This original CALIFORNIA SCHOOL MISSION OIL PAINTING on old artist's canvas panel board measures 18 by 24 inches, UNFRAMED.
It is approximately 60-70 years old and in very good condition except for one small tear (with no losses) in the canvas.
This original oil painting on stretched canvas measures 16 by 20 1/2 inches( unframed ) and 23 by 27 1/2 inches (framed).
It is in excellent condition, except for some scuffing on the frame.
It is unsigned and has a stamp on the reverse of the canvas (see photos).
This MUSEUM QUALITY NORTH WEST COAST FIGURAL TOTEM was carved from one solid walrus tusk.
It dates circa 1890-1910.
It measures 25 inches long by about 2 1/4 inches diameter at the base.
It is carved overall with an amazing assortment of carved figures, including many native animals and other tribal figural icons.
It is in outstanding condition, with a wonderful ivory patina and age cracks. Virtually all of the 17+ carved figures have abalone eyes and are beautifully detailed and polished.
The photo enlargements do not begin to do it justice. This is truly a one of a kind item and guaranteed to be antique and authentic.
This original contemporary 20th Century Chinese watercolor painting measures 24 by 50 inches (painting only) and about 28 by 72 inches, including the brocaded scroll it is mounted on.
It has the seals and signature of the artist, along with what appears to be a collector's seal.
The subject is a black and white Chinese dog watching a ladybug sitting on a pear on a low hanging branch.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of Contemporary Chinese Art as influenced by Western Art .
This antique bronze head of Kandoba or Shiva with a Naga canopy dates from 18th century India (Rajastan).
This may also be known as a Muhkalinga.
It measures approximately 10 inches (24 cm) tall and 5 inches (12 cm) in diameter.
This is a very substantial old bronze in both weight and appearance and it is in excellent condition.
This Meiji period JAPANESE KUTANI BOWL measures 10 1/2 inches in diameter and 4 inches deep.
It is in excellent condition with slight wear to the gilding as would be expected .
It is signed on the bottom (see enlargement).
This Chinese Export or Chinoiserie lacquered wooden box measures 7 1/4 inches by 5 1/4 inches by 1 3/4 inches.
It dates from the late 18th century to middle 19th century.
It is hand painted with a scene of five figures in a pagoda and garden landscape. The figures are painted in gold over a black lacquer and wood base.
It is in very good condition except for a few very minor cracks and small losses to the lacquer.
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
This large natural water worn jade is in the shape of a flattened oblong stone. It fits well in the palm of the hand and feels like it has been held that way for generations.
It measures about 3.75 inches by 2 inches by 1.5 inches in depth.
It has a carved figure of Shou Xing nestled within the stone, wrapped in a leaf and with a bat holding a ruyi in its mouth resting spread winged below him. Often, a Ru Yi is depicted with a bat. The bat symbolizes health and longevity. It is considered to be a lucky object, adding good luck to the powers of the Ruyi.
this carving was carefully crafted from a natural water worn piece of either nephrite or jadeite-we are not sure which-but we guarantee it to be jade.
This is an outstanding fondling piece-one we are tempted to keep, but with thousands of pieces already, we can't keep them all.
We estimate that this substantial jade(it weighs 8.27 troy ounces or 257.22 grams) dates from about the middle of the 20th century or possibly earlier.
It is in excellent condition. The buyer will not be disappointed.
This original oil painting on artist's canvas panel measures 11 x 14 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed J. Guzman in the lower left corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots.
His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
It is in OUTSTANDING CONDITION, period.
All of my paintings by Juan Guzman were purchased directly by me from the artist himself and are guaranteed authentic unconditionally. Category: Fine Art:Paintings:Oil:N. America:American
This original contemporary Chinese ink and watercolor painting measures 24 by 24 inches (image only) and 27 by 62 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist, lower right. There are additional seals that may be collector's seals on the painting also.
The subject: A cat pursuing a cricket.
This painting has intricate details and a combination of strong colors and subtle shading.
It is in excellent condition.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This glazed ceramic seated Buddha measures 7 inches tall by 6 1/2 inches wide by about 5 inches in depth.
It consists of a blue glaze over buff ceramic. The glaze is a deep sky blue ranging to shades of turquoise and pooling to black in the crevices. The bottom has a very fine mesh pattern embedded in it that resembles linen. There are no marks of any kind on it.
This seated figure dates to the Kangxi period of the Ching Dynasty (1644-1911) or possibly earlier.
It is in excellent condition, period.
This Japanese Satsuma pitcher or condiment jar measures about 6 inches tall by 4 inches in diameter at it's widest point.
It dates from the late 19th century-early 20th Century( Meiji Period) (circa 1880-1915).
It is in excellent condition with some minor losses to the gilding on the handle.
It is covered overall with a finely detailed series of patterns, which include a bird and dragon motif with fans.
Based on it's rounded and smoothed edges, it appears that this small vessel never originally had a permanent top or stopper.
It is unmarked as to maker or country of origin . This one fact helps to date it pre 1895 when US import export laws were established. After that date it would have had to have been marked as to country of origin.
This original antique Chinoiserie wine jar or bottle measures about 9 inches tall by 3 inches in diameter.
It was made in the late 19th century by Rorstrand in Sweden.
It is a classic European interpretation of an Oriental motif, with a robed man holding a tray with serving implements, surrounded by flowering shrubs and plants.
It has TH. WINBORG on it's upper rim. The company TH Winborg was established in Sweden as a seller of vinegar spirits.
It has the Rorstrand mark and additional incised initials (HZ, L and A) on the bottom. The company TH Winborg was established in Sweden as a seller of vinegar spirits.
It is in outstanding condition and much nicer than the photos would indicate.
This engraved Sterling Silver tankard dates from the decade following the American Civil War (circa 1870-79 ).
It measures 3.5 inches tall by 2.5 -2.75 inches in diameter (not including the handle). It also measures 4 inches from the handle to the front edge of the cup.
It weighs 189 grams or 6.08 troy ounces.
It is marked on the bottom of the cup: ENG' STERLING 925-100 .
This is an American Silver Tankard Dated 1879 which may have served as a Christening cup.
A somewhat similar mark can be seen at the link below
It has been suggested that ENG may mean English Silver. This is incorrect because all English silver from this period had to be hallmarked in the English manner. However, before the sterling standard was fully adopted by the American silver manufacturing establishment, manufacturers who WERE making sterling often marked their wares "ENGLISH STERLING", as in this example.
This piece is not English, it just is up to the English sterling standard.
It also has the number 26 with gothic B's in diamond stamps on either side (B 26 B)
In 1866 William Bogert bought out the business of prominent New york City manufacturer Charles Grosjean, and formed William Bogert & Co. with Bernard Beiderhase. We believe that this silver cup or tankard was manufactured by Bogert and Beiderbase (B and B) under the eventual name of William Bogert and Company.
This is a solid sterling silver tankard and guaranteed as such.
It is in excellent condition with a nice even finish and a subtle patina.
It has a couple of extremely minor scrapes along the outside bottom edge where it appears to have been tested for silver purity during the last 130 years.
It is also engraved on the front: Tracey Lay Turner --September 1879 (surrounded by a delicate flowing engraving of wheat and or berries.)
Overall, this is a very clean and pristine example of late 19th century American Silver with documentation that leads us all the way back to it's original owner.
Tracey lay Turner was a Stock broker and banker (among other things) who lived and worked in 19th century Chicago.
The following information is an excerp from the Book Of Chicagoans (a sort of Who’s Who from the 19th-20th Century):
TURNER, Tracy lay, stock broker: born Chicago, Aug. 26, 1879*
Son of Edward H. and Ida B. (Foster) Turner; educated in private schools; married Chicago, Oct. 3, 1899, Claribel Countiss; 2 sons: Tracy L.,Jr. and Foster.
Began in Marshall Field & Co.'s wholesale house, 1896, and later was with Whiteside & Wentworth, real estate.
In 1897 he entered the employ of Chapln & Gaylord, stock and bond brokers and later became office manager.
In February 1901, he is lsted as a partner in the firm of S. B. Chapln & Co , bankers and brokers.
Republican. Episcopalian. Clubs: Chicago Athletic, Union League, South Shore Country, Glen View, Kenwood Country, Tuscumbia. Recreations: golf, fishing and motoring. Residence: 1120 E. 48th St. Office: The Rookery.
*Note_ Tracey Lay Turner was born on August 26, 1879, so either the Chicagoan or the engraver got it wrong by 4 days. It has been suggested that the difference or error may be related to a Christening date. So the date on the cup may actually be the date of christening rather than the date of birth.
This original contemporary Chinese watercolor painting measures 25 by 26 inches (painting only) and about 29 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Li Tong Yuan.
The subject is a pair of blue kingfishers both trying to eat the same fish.
It is in excellent condition and has very fine and subtle details.