This Chinese ceramic or porcelain charger measures 15-15.25 inches in diameter. It measures about 2.5 inches in depth.
It dates to the Qing Dynasty in China (1644-1911).
It is hand painted in the Famille Rose palette and design.
It has a black ground border with green scrolling leaves and foliage and rose to pink colored flowers.
The level of detail and the quality of the painting is exceptional.
It is in outstanding condition with no repairs or restoration. It has an amazing clear ring and there are no hidden or hairline cracks.
NOTE: It does have a small number of tiny flake losses to the painting. They are not significant and can be seen in the photographs- if you look closely. They do not detract from it's overall appearance.
This has been in our personal collection for well over thirty years.
This seated bronze Buddha in Sukhothai style most likely dates from the 16th to 18th century in Thailand. It may actually be earlier. but we prefer to be conservative in estimations .
It measures 16 inches tall by about 11 inches wide by 7 inches in depth.
It is in very good condition with areas of green patination and overall oxidation in various shades of pale to rusty brown. It has a few areas of casting loss, particularly on one end of the base (see the photo close ups). It also has a few areas where the bronze has either thinned out or pitted (again, primarily on the reverse of the base,)
The history of Thai sculpture dates from sometime during the thirteenth century, when a distinct national school emerged and broke away from Cambodian and Mon influences in terms of the stylistic development of Buddha images. Specific schools and sub-styles are defined on the basis of relatively slight variations in the prescribed dress, the treatment of the hair and so on.
This Buddha is seated on an undecorated pedestal in the cross-legged yogic posture of satvaparyankasana, the right leg placed over the left. His right hand is lowered, long fingers pointing downward in the earth touching gesture. The latter symbolizes Shakyamuni's triumph over the forces of the demon Mara, who attempted to distract him from his quest for enlightenment, a ubiquitous theme in Thai Buddhist art. The Buddha's monastic robe is worn leaving his right shoulder bare, and a long thin section of cloth representing his narrowly folded shawl falls downs from his left shoulder to below his navel terminating in two points.
These two bronze figures date from the 17-18th century or earlier.
Each one represents either Mahakala or Samantabhadra standing on a prostrate human figure surrounded by a ring of fire and wearing a garland of severed human heads.
Each measures about 8 inches tall by 5 inches wide.
Both are in excellent condition except for a small square opening on the back of one.
This original Chinese watercolor painting measures 25 by 53 inches (watercolor only) and about 30 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one collector's seal.
The subject is two Chinese horses grazing in a brightly colored landscape.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of how some Contemporary Chinese Art is influenced by Western Art as much as traditional Chinese styles.
This antique silver cup was probably made from melted Spanish silver coins that came from silver produced in the mines of Mexico or South America, c. 1800-1860.
It has engraved and chiseled decorative borders and an applied handle in the shape if a two headed dragon.
It stands 3 1/2" in height, 4 1/4" across the handle and weighs 108 grams or 3.72 Troy ounces.
It is in excellent condition with no dents, losses or repairs.
It also has no marks or monograms and is guaranteed to be at least .900 pure (coin silver).
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
Price on Request
This original contemporary Chinese watercolor painting measures 25 1/2 by 25 1/2 inches (painting only) and about 29 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist (unknown at this time)in the lower right corner, and one additional collector's seal.
The subject is a single blue kingfisher flying among a background of blue leaves and pale green delicate flowers.
It is in excellent condition and has very fine and subtle details.
This is an original antique Chinese carved lacquer cup.
It measures 2.75 inches in diameter and about 4.2 inches wide (including the Fu Lion handles on either side of the cup.)
It stands about 2 inches tall (measured from top to bottom.)
It has two robed figures seated on clouds set out against a repeating pattern.
This cup dates to the Qing Dynasty (1644-1911) or, quite possibly, even a bit earlier.
It is in excellent condition except for a tiny loss of lacquer on the interior lip of the cup (see closeup photo).
This cup was part of a small collection of Chinese carved lacquer purchased about 25 years ago from a private collection established in the early 20th century.
This is one of two similar cups that were part of the original collection. The cups were not a matching pair, but are of a very similar style. We will be offering the other cup later on.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper ( see enlarged photo of stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
On the reverse is a strip of masking tape which appears to be possible matting and / or framing directions. In addition on the tape are the names Rex Brandt and Herb Olsen. This is just for information purposes -we are not attributing this painting to either artist at this time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time. Check our other listings for additional offerings.
This original contemporary Chinese watercolor painting measures 27 by 27 inches (painting only) and about 32 by 72 inches, including the maroon brocaded scroll it is mounted on.
It has the seal and signature of the artist, Sun Jing (1945- )lower right along with one collector's seal.
The subject is a young girl playing a flute in a garden setting.
It is in excellent condition.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.
This original bronze figure of a seated and robed official holding a jui (symbol of power) measures 8 1/2 inches tall by 5 inches wide by 3 1/2 inches.
It is covered overall with a very subtle and dark patina. It has a softness of detail that only comes from hundreds of years of handling. It also has a few cracks and slight losses to it's surface that do not detract from it's overall appearance.
It dates to a period ranging from the 15th through the 17th centuries in China.
The buyer will not be disappointed, as it is nicer than the photos would indicate. This bronze figure is guaranteed to be an original ( of the period. It is NOT a copy or reproduction of any kind.
This original watercolor measures 18 by 24 inches, unmounted and unframed.
The subject is nine boys standing around and swimming in a waterfall fed pond in a lush tropical landscape.
It is in excellent condition .
It is signed W. Thurston C.1987 in the lower right corner.
Preliminary research on the artist is inconclusive. There is or was an artist, William Thurston who worked as an illustrator for the Hawaiian Sugar Planters Association, but this connection has not been verified yet.
This is one of two watercolors we are offering by the same artist. Both have Hawaiian themes.
This original watercolor painting measures 10 by 14 inches and it is matted in a carved and gilded frame measuring 12 by 16 inches.
It is signed W.R. Cameron, lower middle right.
The subject is a few of the warships drydocked at the Mare Island Naval shipyard with a sailboat sailing in the foreground.
It is in excellent condition, period.
William Ross Cameron is listed in Edan Hughes, "Artists in California 1786- 1940". Biographical Information from that source is listed below: William Ross Cameron was an illustrator, etcher, watercolorist, lithographer. He was born in NYC on June 14, 1893.
By 1905 Cameron had settled in San Francisco where he later studied under Macky and Martinez at the CSFA and Perham Nahl at the CCAC. After further art studies in London and Paris, he worked as a freelance illustrator and as a staff artist for the Oakland Post, San Francisco Chronicle and Call Bulletin newspapers.
By 1930 he was exhibiting nationally and was known for his miniature watercolors of the San Francisco Bay area. He had then moved across the bay to Alameda and later settled in Berkeley. Cameron died there on Dec. 9, 1971.
He was a member of: SWA; Alameda Art Association; Artists Guild of America; San Francisco Art Association; California Society of Etchers; Oakland Art Association; and Thirteen Watercolorists.
Exhibitions Held: Oakland Art Gallery, 1917, 1928, 1932, 1934; California Society of Etchers, Stanford University., 1928; San Francisco Art Association, 1931; Golden Gate International Exhibition, 1939; Society for Sanity in Art, CPLH, 1940.
His paintings are held in the following collections: AIC; De Young Museum; PAFA. AAA 1917-33; WWAA 1936
His paintings have sold at numerous art auctions over the year, which can be found on askart.com.
This ANTIQUE CHINESE EXPORT PEWTER FISH BOWL & COVER measures 8 1/2 inches by 7 inches by 4 inches.
It is in excellent condition with no evidence of restoration or repairs. It does have some tarnish and wear as would be expected on a soft pewter serving dish that is between 120-160 years old.
IT IS HALLMARKED ON BOTH THE BOTTOM OF THE BOWL AND UNDER THE LID.
IT STILL RETAINS IT'S ORIGINAL GLASS EYES.
This original oil painting on stretched canvas measures 18 by 24 inches and sits in a 25 by 31 inch painted wooden frame.
It is apparently unsigned, but has Bernice Jensen 1970, written lightly in pencil on the reverse stretcher bar.
It is in excellent condition, period.
This original contemporary Chinese ink and watercolor painting measures 18.5 by 19 inches, and 22 by 59.5 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist, Zhao Bin (1939- ) on the left hand edge. It also has one collector's seal in the lower right corner.
The subject is a view of a high mountain landscape shrouded in fog with a small temple with people viewing it in the distance.
It is in excellent condition.
This is one scroll painting from our collection of over 400 original Chinese ink and watercolor paintings on paper or silk that we collected over a period of about 20 years. Most were purchased directly from the artist or their agents and mounted for us in China prior to shipping them home. All are guaranteed to be original paintings, not prints or copies of any kind.
Leonard Borman, an exceptional California artist, died in 1995. This large and attractive oil is a sleeper.
Biographical Information:Leonard Borman was born in the 19th century and started painting in 1917 while recovering from a war injury, sustained as a Canadian veteran. His mother was an artist and encouraged her son, who attended the Art Institute of Chicago where he studied under Joseph Pennell and George Bellows. Borman came to Pasadena in 1924, settling in the nearby town of Sierra Madre. His desert and other plein air landscapes are most often encountered, but he also was an etcher and painted portraits of animals. Borman lived to the age of 101.