These two sterling silver porringers date from the early to middle 20th century.
Both are marked sterling. One is Gorham sterling and the other is Wallace sterling.
The measure 6.25-6.5 inches at their longest point (about 17 cm).
Each is about 4.5 inches in diameter (11.5 cm). They weigh together 8.3 ounces-see the last photo on scale. They came from the same estate collection years ago. One is simply marked "James". The other is marked, " To James Richard Hittle - From His Godfather, Douglas Fairbanks Jr.
They are both in very good condition generally, but have numerous small bungs as would be expected from a gift given to a small child as a christening present.
This original California School oil painting is painted on artist's canvas board measures 16 by 20 inches and it sits in a 22 by 26 inch frame.
It is unsigned and in excellent condition, except for a few scuffed areas on the frame.
If this outstanding old oil painting was executed in shades of green, rather than blue, we would probably assume it was done by William Wendt or by a student of his, in his style.
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This bronze figure of Jambhala (also known as Vaisravana) measures about 11.5 inches tall by 9 inches wide by 5 inches in depth (including the bronze lotus mount and lion that it sits on).
He is commonly considered to be the god of wealth and protector of the north, riding on a lion.
A mongoose sits on a lotus under his left foot.
His right hand holds a citron or lemon (a symbol of fertility).
The character of Jambhala or Vaisavana is founded upon the Hindu deity Kubera, but although the Buddhist and Hindu deities share some characteristics, each of them has different functions and associated myths.
Although brought into East Asia as a Buddhist deity, Vaisravana has become a character in folk religion and has acquired an identity that is independent of the Buddhist tradition .
Vaisravana is the guardian of the northern direction, and his home is in the northern quadrant of the topmost tier of the lower half of Mount Sumeru. He is the leader of all the yaksas who dwell on the Sumeru's slopes.
He is often portrayed with a yellow face.
He is also sometimes displayed with a mongoose, often shown ejecting jewels from its mouth.
The mongoose is the enemy of the snake, a symbol of greed or hatred; the ejection of jewels represents generosity.
In Tibet, Vaisravana is considered a worldly dharmapala or protector of the Dharma, a member of the retinue of Ratnasambhava.
He is also known as the King of the North. As guardian of the north, he is often depicted on temple murals outside the main door.
He is also thought of as a god of wealth. As such, he is sometimes portrayed carrying a citron(a type of lemon), the fruit of the jambhara tree, a pun on another name of his, Jambhala . The fruit helps distinguish him iconically from depictions of Kuvera.
He is sometimes represented as corpulent and covered with jewels.
His mount is a snow lion.
This intricate bronze has much of it's original over painting remaining on the faces of both Jambala and his mount. There is a large amount of gilding applied to jeweled portions and accent details. This was a style of decoration that was popular during the later portion of the Ming Dynasty (1368-1644) and also occasionally during the early portion of the Qing Dynasty( 1644-1912).
We estimate this antique bronze to date to the 17th or 18th century, but it may be a bit earlier than that.
This antique bronze is in excellent condition, with one exception. It sits on three mount pins that extend into the sealed lotus base. One of these pins has broken off and is apparently roaming around within the base itself. Sitting on two pins rather than three has had no adverse effect on it's stability whatsoever.
This original oil painting on stretched canvas and wooden stretcher bars measures 20 by 28 inches and it sits in a carved frame measuring 24 by 32 inches.
It is signed J.W.McCoy in the lower middle right portion of the painting. It also has the title and the artist's name on the reverse stretcher along with some minor blacked out areas (perhaps a previous owner obscuring the original artist's price tag).
This painting was either mounted or remounted circa 1975, based on notes on the stretcher.
On June 19, 2011 a watercolor/gouache painting (approx. 20" x 28") by John McCoy sold for $12,500.00.
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This original oil painting on masonite board measures 20 x 24 inches (painting only ) and it is framed in a carved and gilded frame that measures 28 x 32 inches.
It dates circa 1930-40 and is signed M. Magnusson in the lower right hand corner. It also has the remnants of one old label ( circa 1930 ) and another old paper label with the title and artist's full name.
It is in outstanding condition, period!
This original watercolor painting measures 15 by 22 inches.
It dates circa 1930-1950. It is from a regional style of painting found primarily in California, but not limited to California in both location and subject matter.
It is painted on heavy stamp watermarked French watercolor paper ( see enlarged photo of stamp).
It is in excellent condition, unsigned and unframed.
This original painting (it is NOT a glycee or print of any kind) is in the style of the early 20th Century painters such as Rex Brandt or Herbert Vincent Olsen. It may have been done by a student or follower of Brandt or Olsen. Both were prolific art teachers and, as such, influenced many new artists at the time.
This is one painting from a small collection of early 20th century watercolor paintings, some of which are also being offered at this time. Check our other listings for additional offerings.
This original oil painting on stretched canvas measures 16 by 20 1/2 inches( unframed ) and 23 by 27 1/2 inches (framed).
It is in excellent condition, except for some scuffing on the frame.
It is unsigned and has a stamp on the reverse of the canvas (see photos).
This glazed ceramic seated Buddha measures 7 inches tall by 6 1/2 inches wide by about 5 inches in depth.
It consists of a blue glaze over buff ceramic. The glaze is a deep sky blue ranging to shades of turquoise and pooling to black in the crevices. The bottom has a very fine mesh pattern embedded in it that resembles linen. There are no marks of any kind on it.
This seated figure dates to the Kangxi period of the Ching Dynasty (1644-1911) or possibly earlier.
It is in excellent condition, period.
This triple ceramic dish with handle dates to the 19th through early part of the 20th century.
It is designed with a shape similar to a shamrock or three leaf clover.
It measures about 11 inches by 11 inches by about 4 inches tall.
It is hand painted with numerous designs of yellow daisies.
It is in excellent condition with losses to the gilding--primarily on the handle.
It appears to be European or Baltic in origin.
This may have originally been used as a relish or condiment dish.
There are no marks, makers names or country of origin. That in itself helps to date it to about circa 1900 or earlier.
This original oil painting on stretched canvas and stretcher boards measures 15 by 30 inches, not including the split bamboo frame that surrounds it.
The subject of this charming painting is two geishas on a bridge with a pagoda and flowers.
It was painted and signed, lower right, by Aubrey Leech.
Aubrey Leech was known as a New York lamp designer of motion lamps in the early 20th Century and is specifically associated with the Econolite Jr. Models.
These rotating and painted lamps were very popular from 1920-1960 and have even had a resurgence of collecting interest today.
This original painting is in very good condition with the exception of a few small losses along the right side.
We prefer payment by Paypal, but also accept other forms of payment .
All payments must clear completely prior to shipment.
Thank you for looking: William Brooks
This large seated pottery figure of a woman measures 11 1/2 inches tall by 7 1/4 inches wide by 7 1/4 inches in depth.
It is in very good condition with the exception of a old repaired break on the leg below the figure's right knee.
It still has remnants of old applied colors on the head band, loin cloth, nose ring, arm bands and jar. It also shows the effect of having been burned black in some areas. The mouth is in an unusual open position, as if singing or chanting.
This Japanese painted bronze figure of Daikoku measures approximately 13.5 inches tall by 6 inches wide by 5 inches in depth.
It is a substantial bronze figure, weighing around 13+ pounds or about 6 kilos.
It is signed or marked on both the figure and the separate base of rice bales (see two of the enlargement pictures).
It dates from the late Meiji to Taisho Period (circa 1890-1912).
It is in excellent condition with most of it's original colored and patinated surfaces intact. An exception to this is the loss of a small triangular shaped piece which was apparently once attached at the figure's midsection (see photo enlargement of loss). This most likely was originally a separate attachment (see the drill hole?) in the shape of a small pouch (or treasure sack) which Daikoku traditionally carried.
Since the 17th century, Daikoku has been known as the Japanese god of wealth, the household and of farmers, although in earlier centuries he was considered a fierce protector deity (Mahakala).
In Japan, artwork of this deity usually shows him wearing a hood and standing on two bales of rice, carrying a sack of treasure and holding a magic mallet. Daikoku is often clad in robes, with a smile on his face.
In some traditions, Daikoku is also considered to be a provider of food, and images of him can still be found in monastery kitchens and in the kitchens of private homes. He is recognized by his wide face, smile, and a flat black hat.
He is often portrayed holding a golden mallet (called a Uchide Nokozuchi), also known as a magic money mallet, and is seen positioned on bales of rice, occasionally with mice nearby (mice signifying plentiful food).
Originally a Hindu deity called Mahakala, he was introduced to Japan in the ninth century, and merged with the Shinto deity of good harvests, Oo-kuninushi-no-Mikoto (or Okuninushi-no-Kami, translated as "Prince Plenty"). The lucky mallet in his right hand is called the uchide nokozuchi. This mallet is said to have magical properties that can produce anything desired when struck. Some stories say that coins fall out when he shakes his mallet. Others say that believers are granted their heart's desire by tapping a symbolic mallet on the ground three times and making a wish.
The symbol of the precious Buddhist Jewel, sometimes found on Daikoku's mallet or belt, represents the themes of wealth and unfolding possibility. It is said to give its holder the ability to see all things (like a crystal ball).
The precious jewel is one of the seven symbols of royal power in Buddhism. Daikokyu, himself is considered to be one of the seven household gods of Japan.
This original Chinese watercolor painting measures 25 by 53 inches (watercolor only) and about 30 by 72 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, along with one collector's seal.
The subject is two Chinese horses grazing in a brightly colored landscape.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of how some Contemporary Chinese Art is influenced by Western Art as much as traditional Chinese styles.
It has a small.925 mark stamped on the reverse. It is guaranteed to be sterling silver.
The kachina figure is set against a hand tooled repeating pattern background. It is in excellent condition.
It dates circa 1950-1960.
This original mid 20th Century California School oil painting on artist's canvas panel board measures 22 by 28 inches.
It is in excellent condition and UNFRAMED.
It is signed J.Hansen in the lower right.
Price on Request
This original OIL PAINTING on artist's canvas panel board measures 16 by 20 inches, not including the gilded frame it sits in (20 x 24 inches).
It appears to have been signed in the lower right corner, but it is mostly illegible. It is difficult to see in good light and virtually impossible to photograph.
Although it is somewhat similar to the early works of Fairfield Porter, we are not selling it as one of his works.
This is an unattributed painting.
This beautifully colored and detailed oil painting is in outstanding condition and was obviously done by a very accomplished hand.
This original watercolor measures 22 by 30 inches, unmounted and unframed.
The subject is young boys playing in a waterfall and swimming in a pond set in a lush tropical mountain landscape.
It is in excellent condition .
It is signed William M Thurston C.1988 in the lower right corner.
There is an artist, William Thurston who worked as an illustrator for the Hawaiian Sugar Planters Association, but this connection has not been fully documented yet.
This is one of two similar Hawaiian theme watercolors that we are offering by this artist.
This original American carved wooden sculpture of a seated woman dates circa 1930-1950.
It measures 17 inches tall by about 7 inches in diameter.
It is unsigned and unmarked.
This 1940's American Folk Art Carving is in the style of the sculptures of Henry Moore.
It is in very good condition and appears to have been carved from the limb of an old weathered tree.