Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1276183
Apolonia Ancient Art
$2,875.00
This nice piece is a Greek oinochoe that dates circa 330-310 B.C. This piece is approximately 10.7 inches high, and is in mint to superb condition with no repair/restoration. This piece has also been attributed to the Stoke-on-Trent Painter, which is a more scarce painter/type than the more common types attributed to the contemporary Kantharos Group. This piece prominently features a female head facing left that is seen wearing a dainty white dotted necklace and a detailed saccos that is seen layered within the hair of the young woman. There is a palmate pattern seen on the backside, and the elegant raised neck has white painted lines with a wave pattern seen on the upper shoulder. There are also extensive floral patterns that frame the bust of the young woman on each side, and this attractive piece is also designed with a raised ring base, and these design features give this piece a great deal of eye appeal. The young woman is known as the "Lady of Fashion", and may represent Persephone and the Greek myth of her return from the underworld, which represented the change of the seasons with the renewal of life. This piece has some minute black dotted mineral deposits on various sections of the vessel, and some spotty white calcite deposits which are thicker in the trefoil designed lip opening of the vessel. Overall, this elegant piece is in it's natural "as found" condition, and is a choice vessel for the type. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1242952
Apolonia Ancient Art
Sold
This vibrant piece is a Greek Apulian red-figure plate that dates circa 340-330 B.C., and is approximately 6.4 inches in diameter by 1.7 inches high. This mint quality vessel is attributed to the Darius-Underworld workshop, specifically the TPS Painter, and this workshop produced several of the best Apulian painters for the period. This mint quality piece has no repair/restoration, but more importantly, this vessel has very vibrant black, white, yellow, and dark orange colors. The top side of this appealing piece has a head of a woman facing left, who is seen wearing a sakkos, large earrings painted white, and a white dotted necklace. There is a plate seen at the front of the bust, and a palmate pattern seen behind. The plate may also be a symbol that denoted the TPS Painter. In addition, there are two triple dotted patterns, along with two ivy leaf symbols seen within the field. There is a wave pattern, an ivy leaf pattern, and a orange and black line pattern that is seen framing the young woman. The young woman is known as the "Lady of Fashion", but may represent Demeter or Persephone, who was tied to the Greek myth of the change of seasons and the appearance of renewed life every spring. This renewal of life was also connected to the departed, as this piece was a votive vessel. This piece also has a dark black reserve seen at the bottom, along with a footed base. This piece also has some minute spotty white calcite deposits seen mostly on the bottom of the vessel. This piece is analogous to the example seen in Christie's Antiquities, New York, June 2008, no. 201. (This analogous Christie's piece, also attributed to the TPS Painter, was offered with another Apulian plate attributed to the Darius-Underworld workshop, specifically the Painter of Zurich 2660. Both of these plates are also of nearly the same size and quality as the example offered here. Both of these pieces were offered together as one lot, and had a $4,000.00-$6,000.00 estimate, and both pieces together realized $8,750.00. See attached photo.) For the type attributed to the TPS Painter, Darius-Underworld workshop, see A.D. Trendall, "Red Figure Vases of South Italy and Sicily", London, 1989, Fig. 227, no. 1. A custom plate stand is also included with this piece. Ex: Private German collection, circa 1970's. Note: Additional documentation is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #782558
Apolonia Ancient Art
$465.00
This nice Greek ceramic is cup that is intact and it is an attractive form. This Greek ceramic is classified as "Xenon ware", and was named after a kantharos that is now in Frankfurt, Germany that bears the inscription "XENON". This type of pottery represents a further aspect of Apulian pottery, which may be a combination of native Greek art from southern Italy and Greek art from Attica (mainland Greece). This piece was produced circa 375-350 B.C. and is a glossy blackware with matt pinkish red designs. Xenon ware usually displays decorative motifs such as laurel, wave patterns, ivy leaf, and chevrons. This piece has a key pattern that runs around the center of the vessel, with chevron lines above. The condition of this intact piece in mint, and has no minute breaks and/or chips. The key design is missing in sections, and this is common, as the paint was often added after the ceramic was fired and/or was a thin application. This piece has not been over painted as well. There are some spotty white calcite deposits, and some root marking. This piece is approximately 3 inches high by 4.5 inches wide, and is a superb example for the type. Ex: Private German collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1131587
Apolonia Ancient Art
$4,675.00
This beautiful and vibrant piece is a Greek Apulian lidded mug that dates circa 330 B.C. This piece has been attributed to the Menzies painter, and is approximately 7.5 inches high with the lid. This beautiful piece is also known as a kothon, and this type of vessel normally has a knobbed lid and extended neck, as seen with the piece offered here. This piece is mint quality, with no repair/restoration, and has very vibrant white, yellow, red, and black colors. This piece has a rounded knobbed handle at the top center of the lid, and there are two female heads seen at the top, along with a detailed acanthus pattern between. These female heads are known as a "lady of fashion" portrait, and is thought by many academics to represent Demeter and/or Persephone. To the Greeks the fertility of the ground was closely associated with death, and the seed-corn was buried in the dark during the summer months before the autumnal sowing. The return of life and burial is symbolized in the myth of Persephone's abduction and return, and gave rise to the ritual of the Eleusinian Mysteries, in which the worshippers believed that the restoration of the goddess to the upper world promised the faithful their own resurrection from death. This lidded vessel also probably held a burial offering such as grain, or a product that could have been used by the deceased in the afterlife. This attractive vessel also has a winged Eros that is seen in motion to the right, and is seen holding a box and a tambourine. There is also an ivy leaf pattern seen on the neck of the vessel, along with additional decorative floral elements seen on the main body of the vessel. Overall, this vessel is highly decorated, with many design patterns that cover the entire main body of the vessel, and as such, has been attributed by A.D. Trendall as Type VIII. This piece also has a single "Herakles-knot" type designed handle, and is an exceptional example for the type. This beautiful piece is also from the Michael Waltz collection, and another slightly smaller lidded mug from this same collection is seen with Royal Athena Galleries, New York, no. GMZ02, $4,750.00 estimate. (Another analogous example of nearly the same size is seen in Christies Antiquities, New York, Dec. 2011, no.138. $3,000.00-$5,000.00 estimates, $5,250.00 realized.) The piece offered here is one of the finest examples offered on the market, and is scarce in this mint condition. Ex: Michael Waltz collection, circa 1970's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #987545
Apolonia Ancient Art
$3,265.00
This rare piece is a Greek Apulian Chous that shows a theatrical mask, which is seen in profile facing right, and dates circa 380-350 B.C. This piece is approximately 4.5 inches high, and is in superb to mint condition with no repair/restoration or overpaint. This rare piece also has very vibrant colors, which are a glossy black, light red, and white. There are also some heavy white calcite deposits seen within the vessel, on the edge of the trefoil mouth, and on the bottom base ring. The detailed theatrical mask is seen within a light red frame which has a floral design at the bottom, and there are several attractive white dot highlights seen within this light red frame as well. The theatrical mask depicted on this piece is a type used by a character in a Greek comedy play known as a "phylax play", and this type of mask was designed with bushy black hair, short black beard, open mouth, and copious facial wrinkles. This type of mask was defined by Trendall as "Type B", and was likely produced by the Truro Painter, circa 380-350 B.C., on Greek Apulian chous vessels of this type. Trendall also stated that the heads of the Truro Painter "often wear white head-bands", and the detailed theatrical mask seen on the piece offered here also has a very prominent white head-band. (See A.D. Trendall, "Phlyax Vases", Second Edition, BICS Supplement 20, 1967. Another vessel of this type is seen in the Virginia Museum in Richmond, Virginia, no. 81.53.) The theatrical mask seen on the vessel offered here, and the vessel noted above, are both designed as a singular depiction, and as such, is seldom seen on Greek Apulian vessels. In addition, the mask seen here is a sharp detailed example and is rarely seen. An analogous Apulian chous of this type was offered in Christie's Antiquities, New York, June 2008, no.195. (Approximately 7.5 inches high, $5,000.00-$7,000.00 estimates, $12,500.00 realized.) Ex: Donna Jacobs Gallery, Birmingham, Michigan. Ex: Robert Novak collection, St. Louis, MO. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1242856
Apolonia Ancient Art
$2,675.00
This attractive piece is a Greek Attic black-glazed lekythos that dates circa mid 5th century B.C. This piece is in mint condition, with no repair/restoration, and is approximately 3.25 inches high by 3.25 inches in diameter. This piece is near gem quality, as the lustrous deep black glaze is nearly flawless, and the surface of this piece has an even deep black color with a thin multi-colored iridescent patina. This piece also has a beautiful esoteric design, with a gadrooned body with a pattern of incised grooves in the handle zone, and a small rouletted molding at the junction of the shoulder and the flared neck. This piece also has a small flat foot, and a black dotted circle underneath on the bottom. The overall design of this piece also has a geometric esthetic, as the height is equal to the diameter. The flared neck was also designed for greater control pouring the liquid that was held within, and this was likely a precious oil, and the short neck design also made pouring liquid from this vessel very precise as well. Another analogous vessel of this type was offered in Sotheby's Antiquities, New York, June 2002, no. 243. ($3,000.00-$5,000.00 estimates, approximately 3.5 inches high. See attached photo.) An additional analogous vessel was sold at Sotheby's Antiquities, New York, Dec. 2006, no. 134. ($2,500.00-$3,500.00 estimates, $3,750.00 realized.) This type of Greek Attic black-glaze ceramic is scarce in this exceptional condition, and is rarely seen on the market. Ex: Private German collection, circa 1970's. Note: Additional documentation is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1038446
Apolonia Ancient Art
$1,675.00
This superb little stemless kylix is an Attic ceramic that dates circa 480-470 B.C. This piece is approximately 7.5 inches wide from handle to handle, and is approximately 2.25 inches high. This intact piece is nearly flawless, and has a nice brilliant deep black glaze, especially on the inside of the bowl. This piece also has an offset lip, as seen with the line that runs around the bowl, and is classified as being part of the "Inset Lip Class, circa 480-470 B.C". For the discussion of the type as a whole see: "The Athenian Agora, Vol.12", by B. Sparks and L. Talcott, Princeton University, 1970. This piece is scarce in this superb condition, is an exceptional example for the type, and is a beautiful little gem. Ex: Private Swiss collection. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #680621
Apolonia Ancient Art
$1,675.00
This complete piece is a Greek standing terracotta figure of a votaress. This piece is approximately 8.75 inches high and dates circa 5th century BC. This piece is intact and has no repair/restoration. There are some light brown earthen deposits that are adhered to the surface, and this is an indication that this piece has not been over cleaned, and as such, the surface of this piece is superb quality with little wear. This piece was mold made and was designed with a trapezoidal base. This votaress may represent the Greek goddess Demeter, who is seen wearing a pleated chiton and a himation that is seen draped over her shoulders. She has a slight smile and is seen holding a piglet against her breasts with both hands, and this piglet is probably a votive offering. (See Sotheby's Antiquities New York, June 2004, no. 33 and Sotheby's Antiquities New York, Dec. 2000, no. 84, for other analogous examples. The two pieces cited here are approximately 10.5 inches and 8.25 inches high.) These terracotta figurines are thought to be votive in nature, and represented the offering that is seen within the piece itself, and consequently, this piece was intended as a substitute for the actual offering. This piece is scarce in this intact condition, has nice eye appeal, and is an excellent example for the type. This piece is also mounted on a custom wooden base. Ex: German private collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1248144
Apolonia Ancient Art
$5,875.00
This beautiful Greek Campanian pelike ceramic is attributed to the Laghetto Painter, and dates circa 350-340 B.C. This attractive piece is approximately 6.25 inches high by 5 inches in diameter, and is in mint condition with no restoration/repair. This piece has some spotty white calcite deposits, and is in it's pristine "as found" condition. In addition, this piece has a multi-colored iridescent patina, that is seen over sections that have a deep black glaze. This piece has a draped and seated young woman on a spotted rock that is holding up a mirror in her right hand. She is also seen wearing a detailed brilliant white dotted necklace, and her exposed right breast is not often seen relative to Campanian type ceramics. The brilliant white necklace draws the eye to the exposed right breast, and vice-versa, and this convention of art is a mark of an accomplished painter. The face of the woman also has a very sweet and young beautiful portrait. The other side of this piece shows a nude standing Satyr that is seen holding a white fillet in the right hand, and a thyrsus on the left shoulder. The thyrsus is a long staff, surmounted with a fir-cone, and was carried by Dionysus and satyrs during the celebration of religious rites. The thyrsus also ends in a sharp point of a spear, and the ancient Greeks thought that a puncture from this staff would induce madness. The face of the well-defined muscular and nude Satyr is also a young portrait, and has a great deal of eye appeal. Campanian ceramics attributed to the Laghetto Painter are scarce to rare, and in addition, this type of piece is rare, as two-handled pelikes of this type were seldom produced in Campania. According to A.D. Trendall in "Red Figure Vases of South Italy and Sicily", Thames and Hudson, New York, 1989, p. 157: "However, in the last third of the century there is a strong wave of Apulian influence on both Campanian and Paestan, probably due to the arrival of migrant artists, and the xylophone and naiskos, hitherto confined to Apulian, appear in the west for the first time, though the typically Apulian volute-krater is not found in Campania, nor are the column-krater, loutrophoros, nestoris and rhyton, and the pelike is extremely rare". The Laghetto Painter also was active in Capua, and was a follower of the Cassandra Painter, and both of these painters are considered two of the best Campanian painters that produced very realistic looking scenes with attractive faces. Another parallel Greek Campanian ceramic attributed to the Circle of the Cassandra Painter that shows a running deer, was offered by Royal Athena Galleries, New York, in "One Thousand Years of Ancient Greek Vases II", Sept. 2010, no. 150. (This piece is approximately 5.4 inches high by 8.7 inches wide from handle to handle, as this piece is a "skyphos". $7,500.00 estimate. See attached photo.) The type of piece offered here, "pelike", is seldom seen on the market, along with it's mint condition, and great eye appeal. Ex: Private Austrian collection, circa 1980's. Ex: Private German collection, Augsburg, circa 1990's. Note: This piece has additional documentation that is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1018188
Apolonia Ancient Art
$2,865.00
This rare piece is made from a red/brown terracotta and has spotty light brown earthern deposits. This piece is a terracotta model of a theatrical mask and dates circa mid 4th century B.C. This superb example is approximately 5.3 inches high by 4.5 inches wide, and this is the normal size for a votive mask of this type. This piece is intact, and is 100% original. There are some spotty dark brown mineral deposits, and some minute stress cracks and pitting which is normally seen on a piece of this type as it is mold made. This superb piece has a very dramatic face which depicts a youth with a slightly open mouth with wide open eyes. This mask was likely votive, and this piece may also have been buried with an individual who was active in the theatrical arts. (For additional examples see "The Greek World, Art and Civilization in Magna Graecia and Sicily", edited by Giovanni Pugliese Carratelli, Rizzoli Pub., New York, 1996, pp.713-717.) The top forehead is not extended back, as real hair and/or a wreath was added to this piece for added effect. This type of design would also serve an individual well in life, as well as the afterlife, and this mask may have been intended to depict a character such as Hecuba and/or Taltibio, from the Greek tragedy "Le Troiane" by Euripides. This mask, as a votive burial object, may have been intended to represent Hecuba's expression of profound pain and/or Taltibio's contrasting sentiment, which in both cases allude to the moment when the small Trojan baby Astyanax was barbarously killed. The horror of this moment was magnified, as the small Astyanax was thrown down from the walls of Troy by Menelaus, while his mother Andromache is taken away as a slave as the flames rise over Troy. These votive masks were intended to represent characters in ancient Greek tragedies, as noted above, as well as comedies. In any case, very few examples come to the market and are rare. This piece is mounted on a museum quality custom stand and has great eye appeal. Ex: Private German collection. Ex: Private New York collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #613441
Apolonia Ancient Art
$1,265.00
This superb piece is a kantharos that is intact and it is a scarce type. This Greek ceramic is classified as "Xenon ware", and was named after a similar kantharos that is now in Frankfurt that bears the inscription "XENON". This type of pottery represents a further aspect of Apulian pottery, which may be a combination of native Greek from southern Italy and mainland Greek, meaning a Greek artist from Attica. This vessel may also have been an importation from Attica into Magna Graecia (southern Italy). This type of kantharos also follows the earlier Greek Attic kantharos types known as a "Saint-Valentin" kantharos, which were produced circa 450 B.C. Both of the types noted above have a ring base and ellipsoid handles. This piece was produced circa 375-350 B.C. and is a glossy blackware with matt pinkish red designs. Xenon ware usually displays decorative motifs such as laurel, wave patterns, ivy leaf, and chevrons. All of these elements are seen on both sides of this piece, and the condition of this vessel is mint, as it is intact and the painted details are very vibrant. There are some spotty white calcite deposits with some root marking in sections of the vessel. This vessel is scarce in this condition and size, as it is approximately 4.25 inches high by 6.25 inches wide from handle to handle. Ex: Private German collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #997403
Apolonia Ancient Art
$2,365.00
This piece is a Greek lidded vessel that dates to the Late Bronze Age period, circa 12th-11th century B.C. This piece is approximately 8.5 inches high by 7.5 inches in diameter, and is intact in mint condition. This piece has attractive spotty white calcite deposits with some root marking, and a light brown earthen over glaze. This piece is a light red terracotta, and the lid fits perfectly into place. This piece also has Mycenaean artistic style, as seen with the two looped handles, peaked lid with knob grip, and the rounded shape of the main body. (For many Mycenaean vessels see "Mycenae and the Mycenaean Age" by George Mylonas, Princeton University Press, 1966.) This type of vessel also served as a burial urn, and held the cremated remains of the deceased. This type of vessel was then placed in a cist grave with lined stones, or within an enclosure of piled rocks, and the entire tomb was then covered with a mound of dirt. This type of burial was common throughout the ancient Greek world during the Bronze Age. The vessel offered here is intact, and is scarce in this condition. Ex: J. Malter collection, Los Angeles. CA. Ex: Private CA. collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #594153
Apolonia Ancient Art
$465.00
This attractive piece is a Greek terracotta amphora that dates circa 1100-700 B.C., and is Sub-Mycenaean (Iron Age I & II). This light red terracotta is intact and has nice heavy white calcite deposits seen within the vessel. There are also spotty white calcite deposits seen on the outside surface and the inner surface has traces of root marking. This piece was probably used a table ware vessel and is approximately 4.6 inches high. A nice intact vessel with good eye appeal. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1147979
Apolonia Ancient Art
$3,265.00
This rare to scarce piece is an Attic Greek beaker/mug that dates to the Geometric Period, circa 750-725 B.C. This attractive piece is approximately 4.4 inches high, and is slightly larger than most recorded examples. This piece is also intact and has no repair/restoration, no overpaint, and no stress cracks that run within the vessel. The handle is completely intact, and this is rare for an early Attic Greek vessel of this type, as most examples have damage and/or repair to the handle or the area where the raised handle attaches to the body. This piece is also in its "as found" condition, with some very slight wear to one side, and there are spotty white calcite deposits seen in various sections of the vessel which also mask some of the dark brown line design. This piece has dark brown cross hatched designs, with dots below, that run around the center of the vessel, and singular line design that runs up the length of the handle. This vessel is a light tan terracotta, and has a flat bottom with a slightly flared lip. This piece was also likely produced in Athens for the export market. This piece is very analogous in shape and size to the Heidi Vollmoeller Collection piece that was offered by Christie's Antiquities, South Kensington, London, Oct. 2003, lot no. 519. (See attachment.) There have been very few of these Attic Greek Geometric Period pieces on the market, and they are rare to scarce, especially in this intact condition. Ex: Private French collection. Ex: Fortuna Fine Arts, New York. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre 1492 item #1268018
Apolonia Ancient Art
$4,265.00
This beautiful and vibrant piece is a Greek Apulian lidded mug that dates circa 310 B.C. This piece has been attributed to the Kantharos Group, and is approximately 8.25 inches high with the lid. This beautiful piece is also known as a kothon, and this type of vessel normally has a knobbed lid and extended neck, as seen with the piece offered here. This piece is mint quality, with no repair/restoration, and has very vibrant white, yellow, red, and black colors. This piece has a rounded knobbed handle seen at the top center of the lid, and there are two female heads seen on the top of the lid, along with a detailed acanthus pattern between. There is also a large female head seen on the main body of the vessel facing left, along with the top section of a white and red wing that is seen curling up at the front of her face. The female head is also seen wearing a detailed sakkos in her hair that is highlighted with dotted and cross patterns, and is also wearing an elaborate earring and dotted necklace. This figure likely represents a winged "Eros", and this portrait type is also known as a "lady of fashion", and is thought by many academics to also represent Demeter and/or Persephone. To the ancient Greeks the fertility of the ground was closely associated with the autumnal sowing. The return of life and burial is symbolized in the myth of Persephone's abduction and return, and gave rise to the ritual of the Eleusinian Mysteries, in which the worshippers believed that the restoration of the goddess to the upper world promised the faithful their own resurrection from death. This lidded vessel probably held a burial offering such as grain, or a product that could have been used by the deceased in the afterlife. This attractive vessel also has highly decorative floral patterns that are seen on each side of the lady's portrait, and a single "Herakles-knot" type designed handle. This piece is better than most examples of it's type, and another analogous example of this type of vessel of nearly the same size and condition was offered in Christie's Antiquities, New York, Dec. 2011, no. 138. ($3,000.00-$5000.00 estimates, $5,250.00 realized. See attached photo.) The piece offered here is among one of the best examples offered on the market, and is scarce in this mint condition. Ex: G. van Driesum collection, circa 1970's. Ex: Michael Waltz collection, Germany, circa 1970's-1980's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #613883
Apolonia Ancient Art
$365.00
This Greek terracotta is in the form of a molded weight. This tan terracotta piece dates circa 4th century B.C. and is a rare type of terracotta, as there are very few known weights that are fashioned from terracotta. The advantage of forming a weight from terracotta is that one can mold an exact size, thus producing a piece with an exact weight. This piece has ten round stamped seals that bear the form of a hippocamp, with two on side A, two on side B, three on side C, two on side D, and one on the bottom. These ten seals seen on this piece may indicate a unit of weight and this weight was used to keep the warp threads perpendicular on verticle looms. These weights were suspended from the threads with the help of rings, that were probably made of metal, and these were attached to the holes in the weight. The round hole seen near the top allowed this piece to suspend and swivel on the metal rings. This piece is approximately 3.5 inches high by 2 inches wide at the center. The shape of the body tapers at the top, which allowed this piece to freely pivot and move on its attached ring swivel. There are sections of calcite deposits seen on the outer surface, and much of the original outer surface remains. If you collect ancient textiles, this would be an interesting addition to your collection. For another weight of this type see Lila Marangou, "Ancient Greek Art, N.P. Goulandris Collection", Athens, Greece, 1996, no. 216. Ex: Private German collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1278991
Apolonia Ancient Art
$2,675.00
This large Greek ceramic is a Boeotian black-gloss kantharos that dates circa 450-425 B.C. This piece is approximately 8 inches high, by 10 inches wide from handle to handle, and is generous in size for the type and gracefully proportioned. This piece has a great deal of eye appeal, as it also has a rich deep loustrous black glaze seen over the entire piece, save the bottom of the vessel that has a reddish-tan reserve. The interior of the vessel also has an even deep black glaze, and this is an indication that this vessel was specifically made to hold a liquid, such as wine. This piece is catagorized as being a "Type D", and is the largest type for the period, and is amoung the largest Boeotian black-glazed kantharos cups. (For the type see: "Black Glaze Pottery from Rhitsona in Boeotia", by P.N. Ure, Oxford University Press, 1913, Pl. XIII.) This type of kantharos is also known as a "Sessile" type kantharos, which is characterized by it's lack of a raised stemmed base and a small torus disk foot. The form of this vessel is wheel made from a very fine reddish-tan colored clay, and the bowl and base was made as one single piece, with the large arching strap handles applied separately before firing. Small "spurs" project from the lower part of the handles, and they are likely "finger-grips". Flat bars connect the upper part of the handles to the main body of the vessel, and this creates a volute-like profile. The body of the cup has a thin flared upper rim, and a large torus ring foot with a flat base. The shape of this piece was made and used throughout ancient Greece, and the main areas of production for these black-glazed vessels was Attica and the region of Boeotia just northeast of the Gulf of Corinth. The reddish color of the fabric of this vessel also suggests that it may be of Attic manufacture, and/or is a product of an Athenian potter working in Boeotia using Attic source material. (This theory was also put forth by P.N. Ure in the work noted above, p.12, and he comments on the Boeotian black glazed vessels from the Fifth Century: "Such vessels as these and those of the Teisias Group suggest Boeotia occupied one of the very foremost positions in connection with the black glaze industry of this period. Wheather it was as producer or mearly as a purchaser is another question".) This type of vessel offered here is also seen on "Attic red-figure" ceramics that portray Dionysaic drinking scenes that often show satyrs dancing with a cup of this type. It may be that this type of cup was produced more for drinking ceremonies, rather than for funeral purposes which seems to be the case for smaller black-glazed vessels of this type. This attractive piece is intact, has no repair/restoration, and is in it's natural mint to superb "as found" condition. This piece has some nice minute root marking, and some heavy and spotty white calcite deposits seen in various sections of the vessel. An attractive large vessel for the type, and as such, is scarce on the market. Ex: Fortuna Fine Arts, New York. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1039437
Apolonia Ancient Art
$465.00
This flawless piece is an intact Greek olpe vessel that dates circa 4th century B.C. This piece is approximately 6.5 inches high by 3.25 inches in diameter. This esoteric piece has an attractive tan earthern glaze and is made from a light red clay. This piece has nice "as found" deposits, a flat bottom, and a single strap handle. The large open and round mouth was also designed to pour liquid very rapidly, which lends this vessel very well as a table vessel. Vessels of this type were widely produced in the ancient Greek world, and this vessel shape was also produced in bronze. In fact, our research reveals that bronze vessels of this type seem to be more common than the terracotta vessels of this type, and in addition, this type of terracotta vessel seen in this mint condition is scarce, as most examples have some degree of repair/restoration. This piece probably was used for everyday use and may also been a votive example, and the latter case is probably the case here, as this piece has no apparent wear from use. This piece probaly was used for water and/or wine. A nice example seldom seen in this condition. Ex: Bonhams Antiquities, London, April 2004, no. 343. Ex: Private Ill. collection. I certify that this piece is authentic as to date, culture, and condition: