This Burmese silver case measures 80 mm by 112 mm by 13 mm in depth. It weighs 4.40 troy ounces.
It's original function was to hold cigarettes, but nowadays it can serve other functions, such as holding business cards, etc.
It has an overall engraved pattern of scrolling leaves with a three dimensional Standing temple lion set in a fluted, oval shield. The detail of the work is truly exceptional. The buyer will not be disappointed.
Burmese silver cases are much, much rarer than the more common Siamese Silver cases although both cultures are good investments these days with the rise of silver prices.
This silver case is unmarked, but guaranteed to be solid silver ranging from .900 to .925 pure.
It dates from the early 20th century,
It is in excellent condition overall. However, the catch slips; it needs minor adjustment to stay closed. It is also missing the original elastic straps: not unusual for it's age (70-80 years).
This original contemporary Chinese ink and watercolor painting measures 23 by 49 inches (painting only) and 28 by 66 inches, including the silk brocaded scroll it is mounted on.
It has two seals and the signature of the artist (reputed to be Yang Ruifen) along the lower right edge. It also has an additional collector's seal (lower left corner).
Yang Ruifen (1950- ) is a contemporary Chinese artist working in China today. She is a member of the Beijing Art Academy and the Chinese Artist's Association. Her works are curently held in the collection of the Chinese National Art Museum. Her works have been sold at auction houses in both Europe and China.
The subject of the painting are three red and orange koi swimming among the lush foliage of a lotus pond.
It has an interesting speckled appearance in a few areas where the painting has been sprinkled with what looks like mica specks: presumably to give the effect of sparkling water.
It is in excellent condition. The brocade border surrounding the painting has a few loose threads along the outside edge: not really worth mentioning, but otherwise in outstanding condition.
This original ink and watercolor painting dates to the late 20th Century in China.
This original unsigned oil painting on very heavy canvas (tarp quality) measures 24 by 36 inches (image only).
It is painted on a 29 by 41 inch canvas which needs to be stretched on wooden stretcher bars (standard 24 by 36 inch size).
It is a classic 1950's American Home with a picket fence and a television (note the antenna on the roof). This scene could be 'Anywhere USA___Circa 1955.
We estimate it as circa 1940's-1950's.
Except for needing to be mounted and framed, it is in excellent condition.
It will be delivered rolled in a wide tube. The paint condition is outstanding and it will not be adversely affected by rolling it for shipment.
This original, contemporary oil painting on stretched canvas measures 16 by 20 inches and sits in a simple wood frame (18 by 22 inches).
It is signed in ink on the stretcher, "Spring Bouquet" 3/90 R.D.Kick.
Insured shipping is included within the United States.
This antique tinned copper tray has traditional engraved bird motif surrounding a Homa bird symbol (Iran Air logo).
It measures about 16 inches in diameter.
It has a shield with an Arabic inscription at the top and (in English)IRAN AIR in a shield at the bottom of the circular field.
Iran AIR was established in 1946.
This tray probably dates circa 1946-64. The possibility exists that the tray is actually older and the Iran Air markings were added later.
It is in very good condition with the exception of a small dent in the field. it is small and relatively insignificant with all of the detail of the engraved patterns.
Price on Request
This ancient marble carving of a reclining lion measures 6 1/2 inches wide by 5 inches in depth by 4 1/2 inches high.
It dates to either the Tang Dynasty in China (618 AD 907 AD) or slightly earlier in one of the Roman provinces ( possibly 300-400 AD). It is in excellent condition and quite rare.
This original oil painting on stretched canvas and wooden stretchers measures 26 by 40 inches unframed.
It is signed Paine in the upper left portion of the canvas. It is also signed Louise Paine on the reverse and again on the stretchers bars.
Marie Louise Mattingly Paine is listed on Askart.com and Artprice.com as Marie Louise Paine. She is also listed in Who was Who in American Art and Davenport's Art Reference & Price Guide as M.L. Mattingly.
It dates circa 1920-35.
It is in excellent condition with the exception of one small triangular dent or puncture and a slight loss to the outside edge of the canvas where it wraps around the stretcher (see photo enlargements).
This original oil painting on stretched canvas measures 18 by 24 inches and sits in a 25 by 31 inch painted wooden frame.
It is apparently unsigned, but has Bernice Jensen 1970, written lightly in pencil on the reverse stretcher bar.
It is in excellent condition, period.
This original mid 20th Century California School oil painting on artist's canvas panel board measures 22 by 28 inches.
It is in excellent condition and UNFRAMED.
It is signed J.Hansen in the lower right.
This original oil painting on stretched canvas measures 16 x 20 inches and is framed 22 x 26 inches.
It is signed Guzman in the lower right corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This painting was purchased by me directly from the artist a number of years ago and has been hanging in my home ever since.
He is also listed and known as Juan Guzman Maldonado.
It is in OUTSTANDING CONDITION, period.
He is also listed on Askart.com. see the link below:
( http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&artist=11168533 )
This original oil painting on old artist panel board measures 22 1/2 by 31 1/2 inches.
It is unframed.
It is signed "Mt. Rainier, Wash, by F.A. DeHaven, Artist, 840 Raymond Ave" in pencil on the reverse.
It is in excellent condition.
It dates circa 1890-1920.
This outstanding old California landscape is one of two oils by the same artist that I am currently offering. Both offer different views of Mount Rainier.
This original 19th century wooden carving of a Chinese Emperor with gilded and polychrome details measures 11 inches tall, 5 3/4 inches wide and 4 1/2 inches deep. It is in outstanding condition with ornate detailing and symbols in high relief on it's golden robe.
The one exception to it's unusually good condition is the loss of one hand. The hair in it's beard is REAL.
These two sterling silver porringers date from the early to middle 20th century.
Both are marked sterling. One is Gorham sterling and the other is Wallace sterling.
The measure 6.25-6.5 inches at their longest point (about 17 cm).
Each is about 4.5 inches in diameter (11.5 cm). They weigh together 8.3 ounces-see the last photo on scale. They came from the same estate collection years ago. One is simply marked "James". The other is marked, " To James Richard Hittle - From His Godfather, Douglas Fairbanks Jr.
They are both in very good condition generally, but have numerous small bungs as would be expected from a gift given to a small child as a christening present.
This original oil painting on stretched canvas measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships and the bridge in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are similar in size, colors and subject matter.
Artist Biographical Information: Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.
Price on Request
Nepalese Bronze Bodhisattva Avalokiteshvara Padmapani
11th to 14th century: circa 1000-1300 AD.
This outstanding bronze statue of the Bodhisattva Avalokiteshvara Padmapani stands 13.5 inches tall not including the two rectangular mounts that extend into it's bronze base.
It stands 15 inches tall including it's bronze lotus base.
It is in excellent condition with much of it's original gilt remaining on the raised areas and his face. The remainder of the original gilt has been lost over the last thousand years or so, exposing a deep copper colored bronze surface.
Among the many forms of Avalokiteshvara, Padmapani is probably the oldest.
Avalokiteshvara is the embodiment of all of the Buddha's infinite compassion.
Padmapani means "lotus in hand". His left hand holds the lotus stalk, while his right hand is lowered in the gesture of granting favors.
This is an early example the use of semi precious stone inlays, a distinctive feature of Tibetan and Nepali sculpture.
His smooth torso and broad shoulders reflect the impact of the Gupta style, which existed in Northern India from the fourth to sixth century. The armlets and crown are traditionally found on 10th to 12th century sculpture.
Additional Nepalese or Nepali scuptural traditions can be seen in the shape of the broad face and full cheekbones which differ from the smaller and fuller facial features found in Indian art. The curves of the eyebrows and eyes and the long line of the nose are also typically Nepalese in style. In addition, the delicately engraved or incised floral pattern of the sarong around his waist is also typically found on early Nepali sculptures .
A larger, but stylistically similar example of an 11th century bronze Bodhisattva Avalokiteshvara Padmapani is held in the Cleveland Museum of Art:
On September 21, 2007 Christies NY sold a 14 inch gilt bronze Avalokitesvara Padmapani for $577,000.00 .
Recently - On March 20, 2012, a 17 7/8 inch tall bronze Padmapani was sold for $2.8 million dollars by Christies Auction House in New York.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
This standing nephrite jade carving of a bearded and robed figure with long horns or a headdress of some sort measures about 10 1/2 inches tall by 3 inches wide by 1 1/2 inches in depth.
It is carved from a large piece of nephrite ranging from pale to deep green with a strip of oxidized white to yellow jade down the middle. In addition, there is a crackled stripe of oxidation running down through the center of the face through the figure to the bottom of the robe.
There are also engraved rectangular patterns and additional patterns on the robe.
Although the serious possibility exists that this is an old nephrite carving dating to the Shang period, we are dating this one very conservatively to about circa 1900-1920. If it turns out to be much older, we are certain the buyer will not be too upset.
It is interesting to note, however, that the oxidation and subsequent crackling of the stone that runs right down through the face probably occurred after the jade was carved. The question arises: if this is a copy made in the last 100 years or so, why didn't they turn it around before they carved the face, as the center of the back side is pristine where the face could have been positioned, no crackling or deterioration? It would have been the better choice to use as the front and would have made a more attractive and potentially more saleable copy. If however, the deterioration of the stone actually happened over an extended period of time after it was carved, that would make more sense as an explanation as to why the current positioning of the stone in relation to it's natural flaws or irregularities.
This green nephrite jade carving measures approximately 8 inches by 4 inchs by 3/4 of an inch high.
The subject is a Chinese lion astride a flattened and curling leaf.
Although archaic in style it most likely dates to late 19th or early 20th Century.
It is in very good condition, except for some minor roughness around the edges of the leaf.