This large seated pottery figure of a woman measures 11 1/2 inches tall by 7 1/4 inches wide by 7 1/4 inches in depth.
It is in very good condition with the exception of a old repaired break on the leg below the figure's right knee.
It still has remnants of old applied colors on the head band, loin cloth, nose ring, arm bands and jar. It also shows the effect of having been burned black in some areas. The mouth is in an unusual open position, as if singing or chanting.
This original oil painting on hard panel board measures 8 x 10 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed Guzman in the lower right corner. Juan "Pepe" Guzman is a contemporary California artist. His strong use of color and light is influenced by both his Latin American background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This Fauve impressionist landscape has a outstanding mix of brilliant colors. This little gem also makes use of the palette knife for a strong three dimensional quality
The painting is in OUTSTANDING CONDITION, period. There are a few scuff marks on the upper edges of the nicely detailed frame.
The buyer will not be disappointed!
This white nephrite jade carving of a pig dates from the Han Dynasty (206 BC-220 AD).
It measures 4 inches nose to tail, by about 1 3/8 inches tall by 1 inch in width.
It is an overall white color with traces of brown oxidation in the crevices. It has areas of irregularity on it's flat and rounded surfaces that create an almost spider web like pattern (off white on white colors).
It is in excellent condition except for one drill hole in the tail which does not appear to be contemporary with the piece. It was most likely added so it could be worn as a pendant.
This original oil painting on stretched canvas and wooden stretchers measures 26 by 40 inches unframed.
It is signed Paine in the upper left portion of the canvas. It is also signed Louise Paine on the reverse and again on the stretchers bars.
Marie Louise Mattingly Paine is listed on Askart.com and Artprice.com as Marie Louise Paine. She is also listed in Who was Who in American Art and Davenport's Art Reference & Price Guide as M.L. Mattingly.
It dates circa 1920-35.
It is in excellent condition with the exception of one small triangular dent or puncture and a slight loss to the outside edge of the canvas where it wraps around the stretcher (see photo enlargements).
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.
This antique gilt bronze figure of Tara dates to 11th-12th century Nepal.
It measures approximately 12 inches tall (13 inches with custom wooden stand).
It is in outstanding condition, especially considering that it is over 900 years old.
NOTE: This 900+ year old bronze does have one condition issue:
The lotus flower on Tara's left shoulder is bent forward slightly and needs to be repositioned professionally.
It is a relatively simple and inexpensive process, but it should be done by someone with experience in such matters.
Just bending it back might have the unwanted effect of snapping it off. It needs to be heated, softened and gently moved back into place by a pro.
Tara is the most important goddess in the Buddhist pantheon.
She stands, gracefully and powerfully modeled in a hip-shot posture.
Her right hand is held in a gesture of varadamudra (fearlessness and wish granting).
Her left hand is held in a teaching gesture (vitarkamudra) while holding a lotus flower rising to her shoulder.
Her face has a serene expression with downcast eyes flanked by large earrings.
She is wearing a diaphanous dhoti rolled down to the waist. It is incised with floral patterns and secured with a jeweled sash inset with precious stones.
She also wears a jeweled neck piece, armbands and tiara enclosing her up swept hair.
Tara occupies a unique status in that she has mythological origins as a goddess, as a Bodhisattva and is also frequently viewed as a Buddha.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
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This large Chinese Cloisonne covered box measures 15 inches in diameter. It actually measures 17.5 inches wide, when you include the bronze handles on either side. It also measures 8 inches tall.
It is in excellent condition with the exception of a small circular restored spot on the bottom of the exterior. It appears to have been repaired in the late 19th century, based on the odd shade of green enamel that was used in the repair.
The cloisonne scene on the lid consists of a phoenix (fenghuang) looking down on a mountain range across the waters and under a red sun (a possible reference to Japan).
The chrysanthemums in the foreground may refer to Japanese royalty. This could have been designed as a gift for Japanese royalty.
This two inch wide silver bracelet in the shape of a cuff contains fifty-eight(58)faceted emeralds.
Each gemstone measures ranges in size from about 8 x 10 mm to about 10 mm x 14 mm in size. There are 17 tear drop shaped stones and 41 oval stones.
The colors range from a slightly pale green to a very rich brilliant green.
There are inclusions in all of the stones as should be expected in emerald or beryl (which is what all emerald really is, regardless of it's color.)
The silver is marked .925 on the clasp and all of the stones are in excellent condition with no obvious damage or repairs.
This bracelet measures about 2.5 inches on it's internal diameter. (This is an estimate, but it's a careful estimate).
Words really don't do justice to this bracelet, but the pictures help.
This standing pottery figure measures 11 inches high by 8 inches wide by 5 1/2 inches in depth.
It represents a shaman or tribal leader wearing a feathered cloak. It is Precolumbian in style, but may be a 19th or 20th century copy executed in the same style. It is in very good condition, except for a few small losses.
It has a small.925 mark stamped on the reverse. It is guaranteed to be sterling silver.
The kachina figure is set against a hand tooled repeating pattern background. It is in excellent condition.
It dates circa 1950-1960.
This original contemporary Chinese ink and watercolor painting measures approximately 18 by 27 inches, and 21 by 61.5 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist on the upper left hand edge. It also has one collector's seal in the lower right corner.
The subject is a stylized and somewhat modern view of the waterfall with a cliff in the foreground and people viewing the falls from a small pavillion, with a substantial number of pink blossoms dangling precariously from the cliff below.
It is in excellent condition.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of a similar page stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time.
Check our other listings for additional offerings of similar period watercolor paintings.
This carved jade pendant measures about 2 inches tall by 1 1/4 inches wide by about 1/2 inch in depth.
It is carved from a piece of jade that has a basic colors ranging from brown to pale celadon green . It also has a few natural forest green inclusions in the shape of a feather. The strong brown tones were created by utilizing the skin of the jade which is an indication of a water worn worn pebble.
It is carved in the shape of a fish in front of a natural plant shape or lotus leaf.
It weighs 37.6 grams.
It dates to about the middle of the 20th Century in China
These two original Chinese bronze figures date from the Ming Dynasty (1368-1644) along with the gilt bronze screens behind them.
The bronze Buddha measures 7 3/4 inches tall by 5 3/4 inches wide by 3 3/4 inches in depth. (19.5 cm x 14.5 cm x 10.0 cm). The Buddha has a large percentage of it's original gilding remaining as do both of the gilt bronze backs. The Buddha also has a Wan symbol on his chest.
The bronze Guanyin or Avalokitesvara measures 8.25 inches tall by 5 inches wide by 3.5 inches in depth. (21 cm x 12.5 cm x 8.5 cm).
We are offering both of the bronzes and both of the finely detailed gilt bronze backs as a group (4 pieces -2 figures and 2 screen backs -all at one price.)
A comparable seated bronze Buddha of the same size (8.25 inches) sold at auction recently at Christies London, South Kensington on May 18th 2012 for $81, 349.00
All of these bronzes are original, of the period (Ming Dynasty) and guaranteed as such.
This 18th-19th century Tibetan or Nepalese bronze oil lamp measures approximately 6 inches tall by 6 inches wide (pan tip to dragon tail).
It was designed to be used as a lamp using either Yak butter or oil.
It has a standing dragon for a handle and a pan with Ganesha on a shield. It is a classic design which incorporates motif from the two cultures (India and China) which are major influences on Tibet (situated between the two of them).
It dates from the late 18th through the middle of the 19th century.
It is in excellent condition with a small amount of verdigris in the recessed areas. It does appear to have been cleaned at some time in it's history and appears to be toning down nicely. It also has some wax residue remaining in a few crevices.
This original contemporary 20th Century Chinese watercolor painting measures 24 by 50 inches (painting only) and about 28 by 72 inches, including the brocaded scroll it is mounted on.
It has the seals and signature of the artist, along with what appears to be a collector's seal.
The subject is a black and white Chinese dog watching a ladybug sitting on a pear on a low hanging branch.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of Contemporary Chinese Art as influenced by Western Art .
This original, signed painting on wooden panel measures 17 1/2 inches by 18 inches (44cm x 46 cm) not including the ornately carved wooden frame it sits in. With frame, it measures 23 1/2 by 24 inches.
The subject of the painting is two samurai with drawn blades.
It is signed on both the front and reverse of the painting. There is also an additional hand painted seal in the upper right corner.
We date this painting to the late Meiji Period, although it is quite possible that it could be much earlier.
The condition of the painting is very good, but there are a few minor scrapes to the soft wood evident in the picture, but only from a certain angle. They really do not detract from the charm of this outstanding work.
Last, but not least, the frame is an amazing example of wood carving, and in outstanding condition.
This blue glazed on buff colored ceramic or pottery figure of a seated Buddha measures just over 4 inches tall by 2 1/2 inches wide by 1 1/4 inches in depth.
It is in excellent condition with the glaze pooling to black in the crevices.
It dates to the Qing (Ching) Dynasty (1644-1911).