This bronze sculpture of a standing figure of Parvati on a lotus stand measures 14.5 inches tall by 4.5 inches square at the base.
It is a very heavy, solid bronze casting and it is in excellent condition.
It dates circa 1890-1940.
This original oil painting on stretched canvas and wooden stretcher bars measures 20 by 28 inches and it sits in a carved frame measuring 24 by 32 inches.
It is signed J.W.McCoy in the lower middle right portion of the painting. It also has the title and the artist's name on the reverse stretcher along with some minor blacked out areas (perhaps a previous owner obscuring the original artist's price tag).
This painting was either mounted or remounted circa 1975, based on notes on the stretcher.
On June 19, 2011 a watercolor/gouache painting (approx. 20" x 28") by John McCoy sold for $12,500.00.
This original contemporary Chinese ink and watercolor painting measures approximately 18 1/2 by 38 inches, and 22 1/2 by 65 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist along the middle right side edge.
The subject is a somewhat impressionist view of a waterfall with a pair of birds sitting in a tree in the foreground, surrounded by floral blossoms.
It is in excellent condition.
It dates to the second half of the 20th Century.
This original OIL PAINTING on artist's canvas panel board measures 16 by 20 inches, not including the gilded frame it sits in (20 x 24 inches).
It appears to have been signed in the lower right corner, but it is mostly illegible. It is difficult to see in good light and virtually impossible to photograph.
Although it is somewhat similar to the early works of Fairfield Porter, we are not selling it as one of his works.
This is an unattributed painting.
This beautifully colored and detailed oil painting is in outstanding condition and was obviously done by a very accomplished hand.
This antique Persian Silver vase measures 7 inches tall (17 cm) by 5 1/2 inches in diameter (14.5 cm).
It dates circa 1700-1850 or earlier.
It is finely engraved with alternating medallions of bird in an ornate floral landscape and medallions of symmetrical calligraphy. Between the medallions are additional engraved floral wreaths
There are three silver hallmarks on the base. The usual standard of Persian silver is .84 or 84/100 pure silver.
Condition is excellent except for a small bung (see enlargement). Overall, this is an outstanding work of art and much nicer than my poor photos would indicate. Any color changes in the photos are from the flash and not on the vase itself.
This original contemporary 20th Century Chinese watercolor painting measures 24 by 50 inches (painting only) and about 28 by 72 inches, including the brocaded scroll it is mounted on.
It has the seals and signature of the artist, along with what appears to be a collector's seal.
The subject is a black and white Chinese dog watching a ladybug sitting on a pear on a low hanging branch.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of Contemporary Chinese Art as influenced by Western Art .
This Japanese painted bronze figure of Daikoku measures approximately 13.5 inches tall by 6 inches wide by 5 inches in depth.
It is a substantial bronze figure, weighing around 13+ pounds or about 6 kilos.
It is signed or marked on both the figure and the separate base of rice bales (see two of the enlargement pictures).
It dates from the late Meiji to Taisho Period (circa 1890-1912).
It is in excellent condition with most of it's original colored and patinated surfaces intact. An exception to this is the loss of a small triangular shaped piece which was apparently once attached at the figure's midsection (see photo enlargement of loss). This most likely was originally a separate attachment (see the drill hole?) in the shape of a small pouch (or treasure sack) which Daikoku traditionally carried.
Since the 17th century, Daikoku has been known as the Japanese god of wealth, the household and of farmers, although in earlier centuries he was considered a fierce protector deity (Mahakala).
In Japan, artwork of this deity usually shows him wearing a hood and standing on two bales of rice, carrying a sack of treasure and holding a magic mallet. Daikoku is often clad in robes, with a smile on his face.
In some traditions, Daikoku is also considered to be a provider of food, and images of him can still be found in monastery kitchens and in the kitchens of private homes. He is recognized by his wide face, smile, and a flat black hat.
He is often portrayed holding a golden mallet (called a Uchide Nokozuchi), also known as a magic money mallet, and is seen positioned on bales of rice, occasionally with mice nearby (mice signifying plentiful food).
Originally a Hindu deity called Mahakala, he was introduced to Japan in the ninth century, and merged with the Shinto deity of good harvests, Oo-kuninushi-no-Mikoto (or Okuninushi-no-Kami, translated as "Prince Plenty"). The lucky mallet in his right hand is called the uchide nokozuchi. This mallet is said to have magical properties that can produce anything desired when struck. Some stories say that coins fall out when he shakes his mallet. Others say that believers are granted their heart's desire by tapping a symbolic mallet on the ground three times and making a wish.
The symbol of the precious Buddhist Jewel, sometimes found on Daikoku's mallet or belt, represents the themes of wealth and unfolding possibility. It is said to give its holder the ability to see all things (like a crystal ball).
The precious jewel is one of the seven symbols of royal power in Buddhism. Daikokyu, himself is considered to be one of the seven household gods of Japan.
These two museum quality cloisonne enameled censors in the shape of cockerels or mythological birds are a matched pair.
Each one measures 17 inches tall by 13 inches wide by 6 inches in depth.
They are very ornate with fan tails.
Their large, ornate tails are removable, opening them for a possible use as incense burners.
They date from the Ching Dynasty (1644-1911).
They are in outstanding condition, period.
They are covered with double facing dragon and phoenix designs (the symbols of the emperor and empress). They also have archaic plant and bird designs overall.
NOTE: These are outstanding and much more impressive in person than the photos would indicate.
On May 30th, 2012 Christie's Hong Kong offered a pair of cloisonne roosters (14 inch tall) from the 18th century( Qianlong period) at an estimate of $370,000.00-$450,000.00. They were in a standing position -versus the position of repose of the pair we are offering.
This old unique jade comb measures 7.5 inches x 2.25 inches x .25 inches in depth.
It is carved from a piece of semi translucent pale green hard jade. This is not serpentine or another jade simulant -this is JADE.
It has a natural feather inclusion along the top edge- a good sign.
We estimate this to be a Qing Dynasty version of a much earlier style of carving.
It has a stylized dragon with archaic symbols as scales on it's body.
This is a very nice jade. The buyer will not be disappointed.
This original contemporary Chinese watercolor painting measures 25 by 26 inches (painting only) and about 29 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Li Tong Yuan.
The subject is a pair of blue kingfishers both trying to eat the same fish.
It is in excellent condition and has very fine and subtle details.
This original oil painting on stretched canvas measures 16 x 20 inches and is framed 22 x 26 inches.
It is signed Guzman in the lower right corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This painting was purchased by me directly from the artist a number of years ago and has been hanging in my home ever since.
He is also listed and known as Juan Guzman Maldonado.
It is in OUTSTANDING CONDITION, period.
He is also listed on Askart.com. see the link below:
( http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&artist=11168533 )
This bronze figure of a seated shogun or emperor measures 14 inches tall by 12 inches wide by approximately 8 inches in depth.
It is in excellent condition, although it appears to have been mounted to a base at one time (with two drill holes in a bronze cross brace on the interior).
It appears to date to the late Meiji Period (circa 1900), but it may be slightly later (1920-30)..
This two inch wide silver bracelet in the shape of a cuff contains fifty-eight(58)faceted emeralds.
Each gemstone measures ranges in size from about 8 x 10 mm to about 10 mm x 14 mm in size. There are 17 tear drop shaped stones and 41 oval stones.
The colors range from a slightly pale green to a very rich brilliant green.
There are inclusions in all of the stones as should be expected in emerald or beryl (which is what all emerald really is, regardless of it's color.)
The silver is marked .925 on the clasp and all of the stones are in excellent condition with no obvious damage or repairs.
This bracelet measures about 2.5 inches on it's internal diameter. (This is an estimate, but it's a careful estimate).
Words really don't do justice to this bracelet, but the pictures help.
This standing nephrite jade carving of a bearded and robed figure with long horns or a headdress of some sort measures about 10 1/2 inches tall by 3 inches wide by 1 1/2 inches in depth.
It is carved from a large piece of nephrite ranging from pale to deep green with a strip of oxidized white to yellow jade down the middle. In addition, there is a crackled stripe of oxidation running down through the center of the face through the figure to the bottom of the robe.
There are also engraved rectangular patterns and additional patterns on the robe.
Although the serious possibility exists that this is an old nephrite carving dating to the Shang period, we are dating this one very conservatively to about circa 1900-1920. If it turns out to be much older, we are certain the buyer will not be too upset.
It is interesting to note, however, that the oxidation and subsequent crackling of the stone that runs right down through the face probably occurred after the jade was carved. The question arises: if this is a copy made in the last 100 years or so, why didn't they turn it around before they carved the face, as the center of the back side is pristine where the face could have been positioned, no crackling or deterioration? It would have been the better choice to use as the front and would have made a more attractive and potentially more saleable copy. If however, the deterioration of the stone actually happened over an extended period of time after it was carved, that would make more sense as an explanation as to why the current positioning of the stone in relation to it's natural flaws or irregularities.
This outstanding example of a Muhuashi (Petrified Wood Scholar's Rock) measures 8 inches by 5 1/2 inches by 4 inches tall (including the carved wooden stand it sits in). One photo enlargement shows the stand and the bottom of the rock.
It has the appearance of a craggy old mountain. It was at one time part of a collection of jade mountains. The mineralized wood is actually as hard or harder than jade.
It is difficult to put an actual age on this stone, but we can easily assume that it's age can be measured in centuries, lot's of them!
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in but not limited to California.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of a similar page stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a giclee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
This painting was originally purchased from the estate of Nancy Louise Hickman, a student of the listed artist, Robert Landry. A number of his signed and unsigned works were discovered in the collection. This may be one of the unsigned ones. It is that good!
Check our other listings for additional offerings of similar period watercolor paintings.
This original oil painting on stretched canvas measures 18 by 24 inches and sits in a 25 by 31 inch painted wooden frame.
It is apparently unsigned, but has Bernice Jensen 1970, written lightly in pencil on the reverse stretcher bar.
It is in excellent condition, period.
This ceramic elephant on a stand measures 6 3/4 inches tall by 6 inches wide by 3 inches in depth.
It dates from the first half of the 20th century.
Although the glaze is identical to certain Chinese glazes, it may be American or European in origin.
It may also be Chinese, but we don't believe so, based on it's design.
It is in excellent condition with the exception of two minor flecks to the glaze and two holes drilled in it's base. It may have been filled with sand at one time to serve as a bookend. If there was a mate to this piece, we've never seen it.
It is a charming little piece, with legitimate age - at least 75 years.