This carving of a dragon in the clouds is carved from one large piece of ruby-zoisite. It measures about 11 by 5 1/2 by 2 inches and weighs about 5 pounds.
Ruby-zoisite is usually found in small pieces of jewelry and sold by the carat. With one carat weighing about 1/5 of a gram, this carving is somewhere around 10,000 carats of ruby-zoisite.
The details of the carving are exceptional and it is excellent condition.
Ruby zoisite fits in well with any collection of jade carvings, because it looks like good jade with rubies floating through it, although it is a completely different mineral from nephrite.
This Japanese Satsuma pitcher or condiment jar measures about 6 inches tall by 4 inches in diameter at it's widest point.
It dates from the late 19th century-early 20th Century( Meiji Period) (circa 1880-1915).
It is in excellent condition with some minor losses to the gilding on the handle.
It is covered overall with a finely detailed series of patterns, which include a bird and dragon motif with fans.
Based on it's rounded and smoothed edges, it appears that this small vessel never originally had a permanent top or stopper.
It is unmarked as to maker or country of origin . This one fact helps to date it pre 1895 when US import export laws were established. After that date it would have had to have been marked as to country of origin.
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.
This original Chinese watercolor painting measures 25 by 53 inches (watercolor only) and about 30 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one collector's seal.
The subject is two Chinese horses grazing in a brightly colored landscape.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of how some Contemporary Chinese Art is influenced by Western Art as much as traditional Chinese styles.
This original oil painting on stretched canvas and wooden stretcher bars measures 24 by 30 inches unframed.
It is signed Dega Vierra in the lower left corner.
It is in outstanding condition, period.
We estimate the period on this original oil painting as circa 1940-1960.
the subject is an open landscape with beech trees in the foreground and a few homesteads in the distance.
This original carved "oosik" or penis bone measures about 11 inches long by 1 inch wide by 1 1/2 inches in depth at it's wide at the base.
Although it has the appearance of ivory, it is actually carved from heavily fossilized walrus penile bone. It is much harder than traditional ivory and as such has been used by native people for generations to producing knives and important implements.
This is likely a fertility totem in as much as it has a hooded woman riding a phallus with the raven and a stylized bear above her.
A work of this quality would have taken a great deal of time talent and effort to create.
The workmanship and details of the carving are outstanding and can honestly be described as museum quality.
This original mid 20th Century California School oil painting on artist's canvas panel board measures 22 by 28 inches.
It is in excellent condition and UNFRAMED.
It is signed J.Hansen in the lower right.
This original oil painting on canvas laid down on board measures 12 by 16 inches, and it is mounted in an original carved and gilded frame which measures 16 by 20 inches.
It is unsigned and in excellent condition.
We estimate it to date circa 1930-1940.
The subject is the San Gabriel Mission which has numerous Moorish or Spanish architectural motifs.
It is painted in a loose, impressionist style with very bright, almost Fauve colors.
The Mission San Gabriel Arcángel is a fully functioning mission and also an historic landmark in San Gabriel, California.
It was founded by Spaniards of the Franciscan Order on "The Feast of the Birth of Mary" (September 8) in 1771.
The Mission often referred to as the "Godmother of the Pueblo of Los Angeles," was designed by Father Antonio Cruzado (who hailed from Córdoba, Spain, which accounts for the strong Moorish influence).
In 1776, a flash flood destroyed much of the crops and ruined the Mission complex, which was subsequently relocated five miles closer to the mountains in present-day San Gabriel (the native settlement of 'Iisanchanga).
The Mission is the base from which the pueblo that became the City of Los Angeles, California was sent. On December 8, 1812 (the "Feast Day of the Immaculate Conception of the Blessed Virgin") a series of massive earthquakes shook Southern California. The 1812 Wrightwood Earthquake caused the three-bell campanario, located adjacent to the chapel's east façade, to collapse. A larger, six-bell structure was subsequently constructed at the far end of the capilla.
Legend has it that the founding expedition was confronted by a large group of native Shoshone peoples whose intention was to drive the strangers away. One of the padres laid a painting of "Our Lady of Sorrows" on the ground for all to see, whereupon the natives (known to the settlers as the Gabrieliños) made peace with the missionaries, so moved were they by the painting's beauty. Today the 300-year-old painting hangs in the Mission's sanctuary.
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This antique bronze figure of Mahakala measures 10 inches wide by 12 inches tall by 3 inches in depth (at it's widest points)
It dates from 17th to 18th century Nepal or Tibet (circa 1600's-1700's)
It is in very good condition with remnants of gilt along with green verdigris (oxidation). Note: the bronze is slightly loose on its base. This does not affect it when placed against a wall.
This original contemporary Chinese ink and watercolor painting measures 26 by 26 inches,and 31 by 70 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist, Zhao Bin (1939- )on the right hand edge. It also has one collector's seal in the lower left corner.
The subject is a view of temples in a high mountain landscape shrouded in fog.
It is in excellent condition,with the exception of a few marks on the scroll, but not on the painting itself.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original contemporary Chinese ink and watercolor painting measures 25 1/2 by 52 inches (painting only) and 29 by 72 inches, including the silk brocaded scroll it is mounted on.
It has two seals and the signature of the artist (undetermined at this time) along the left edge. It also has three additional collector's seal (along the right edge, center and bottom.)
The subjects of the painting are three monkeys playing with a sage or scholar who is sleeping under a tree.
It is in excellent condition.
This original ink and watercolor painting dates to the late 20th Century in China.
This original oil painting on wooden panel board measures approximately 20 by 26 inches and sits in a carved and gilded frame measuring about 26 by 32 inches.
It is signed J. Winterholler just left of center bottom.
It is a view of Garmisch-Partenkirchen in the Bavarian Alps (site of the 1936 Winter Olympics).
The condition of the painting is very good except for a very small one inch long wood split on either edge, with no losses (see photo enlargements of both). The painting appears to date to the 1940-50 period, or possibly earlier. The frame is newer and has a few very minor losses to detail, but is overall quite presentable.
This original watercolor painting measures 18 by 26 inches, including the mat and frame (under glass) that it is set in.
The subject is a young man resembling Ringo Starr of the Beatles rock group, wearing a robe and sash with stylized angel wings.
It is in excellent condition.
It is signed: g.gill 1964, middle to lower right.
It appears to be part of the "Christ Today " series of paintings by the artist Gene Gill in 1964. See photo enlargement #6.
Gene Gill was an established artist in the Los Angeles area. Born in Memphis, Tennessee in 1933, he received his Bachelor of Fine Arts from The Chouinard Art Institute (California Institute of the Arts) and has exhibited widely in the Los Angeles area since 1970.
He spent most of his career as both an artist and an art teacher. In 1975 Reseda High became the first school in the LA City School District to offer Advanced Placement, Studio Art with Gene Gill as the teacher. He started teaching Art at Reseda in 1968 after spending five years teaching art at Gardena High School. He would remain at Reseda until his retirement in 1988. At Reseda, Gill developed his own art program where "select" senior art students were able to work more independently and use materials not available to an entire class. When the "Gifted" adviser at Reseda came to him in 1974, about the possibility of offering a new Advanced Placement class in art, he immediately put the program into the art curriculum.
His work has ranged from paintings to mixed media and three dimensional architectural renderings or models. He is listed in Davenports Art Reference and Price Guide, Who Was Who in American Art. He is also listed on the Askart.com and Artprice.com websites. http://www.askart.com/askart/artist.aspx?artist=11000091 His paintings and graphics are included in the permanent collections of The Los Angeles County Museum of Art, the Palm Springs Desert Museum, and the Container Corporation of America, Atlantic Richfield Corporation, the Northrop Corporation, Home Savings, and the Ronald Reagan Presidential Library.
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
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This original contemporary Chinese watercolor painting measures 17 by 26 inches (watercolor only) and about 21 by 65 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one collector's seal.
The subject is two small birds in a lotus pond.
It is in excellent condition and has very fine details. This is an outstanding example of Contemporary Chinese Art.
This large natural water worn jade is in the shape of a flattened oblong stone. It fits well in the palm of the hand and feels like it has been held that way for generations.
It measures about 3.75 inches by 2 inches by 1.5 inches in depth.
It has a carved figure of Shou Xing nestled within the stone, wrapped in a leaf and with a bat holding a ruyi in its mouth resting spread winged below him. Often, a Ru Yi is depicted with a bat. The bat symbolizes health and longevity. It is considered to be a lucky object, adding good luck to the powers of the Ruyi.
this carving was carefully crafted from a natural water worn piece of either nephrite or jadeite-we are not sure which-but we guarantee it to be jade.
This is an outstanding fondling piece-one we are tempted to keep, but with thousands of pieces already, we can't keep them all.
We estimate that this substantial jade(it weighs 8.27 troy ounces or 257.22 grams) dates from about the middle of the 20th century or possibly earlier.
It is in excellent condition. The buyer will not be disappointed.
This original watercolor painting on water color paper measures 15 by 22 inches.
It dates circa 1940-1960 from a regional school of watercolor painting found in, but not limited to California.
It is in excellent condition and ready to be matted and framed.
This is an original watercolor painting and NOT a glycee or print of any kind.
This is one painting that was acquired as part of a collection of original California watercolors.
A portion of the collection is represented by signed watercolors by Robert Landry. A few others, unsigned or with different names appear to have been painted by his students.
Check our other listings for additional offerings of similar signed and unsigned period watercolor paintings. We will be adding more as time permits.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill. He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics. After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artist's biographical publications. His works have also sold at auctions over the years, such as John Moran Auctions in Pasadena, California.
He is also listed on Askart.com and other art websites: