This original California School oil painting on stretched canvas measures 16 by 20 inches and is framed in a finely detailed wood frame.
It dates circa 1950-1960, and although unsigned, it was obviously painted by an experienced and very talented artist.
It is in outstanding condition.
This original oil painting on stretched canvas and wooden stretcher bars measures 24 by 30 inches unframed.
It is signed Dega Vierra in the lower left corner.
It is in outstanding condition, period.
We estimate the period on this original oil painting as circa 1940-1960.
the subject is an open landscape with beech trees in the foreground and a few homesteads in the distance.
This large seated pottery figure of a woman measures 11 1/2 inches tall by 7 1/4 inches wide by 7 1/4 inches in depth.
It is in very good condition with the exception of a old repaired break on the leg below the figure's right knee.
It still has remnants of old applied colors on the head band, loin cloth, nose ring, arm bands and jar. It also shows the effect of having been burned black in some areas. The mouth is in an unusual open position, as if singing or chanting.
This small jade or hard stone carving of a stylized face measures 2.25 inches x 2.75 inches x 1.5 inches in depth.
It's colors range from a medium to dark green to a pale green with areas of translucence. It also has natural inclusions in the stone with areas of dark brown or off white oxidation.
It is carved in the style of old Olmec carvings, but it may be early 20th century. It may also be Chinese, rather than Latin American in origin, but neither origin has been documented yet.
It is unusual in that it has a mounting bracket extending from the reverse side. Similar brackets have been seen on occasion to allow for mounting as architectural components or as decorations in religious settings.
If this stylized carving actually is older than our estimate, it would be worth a great deal more than our asking price.
The mounting bracket would allow for this piece to be worn as a belt slide or buckle, or as a large pendant.
This original oil painting on stretched canvas and wooden stretcher bars measures 12 by 16 inches, not including the simple black wooden frame it sits in.
The wooden stretchers are from Grumbacher, a New York Artist's material company.
It most likely dates to the latter portion of the 20th century (circa 1960-1980).
The oil painting is in excellent condition except for a few very tiny scuffs where it touches the inside top of the frame. There is a small chip out of the upper left corner of the frame. Even with the minor imperfections, it is still in excellent condition overall.
The subject of this oil portrait is an Asian or Asian American woman wearing a brightly colored robe or kimono.
It is signed MARIAN in the lower left.
This original contemporary Chinese watercolor painting measures 24 by 24 inches (watercolor only) and about 27 by 62 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Li Tong Yuan (1958- ) along with two collector's seals.
The subject is two colorful parrots sitting in a palm tree.
It is in excellent condition and has very fine and subtle details.
This is an outstanding example of how some Contemporary Chinese Art can be influenced as much by Western Art as by the traditional Chinese styles of painting.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This original oil painting on old hard panel board measures 22 by 28 inches (image only) and 26 by 32 inches framed.
The subject is a view of San Francisco Bay from a hillside vantage point, with old buildings in the foreground. The view looks down on covered docks or wharfs with ships in the background.
It is signed Helen Louise Conser in the lower left corner.
It is in outstanding condition overall.
It is painted in a loose Impressionist style which incorporates strong brush strokes and the use of a pallette knife.
This is one of two paintings by the artist that we are currently offering. Although they are not an exact matching pair, they are very similar in size, use of colors and subject matter.
Artist Biographical Information:
Helen Louise Conser was born in Portland, Oregon on July 17, 1899. She settled in San Francisco in the early 1930s. She studied with George Post. She was a painter and worked with other WPA artists on projects at the time. She was also a member of the SWA (Society of Western Artists.) She apparently never married and died in San Francisco on Nov. 25, 1980 at 81 years of age. She is listed in the following publications: 1. Edan Hughes, "Artists in California, 1786-1940, Volume 2. 2. Peter Falk, “Who Was Who In American Art (1564-1975)” 3 City Directory; Death record; San Francisco Chronicle, 11-27-1980.
This original oil painting on artist's canvas panel measures 11 x 14 inches and is framed 13 1/2 x 16 1/2 inches.
It is signed J. Guzman in the lower left corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots.
His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
It is in OUTSTANDING CONDITION, period.
All of my paintings by Juan Guzman were purchased directly by me from the artist himself and are guaranteed authentic unconditionally. Category: Fine Art:Paintings:Oil:N. America:American
This original watercolor painting on water color paper measures 15 by 22 inches.
It dates circa 1940-1960 from a regional school of watercolor painting found in, but not limited to California.
It is in excellent condition and ready to be matted and framed.
This is an original watercolor painting and NOT a glycee, print or copy of any kind.
This painting was part of a collection of original California watercolors that was in storage for decades. Most are signed, but many of the unsigned works are of comparable styles, period and quality to the signed ones.
A portion of the collection is represented by signed watercolors by Robert Landry. A few others, unsigned or with different names appear to have been painted by his students.
Check our other listings for additional offerings of similar signed and unsigned period watercolor paintings. We will be adding more as time permits.
(NOTE) We will be keeping many of both the signed and unsigned paintings from this collection for ourselves. In a weak economy, with a falling dollar, they are great investments that can be hung on a wall and enjoyed, feeding both one's soul and pocketbook at the same time.
Biographical information: Robert Landry (1921-1991) ... Born: Washington, D.C.
Studied: Abbott Art School, Art Instruction, Inc. Member: San Diego Watercolor Society, Watercolor West.
Robert Landry attended high school on the East Coast then went into the military service during World War 11. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill.
He became a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and art director for the Federal Aviation Agency and Convair Astronautics.
After the late 1940s, Landry began a serious painting career and started exhibiting fine art watercolors. His paintings often depicted regional subjects with buildings, boats or coastline structures. Creating a mood was important to him and gives his works a narrative quality.
Robert Landry's watercolors were primarily sold through art galleries in San Diego and Dallas. He also taught at watercolor workshops near his home in San Diego and in traveling workshops held in Oregon, Arizona and Hawaii.
He is listed in numerous artist's biographical publications. His works have also sold at various auction houses over the years including John Moran Auctions in Pasadena, California.
He is also listed on Askart.com, along with other art websites.
This Chinese nephrite jade carving of a Qilin or Chilong measures about 4.5 inches from nose to tail (or no tail-in this case) by about 4 inches tall by 2 inches at its width (hoof to hoof).
It was carved from a celadon green mottled jade with areas of grey green and dark green.
It also has numerous inclusions - natural fractures in the stone with oxidation and subsequent staining.
This mythological beast has the head of a lion or dog and the wide body of a goat, resting on its hooves. It has no tail: but that may have happened sometime after it was originally created. His rump appears to have been polished down some time ago.
We estimate that this jade originated some time between the Han Dynasty and the Song Dynasty, based on stylistic similarities and the condition of the stone itself.
This Japanese Satsuma pitcher or condiment jar measures about 6 inches tall by 4 inches in diameter at it's widest point.
It dates from the late 19th century-early 20th Century( Meiji Period) (circa 1880-1915).
It is in excellent condition with some minor losses to the gilding on the handle.
It is covered overall with a finely detailed series of patterns, which include a bird and dragon motif with fans.
Based on it's rounded and smoothed edges, it appears that this small vessel never originally had a permanent top or stopper.
It is unmarked as to maker or country of origin . This one fact helps to date it pre 1895 when US import export laws were established. After that date it would have had to have been marked as to country of origin.
This original watercolor painting on heavy watercolor paper measures approximately 22 by 27 inches, unmatted and unframed.
It is in outstanding condition, period.
It is signed Ellen Carpenter in the lower left corner. This original watercolor was most likely influenced by the work of Marie Laurencin. The similarities are obvious. It is not, however a copy of Laurencin's work, but a reinterpretation, in the same way Picasso "copied" African art in his paintings.
Ellen Carpenter is listed in Davenport's Art Reference and Price Guide and also in Hughes, Artist's in California.