This jadeite carving measures about 3.5 x 5 inches by .5 inches in depth. It is in the shape of a rectangular plaque with slightly rounded edges.
It features a robed figure of Buddha holding a large lotus leaf while another figure kneels beside him.
This jadeite carving is in excellent condition .
It has colors that range from pale green to variegated colors that include a bright apple green, deep moss green and touches of emerald green.
The colors of the stone have been used to good effect to make the Buddha stand out on the obverse. On the reverse two large lotus leaves are framed utilizing the natural colors of the stone.
This original oil painting on artist's panel board measures 11 x 14 inches and sits in a carved wood and gesso period frame measuring 17 x 20 inches.
It is signed Ricardo in the lower right corner.
It is in excellent condition.
This original oil painting on old artists board measures 9 by 13 inches (12 by 16 inches with carved frame).
Apparently unsigned, although the dark varnish may hide small details.
It has an old label from E.B. Heimstreet in Janesville, Wisconsin.
It dates to circa 1870-1900.
The varnish is dark, somewhat dry and slightly stippled.
These two bronze figures date from the 17-18th century or earlier.
Each one represents either Mahakala or Samantabhadra standing on a prostrate human figure surrounded by a ring of fire and wearing a garland of severed human heads.
Each measures about 8 inches tall by 5 inches wide.
Both are in excellent condition except for a small square opening on the back of one.
This original 19th century wooden carving of a Chinese Emperor with gilded and polychrome details measures 11 inches tall, 5 3/4 inches wide and 4 1/2 inches deep. It is in outstanding condition with ornate detailing and symbols in high relief on it's golden robe.
The one exception to it's unusually good condition is the loss of one hand. The hair in it's beard is REAL.
This glazed pottery incense burner measures 7 inches tall by 4 3/4 inches in diameter.
It is covered with hand painted floral designs on a coral colored background. It has a lid with gilded spiderweb designs and a seated kylin finial.
It dates circa 1880-1910.
It is in good condition with the exception of an old repaired break on one leg (see enlarged photo). It still retains a good portion of it's original gilding, except on the legs or finial.
It is unmarked, except for a partial calligraphic mark on the inside lid.
This original, unsigned oil painting on panel board measures 10 by 15 inches , not including the simple gilded wood frame it sits in.
The subject is a strand of eucalyptus trees overlooking the water with a sunset sky in the background.
It is in excellent condition, period.
It dates circa 1920-35.
Price on Request
This original contemporary Chinese watercolor painting measures 25 by 26 inches (painting only) and about 29 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Li Tong Yuan.
The subject is a pair of blue kingfishers both trying to eat the same fish.
It is in excellent condition and has very fine and subtle details.
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
Price on Request
This fine bronze ewer or kettle (aftaba) dates to the 18th Century in Wughal India.
It is of typical form and good weight. It measures: height: 26cm, width: 24cm.
It has a prominent faceted spout along with its original lid with a bud-like finial, an 'S' shaped handle which has a stylized lion head at one end and a lotus bud finial at the other. It stands on four short feet.
The flattened, globular pear shaped body tapers to a long neck. The body has been cast with raised cloud or foliage borders to the top and bottom, The design work on the body is of better quality than usually seen. The body, lid and spout have been engraved overall with repeated stylized vegetable or poppy motifs. The lid has similar patterns.
Ewers of this type originated in Persia and the Middle East. Typical Islamic ewers comprised a central chamber to which a spout, foot, handle and neck were attached. They permitted water to flow - notations in the Koran described flowing water as 'clean'.
Ewers were introduced to India by Muslim invaders during the late thirteenth and early fourteenth centuries. Later Indian inspired designs became more curvaceous and many were decorated with lush plant and floral motifs.
In India, local Muslims used such vessels for hand washing. They became a practical tool of hospitality, being used to welcome visitors by pouring scented water over the hands and feet and into a basin, and took on a great variety of shapes and types whilst adhering to the basic ewer form.
This example is in excellent condition. There are no repairs, splits or dents. as mentioned, the lid is original – usually the lid is missing or replaced.
A slightly larger (39.4 cm tall) sold at Sotheby's on October 5, 2011 for 6250 British pounds( $9784.00 in US dollars) (lot 265) . It had much less surface detailing. ( http://www.sothebys.com/en/auctions/ecatalogue/2011/arts-of-the-islamic-world/lot.265.html )
Provenance: The southern California art market prior to 1980.
Reference: Zebrowski, M., Gold, Silver & Bronze from Mughal India, Alexandria Press, 1997.
This original contemporary Chinese ink and watercolor painting measures 14 by 54 inches (painting only) and 18 by 72 inches, including the silk brocaded scroll it is mounted on.
It has two seals and the signature of the artist along the upper edge. It also has three additional collector's seals (lower left and right corners).
It is in excellent condition.
This is one of the illustrations used in our as yet unpublished book on Totemic Jade carvings.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter which can be reached on our Home Page.
This antique Persian Silver vase measures 7 inches tall (17 cm) by 5 1/2 inches in diameter (14.5 cm).
It dates circa 1700-1850 or earlier.
It is finely engraved with alternating medallions of bird in an ornate floral landscape and medallions of symmetrical calligraphy. Between the medallions are additional engraved floral wreaths
There are three silver hallmarks on the base. The usual standard of Persian silver is .84 or 84/100 pure silver.
Condition is excellent except for a small bung (see enlargement). Overall, this is an outstanding work of art and much nicer than my poor photos would indicate. Any color changes in the photos are from the flash and not on the vase itself.
This 18th-19th century Tibetan or Nepalese bronze oil lamp measures approximately 6 inches tall by 6 inches wide (pan tip to dragon tail).
It was designed to be used as a lamp using either Yak butter or oil.
It has a standing dragon for a handle and a pan with Ganesha on a shield. It is a classic design which incorporates motif from the two cultures (India and China) which are major influences on Tibet (situated between the two of them).
It dates from the late 18th through the middle of the 19th century.
It is in excellent condition with a small amount of verdigris in the recessed areas. It does appear to have been cleaned at some time in it's history and appears to be toning down nicely. It also has some wax residue remaining in a few crevices.
This hand painted, original ink and watercolor painting measures 23 by 75 inches, including the silk brocaded scroll it is mounted in.
It is in excellent condition, except for a slight loss to the paper along the upper edge before remounting.
It is signed by the artist Zhou Zongbai (1930- ?) in the upper right corner along with his seal. There are three additional seals (most likely collector's seals.)
Although attributed as Chinese, this scroll has many similarities to Meiji period Japanese Art, as well.
This original painting on heavy watercolor paper measures 21 by 29 inches, unmounted and unframed.
It is signed A. Shepstone in the lower right corner. It was acquired as part of a collection of paintings purchased directly from the artist many years ago.
It is in outstanding condition.
It will be shipped to the buyer rolled carefully in a wide tube or shipping container.
This original watercolor painting on water color paper measures 15 by 22 inches.
It dates circa 1940-1960 from a regional school of watercolor painting found in, but not limited to California.
It is in excellent condition and ready to be matted and framed.
This is an original watercolor painting and NOT a glycee or print of any kind.
This is one painting that was acquired as part of a collection of original California watercolors.
A portion of the collection is represented by signed watercolors by Robert Landry. A few others, unsigned or with different names appear to have been painted by his students.
Check our other listings for additional offerings of similar signed and unsigned period watercolor paintings. We will be adding more as time permits.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill. He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics. After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artist's biographical publications. His works have also sold at auctions over the years, such as John Moran Auctions in Pasadena, California.
He is also listed on Askart.com and other art websites:
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper (see enlarged photo of stamp).
It is in excellent condition, unsigned and unframed.