
They are in excellent condition with no damage or restoration-and drilled for hanging.
We don't believe these are dyed, based on where and when they were acquired, but we cannot guarantee that without testing them- which was not done. Instead we have priced them so that it won't matter either way. In addition, if we are correct and they aren't dyed, the buyer should be even more pleased with the purchase.
This original stone carving of a fisherman throwing his nets measures 6 3/4 inches tall by 5 1/2 inches wide by about 3 inches in depth.
It originated in China from about the middle -late part of the 20th century (circa 1960-1980).
It is carved from a mottled beige to brown stone known in China as Shoushan stone. It is a semi hard stone, often used for carving finely detailed calligraphic seals. It is softer than jade and harder than soapstone (steatite).
It is in outstanding condition, except for a very tiny (pencil point sized) rim chip on the edge of the fisherman's hat.
This carved jade pendant measures about 2 inches tall by 1 1/4 inches wide by about 1/2 inch in depth.
It is carved from a piece of jade that has a basic colors ranging from brown to pale celadon green . It also has a few natural forest green inclusions in the shape of a feather. The strong brown tones were created by utilizing the skin of the jade which is an indication of a water worn worn pebble.
It is carved in the shape of a fish in front of a natural plant shape or lotus leaf.
It weighs 37.6 grams.
It dates to about the middle of the 20th Century in China
It has a small.925 mark stamped on the reverse. It is guaranteed to be sterling silver.
The kachina figure is set against a hand tooled repeating pattern background. It is in excellent condition.
It dates circa 1950-1960.
This green nephrite jade carving measures approximately 8 inches by 4 inchs by 3/4 of an inch high.
The subject is a Chinese lion astride a flattened and curling leaf.
Although archaic in style it most likely dates to late 19th or early 20th Century.
It is in very good condition, except for some minor roughness around the edges of the leaf.
This antique silver cup was probably made from melted Spanish silver coins that came from silver produced in the mines of Mexico or South America, c. 1800-1860.
It has engraved and chiseled decorative borders and an applied handle in the shape if a two headed dragon.
It stands 3 1/2" in height, 4 1/4" across the handle and weighs 108 grams or 3.72 Troy ounces.
It is in excellent condition with no dents, losses or repairs.
It also has no marks or monograms and is guaranteed to be at least .900 pure (coin silver).
This Burmese silver case measures 80 mm by 112 mm by 13 mm in depth. It weighs 4.40 troy ounces.
It's original function was to hold cigarettes, but nowadays it can serve other functions, such as holding business cards, etc.
It has an overall engraved pattern of scrolling leaves with a three dimensional Standing temple lion set in a fluted, oval shield. The detail of the work is truly exceptional. The buyer will not be disappointed.
Burmese silver cases are much, much rarer than the more common Siamese Silver cases although both cultures are good investments these days with the rise of silver prices.
This silver case is unmarked, but guaranteed to be solid silver ranging from .900 to .925 pure.
It dates from the early 20th century,
It is in excellent condition overall. However, the catch slips; it needs minor adjustment to stay closed. It is also missing the original elastic straps: not unusual for it's age (70-80 years).
The copper and silver lid is covered with repeating patterns, auspicious symbols and tiny cabachons in turquoise and coral.
The lid is topped by a large (24mm) turquoise bead giving the appearance of a small globe of the earth. In addition, it has four silver shield shapes with large inset carved jades that may represent the four directions (North, South, East, West).
It dates from the late 19th to early 20th century in Tibet or Nepal.
It is in excellent condition with a nice even patinas on the both the copper and silver areas.
This outstanding example of a Muhuashi (Petrified Wood Scholar's Rock) measures 8 inches by 5 1/2 inches by 4 inches tall (including the carved wooden stand it sits in). One photo enlargement shows the stand and the bottom of the rock.
It has the appearance of a craggy old mountain. It was at one time part of a collection of jade mountains. The mineralized wood is actually as hard or harder than jade.
It is difficult to put an actual age on this stone, but we can easily assume that it's age can be measured in centuries, lot's of them!
This original watercolor measures approximately 12 by 16 inches (sight) and it is matted under glass in a 15 by 19 inch frame.
It is signed lower left, Verna Evans.
Verna Evans was an artist living in San Marino, California during the early to middle 20th century. She was a student of Millard Sheets and also exhibited at local art shows in San Bernardino County.
This is only one work from a folio collection purchased many years ago from a local estate.
It is in excellent condition.