This antique silver cup was probably made from melted Spanish silver coins that came from silver produced in the mines of Mexico or South America, c. 1800-1860.
It has engraved and chiseled decorative borders and an applied handle in the shape if a two headed dragon.
It stands 3 1/2" in height, 4 1/4" across the handle and weighs 108 grams or 3.72 Troy ounces.
It is in excellent condition with no dents, losses or repairs.
It also has no marks or monograms and is guaranteed to be at least .900 pure (coin silver).
This original watercolor painting measures about 20 by 26 inches (image only) and 27 by 32 inches under glass in it's mat and frame.
It is a mountaintop view of an island with the sea and more mountains in the background.
We estimate this painting to be circa 1940-1950.
It is signed N. Kirk , Lower right.
It is in excellent condition.
This original contemporary 20th Century Chinese watercolor painting measures 24 by 50 inches (painting only) and about 28 by 72 inches, including the brocaded scroll it is mounted on.
It has the seals and signature of the artist, along with what appears to be a collector's seal.
The subject is a black and white Chinese dog watching a ladybug sitting on a pear on a low hanging branch.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of Contemporary Chinese Art as influenced by Western Art .
This original oil painting on stretched canvas and wooden stretchers measures 26 by 40 inches unframed.
It is signed Paine in the upper left portion of the canvas. It is also signed Louise Paine on the reverse and again on the stretchers bars.
Marie Louise Mattingly Paine is listed on Askart.com and Artprice.com as Marie Louise Paine. She is also listed in Who was Who in American Art and Davenport's Art Reference & Price Guide as M.L. Mattingly.
It dates circa 1920-35.
It is in excellent condition with the exception of one small triangular dent or puncture and a slight loss to the outside edge of the canvas where it wraps around the stretcher (see photo enlargements).
This Melanesian carved wooden mask measures 23 inches top to bottom by 9 inches wide by 2 inches in depth.
It was produced by the Middle Sepik River Culture of Papua New Guinea; most likely from the Washkuk region.
It dates from the early to middle 20th century and is in excellent condition.
The mask is carved in a representation of an elongated face with stylized tatoos overall, with a frog shaped headdress and a flying bird post or goatee. It has shell eyes and the bird is also set with red stone or glass eyes.
It is interesting in it's multiple use of imagery. The mask has a handle bar mustache which also serves as both the wings of the flying bird and the feet of the running frog. This is an exceptional design and also very well executed.
This original oil painting on stretched canvas measures 28.5cm by 33cm (about 11 1/4 by 13 inches, not including the simple but detailed wooden frame it sits in.
The subject is an alpine mountain landscape with a Swiss or Bavarian style building and a dome topped church or building beyond. The scene includes snow capped mountains in the distance.
It is signed J. Felsinger in the lower right portion of the painting. Josef Felsinger (1908-1972) is listed on Artprice.com with a history of auction sales.
This painting is executed in a very crisp, well detailed impressionist style.
The colors are vibrant and better looking in person than the photos would indicate. Any white dots on the pictures are the result of flash bounce back and are NOT on the painting itself.
There is a very fine spiderweb pattern of crackling of the canvas from age that does not show up in the photos, but only when the painting is lit from behind.
Overall, this is a very attractive little gem of a painting by a known artist. The buyer will not be disappointed.
Price on Request
This original oil painting on stretched canvas measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships and the bridge in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are similar in size, colors and subject matter.
Artist Biographical Information: Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.
This outstanding example of a Muhuashi (Petrified Wood Scholar's Rock) measures 8 inches by 5 1/2 inches by 4 inches tall (including the carved wooden stand it sits in). One photo enlargement shows the stand and the bottom of the rock.
It has the appearance of a craggy old mountain. It was at one time part of a collection of jade mountains. The mineralized wood is actually as hard or harder than jade.
It is difficult to put an actual age on this stone, but we can easily assume that it's age can be measured in centuries, lot's of them!
This triple ceramic dish with handle dates to the 19th through early part of the 20th century.
It is designed with a shape similar to a shamrock or three leaf clover.
It measures about 11 inches by 11 inches by about 4 inches tall.
It is hand painted with numerous designs of yellow daisies.
It is in excellent condition with losses to the gilding--primarily on the handle.
It appears to be European or Baltic in origin.
This may have originally been used as a relish or condiment dish.
There are no marks, makers names or country of origin. That in itself helps to date it to about circa 1900 or earlier.
This original California School oil painting on stretched canvas measures 16 by 20 inches and is framed in a finely detailed wood frame.
It dates circa 1950-1960, and although unsigned, it was obviously painted by an experienced and very talented artist.
It is in outstanding condition.
This outstanding quality Ding Yao covered ceramic box, although Song Dynasty in appearance, may actually date from the Ming or Ching Dynasty.
It measures 8 inches in diameter by about 3 inches in height.
The domed cover is incised with repeating leaf patterns around a central leaf set within a circle.
It is in excellent condition with a circular kiln fracture around the outside of the bottom rim (see enlargement photo). This is original to the piece and is not considered damage.
This glazed pottery incense burner measures 7 inches tall by 4 3/4 inches in diameter.
It is covered with hand painted floral designs on a coral colored background. It has a lid with gilded spiderweb designs and a seated kylin finial.
It dates circa 1880-1910.
It is in good condition with the exception of an old repaired break on one leg (see enlarged photo). It still retains a good portion of it's original gilding, except on the legs or finial.
It is unmarked, except for a partial calligraphic mark on the inside lid.
This Japanese ceramic figure of Kannon measures 17 inches tall and about 6 inches in diameter at its widest point.
It has four incised marks on it's base, two Kutani marks and two potters mark (see closeup photo).
It dates to the Meiji Period in Japan. Kwannon is also known as Kannon or Kwan Yin and Guanyin in China.
It is in outstanding condition with no flaws, cracks, chips or losses.
This antique hardstone carving of a reclining ox dates from the Song Dynasty (960-1279 AD) or the early portion of the Ming Dynasty (1368-1644 AD).
It measures about 2 3/4 x 1 1/2 X 1 1/4 inches or 58mm x 31mm x 30 mm.
It is carved from white variegated stone with a small area of pale gray in the center.
It is in excellent condition with a substantial amount of reddish brown oxidation on it's base.
We are describing this as hard stone because it does not pass the scratch test for jade. The possibility exists, however, that it is actually altered jade which has been softened over time and proximity to the elements.
This Japanese Carved Wooden Mask measures 10 inches tall by 7 3/4 inches wide (ear to ear) by 4 inches in depth. It is also about 1 1/2 inches in thickness at center narrowing down to about 3/4 inch thick at edges.
It is carved from a tightly grained wood similar to those found in 19th century Japanese furniture.
It has a nice patina and retains traces of original pale maroon color in some areas.
It is in excellent condition and has wonderful parallel grooves over entire interior: most likely carving marks, but very finely detailed. They do not show up well in photos.
This hand worked Turkoman silver ring has fine details of wrapped silver wire and a gold wash.
It measures about 20 mm (interior measurement).
It is mounted with a carnelian cabochon measuring about 10 mm by 20 mm.
It is in excellent condition and weighs about 8 grams.
It was purchased as part of a collection of Afghan jewelry which included Kazak and Turkoman tribal pieces.
This original, unsigned oil painting measures 24 by 36 inches unframed. It is painted on stretched canvas over wooden stretcher boards.
It is in excellent condition, except for one small paint loss chip measuring about 1/2 by 1 inch. See closeup photo.
This original oil painting on stretched canvas measures 25 by 30 inches not including the gilded frame it sits in.
It is in outstanding condition!
It is signed, C.C. Hamilton 1937 in the lower left corner.
The subject is a mountain lake beneath a snow capped mountain.