This hand worked Turkoman silver ring has fine details of wrapped silver wire and a gold wash.
It measures about 20 mm (interior measurement).
It is mounted with a carnelian cabochon measuring about 10 mm by 20 mm.
It is in excellent condition and weighs about 8 grams.
It was purchased as part of a collection of Afghan jewelry which included Kazak and Turkoman tribal pieces.
This tinned brass covered box in the shape of a duck or goose measures 11 x 8 x 10 1/2 inches. It is covered with intricately hand tooled designs. It is in outstanding condition.
It is marked illegibly on the bottom and retains most of it's original tinning.
It dates circa 1880-1920. Most likely from the Far East, although there are some stylistic similarities with Russian or Balkan motifs on the wing.
This original oil painting on artist's canvas panel measures 11 x 14 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed J. Guzman in the lower left corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots.
His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
It is in OUTSTANDING CONDITION, period.
All of my paintings by Juan Guzman were purchased directly by me from the artist himself and are guaranteed authentic unconditionally. Category: Fine Art:Paintings:Oil:N. America:American
This glazed pottery incense burner measures 7 inches tall by 4 3/4 inches in diameter.
It is covered with hand painted floral designs on a coral colored background. It has a lid with gilded spiderweb designs and a seated kylin finial.
It dates circa 1880-1910.
It is in good condition with the exception of an old repaired break on one leg (see enlarged photo). It still retains a good portion of it's original gilding, except on the legs or finial.
It is unmarked, except for a partial calligraphic mark on the inside lid.
This white nephrite jade carving of a pig dates from the Han Dynasty (206 BC-220 AD).
It measures 4 inches nose to tail, by about 1 3/8 inches tall by 1 inch in width.
It is an overall white color with traces of brown oxidation in the crevices. It has areas of irregularity on it's flat and rounded surfaces that create an almost spider web like pattern (off white on white colors).
It is in excellent condition except for one drill hole in the tail which does not appear to be contemporary with the piece. It was most likely added so it could be worn as a pendant.
This 19th century Japanese carved ivory okimono measures approximately 9 inches tall by 2 1/2 inches in diameter at it's widest point.
It is intricately carved with fully delineated scales and teeth on the fish. The figure riding a fish is carved from one solid walrus tusk and it sits on a separate oval section as a base. The crystalline pattern that is so indicative of walrus ivory can be seen in many places on the carving, including Kinko's robe (interior front left) and the belly of the carp or koi.
It dates from the Meiji Period in Japan (circa 1870-1900).
It is in very good condition with some stabilized antique ivory fractures as are seen on many of these okimonos that are well over 100 years old.
Japan originally imported and adapted many Taoist and Buddhist teachings from China, which were then combined with native Shinto beliefs.
One Taoist figure incorporated into Japanese artwork was Kinko, a holy hermit. He is often depicted mounted on the enormous carp that carried him to the Undersea Kingdom. There, sea creatures taught him that all life is sacred.
In Japan the carp (koi) is also a symbol of persistence, longevity, and fertility. Land-locked farmers have kept carp in their ponds to provide food for centuries and also bred them for their beautiful colors.
This original stone carving of a fisherman throwing his nets measures 6 3/4 inches tall by 5 1/2 inches wide by about 3 inches in depth.
It originated in China from about the middle -late part of the 20th century (circa 1960-1980).
It is carved from a mottled beige to brown stone known in China as Shoushan stone. It is a semi hard stone, often used for carving finely detailed calligraphic seals. It is softer than jade and harder than soapstone (steatite).
It is in outstanding condition, except for a very tiny (pencil point sized) rim chip on the edge of the fisherman's hat.
This antique majolica bowl on an ornately detailed bronze stand measures 17 inches wide by 15 inches tall by 7 1/2 inches in depth.
It dates circa 1760-1840. It is European, and most likely French in origin.
It is in outstanding condition, period. The majolica bowl is in excellent condition with no chips or losses, although there is a lovely crackle to the glaze on the interior of the bowl. The bronze mounts retain much of their original gilding, with no apparent repairs to their delicate, almost spiderweb designs.
This original Chinese ink & watercolor painting measures 13 1/2 by 52 inches (watercolor only) and about 18 1/2 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Ma Yongquiang.
The subject is leopard climbing a tree. It is in excellent condition and has crisp and vibrant details.
Ma YongQuian is a 20th century artist of Chinese ancestry, who was born and working in Indonesia. In April 2007, an exhibition of his work was held at the Haisu Art Museum in Shanghai, China.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
These two original Chinese bronze figures date from the Ming Dynasty (1368-1644) along with the gilt bronze screens behind them.
The bronze Buddha measures 7 3/4 inches tall by 5 3/4 inches wide by 3 3/4 inches in depth. (19.5 cm x 14.5 cm x 10.0 cm). The Buddha has a large percentage of it's original gilding remaining as do both of the gilt bronze backs. The Buddha also has a Wan symbol on his chest.
The bronze Guanyin or Avalokitesvara measures 8.25 inches tall by 5 inches wide by 3.5 inches in depth. (21 cm x 12.5 cm x 8.5 cm).
We are offering both of the bronzes and both of the finely detailed gilt bronze backs as a group (4 pieces -2 figures and 2 screen backs -all at one price.)
A comparable seated bronze Buddha of the same size (8.25 inches) sold at auction recently at Christies London, South Kensington on May 18th 2012 for $81, 349.00
All of these bronzes are original, of the period (Ming Dynasty) and guaranteed as such.
This original oil painting on stretched canvas measures 16 x 20 inches and is framed 22 x 26 inches.
It is signed Guzman in the lower right corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This painting was purchased by me directly from the artist a number of years ago and has been hanging in my home ever since.
He is also listed and known as Juan Guzman Maldonado.
It is in OUTSTANDING CONDITION, period.
He is also listed on Askart.com. see the link below:
( http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&artist=11168533 )
This Burmese silver case measures 80 mm by 112 mm by 13 mm in depth. It weighs 4.40 troy ounces.
It's original function was to hold cigarettes, but nowadays it can serve other functions, such as holding business cards, etc.
It has an overall engraved pattern of scrolling leaves with a three dimensional Standing temple lion set in a fluted, oval shield. The detail of the work is truly exceptional. The buyer will not be disappointed.
Burmese silver cases are much, much rarer than the more common Siamese Silver cases although both cultures are good investments these days with the rise of silver prices.
This silver case is unmarked, but guaranteed to be solid silver ranging from .900 to .925 pure.
It dates from the early 20th century,
It is in excellent condition overall. However, the catch slips; it needs minor adjustment to stay closed. It is also missing the original elastic straps: not unusual for it's age (70-80 years).
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
The subject of this charming painting is two geishas on a bridge with a pagoda and flowers.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th Century and is specifically associated with the Econolite Jr. Models.
These rotating and painted lamps were very popular from 1920-1960 and have even had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few small losses along the right side.
We prefer payment by Paypal, but also accept other forms of payment .
All payments must clear completely prior to shipment.
Thank you for looking: William Brooks
THIS LARGE ORIGINAL WATERCOLOR PAINTING ON HEAVY WATERCOLOR PAPER IS SIGNED RUTH LEE(LR)
IT MEASURES 22 BY 29 INCHES (UNFRAMED).
RUTH HUDSON LEE (1885-?) was born in Syracuse, New York. She studied with Hawthorne, Adams, George Pearce Ennis, Eliot O'Hara & Paul Ludwig Gill. She also was a member of and exhibited at: the American Watercolor Society in NY, the Washington Watercolor Club and the National Association of Women Artists in New York City. In addition, she was associated with the SYRACUSE EIGHT watercolorists. Her works were shown at the Philadelphia and Baltimore Watercolor Societies, Argent Gallery, Rochester Memorial Art Gallery, Munson Williams Proctor Institute, Binghampton Art Gallery (1 WOMAN SHOW), Auburn Art Museum, ETC, ETC.
She is well listed in numerous artist's biographies and price guides.
This MUSEUM QUALITY WATERCOLOR is in OUTSTANDING CONDITION !!
This unframed work will be shipped ROLLED IN A WIDE TUBE to protect it.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper ( see enlarged photo of stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
On the reverse is a strip of masking tape which appears to be possible matting and / or framing directions. In addition on the tape are the names Rex Brandt and Herb Olsen. This is just for information purposes -we are not attributing this painting to either artist at this time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time. Check our other listings for additional offerings.
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed F.A. DeHaven on the lower left corner.
It is in excellent condition except for a band of color change along the far right edge, which appears to be either light staining or varnish discoloration.
It dates circa 1890-1920.
This outstanding old American School landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier in Washington State.
This ORIGINAL OIL PAINTING on stretched canvas measures 22 by 28 inches unframed.
It is in very good condition with the exception of a tiny canvas puncture in the fruit in the bowl (about 1/4 inch with no loss to canvas).
It is unsigned but has STINE written in pencil across the back of the canvas (see enlargement).
This painting dates circa 1920-1940.