This original oil painting on stretched canvas measures 22 by 27 inches and sits in an original period frame measuring 27 by 32 inches.
It is signed PETER NIELSEN in the lower left corner.
Peter Nielsen has numerous biographical listings and auction records. A contemporary of William Wendt, Peter Nielsen's works have recently begun to move up in price towards the high prices realized by his peers.
THIS IS AN EXCELLENT CALIFORNIA PLEIN AIR PAINTING AND IT'S AUTHENTICITY IS GUARANTEED.
NOTE: Any white spots on the photos are merely bounce back from the flash. They are not on the painting itself. IT IS IN EXCELLENT CONDITION AND READY TO HANG.
This late 18th century to early 19th century whale oil lamp measures approximately 11 inches tall by 4.5 -5 inches in diameter at it's widest points.
It was crafted in pewter and is Swiss or Austro Hungarian in origin, as it was acquired with a set of very similar figural Swiss candlestands with readable Hallmarks dating to about the same time period. Even so, this oil lamp is not marked or the marks have worn off over the centuries.
It consists of a standing figure in 17th-18th Century costume, holding up a four spigot oil font. The figure wears a cap with a crossed hammer insignia on it (partially obscured by wear)
It is signed with a date and initials on the base (18 GPP 27) which translates as GPP 1827.
This standing pottery figure measures 11 inches high by 8 inches wide by 5 1/2 inches in depth.
It represents a shaman or tribal leader wearing a feathered cloak. It is Precolumbian in style, but may be a 19th or 20th century copy executed in the same style. It is in very good condition, except for a few small losses.
This original, signed artist proof print measures 9 by 11 inches (image only) and it is double matted in a frame that measures about 15 by 18 inches.
It is pencil signed (left to right) 1/18/70, THE ESKIMOS, Jean Chain, print #6.
It is in excellent condition.
Price on Request
This antique gilt bronze figure of Tara dates to 11th-12th century Nepal.
It measures approximately 12 inches tall (13 inches with custom wooden stand).
It is in outstanding condition, especially considering that it is over 900 years old.
NOTE: This 900+ year old bronze does have one condition issue:
The lotus flower on Tara's left shoulder is bent forward slightly and needs to be repositioned professionally.
It is a relatively simple and inexpensive process, but it should be done by someone with experience in such matters.
Just bending it back might have the unwanted effect of snapping it off. It needs to be heated, softened and gently moved back into place by a pro.
Tara is the most important goddess in the Buddhist pantheon.
She stands, gracefully and powerfully modeled in a hip-shot posture.
Her right hand is held in a gesture of varadamudra (fearlessness and wish granting).
Her left hand is held in a teaching gesture (vitarkamudra) while holding a lotus flower rising to her shoulder.
Her face has a serene expression with downcast eyes flanked by large earrings.
She is wearing a diaphanous dhoti rolled down to the waist. It is incised with floral patterns and secured with a jeweled sash inset with precious stones.
She also wears a jeweled neck piece, armbands and tiara enclosing her up swept hair.
Tara occupies a unique status in that she has mythological origins as a goddess, as a Bodhisattva and is also frequently viewed as a Buddha.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
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These two bronze figures date from the 17-18th century or earlier.
Each one represents either Mahakala or Samantabhadra standing on a prostrate human figure surrounded by a ring of fire and wearing a garland of severed human heads.
Each measures about 8 inches tall by 5 inches wide.
Both are in excellent condition except for a small square opening on the back of one.
This original watercolor on heavy watercolor paper measures 15 by 22 inches, unframed and unmounted.
It is signed, Ruth Ann Younglove in the lower right corner (see photo).
Most of her paintings, done with transparent watercolors, depict Southern California landscapes. She was a school teacher for many years and also did work as a print maker. This information is based on an interview with her in 1983 – The Watercolor Style - McClelland 1985.
It is in excellent condition, with remnants of an old mounting on the reverse.
Many old watercolors were mounted in non archival mats or backings and must be changed to protect them from eventual staining or foxing. This watercolor is in excellent condition, but was removed from an old non archival mount before any staining could occur on the watercolor itself. ______________________________________________________________________
Artist Biography: Ruth Ann Younglove (1909-2002)
Born in Chicago, Illinois, she became a resident of Pasadena, California where she lived and worked for many years. She studied at UCLA and took private lessons from Marion Wachtel and Orrin White. She also studied with Bessie Ella Hazen, Helen Chandler, and Belle Whitice. She was the wife of B. R. Loxley and a resident of Pasadena until her death on Jan. 17, 2002.
1. Davenport's Art Reference and Price Guide -The Gold Edition 2005
2. The Artists Bluebook: 34000 North American Artists to March 2005
3. Hughes’ Artists in California 1786-1940
4. Who Was Who In American Art (1564-1975) (3 vol.) (Falk) (1999) Also in earlier WWAA editions (1993, 1986)
5. Encyclopedia of Women Artists of the American West (Kovinick)
6. California Watercolors (1850-1970) (McClelland and Last)
7. The California Style California Watercolor artists 1925-1955 (McClelland)
Member: California Watercolor Society, Pasadena Society of Artists, LAAA, Laguna Beach Art Association
Exhibitions: LA Co. Fairs, 1936-41 (awards). WWAA 1936-62; California Art &Artists; Invw; KOV. RT:
Ruth Ann Younglove is also listed on Askart.com (an art auction and research website): (http://www.askart.com/askart/y/ruth_ann_younglove/ruth_ann_younglove.aspx)
This original oil painting on canvas measures 24 by 36 inches and sits in a 31 by 43 inch carved frame.
It is signed W.E. Rollins in the lower right corner.
It is is excellent condition with the exception of a patched repair with a very small paint loss to the canvas off center right in the area of the tidepool (see enlarged photos of front and rear of repair). This is an outstanding image; even so, this old oil could use a good cleaning to brighten up the colors and a very minor touchup on the old repair.
Warren Eliphalet Rollins (1861-1962) was born in Carson City, Nevada and raised in Northern California. Following his study at the San Francisco School of Design, he traveled throughout the southwest, living with a number of Native American Tribes. He lived and painted in Pasadena, California from 1910-1917, at which time the Santa Fe Railroad Company lured him to Arizona with the offer of a studio on the Grand Canyon. He remained in Arizona for the rest of his life. He has often been called the dean of the Santa Fe and Taos Art colonies, he died in Arizona in 1962.
He is listed in many artist's publications and also online on ArtPrice.com and Askart.com. He is also listed as a WPA artist in Who Was Who In American Art(1985). Many examples of his southwest works have been offered and sold at auctions during the last decade. Very few outstanding examples of his California paintings have come to auction during that period, although a few lesser ones have.
This Japanese Satsuma Vase is unmarked, 15 inches tall and about 9 inches in diameter.
It dates to the Meiji Period (1868-1912) and has Kwannon and Lohans with an elephant pictured upon it.
It is in excellent condition with some light rubbing on the high relief gilded areas exposing an outstanding crackle beneath.
These two original Chinese bronze figures date from the Ming Dynasty (1368-1644) along with the gilt bronze screens behind them.
The bronze Buddha measures 7 3/4 inches tall by 5 3/4 inches wide by 3 3/4 inches in depth. (19.5 cm x 14.5 cm x 10.0 cm). The Buddha has a large percentage of it's original gilding remaining as do both of the gilt bronze backs. The Buddha also has a Wan symbol on his chest.
The bronze Guanyin or Avalokitesvara measures 8.25 inches tall by 5 inches wide by 3.5 inches in depth. (21 cm x 12.5 cm x 8.5 cm).
We are offering both of the bronzes and both of the finely detailed gilt bronze backs as a group (4 pieces -2 figures and 2 screen backs -all at one price.)
A comparable seated bronze Buddha of the same size (8.25 inches) sold at auction recently at Christies London, South Kensington on May 18th 2012 for $81, 349.00
All of these bronzes are original, of the period (Ming Dynasty) and guaranteed as such.
This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
This triple ceramic dish with handle dates to the 19th through early part of the 20th century.
It is designed with a shape similar to a shamrock or three leaf clover.
It measures about 11 inches by 11 inches by about 4 inches tall.
It is hand painted with numerous designs of yellow daisies.
It is in excellent condition with losses to the gilding--primarily on the handle.
It appears to be European or Baltic in origin.
This may have originally been used as a relish or condiment dish.
There are no marks, makers names or country of origin. That in itself helps to date it to about circa 1900 or earlier.
These two original watercolor paintings are painted on both sides of one heavy sheet of watercolor paper.
They both measure 15 by 22 inches, each.
They date circa 1940-1950 from a California regional style of watercolor painting.
They are in excellent condition and ready to be matted and framed.
These are NOT glycees,prints or copies of any kind.
These are part of a collection of original California watercolors, purchased from the estate of one of the artist's students,Nancy Louise Hickman.
It is signed Robert Landry on both paintings.
Authenticity is guaranteed, unconditionally.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill.
He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics.
After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artists’ biographical publications. His works have also sold at various auction houses over the years including John Moran Auctions in Pasadena, California.
He is also listed on Askart.com and other art websites, where examples of his work are offered for $2000.00 $4,000.00 each:
This original carved "oosik" or penis bone measures about 11 inches long by 1 inch wide by 1 1/2 inches in depth at it's wide at the base.
Although it has the appearance of ivory, it is actually carved from heavily fossilized walrus penile bone. It is much harder than traditional ivory and as such has been used by native people for generations to producing knives and important implements.
This is likely a fertility totem in as much as it has a hooded woman riding a phallus with the raven and a stylized bear above her.
A work of this quality would have taken a great deal of time talent and effort to create.
The workmanship and details of the carving are outstanding and can honestly be described as museum quality.
This Chinese ceramic or porcelain charger measures 15-15.25 inches in diameter. It measures about 2.5 inches in depth.
It dates to the Qing Dynasty in China (1644-1911).
It is hand painted in the Famille Rose palette and design.
It has a black ground border with green scrolling leaves and foliage and rose to pink colored flowers.
The level of detail and the quality of the painting is exceptional.
It is in outstanding condition with no repairs or restoration. It has an amazing clear ring and there are no hidden or hairline cracks.
NOTE: It does have a small number of tiny flake losses to the painting. They are not significant and can be seen in the photographs- if you look closely. They do not detract from it's overall appearance.
This has been in our personal collection for well over thirty years.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1940-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of a similar page stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time.
Check our other listings for additional offerings of similar period watercolor paintings.
These hand tooled silver bracelets or bangles are Asian (possibly Miao or Tibetan) and date from the early 20th century.
They are almost identical but not a matched pair. One of them is slightly larger than the other.
The larger one measures approximately 3 1/8 inches (7.7 cm) in diameter and just under 2 1/2 inches (6.3 cm) on the interior diameter. The smaller one measures approximately 3 inches (7.4 cm) in diameter and just under 2 3/8 inches (6.1 cm) on the interior diameter.
There are no silversmiths marks, silver marks or country of origin marks of any kind on either bracelet.
We haven't weighed these, but they are appear to be hollow, with lovely hand worked details overall. They are in excellent condition.
They are part of a small collection of Asian silver items (Tibetan, Chinese & SE Asian that were acquired from the same source(see photo enlargement ) and will be offered, or are currently being offered for sale.
This Meiji period JAPANESE KUTANI VASE measures 7 inches in diameter and 11 inches tall. We date this one circa 1880-1910.
It is in excellent condition overall with the raised gilding in outstanding condition.
It is unsigned, but there is a hand painted mark on the bottom edge that looks like: I I I O .