These two apple green jade carvings are close enough in size, style and color to be loosely called a pair.
Each is carved on both sides with a happy Buddha figure also known as a Bodhai or Putai (see photos).
They each measure about 20mm x 25 mm x 5 mm in depth.
They are both apple green jade.
They are a close match, but not absolutely identical-with minor inclusions that differ slightly.
These date to about the middle of the 20th century in China.
They are in excellent condition with no damage or restoration-and drilled for hanging.
We don't believe these are dyed, based on where and when they were acquired, but we cannot guarantee that without testing them- which was not done. Instead we have priced them so that it won't matter either way. In addition, if we are correct and they aren't dyed, the buyer should be even more pleased with the purchase.
This 18th-19th century Tibetan or Nepalese bronze oil lamp measures approximately 6 inches tall by 6 inches wide (pan tip to dragon tail).
It was designed to be used as a lamp using either Yak butter or oil.
It has a standing dragon for a handle and a pan with Ganesha on a shield. It is a classic design which incorporates motif from the two cultures (India and China) which are major influences on Tibet (situated between the two of them).
It dates from the late 18th through the middle of the 19th century.
It is in excellent condition with a small amount of verdigris in the recessed areas. It does appear to have been cleaned at some time in it's history and appears to be toning down nicely. It also has some wax residue remaining in a few crevices.
This Chinese ceramic or porcelain charger measures 15-15.25 inches in diameter. It measures about 2.5 inches in depth.
It dates to the Qing Dynasty in China (1644-1911).
It is hand painted in the Famille Rose palette and design.
It has a black ground border with green scrolling leaves and foliage and rose to pink colored flowers.
The level of detail and the quality of the painting is exceptional.
It is in outstanding condition with no repairs or restoration. It has an amazing clear ring and there are no hidden or hairline cracks.
NOTE: It does have a small number of tiny flake losses to the painting. They are not significant and can be seen in the photographs- if you look closely. They do not detract from it's overall appearance.
This has been in our personal collection for well over thirty years.
These hand tooled silver bracelets or bangles are Asian (possibly Miao or Tibetan) and date from the early 20th century.
They are almost identical but not a matched pair. One of them is slightly larger than the other.
The larger one measures approximately 3 1/8 inches (7.7 cm) in diameter and just under 2 1/2 inches (6.3 cm) on the interior diameter. The smaller one measures approximately 3 inches (7.4 cm) in diameter and just under 2 3/8 inches (6.1 cm) on the interior diameter.
There are no silversmiths marks, silver marks or country of origin marks of any kind on either bracelet.
We haven't weighed these, but they are appear to be hollow, with lovely hand worked details overall. They are in excellent condition.
They are part of a small collection of Asian silver items (Tibetan, Chinese & SE Asian that were acquired from the same source(see photo enlargement ) and will be offered, or are currently being offered for sale.
This hand painted, original ink and watercolor painting measures 23 by 75 inches, including the silk brocaded scroll it is mounted in.
It is in excellent condition, except for a slight loss to the paper along the upper edge before remounting.
It is signed by the artist Zhou Zongbai (1930- ?) in the upper right corner along with his seal. There are three additional seals (most likely collector's seals.)
Although attributed as Chinese, this scroll has many similarities to Meiji period Japanese Art, as well.
This ORIGINAL OIL PAINTING on stretched canvas measures about 31 by 36 inches framed (25 x 30 inches - oil only).
It is in EXCELLENT CONDITION!
It is signed Elizabeth Crawford (see photo enlargement #5) in the UPPER LEFT corner.
This painting dates to the early part of the 20th century.
Elizabeth Crawford is listed in Artprice.com as a 20th century artist.
This green nephrite jade carving measures approximately 8 inches by 4 inchs by 3/4 of an inch high.
The subject is a Chinese lion astride a flattened and curling leaf.
Although archaic in style it most likely dates to late 19th or early 20th Century.
It is in very good condition, except for some minor roughness around the edges of the leaf.
This antique wooden mask is a representation of Mahakala.
It dates from the late 19th or earlier.
It is similar in style and iconography to masks from Nepal, Tibet or Sikkim.
It measures about 13 inches high by 9 inches wide.
It is in very good condition except for a few small cracks and losses to the wood. It has remnants of remaining overpaint in the crevices and recessed areas.
Comparables Note: a slightly larger mask with the original paint remaining is listed in Miller's Price Guide(2003) at $7,800-$9,400 (Sotheby's - NY)(see photo enlargement #4).
This original California School oil painting is painted on artist's canvas board measures 16 by 20 inches and it sits in a 22 by 26 inch frame.
It is unsigned and in excellent condition, except for a few scuffed areas on the frame.
If this outstanding old oil painting was executed in shades of green, rather than blue, we would probably assume it was done by William Wendt or by a student of his, in his style.
This original painting on thin stretched linen on canvas measures 7 by 11 inches, including the bamboo style wooden frame it sits in.
The subject is a young Chinese girl in a colorful robe holding a fan made of peacock feathers.
This painting is in "As Found" condition which means it needs some level of restoration. The painting shows a heavy level of crackle (similar to that found on old Chinese ceramics. It also has a 3 to 4 inch split along the right side. There are a few other other small problems in this painting. It will require some restoration, but will be worth it. This little gem will be a classic after restoration. However,it is being sold AS-IS, due to it's current condition.
It is unsigned but there are Chinese characters on the reverse stretcher, which may be the equivalent of a signature.
This antique Persian Silver vase measures 7 inches tall (17 cm) by 5 1/2 inches in diameter (14.5 cm).
It dates circa 1700-1850 or earlier.
It is finely engraved with alternating medallions of bird in an ornate floral landscape and medallions of symmetrical calligraphy. Between the medallions are additional engraved floral wreaths
There are three silver hallmarks on the base. The usual standard of Persian silver is .84 or 84/100 pure silver.
Condition is excellent except for a small bung (see enlargement). Overall, this is an outstanding work of art and much nicer than my poor photos would indicate. Any color changes in the photos are from the flash and not on the vase itself.
This engraved Sterling Silver tankard dates from the decade following the American Civil War (circa 1870-79 ).
It measures 3.5 inches tall by 2.5 -2.75 inches in diameter (not including the handle). It also measures 4 inches from the handle to the front edge of the cup.
It weighs 189 grams or 6.08 troy ounces.
It is marked on the bottom of the cup: ENG' STERLING 925-100 .
This is an American Silver Tankard Dated 1879 which may have served as a Christening cup.
A somewhat similar mark can be seen at the link below
It has been suggested that ENG may mean English Silver. This is incorrect because all English silver from this period had to be hallmarked in the English manner. However, before the sterling standard was fully adopted by the American silver manufacturing establishment, manufacturers who WERE making sterling often marked their wares "ENGLISH STERLING", as in this example.
This piece is not English, it just is up to the English sterling standard.
It also has the number 26 with gothic B's in diamond stamps on either side (B 26 B)
In 1866 William Bogert bought out the business of prominent New york City manufacturer Charles Grosjean, and formed William Bogert & Co. with Bernard Beiderhase. We believe that this silver cup or tankard was manufactured by Bogert and Beiderbase (B and B) under the eventual name of William Bogert and Company.
This is a solid sterling silver tankard and guaranteed as such.
It is in excellent condition with a nice even finish and a subtle patina.
It has a couple of extremely minor scrapes along the outside bottom edge where it appears to have been tested for silver purity during the last 130 years.
It is also engraved on the front: Tracey Lay Turner --September 1879 (surrounded by a delicate flowing engraving of wheat and or berries.)
Overall, this is a very clean and pristine example of late 19th century American Silver with documentation that leads us all the way back to it's original owner.
Tracey lay Turner was a Stock broker and banker (among other things) who lived and worked in 19th century Chicago.
The following information is an excerp from the Book Of Chicagoans (a sort of Who’s Who from the 19th-20th Century):
TURNER, Tracy lay, stock broker: born Chicago, Aug. 26, 1879*
Son of Edward H. and Ida B. (Foster) Turner; educated in private schools; married Chicago, Oct. 3, 1899, Claribel Countiss; 2 sons: Tracy L.,Jr. and Foster.
Began in Marshall Field & Co.'s wholesale house, 1896, and later was with Whiteside & Wentworth, real estate.
In 1897 he entered the employ of Chapln & Gaylord, stock and bond brokers and later became office manager.
In February 1901, he is lsted as a partner in the firm of S. B. Chapln & Co , bankers and brokers.
Republican. Episcopalian. Clubs: Chicago Athletic, Union League, South Shore Country, Glen View, Kenwood Country, Tuscumbia. Recreations: golf, fishing and motoring. Residence: 1120 E. 48th St. Office: The Rookery.
*Note_ Tracey Lay Turner was born on August 26, 1879, so either the Chicagoan or the engraver got it wrong by 4 days. It has been suggested that the difference or error may be related to a Christening date. So the date on the cup may actually be the date of christening rather than the date of birth.
This bronze figure of a seated shogun or emperor measures 14 inches tall by 12 inches wide by approximately 8 inches in depth.
It is in excellent condition, although it appears to have been mounted to a base at one time (with two drill holes in a bronze cross brace on the interior).
It appears to date to the late Meiji Period (circa 1900), but it may be slightly later (1920-30)..
This original watercolor painting measures about 20 by 26 inches (image only) and 27 by 32 inches under glass in it's mat and frame.
It is a mountaintop view of an island with the sea and more mountains in the background.
We estimate this painting to be circa 1940-1950.
It is signed N. Kirk , Lower right.
It is in excellent condition.
This ceramic elephant on a stand measures 6 3/4 inches tall by 6 inches wide by 3 inches in depth.
It dates from the first half of the 20th century.
Although the glaze is identical to certain Chinese glazes, it may be American or European in origin.
It may also be Chinese, but we don't believe so, based on it's design.
It is in excellent condition with the exception of two minor flecks to the glaze and two holes drilled in it's base. It may have been filled with sand at one time to serve as a bookend. If there was a mate to this piece, we've never seen it.
It is a charming little piece, with legitimate age - at least 75 years.
This standing nephrite jade carving of a bearded and robed figure with long horns or a headdress of some sort measures about 10 1/2 inches tall by 3 inches wide by 1 1/2 inches in depth.
It is carved from a large piece of nephrite ranging from pale to deep green with a strip of oxidized white to yellow jade down the middle. In addition, there is a crackled stripe of oxidation running down through the center of the face through the figure to the bottom of the robe.
There are also engraved rectangular patterns and additional patterns on the robe.
Although the serious possibility exists that this is an old nephrite carving dating to the Shang period, we are dating this one very conservatively to about circa 1900-1920. If it turns out to be much older, we are certain the buyer will not be too upset.
It is interesting to note, however, that the oxidation and subsequent crackling of the stone that runs right down through the face probably occurred after the jade was carved. The question arises: if this is a copy made in the last 100 years or so, why didn't they turn it around before they carved the face, as the center of the back side is pristine where the face could have been positioned, no crackling or deterioration? It would have been the better choice to use as the front and would have made a more attractive and potentially more saleable copy. If however, the deterioration of the stone actually happened over an extended period of time after it was carved, that would make more sense as an explanation as to why the current positioning of the stone in relation to it's natural flaws or irregularities.
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This antique bronze figure of Mahakala measures 10 inches wide by 12 inches tall by 3 inches in depth (at it's widest points)
It dates from 17th to 18th century Nepal or Tibet (circa 1600's-1700's)
It is in very good condition with remnants of gilt along with green verdigris (oxidation). Note: the bronze is slightly loose on its base. This does not affect it when placed against a wall.
This outstanding example of a Muhuashi (Petrified Wood Scholar's Rock) measures 8 inches by 5 1/2 inches by 4 inches tall (including the carved wooden stand it sits in). One photo enlargement shows the stand and the bottom of the rock.
It has the appearance of a craggy old mountain. It was at one time part of a collection of jade mountains. The mineralized wood is actually as hard or harder than jade.
It is difficult to put an actual age on this stone, but we can easily assume that it's age can be measured in centuries, lot's of them!