Original 1940-50s Watercolor: New England Village Landscape
This original watercolor painting measures 15 by 22 inches.
It dates circa 1940-1950.
It is from a regional style of painting found in, but not limited to California .
It is painted on heavy watercolor paper, in excellent condition, unsigned and unframed.
This original painting (it is NOT a giclee or print of any kind) is in the style of the early-mid 20th Century painters such as Robert Landry, Rex Brandt or Herbert Vincent Olsen.
This is one painting from a collection of California watercolor paintings that were originally purchased from the estate of a student of the well known and listed California artist, Robert Landry.
This painting is unsigned and we will leave it at that. Further research may very well allow for it to be more specifically described at a later date.
Robert Landry's work may be seen on askart .com, where auction records are available and examples of his signed work are offered for between $2000.00-$4000.00.
NOTE-WE ARE NOT OFFERING THIS WORK AS A SIGNED PAINTING OF ROBERT LANDRY. It is unsigned.
This original contemporary Chinese ink and watercolor painting measures about 18 by 27 inches (painting only) and 22 by 72 inches, including the silk brocaded scroll it is mounted on.
It has one seal and the signature of the artist along the upper right hand edge (see close up photo).
The subjects of the painting are two rabbits playing with a half eaten carrot underneath hanging wisteria
It is in excellent condition. NOTE: There is an old, small one inch diameter paper repair to the border underneath the painting. It is not on the painting and only shows up when hit with a strong light from the back. It is virtually invisible under normal light. It does not show up when photographed with a flash. We tried - twice!
This original ink and watercolor painting dates to the late 20th century in China.
This Japanese Satsuma Vase is unmarked, 15 inches tall and about 9 inches in diameter.
It dates to the Meiji Period (1868-1912) and has Kwannon and Lohans with an elephant pictured upon it.
It is in excellent condition with some light rubbing on the high relief gilded areas exposing an outstanding crackle beneath.
This standing pottery figure measures 11 inches high by 8 inches wide by 5 1/2 inches in depth.
It represents a shaman or tribal leader wearing a feathered cloak. It is Precolumbian in style, but may be a 19th or 20th century copy executed in the same style. It is in very good condition, except for a few small losses.
This Burmese silver case measures 80 mm by 112 mm by 13 mm in depth. It weighs 4.40 troy ounces.
It's original function was to hold cigarettes, but nowadays it can serve other functions, such as holding business cards, etc.
It has an overall engraved pattern of scrolling leaves with a three dimensional Standing temple lion set in a fluted, oval shield. The detail of the work is truly exceptional. The buyer will not be disappointed.
Burmese silver cases are much, much rarer than the more common Siamese Silver cases although both cultures are good investments these days with the rise of silver prices.
This silver case is unmarked, but guaranteed to be solid silver ranging from .900 to .925 pure.
It dates from the early 20th century,
It is in excellent condition overall. However, the catch slips; it needs minor adjustment to stay closed. It is also missing the original elastic straps: not unusual for it's age (70-80 years).
This original contemporary Chinese watercolor painting measures 24 by 50 inches (watercolor only) and about 28 by 70 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Li Tong Yuan (1958- ) along with one collector's seal.
The subject is a group of five cranes standing and preening in a rippled pond.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of how some Contemporary Chinese Art is influenced by Western Art more than the traditional Chinese styles.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original, signed painting on wooden panel measures 17 1/2 inches by 18 inches (44cm x 46 cm) not including the ornately carved wooden frame it sits in. With frame, it measures 23 1/2 by 24 inches.
The subject of the painting is two samurai with drawn blades.
It is signed on both the front and reverse of the painting. There is also an additional hand painted seal in the upper right corner.
We date this painting to the late Meiji Period, although it is quite possible that it could be much earlier.
The condition of the painting is very good, but there are a few minor scrapes to the soft wood evident in the picture, but only from a certain angle. They really do not detract from the charm of this outstanding work.
Last, but not least, the frame is an amazing example of wood carving, and in outstanding condition.
This Japanese bronze handled mirror measures about 8 inches in diameter (21cm) with an extended handle which increases the full height to about 12 inches or 30 centimeters(cm).
It dates to the late Edo Period or Early Meiji period ( about the middle of the 19th century (1840-1860).
It is signed in the left portion of the front. It also has birds flying over churning waves in the ocean.
It still has most of it's silver ovrlay on the two large Kanji marks on the front. It also has remnants of it's silver on the reverse or "Face" of the mirror.
Bronze mirrors were introduced into Japan from China and Korea about 300 BC - AD 300.
At first they had a religious function and were regarded as symbols of authority.
The Japanese soon learned to make their own mirrors using lost-wax casting and decorated them with Japanese or Chinese designs.
By the Nara period (AD 710-794) mirrors were made for everyday use and used designs such as plants and animals to symbolize good fortune.
From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular.. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568).
During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimetres across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tinners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868).
This original American carved wooden sculpture of a seated woman dates circa 1930-1950.
It measures 17 inches tall by about 7 inches in diameter.
It is unsigned and unmarked.
This 1940's American Folk Art Carving is in the style of the sculptures of Henry Moore.
It is in very good condition and appears to have been carved from the limb of an old weathered tree.
This original bronze figure of a seated and robed official holding a jui (symbol of power) measures 8 1/2 inches tall by 5 inches wide by 3 1/2 inches.
It is covered overall with a very subtle and dark patina. It has a softness of detail that only comes from hundreds of years of handling. It also has a few cracks and slight losses to it's surface that do not detract from it's overall appearance.
It dates to a period ranging from the 15th through the 17th centuries in China.
The buyer will not be disappointed, as it is nicer than the photos would indicate. This bronze figure is guaranteed to be an original ( of the period. It is NOT a copy or reproduction of any kind.
This outstanding quality Ding Yao covered ceramic box, although Song Dynasty in appearance, may actually date from the Ming or Ching Dynasty.
It measures 8 inches in diameter by about 3 inches in height.
The domed cover is incised with repeating leaf patterns around a central leaf set within a circle.
It is in excellent condition with a circular kiln fracture around the outside of the bottom rim (see enlargement photo). This is original to the piece and is not considered damage.
This original oil painting on stretched canvas and wooden stretcher bars measures 12 by 16 inches, not including the simple black wooden frame it sits in.
The wooden stretchers are from Grumbacher, a New York Artist's material company.
It most likely dates to the latter portion of the 20th century (circa 1960-1980).
The oil painting is in excellent condition except for a few very tiny scuffs where it touches the inside top of the frame. There is a small chip out of the upper left corner of the frame. Even with the minor imperfections, it is still in excellent condition overall.
The subject of this oil portrait is an Asian or Asian American woman wearing a brightly colored robe or kimono.
It is signed MARIAN in the lower left.
These two original watercolor paintings are painted on both sides of one heavy sheet of watercolor paper.
They both measure 15 by 22 inches, each.
They date circa 1940-1950 from a California regional style of watercolor painting.
They are in excellent condition and ready to be matted and framed.
These are NOT glycees,prints or copies of any kind.
These are part of a collection of original California watercolors, purchased from the estate of one of the artist's students,Nancy Louise Hickman.
It is signed Robert Landry on both paintings.
Authenticity is guaranteed, unconditionally.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill.
He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics.
After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artists’ biographical publications. His works have also sold at various auction houses over the years including John Moran Auctions in Pasadena, California.
He is also listed on Askart.com and other art websites, where examples of his work are offered for $2000.00 $4,000.00 each:
This original oil painting on old artist's board measures 12 1/2 by 18 inches and it sits in a gilded oak frame (18 x 24 inches) with a raised antique rake motif on it (see photo).
It is unsigned and dates circa 1880-1910. It appears to be Russian or Baltic in origin and the simple frame with rake motif seems to verify that observation.
It is in excellent condition with no evidence of restoration or repairs. It has the remnant of an old label on the reverse. The simple frame appears to be contemporary with the work itself.
It measures 16 x 20 inches, and is in EXCELLENT CONDITION.
It is signed, Lillie Durham in the lower right corner.
Price on Request
This pair of Chinese Seated Lions date from the 17th -19th Century or possibly a bit earlier.
These pottery or earthenware lions each measure about 9.5 - 10 inches tall by 6 inches wide by about 4 inches in depth.
They are in very good condition with only a small loss to one of the tails.
Price on Request
This MUSEUM QUALITY NORTH WEST COAST FIGURAL TOTEM was carved from one solid walrus tusk.
It dates circa 1890-1910.
It measures 25 inches long by about 2 1/4 inches diameter at the base.
It is carved overall with an amazing assortment of carved figures, including many native animals and other tribal figural icons.
It is in outstanding condition, with a wonderful ivory patina and age cracks. Virtually all of the 17+ carved figures have abalone eyes and are beautifully detailed and polished.
The photo enlargements do not begin to do it justice. This is truly a one of a kind item and guaranteed to be antique and authentic.