This original watercolor painting measures 15 by 22 inches.
It dates circa 1940-1950. It is unsigned.
It is painted on heavy watercolor paper.
It is in excellent condition, unmatted and unframed. The paper has a French watermark embossed in one corner.
It is not a giclee, print or copy of any kind.
It was purchased as part of a collection of original watercolor paintings amassed by a student of the well known, published and listed American artist, Robert Landry. Her name was Nancy Louise Hickman and she died in the 1980's.
These watercolor were kept in deep storage so that there has been very little light on them for decades. Many of them are as crisp, bright and clean as the day they were painted : 50 to 60+ years ago. ___________________________________________
This two inch wide silver bracelet in the shape of a cuff contains fifty-eight(58)faceted emeralds.
Each gemstone measures ranges in size from about 8 x 10 mm to about 10 mm x 14 mm in size. There are 17 tear drop shaped stones and 41 oval stones.
The colors range from a slightly pale green to a very rich brilliant green.
There are inclusions in all of the stones as should be expected in emerald or beryl (which is what all emerald really is, regardless of it's color.)
The silver is marked .925 on the clasp and all of the stones are in excellent condition with no obvious damage or repairs.
This bracelet measures about 2.5 inches on it's internal diameter. (This is an estimate, but it's a careful estimate).
Words really don't do justice to this bracelet, but the pictures help.
This original oil painting on artist's canvas panel board measures about 12 by 16 inches, not including the simple wooden frame it sits in.
The subject is a nude woman reclining on a bed under partially draped covers.
It dates circa 1950-1960.
It is signed PL (with initials) in the lower right corner. It also has a name tag on the reverse : Peggy Lancaster ( see closeup photo).
it is in excellent condition.
This large jadeite carving of Guanyin (Kwan Yin) measures 4.5 inches wide by 3.5 inches in depth by 12.5 inches tall (including the period carved wooden base it sits on).
We estimate the jade itself to be about 11.5 inches tall without the stand. It sits about a half inch down in the stand and is bolted down (actually bolted down to the stand) (Someone was VERY careful with this old jade).
It is carved fom one piece of multicolored apple green jade with various shades of green flowing through it and a wonderfully rich color on it's face. It also has a few small inclusions of very dark green jade near it's base. These are all natural colors. This is NOT a color enhanced jade, guaranteed.
It dates from the late 18th century through the latter part of the 19th century.
It is in excellent condition with no losses or repairs. It does have some natural inclusions on it's reverse that could be mistaken for damage. Be assured, they are natural fissures in the stone that have oxidized over the last century or so.
This original oil painting on masonite measures 18 by 24 inches and is framed 20 by 26 inches.
it is signed Cal Bailey 60 in the lower left corner.
Artist Biography: Calvin Bailey (1915- )
Calvin (Cal) Bailey is listed on Askart.com and in additional publications:
Who Was Who in American Art 1564-1975 (3 Vol) 1999 Falk, Peter Hastings (Editor)
Afro-American Artists: A Bio-Bibliographical Directory 1973 Cederholm, Theresa Dickason
This original oil painting on masonite board measures 20 x 24 inches (painting only ) and it is framed in a carved and gilded frame that measures 28 x 32 inches.
It dates circa 1930-40 and is signed M. Magnusson in the lower right hand corner. It also has the remnants of one old label ( circa 1930 ) and another old paper label with the title and artist's full name.
It is in outstanding condition, period!
This carving of a dragon in the clouds is carved from one large piece of ruby-zoisite. It measures about 11 by 5 1/2 by 2 inches and weighs about 5 pounds.
Ruby-zoisite is usually found in small pieces of jewelry and sold by the carat. With one carat weighing about 1/5 of a gram, this carving is somewhere around 10,000 carats of ruby-zoisite.
The details of the carving are exceptional and it is excellent condition.
Ruby zoisite fits in well with any collection of jade carvings, because it looks like good jade with rubies floating through it, although it is a completely different mineral from nephrite.
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper ( see enlarged photo of stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
On the reverse is a strip of masking tape which appears to be possible matting and / or framing directions. In addition on the tape are the names Rex Brandt and Herb Olsen. This is just for information purposes -we are not attributing this painting to either artist at this time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time. Check our other listings for additional offerings.
This Qing Dynasty Chinese carved jade double tube vase or nuptial cup measures just slightly less than 7 inches tall by about 4 inches wide by 3 inches in depth.
It is also known as a "Champion Vase".
It is carved from one piece of celadon colored nephrite jade with inclusion of lighter jade that give it the appearance of cloud formations. It also has a few rust colored inclusions that follow the natural inclusions of the stone.
It is carved in the shape of a mythological bird or phoenix standing on a Chinese lion or Chilung while holding two ornately carved tubular vases with its wings. The lids of both vases are conjoined by a dragon wrapped around both sides.
Double jade carvings of this type have been described not only as “Marriage or Nuptial Cups”, but also as “Champion Vases” by their owners over the centuries.
These are quite rare and can be found in museum collections throughout the world. There is a jade champion vase in the Victoria and Albert museum in England.
There is also one at the National Palace Museum in Taiwan.
Prices for similar but not absolutely identical jade champion vases have been increasing over the last decade or so. There are major similarities in most all of these vases but the minor details often vary from one to the next.
On November 1, 2004 , Christies Hong Kong sold a calcified green jade Champion vase for $80,256.00 against an estimate of $25,831.00- $38, 746.00 (sale 2177-Lot 834).
On November 27, 2007, Christies Hong Kong sold a white jade Champion vase for $248,842.00 (sale 2388-Lot 1547). It had an estimate of $38,730.00 - $51,640.00. It was 5 1/8 inches tall ( 13 cm).It was exceptional and from a well known collection.
On March 18, 2008, Christies Auction House sold a Champion Vase of somewhat similar appearance for $50,000.00 US (Christies: Sale 2267-Lot #440) It was 5 7/8 inches tall. On June 12, 2012, another jade Champion vase was sold for $64,000.00 (Christies –Sale 3509 /Lot #161). It was 5 1/8 inches tall.
Another jade champion vase is scheduled to go up to auction very soon ( Christies NY- September 13, 2012 (sale 2580- Lot # ?). Estimated Value: $50,000.00-$70,000.00. _________________________________________________________________________________
THIS LARGE ORIGINAL WATERCOLOR PAINTING ON HEAVY WATERCOLOR PAPER IS SIGNED RUTH LEE(LR)
IT MEASURES 22 BY 29 INCHES (UNFRAMED).
RUTH HUDSON LEE (1885-?) was born in Syracuse, New York. She studied with Hawthorne, Adams, George Pearce Ennis, Eliot O'Hara & Paul Ludwig Gill. She also was a member of and exhibited at: the American Watercolor Society in NY, the Washington Watercolor Club and the National Association of Women Artists in New York City. In addition, she was associated with the SYRACUSE EIGHT watercolorists. Her works were shown at the Philadelphia and Baltimore Watercolor Societies, Argent Gallery, Rochester Memorial Art Gallery, Munson Williams Proctor Institute, Binghampton Art Gallery (1 WOMAN SHOW), Auburn Art Museum, ETC, ETC.
She is well listed in numerous artist's biographies and price guides.
This MUSEUM QUALITY WATERCOLOR is in OUTSTANDING CONDITION !!
This unframed work will be shipped ROLLED IN A WIDE TUBE to protect it.
This bronze sculpture of a standing figure of Parvati on a lotus stand measures 14.5 inches tall by 4.5 inches square at the base.
It is a very heavy, solid bronze casting and it is in excellent condition.
It dates circa 1890-1940.
This original watercolor painting measures 10 by 14 inches and it is matted in a carved and gilded frame measuring 12 by 16 inches.
It is signed W.R. Cameron, lower middle right.
The subject is a few of the warships drydocked at the Mare Island Naval shipyard with a sailboat sailing in the foreground.
It is in excellent condition, period.
William Ross Cameron is listed in Edan Hughes, "Artists in California 1786- 1940". Biographical Information from that source is listed below: William Ross Cameron was an illustrator, etcher, watercolorist, lithographer. He was born in NYC on June 14, 1893.
By 1905 Cameron had settled in San Francisco where he later studied under Macky and Martinez at the CSFA and Perham Nahl at the CCAC. After further art studies in London and Paris, he worked as a freelance illustrator and as a staff artist for the Oakland Post, San Francisco Chronicle and Call Bulletin newspapers.
By 1930 he was exhibiting nationally and was known for his miniature watercolors of the San Francisco Bay area. He had then moved across the bay to Alameda and later settled in Berkeley. Cameron died there on Dec. 9, 1971.
He was a member of: SWA; Alameda Art Association; Artists Guild of America; San Francisco Art Association; California Society of Etchers; Oakland Art Association; and Thirteen Watercolorists.
Exhibitions Held: Oakland Art Gallery, 1917, 1928, 1932, 1934; California Society of Etchers, Stanford University., 1928; San Francisco Art Association, 1931; Golden Gate International Exhibition, 1939; Society for Sanity in Art, CPLH, 1940.
His paintings are held in the following collections: AIC; De Young Museum; PAFA. AAA 1917-33; WWAA 1936
His paintings have sold at numerous art auctions over the year, which can be found on askart.com.
This Meiji period JAPANESE KUTANI BOWL measures 10 1/2 inches in diameter and 4 inches deep.
It is in excellent condition with slight wear to the gilding as would be expected .
It is signed on the bottom (see enlargement).
These two original watercolor paintings are painted on both sides of one heavy sheet of watercolor paper.
They both measure 15 by 22 inches, each.
They date circa 1940-1950 from a California regional style of watercolor painting.
They are in excellent condition and ready to be matted and framed.
These are NOT glycees,prints or copies of any kind.
These are part of a collection of original California watercolors, purchased from the estate of one of the artist's students,Nancy Louise Hickman.
It is signed Robert Landry on both paintings.
Authenticity is guaranteed, unconditionally.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill.
He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics.
After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artists’ biographical publications. His works have also sold at various auction houses over the years including John Moran Auctions in Pasadena, California.
He is also listed on Askart.com and other art websites, where examples of his work are offered for $2000.00 $4,000.00 each:
This rectangular jade box and cover measures approximately 5 inches by 3.5 inches by 2.5 inches (12cm x 9.4cm x 5.5 cm).
It is covered overall with incised decoration in leaf and flower patterns. The top has a simple lotus pond garden scene within a repeating line patterned maze design.
The box was carved from one piece of pale green celadon colored jade with a prominent natural inclusion along with cloud band patterns.
The bottom of the box appears to have been set in separately, but carved from the same piece of jade..
This box dates from the Qing Dynasty in China (1644-1911).
It is in excellent condition except for a couple of insignificant rim chips along the edge. They are difficult to see or photograph, but they can be felt when running a finger along the edge. They are VERY insignificant nicks.
NOTE: This box has very well patterned inclusions that help to document it's origin from a single large translucent stone.
This antique hardstone carving of a reclining ox dates from the Song Dynasty (960-1279 AD) or the early portion of the Ming Dynasty (1368-1644 AD).
It measures about 2 3/4 x 1 1/2 X 1 1/4 inches or 58mm x 31mm x 30 mm.
It is carved from white variegated stone with a small area of pale gray in the center.
It is in excellent condition with a substantial amount of reddish brown oxidation on it's base.
We are describing this as hard stone because it does not pass the scratch test for jade. The possibility exists, however, that it is actually altered jade which has been softened over time and proximity to the elements.
This original, contemporary oil painting on stretched canvas measures 16 by 20 inches and sits in a simple wood frame (18 by 22 inches).
It is signed in ink on the stretcher, "Spring Bouquet" 3/90 R.D.Kick.
Insured shipping is included within the United States.
This original oil painting measures 16 by 24 inches (painting only) and 18 1/2 by 26 1/2 inches including the carved and gilded frame.
It is signed J.R. Ashton in the lower left corner (photo). It is also signed, dated and titled: Woodland, Merri Creek, J.R. Ashton 1900 on a paper label on the reverse of the frame (photo).
It is in outstanding condition, period.
This is a museum quality, oil painting by one of the most renown Australian artists of the 19th-20th centuries.
Julian Rossi Ashton is listed in many published artists biographical references. His works are held by many national museums throughout the world. One museum in Australia (The AG in New South Wales ) has 17 of his paintings in their permanent collection. Many of his accomplishments are listed in the artist biography below. He also has auction estimates and records for his truly exceptional works that range up into six figures.
Earlier this year(2010), an Australian auction house sold a tiny(6 x 9 inches) and somewhat similar oil painting for $18,000.00 including added costs. this works out to about $275.00 per square inch. If we used a similar or comparable measure for evaluating our early, signed and titled work, we would have to ask over $100,000.00 for it. Every painting is a one of a kind entity and although we believe that our painting is actually better, That is only one small criteria that we used to determine it's value. _____________________________________________________________________
Artist Biography : Julian Rossi Ashton was an influential portrait and landscape artist, and teacher known for his vigorous support of the Australian Impressionist Heidelberg School to which his authority has been both powerful and extensive.
Ashton attended the West London School of Art and the Academie Julian in Paris. He arrived in Australia in 1878 when he was invited to Melbourne by newspaper owner David Syme to work as an illustrator for the Illustrated Australian News. Due to creative differences with the editorial staff, he was forced to resign and transfer to the Australasian Sketcher. When Edmund Smith of the Howard Shipping Line offered Ashton a free trip to Sydney in 1883 he began working as an illustrator for The Picturesque Atlas of Australia, and regularly contributed to the Sydney Bulletin Magazine.
Working in both oil paint and watercolor, Ashton used landscapes, portraits and figure composition as subjects in his works which were effectively complemented by his poignant style of precise draftsmanship and delicate atmospheric effects.
His artistic skills proved to help him greatly when teaching at the Art Society of New South Wales from 1892 to 1896 when as a teacher he stressed the importance of accuracy in drawing and the plein air style.
His influence over the Australian art world attracted a wide circle of followers including Charles Conder, Alfred James Daplyn and Albert Henry Fullwood, who often accompanied him to paint in the picturesque Hawkesbury River Region in New South Wales.
Upon completion of one of his most well-known works, Evening, Merri Creek (1882; Sydney, A.G. NSW) he claimed to have accomplished the first plein air landscape in Australia. His works were outstanding examples of the desolate majesty of the Australian landscape.
In 1887 Julian Ashton became President of the Art Society of New South Wales. He used his position to vigorously campaign for the cause of Australian art. Later, as a trustee of the Art Gallery of New South Wales he helped emerging Australian artists of the Impressionist or Heidelberg School. The decision to keep a permanent collection of these works owes much to Ashton’s influence. As a trustee he declared that not less than 500 pounds be spent annually on the purchase of Australian Art. He also encouraged Government purchases which made possible the NSW Society of Artists’ Traveling Scholarship and the foundation of the Education Department Gallery in Sydney in 1913.
Ashton organized the first overseas exhibition of Australian art which helped the artists of the Heidelberg School to be recognized as significant contributors to the international art world.
Ashton also established the Sydney Art School in 1896, later renamed the Julian Ashton Art School. This institution, since it's inception, has been a center of activity for many aspiring young artists. With such prominent artists as William Dobell, John Passmore, John Olsen and Brett Whiteley among those who attended, the art school became famous to generations of students and continues its rich heritage in educating art students today.
A highly regarded gentleman of Australian art until his death in 1942 Ashton continued to push for the cause of Australian Art in which his influence is still strongly felt today.____ http://www.artgallery.nsw.gov.au/collection/works/?q=Julian+Ashton&sort_by=relevance