This Japanese ceramic figure of Kannon measures 17 inches tall and about 6 inches in diameter at its widest point.
It has four incised marks on it's base, two Kutani marks and two potters mark (see closeup photo).
It dates to the Meiji Period in Japan. Kwannon is also known as Kannon or Kwan Yin and Guanyin in China.
It is in outstanding condition with no flaws, cracks, chips or losses.
This original watercolor on heavy watercolor paper measures 15 by 22 inches, unframed and unmounted.
It is signed, Ruth Ann Younglove in the lower right corner (see photo).
Most of her paintings, done with transparent watercolors, depict Southern California landscapes. She was a school teacher for many years and also did work as a print maker. This information is based on an interview with her in 1983 – The Watercolor Style - McClelland 1985.
It is in excellent condition, with remnants of an old mounting on the reverse.
Many old watercolors were mounted in non archival mats or backings and must be changed to protect them from eventual staining or foxing. This watercolor is in excellent condition, but was removed from an old non archival mount before any staining could occur on the watercolor itself. ______________________________________________________________________
Artist Biography: Ruth Ann Younglove (1909-2002)
Born in Chicago, Illinois, she became a resident of Pasadena, California where she lived and worked for many years. She studied at UCLA and took private lessons from Marion Wachtel and Orrin White. She also studied with Bessie Ella Hazen, Helen Chandler, and Belle Whitice. She was the wife of B. R. Loxley and a resident of Pasadena until her death on Jan. 17, 2002.
1. Davenport's Art Reference and Price Guide -The Gold Edition 2005
2. The Artists Bluebook: 34000 North American Artists to March 2005
3. Hughes’ Artists in California 1786-1940
4. Who Was Who In American Art (1564-1975) (3 vol.) (Falk) (1999) Also in earlier WWAA editions (1993, 1986)
5. Encyclopedia of Women Artists of the American West (Kovinick)
6. California Watercolors (1850-1970) (McClelland and Last)
7. The California Style California Watercolor artists 1925-1955 (McClelland)
Member: California Watercolor Society, Pasadena Society of Artists, LAAA, Laguna Beach Art Association
Exhibitions: LA Co. Fairs, 1936-41 (awards). WWAA 1936-62; California Art &Artists; Invw; KOV. RT:
Ruth Ann Younglove is also listed on Askart.com (an art auction and research website): (http://www.askart.com/askart/y/ruth_ann_younglove/ruth_ann_younglove.aspx)
This original watercolor measures 18 by 24 inches, unmounted and unframed.
The subject is nine boys standing around and swimming in a waterfall fed pond in a lush tropical landscape.
It is in excellent condition .
It is signed W. Thurston C.1987 in the lower right corner.
Preliminary research on the artist is inconclusive. There is or was an artist, William Thurston who worked as an illustrator for the Hawaiian Sugar Planters Association, but this connection has not been verified yet.
This is one of two watercolors we are offering by the same artist. Both have Hawaiian themes.
This Melanesian carved wooden mask measures 23 inches top to bottom by 9 inches wide by 2 inches in depth.
It was produced by the Middle Sepik River Culture of Papua New Guinea; most likely from the Washkuk region.
It dates from the early to middle 20th century and is in excellent condition.
The mask is carved in a representation of an elongated face with stylized tatoos overall, with a frog shaped headdress and a flying bird post or goatee. It has shell eyes and the bird is also set with red stone or glass eyes.
It is interesting in it's multiple use of imagery. The mask has a handle bar mustache which also serves as both the wings of the flying bird and the feet of the running frog. This is an exceptional design and also very well executed.
This original contemporary Chinese watercolor painting measures 24 by 50 inches (watercolor only) and about 28 by 70 inches, including the brocaded scroll it is mounted on.
It has the seal and signature of the artist, Li Tong Yuan (1958- ) along with one collector's seal.
The subject is a group of five cranes standing and preening in a rippled pond.
It is in excellent condition and has very fine and subtle details. This is an outstanding example of how some Contemporary Chinese Art is influenced by Western Art more than the traditional Chinese styles.
Additional information about Contemporary Chinese scroll paintings is available in our Newsletter by clicking on Newsletter on our Home page.
This antique Persian Silver vase measures 7 inches tall (17 cm) by 5 1/2 inches in diameter (14.5 cm).
It dates circa 1700-1850 or earlier.
It is finely engraved with alternating medallions of bird in an ornate floral landscape and medallions of symmetrical calligraphy. Between the medallions are additional engraved floral wreaths
There are three silver hallmarks on the base. The usual standard of Persian silver is .84 or 84/100 pure silver.
Condition is excellent except for a small bung (see enlargement). Overall, this is an outstanding work of art and much nicer than my poor photos would indicate. Any color changes in the photos are from the flash and not on the vase itself.
This large seated pottery figure of a woman measures 11 1/2 inches tall by 7 1/4 inches wide by 7 1/4 inches in depth.
It is in very good condition with the exception of a old repaired break on the leg below the figure's right knee.
It still has remnants of old applied colors on the head band, loin cloth, nose ring, arm bands and jar. It also shows the effect of having been burned black in some areas. The mouth is in an unusual open position, as if singing or chanting.
Price on Request
This antique gilt bronze figure of Tara dates to 11th-12th century Nepal.
It measures approximately 12 inches tall (13 inches with custom wooden stand).
It is in outstanding condition, especially considering that it is over 900 years old.
NOTE: This 900+ year old bronze does have one condition issue:
The lotus flower on Tara's left shoulder is bent forward slightly and needs to be repositioned professionally.
It is a relatively simple and inexpensive process, but it should be done by someone with experience in such matters.
Just bending it back might have the unwanted effect of snapping it off. It needs to be heated, softened and gently moved back into place by a pro.
Tara is the most important goddess in the Buddhist pantheon.
She stands, gracefully and powerfully modeled in a hip-shot posture.
Her right hand is held in a gesture of varadamudra (fearlessness and wish granting).
Her left hand is held in a teaching gesture (vitarkamudra) while holding a lotus flower rising to her shoulder.
Her face has a serene expression with downcast eyes flanked by large earrings.
She is wearing a diaphanous dhoti rolled down to the waist. It is incised with floral patterns and secured with a jeweled sash inset with precious stones.
She also wears a jeweled neck piece, armbands and tiara enclosing her up swept hair.
Tara occupies a unique status in that she has mythological origins as a goddess, as a Bodhisattva and is also frequently viewed as a Buddha.
THIS IS A MUSEUM QUALITY BRONZE AND IT IS GUARANTEED TO BE AS DESCRIBED, WITH NO EXCEPTIONS.
We prefer payment by Paypal, but also accept other methods of payment, including bank transfers on larger purchases . Email us for details.
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This unusual painted lacquer and carved ivory Shibiyama panel measures about 15 1/4 inches by 12 inches by 1/2 inch thick. It has an outstanding pattern of carved and inlaid ivory pieces creating a finely detailed picture of birds and flowers on a deep sky blue oval background. It is surrounded by raised gilt and vermillion lacquer paintings of fruit and plants.
It dates to the late 19th century or Meiji Period in Japan.
It has an ivory rectangle with the artist's signature in the lower left corner of the blue lacquer oval.
It may have originally been the cover to a book or woodblock print album.
Price on Request
This original oil painting on stretched canvas measures approximately 24 by 36 inches (image only) and it is mounted in a simple carved and painted wooden frame.
The subject is a small European or Baltic village set in a snow covered landscape by a lake or river.
It is signed, somewhat illegibly, in the lower right corner (see enlarged photo). It appears to be E. Brac--- (Possibly E Bracht or E. Bracket?)
We estimate this painting to be between late 18th to 19th century in style and execution.
The quality of the work is exceptional and was obviously painted by a very talented artist.
The condition of the painting is generally good, but it has an overall craquelure which shows up more obviously under certain lighting conditions.
It also has a small, less than professional repair in the lower left corner (see enlarged photo). It is not that obvious because it is in a dark bush, but it is there.
For a collector with a bit of imagination, this painting may turn out to be an amazing work of art, after a little repair and additional research.
This original oil painting on canvas measures 25 by 32 inches and sits in an outstanding carved gilt period frame measuring 28 by 35 inches.
The subject is a extensive mountain landscape with towering cliffs and a lake in the foreground. It appears to be located in one of the US National Parks.
It is signed, somewhat illegibly, Browning or A.Browning, in the lower left corner (see closeup photos).
It is in excellent condition with so apparent damage or repairs. There is one small area of the sky where the varnish was applied thickly and has darkened with age (see photo). Not really worth mentioning, but I try to be as accurate as possible.
Alvah Lincoln Browning commonly known as A. L. Browning was born December 4, 1864 in Atwood, Illinois. His parents were farmers but farming did not appeal to him. So at age sixteen, he became a painter. He was self taught.. Sometimes, he said, he'd get hold of paint left in a bucket or swipe dyes from his mother and try his hand at color. He tried to capture frost on the maples and colored rocks in the stream.
Around 1899 Browning was living in Sioux City, Iowa. Shortly after his first son George was born, he divorced his first wife, Dilly. He then travelled west with his nephew, Franklyn Browning. To pay their way, they painted barns. In his spare time Alvah painted and sold landscapes. After some time, Franklyn settled near Witchita, Kansas while Browning continued traveling west.
By 1914 he remarried, and was livoing with his wife and daughter in Denver, Colorado. The McMurtry Paint and Varnish Company of Denver was expanding and was building a new plant. The building boasted two large display windows. It was in one of these windows A. L. Browning would set up his artist studio. Here onlookers could stand outside watching him paint landscapes using McMurtry housepaints. The scenes were numbered with twenty six available titles available for sale to the public. They included Colorado scenes as Seven Falls, Estes Park, Lake Eldora, Big Thompson, and more. There were also scenes from other places he had traveled to through the USA and Europe.
By 1916 he had moved his family to Colorado Springs where his second son, Robert was born. City directories listed his occupation as an artist. Although they first misspelled his name as Alvin. He set up a shop offering paintings for sale and continued working for the McMurtry Paint Company. From spring through summer he painted in Colorado. Then in the fall he traveled by train to Little Rock, Arkansas where he painted landscapes for the Sherwin Williams Paint Company. A small flyer published by Sherwin Williams in 1944 related he had painted for them for over fifty years. While traveling between Colorado and Arkansas he would get out at he train stations. Here he would paint and sell his landscapes. Some who bought his painings remarked on how quickly he could create these paintings. Many paintings have been found at antique shops and second hand stores along this train route.
Browning traveled throughout the United States. He defied anyone to mention a sizable town in America in which he does not know someone. He had traveled in Mexico and Canada. He made three trips to Europe. On one trip he spent two years there painting. "The prettiest scenery you ever saw is the Baverian Alps," he said. One of the scenes listed on his label is titled "Alps in Switzerland."
When he wasn't traveling or painting landscapes Browning taught art classes. One Sherwin Williams ad pointed out that he had given over three thousand instructions.
In 1923 Browning moved his family to Long Beach, California. He continued painting, teaching and travelling. The Treais Hardware Company in San Diego advertised that he would be demonstating the use of Sherwin Williams paints in the store front window. The ad said he would paint any scene from a photograph and that all of his paintings are of a scenic nature only. It went on to say that his young son Robert who is an achieving artist would accompany him.
Around 1930 the Brownings spent a year in Mineral Wells, Texas. Before returning to Long Beach, A. L. Browning advertised an auction of his paintings. The auction was held at the Crazy Hotel Pavillion where he had his studio. About 250 paintings, most on canvas were auctioned.
After returning to Long Beach he continued painting as well as opening an artist's supply store. Sometime after this, his wife Helena passed away. Alvah L. Browning died December 7, 1947 at the St. Ernie Sanitarium in Inglewood, California.
He is listed on Askart.com: http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&&artist=116890 .
This original carved "oosik" or penis bone measures about 11 inches long by 1 inch wide by 1 1/2 inches in depth at it's wide at the base.
Although it has the appearance of ivory, it is actually carved from heavily fossilized walrus penile bone. It is much harder than traditional ivory and as such has been used by native people for generations to producing knives and important implements.
This is likely a fertility totem in as much as it has a hooded woman riding a phallus with the raven and a stylized bear above her.
A work of this quality would have taken a great deal of time talent and effort to create.
The workmanship and details of the carving are outstanding and can honestly be described as museum quality.
This ceramic elephant on a stand measures 6 3/4 inches tall by 6 inches wide by 3 inches in depth.
It dates from the first half of the 20th century.
Although the glaze is identical to certain Chinese glazes, it may be American or European in origin.
It may also be Chinese, but we don't believe so, based on it's design.
It is in excellent condition with the exception of two minor flecks to the glaze and two holes drilled in it's base. It may have been filled with sand at one time to serve as a bookend. If there was a mate to this piece, we've never seen it.
It is a charming little piece, with legitimate age - at least 75 years.
This original oil painting on stretched canvas measures 16 x 20 inches and is framed 22 x 26 inches.
It is signed Guzman in the lower right corner.
Juan "Pepe" Guzman is a contemporary California artist.
His strong use of color and light is influenced by both his Chilean background and his California roots. His paintings are a mix of Impressionism, Expressionism, Fauve colors and a dash of California Plein Air.
This painting was purchased by me directly from the artist a number of years ago and has been hanging in my home ever since.
He is also listed and known as Juan Guzman Maldonado.
It is in OUTSTANDING CONDITION, period.
He is also listed on Askart.com. see the link below:
( http://www.askart.com/AskART/artists/search/Search_Repeat.aspx?searchtype=AUCTION_RECORDS&artist=11168533 )
This Meiji period JAPANESE KUTANI VASE measures 7 inches in diameter and 11 inches tall. We date this one circa 1880-1910.
It is in excellent condition overall with the raised gilding in outstanding condition.
It is unsigned, but there is a hand painted mark on the bottom edge that looks like: I I I O .
This original contemporary Chinese ink and watercolor painting measures 27 by 53 inches, and 31 by 75 inches, including the silk brocaded scroll it is mounted on.
It has the seal and signature of the artist, Jiao Loushi, on the upper left hand edge. It also has one collector's seal in the lower right corner.
The subject is a view of a temple in a high mountain landscape with waterfalls and trees.
It is in excellent condition.
Chinese 20th Century paintings have been an excellent investment lately as prices have been escalating dramatically in both auctions and private sales.
This original watercolor painting measures about 20 by 26 inches (image only) and 27 by 32 inches under glass in it's mat and frame.
It is a mountaintop view of an island with the sea and more mountains in the background.
We estimate this painting to be circa 1940-1950.
It is signed N. Kirk , Lower right.
It is in excellent condition.
This white nephrite jade carving of a pig dates from the Han Dynasty (206 BC-220 AD).
It measures 4 inches nose to tail, by about 1 3/8 inches tall by 1 inch in width.
It is an overall white color with traces of brown oxidation in the crevices. It has areas of irregularity on it's flat and rounded surfaces that create an almost spider web like pattern (off white on white colors).
It is in excellent condition except for one drill hole in the tail which does not appear to be contemporary with the piece. It was most likely added so it could be worn as a pendant.