Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1108747
Apolonia Ancient Art
$2,375.00
This rare piece is a Roman marbled glass flask that dates circa 1st century A.D. This piece is approximately 5 inches high, and is in mint quality condition. This piece is a dark green/blue color, has some heavy white calcite deposits on the upper inner surfaces, and some spotty black mineral deposits on the outer surface. This exceptional piece was produced by blending glass rods into the piece, and this process created the "marbled" composition of the vessel which is a heavy, thick-walled vessel. This process also produced a rough surface, and there are also small and large air bubbles that were fused into the glass. This piece was also difficult to produce, and is much rarer than the subsequent Roman blown glass vessels that were thin-walled and mass produced. This piece also has a flattened bottom and easily stands by itself. For an analogous example, see Christie's Antiquities, New York, Dec. 2007, no. 90. (See attached photo. $3,000.00-$5,000.00 estimates, $6,875.00 realized.) Ex: Joel Malter collection, Los Angeles, CA. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #594619
Apolonia Ancient Art
$2,865.00
This Roman silver eagle is nothing short of a masterpiece. This piece dates circa 1st century B.C. to the 1st century A.D. The quality and detail seen on this piece is mint to superb, and this piece probably was made by a gem engraver and/or coin die celator. This miniature silver piece is approximately 1.25 inches high, weighs approximately 11 gms, and sits on a custom clear/black plexiglas base. This piece rotates around on a small pin that is centered within a clear plexiglas post. This piece is also solid, as it was cast, then hand-worked with minute detail. This remarkable minute detail is especially seen within the wings and upturned head, and this type of workmanship reminds one of the Greek coins of Acragas, circa 472-420 B.C., that show a standing eagle in the process of devouring a captured hare. A coin such as this may have served as a model for the exceptional piece offered here, as the Roman artists strove to duplicate the earlier Greek artists. The minute detail, seen within the feathers of the wings and the tension portrayed in the neck with a slight twist, could only have been produced by a very accomplished artist. The pose of this piece is very refined from every angle, which is another point that defines this piece. The patina of this piece is aged to a light gray, which indicates that this piece has had contact with oxygen for quite some time and that it has not been recently cleaned. An exceptional piece with fine detail and one of the best Roman miniatures that has been offered. Ex: Private German collection. Ex: Private New York collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1283673
Apolonia Ancient Art
$1,675.00
This beautiful Roman glass flask dates circa 1st-2nd century A.D., and is approximately 4 inches high. This piece is mint quality, and is in flawless condition with no chips and/or cracks. This piece has an even dark orange-brown amber color, and has an extended flat lip that is a folded everted rim, and an elongated neck. This piece is also relatively "thick-walled", and it has a very durable compact design. This vessel's globular body, with a wide elongated neck that is a third of the vessel's height, is also a hallmark design of Roman Imperial Period glass. This piece has an exceptional brilliant "reddish-gold" multi-iridescent patina, and there is a thin silvery iridescent film layer seen on various outer and inner sections of the vessel as well. The attractive amber color in combination with the bright "reddish-gold" patina, both lend this piece a great deal of eye appeal. This type of Roman glass vessel is also classified as being "mid 1st century A.D.", by John W. Hayes in "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, pp. 34-35, no. 101. Ex: Private New York collection, circa 1970's. Ex: Phoenix Ancient Art, Geneva and New York, circa 2000-2014, Inv.# P33-059-012614a. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1295159
Apolonia Ancient Art
$12,875.00
This rare piece is a Roman bronze figurine that dates circa 1st-3rd century A.D. This impressive piece is approximately 2.8 inches high, and is an intact example with no repair/restoration. This piece also has an even beautiful dark blue/green patina with spotty red highlights, and is in excellent condition with no noticeable breaks or chips. This piece is seen standing with the full weight on the left leg, and the other leg is slightly bent while the body is seen slightly leaning to the right. This piece also stands by itself, and is placed on a custom stand for added stability. This piece has extremely refined facial detail, and there are other minute details seen on this piece such as the design of the sandals. The figure seen here may also depict Alexander the Great, as it displays many attributes that are known for this dynamic Greek figure from antiquity. Although this piece is a Roman bronze, the Greek features seen on this piece are unmistakable, such as the Greek muscled cuirass which is worn over the Greek knee-length "chiton", the attached cape "chlamys" which falls behind, and the pose of the figure that is seen with the weight on one leg. In addition, this figure has upswept curls above the forehead known as an "anastole" hair style, along with thick locks of leonine hair, deep set eyes, an angular jaw, and a prominent brow which are all facial features of Alexander the Great. This figure is also seen extending his right arm, and the open upturned hand likely held a missing round "phiale", which held wine that was used for sacrificial offerings to the Gods. This military figure also appears to be in the act of offering wine sacrifice to the Gods, and this type of wine sacrifice using a "phiale" was purely a Greek religious rite, rather than a Roman ritual. It's possible that this figurine reminded the owner in Roman times of Alexander's visit to Troy, as he was the new Achilles - the champion of the Greeks and, as Achilles had done 1,000 years before, he sacrificed in the temple of Athena. Wealthy and cultivated Romans would often engage the topic of Alexander's notable personality, his superhuman accomplishments, and the human fate with their philosophical discourses. It would not be surprising to find his image in the intimacy of a domestic villa. The famous Villa dei Papiri in Herculaneum contained a whole collection of several bronze busts representing Greek Hellenistic rulers, Greek poets, and philosophers, which serves as an eloquent example of the cultural preferences of the Roman elite. This figurine also appears to be grasping a Roman sword known as a "gladius", which had a rounded pummel as seen here. The Roman general Marcus Antony also favored Greek dress as seen on this figurine, and this piece may also represent a "duality of portraiture", in that it is a combination of Greek and Roman attributes, and may represent more than one famous individual and/or military leader. What is certain relative to this rare figurine, is that this figure is both a military and religious figure, and this combination is best displayed in the figurine offered here. (Another analogous example of a Roman bronze figurine in the guise of Alexander the Great, was offered by Royal Athena Galleries, New York, in "Art of the Ancient World", Vol. XXIII, 2012, no. 49. Approximately 3.75 inches high, circa 1st-3rd century A.D., and complete. $47,500.00 fixed price. See attached photo.) The piece offered here is a rare type that is seldom seen on the market. Ex: Private German collection, circa 1980's. (Note: additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1339702
Apolonia Ancient Art
$3,875.00
This extremely rare piece is a Roman bronze armor plaque that dates circa 2nd-3rd century A.D. This piece is approximately 4.75 inches high, by 2.2 inches wide at the top, and the high relief of this piece is about .25 inches. This striking piece has a beautiful dark green patina with some spotty dark red highlights, along with some spotty light to dark green mineralization seen mostly on the backside of the piece. In addition, this piece has some spotty gilt "tinning" seen in various sections of the front side of the piece. This piece was likely fitted into an armored cuirass below a shoulder plaque, and this cuirass likely had duplicate pieces that were also fitted into the cuirass on the other side of the chest. This piece may also have been interwoven into the fabric of the cuirass, and there is a square attachment slot seen at the bottom of the piece. This piece was hand beaten over a mold, and depicts a very muscular standing nude Mars holding a shield on the ground with his left hand, and in the right, he is holding and leaning on a spear. He is also seen wearing a helmet, and has a cloak draped over his arms. The muscular Roman war god Mars is also seen standing over a sea-panther with a coiled tail, and the entire scene is framed by a dotted border. There are very few Roman plaque armor examples such as the piece offered here, and most plaques are fragmentary, and are not complete and intact as the exceptional piece offered here. In addition, the majority of Roman armor was constructed with several bronze pieces which attached to a leather and/or fabric cuirass, and most of these sectional bronze pieces are individual finds. This piece is also in mint to superb condition, and has no repair/restoration, cracks, or chips. This type of piece is also analogous to another example that depicts the nude Roman war god Mars standing over a sea-panther, and is seen in Christie's Antiquities, "The Axel Gutmann Collection, Part I", London, Nov. 22, no. 87. (See the attached photo of this piece which is a shoulder plaque that is approximately 5.5 inches high, by 2.8 inches wide, circa 2nd-3rd century A.D., $6,300.00-$9,300.00 estimates.) For this type of armor, see M.C. Bishop and J.C.N. Coulston, "Roman Military Equipemt", London, 1993, pp. 139-142. This piece is mounted into a custom Plexiglas stand, and can easily be removed. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. Ex: Private Austrian collection, circa 1990's. (Note: additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356971
Apolonia Ancient Art
$785.00
This pair of Roman gold earrings with shield emblems are complete, and date circa 2nd-3rd century A.D. These attractive pieces are approximately .5 inches in diameter for the hoops, and the shield emblems are approximately .3 inches in diameter. Together the pair weighs 2.4 grams, and they are solid gold and are not plated. The shield emblems have a small raised dotted bar in the center, and complete the look of the shield emblems. The shield emblems also have a single rivet that attaches them to the thick gold hoops, and this adds additional strength and durability to these beautiful examples. These pieces can easily be worn today with some adjustments, as they do not open with a clasp, and were tied off so the wearer could wear these every day. A nice collectable pair of ancient jewelry, and comes with a custom metal display stand. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1226370
Apolonia Ancient Art
$4,675.00
This beautiful piece is a Graeco-Roman bronze that dates circa 1st century B.C.-1st century A.D. This complete piece is approximately 3.5 inches high, and stands by itself on it's own base. This type of nude female Graco-Roman piece is known as the "Aphrodite Anadyomene", whose name signifies the birth of the goddess from the foam of the sea. The Greek goddess Aphrodite was born from the sea foam created when the severed genitals of Uranus were cast into the sea. Like many other naked figures of the goddess Aphrodite, the "Anadyomene" was not posed to conceal the body, and has arms raised to the hair which exposes the body to the gaze. In the Hellenistic and Roman periods, each hand is seen lifting and/or wringing the wet hair strands that hang down to the shoulders, as Aphrodite was seen rising from the sea at her birth. Her head is also seen slightly bent, her face is generally seen with a long straight nose with a small mouth, and she usually has wide hips and thighs. All of these features noted above create an impression of youthful fertility, and portray Aphrodite as having eternal youth and beauty. The piece offered here displays all of these features, and in addition, the "Aphrodite Anadyomene" is portrayed in a "contrapposto pose", with the weight carried on one leg with a slight twist to the waist. For the type, see Margarete Bieber, "The Sculpture of the Hellenistic Age", New York: Columbia University Press, 1955. The piece offered here has the features attributed to the "Aphrodite Anadyomene" sculptural type as noted above, including the rolled hair that is seen coiled into a bun with a small tie at the front. The piece seen here is an exceptional example of the type, as the face is very sensual with the long nose and slight smile. This piece is also complete, is cast with it's own base, and is intact with a beautiful dark green patina with red highlights. This piece is scarce on the market in this complete and superb condition, and it also sits on an included custom Plexiglas stand. Ex: Frank Sternberg collection, Zurich, Switzerland, circa 1980's. Ex: Antiqua Ancient Art, Los Angeles, CA. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1356647
Apolonia Ancient Art
$1,265.00
This nice Roman bronze is an eagle applique that dates circa 2nd-3rd century A.D. This piece is approximately 2.2 inches high, by 2 inches high. This piece is a very detailed Roman eagle that has a raised head and spread wings. The wings are very detailed, and have very fine feather "line design". The head is designed with the head facing right, and is seen looking at the viewer. There is also detail on the head not facing the viewer, and there is a very defined "dotted eye". This piece has a flat back, and there is an extended mounting pin seen in the back center. This piece likely served as an applique for a vessel, and may have served as a decorative element in a military phalera, or an element in Roman armor. The military application relative to this piece is readily apparent, as the Roman eagle was the Roman symbol of the power, and was presented in many art forms within the Roman army. This attractive piece is intact, and has no repair/restoration. This piece also has a nice dark green patina with some minute red highlights, and is a fine example for the type. Another analogous example was offered by Bonham's Antiquities, London, July 1995, no. 442. (500-600 pounds estimates. See attached photo.) The nice piece offered here is also mounted on a custom display base. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1304240
Apolonia Ancient Art
$875.00
This nice piece is a Roman bronze "crossbow type" fibula that dates circa early 4th century A.D. This piece is approximately 3.6 inches long, by 2.25 inches wide, and is in mint to superb condition. This complete and intact piece has a main body that was cast as one piece, and there are three small decorative spheres were later added with pins. The single intact attachment pin was added to the horizontal arm, and engages in the straight section of the vertical section. This thin attachment pin still has some movement, and can move in and out of the vertical clasp, and up and down within the horizontal arm. The overall design of this attractive piece is in the form of a Latin Cross, and also represents Christ on the Cross. The "crossbow fibula" type was derived from the earlier Etruscan and Greek "bow type". The "crossbow type" fibula seen here was very common in the 4th and 5th century A.D., and is thought to have originated in the Danube region, from which it spread throughout the Roman Empire. The piece offered here is a male fibula, and was worn by soldiers, and by high ranking civil servants and officials. This piece was used primarily to fasten the cloak on the shoulder of the wearer. Many of these examples also had gold and silver gilt, and were inlaid with precious stones. The example offered here has no traces of gold and silver gilt, but it does have eight rounded holes seen in the flat section of the vertical arm, and these holes could have held mounted precious stones or glass. This piece also has a beautiful dark emerald green patina, and is an exceptional example for the type. This piece stands on a custom display stand, and can easily be removed. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1293266
Apolonia Ancient Art
$1,875.00
This detailed piece is a Roman bronze military phalera that dates circa 2nd-3rd century A.D. This piece is approximately 2.4 inches in diameter, and has a cupped shaped. The center of this piece has a beautiful animated portrait bust of a horse with a flowing main, that is seen facing right, and is also seen wearing a Roman military cavalry bridle. This bridle also has an attached "curb bit" that ran through the mouth of the horse, and a "hackamore", which was a strap that ran above the nose and under the chin. The "curb bit" allowed the rider greater control of the reins with one hand, as the other hand held a weapon such as a lance or a sword. The "hackamore" straps prevented the horse from opening his mouth and throwing the "curb bit", and used in combination, this was a major military advance in Roman cavalry. The Roman cavalry was then able to become more of an effective fighting force which often surpassed the fighting capabilities of the Roman ground legions. (See Karen Dixon and Pat Southern in "The Roman Cavalry", Barnes & Noble Pub., 1992, p. 65 for the bridle type, and pp. 67-68 for the phalera.) The bust of the horse is also framed with a detailed cable border, and the background has a dotted surface. The back side of this piece also has two pins which formed part of a "u-ring" that held the leather straps in place, and these straps also formed the Roman harness system. The harness system held the saddle in place on the horse and additional decorative phalera, such as the piece offered here, covered junctions where the straps came together on the breast, shoulders, and haunch junctions of the harness. A drawing of this harness system can be seen in the reference noted above on p. 68. (See attached photo.) This piece is complete, save for a section of the "u-ring" on the back that is missing. This piece also has a nice multi-colored patina, with an overall dark green/black color, and light brown and green highlights. This piece is a scarce to rare example, and is a superb example of a Roman military collectable. This piece is also mounted on a custom display stand. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #872310
Apolonia Ancient Art
$325.00
This interesting Roman bronze coin is a bronze Sestertius, and was minted circa 60-68 A.D., and depicts a bust of Nero, who was in power circa 54-68 A.D. This coin is approximately 37mm in diameter, is Very Good quality, and has a nice dark green patina with heavy dark green/brown deposits. There are also four holes seen on this piece, and this likely facilitated leather ties which allowed this piece to be fitted into a composite corslet as scale armour. (See attached drawing.) This type of of Roman armour is known, but is extremely rare, and was not often manufactured by the Romans, although the blending of metal leaves interwoven with fabric, was known by the Greeks as early as the 12th century B.C. in Cyprus. (See "Warfare in Ancient Greece" by Tim Everson, Sutton Pub., United Kingdom, 2004, p. 154-155.) This piece could have served as armour during this period, as Rome had a brief, but quick civil war with four Emperors circa 68-69 A.D. This piece also has a deep mark in the center of the coin that was probably a test cut, rather than a battle mark. The test cut was done in order to test that the metal was 100% bronze, rather than a bronze plated "fourree". This test cut was also probably done when this coin was no longer in circulation, and could have been struck circa 68 A.D., when Nero was replaced by Galba. This coin is an interesting piece that had a dual utility. A custom black plexiglas stand is included, and the piece is easily removable as it is attached with clay. Ex: Private English collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1301382
Apolonia Ancient Art
$1,675.00
This scarce piece is a Roman bronze ring that dates circa 2nd-3rd century A.D., and features a reclined woman (Leda) with a swan on top. This Roman erotic type piece is approximately ring size 6 (16mm inner diameter), and was likely made for a young woman or girl. This piece is intact, has no repair/restoration, and is a solid bronze cast piece that can be worn today. This piece also has an attractive dark green patina that is an even color over the entire piece. This piece is in superb to mint condition, and has no wear on the outer surface, with only some slight wear on the inner surface of the hoop. This piece features a nude and reclined woman (Leda) who is seen reclined to the left, raised on her elbows, and has a swan positioned between her bent knees. The swan has his wings outstretched above, and has his neck looped up and down with his head kissing a breast. The piece offered here depicts the Greek myth of "Leda and the Swan", in which Zeus in the form of a Swan makes love to Leda, who gave birth to two sets of twins, one of each pair being mortal and immortal. One set of the twins was male, Castor and Pollux, and the other female, Helen and Clytemnestra. This ancient Greek myth was extremely popular in the Hellenistic Period, circa 3rd-2nd century B.C., and continued down into the Roman Imperial Period. A Roman carved gem, dated circa 3rd century A.D., showing the exact scene seen on the piece offered here, is seen in Christie's Ancient Jewelry, New York, Dec. 2004, no. 160. ($4,000.00-$6,000.00 estimates. See attached photo.) The relief of the figures seen on the piece offered is very high, and are very clear. The entire scene was also stamped into the flat top bezel of the ring, and the main body of the ring was cast as one solid piece. The design seen on this ring would have have been made like an ancient Greek or Roman bronze coin, and in both cases, the designs were stamped and struck with a carved punch die. The stamp punch die, for the erotic design seen here, may also have been used for additional rings and other objects as well. In addition, this ring may have been worn by an individual who was connected with the ancient Roman sex trade, and this ring may have served as an identifying symbol for the individual who wore this scarce ring. A ring such as this erotic type, would also have likely been worn by many individuals who lived in a city with a prevalent sex trade such as Pompeii. This piece also comes with a ring stand display base, and can easily be removed. Ex: Joel Malter collection, circa 1980's, Los Angeles, CA. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1338146
Apolonia Ancient Art
$2,365.00
This attractive flawless Roman glass vessel is an aubergine colored jar that dates circa 4th-5th century A.D., and is approximately 2.25 inches high. This piece is in mint condition, with no minute cracks and/or chips. The color is very attractive, and has a deep dark brown/purple color with some light spotty silvered patina both on the inside and outside surfaces. The deep dark brown color is also very desirable, as most Roman glass pieces of this color are much lighter in color. There is also some spotty minute root marking and a multi-colored iridescence seen on various sections of the piece. This piece also has a zigzag trailing decoration (six times up and down) that is seen running around the piece, and connects on the upper shoulder and the outer lip of the vessel. The lip of the vessel also has a rounded trailing piece that runs around the upper lip. This pleasing piece also has four evenly-spaced indented sides, in addition to an indented bottom. These indentations made this piece easier to handle, and allowed the vessel to sit upright. Roman glass vessels of this type with a deep dark brown/purple coloration are also scarce on the market. Another analogous vessel of the same type and size was offered in Chrisite's Antiquities, New York, April 2016, no. 108. ($1,500.00-$2,000.00 estimates, $1.375.00 realized. Note: This vessel is also the more common dark green color. See attached photo.) For the type see John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, no. 417. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #665966
Apolonia Ancient Art
$3,675.00
This Roman bronze portrait bust dates circa 2nd century A.D., and is the terminal end for a leg that served as a table support for a folding tripod. These Roman bronze tripods were portable and moved with the Roman armies and/or wealthy families. This piece had a L-shaped hook at the back that supported a caldron that was at the center of the tripod. This piece is in the form of a portrait bust, and may depict the young Roman emperor Caracalla. This bust also has an attribute relative to Herakles, as the figure is seen wearing a lion's skin cloak. The face has a short cropped beard, a rounded nose, and a wide forehead which are prominent features of Caracalla. The head is slightly turned to the right as are many Roman marble portrait busts during this period. The hair is seen as thick rounded curls which may indicate a wig, as Caracalla was known to have worn a golden haired wig that was arranged in the German style. Caracalla was born in 188 A.D., and in 213 A.D. as emperor, he left Rome for Germany and defeated the Alamanni on the upper Rhine River. Caracalla often wore a flowing Gallic cloak which gave him his nickname, and the bust seen here shows a lion's skin cloak that is not only an attribute of Herakles, but is also an attribute of Alexander the Great. After Caracalla's victories in Germany, he planned an invasion of the Parthian east, and in 214 A.D., he mustered a great army for this oriental expedition, including a phalanx of sixteen thousand men, clothed and equipped like the Macedonians of old. Caracalla liked to see himself as a new Alexander the Great, and this may explain the lion's skin cloak seen on this piece. Caracalla met his end in 216 A.D., near Edessa in Media, and was stabbed to death by supporters of Macrinus. This piece may be a portrait of Caracalla for the reasons noted above, and there is a strong possibility that this stylized image is an image of Caracalla as seen in the guise of Alexander the Great. (The portraiture of Alexander the Great is noteworthy for the wide range of styles that were employed to portray his unique physiognomy. The treatment of the hair, for example, can be long and wavy, while others emphasize the cowlick seen above the forehead which is known as the "anastole". This "anastole" can be seen on the piece offered here, with the hair raising up as a curl from the center of the forehead. For several examples of this hair style see F. Antonovich, "Les Metamorphoses divines d'Alexander", Paris, 1996.) This bust is also analogous to the marble bust of Caracalla that is seen in the Staatliche Museen in Berlin, Germany. (See "The Art of Rome" by Bernard Andreae, Abrams Pub., New York, 1977, no. 551.) This marble bust dates circa 212 A.D., and was created on the occasion of Caracalla becoming sole ruler. This marble bust also has large hair curls and bare arms/upper chest, as seen in the bronze bust offered here. This piece is approximately 3 inches high and is mounted on a custom stand. This piece has a superb dark green patina with spotty dark red highlights. Ex: American private collection. Ex: Sotheby's Antiquities New York, Dec. 2006, no. 122. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1306126
Apolonia Ancient Art
$1,265.00
These three Roman vessels are from the northern reaches of the empire, and date circa 3rd-early 4th century A.D. These three pieces are approximately 3.4, 3.5, and 4.5 inches high, and are all in flawless near mint condition. These pieces are made from a tan terracotta, and have "strap designed" handles that are attached to the rim and main body of each vessel. There are some attractive spotty white calcite deposits and root marking seen on various sections of the vessels, and the bottom half of each vessel flares to a small and elegant round circular flat base. These esoteric designed pieces likely served as daily tableware vessels, and were likely used for wine and water. There are two cups with a single strap handle, and a larger three-handled storage vessel that may have held a grain product. These matching pieces were also produced in the Rhineland area, possibly in or near the Roman stronghold Trier, which was also a thriving ceramic production center. Ceramics of the type offered here were exported over a wide geographical region, and were popular in the western and northern reaches of the empire. The ceramics offered here are also very thin walled, and were produced with a very high firing temperature. This firing technique not only produced a fine ceramic that was very light, but also one that is very durable. Trier was also known for producing fine thin walled ceramics in antiquity, and the city was also the location where Constantine the Great established his summer residence, circa 306 A.D., and Trier subsequently became the capital of Rome's Western Empire. The pieces offered here have parallels that are classified as being circa 3rd century A.D., and are seen in "Pottery of the Roman Period. The Athenian Agora Vol. V.", by H.S. Robinson, Princeton, 1959, no. M191. These pieces are scarce on the market, as they are a matching set and are in near mint condition. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1209679
Apolonia Ancient Art
$875.00
This interesting little piece is a Roman bronze scale weight that dates circa 2nd-3rd century A.D. This piece is approximately 2.1 inches high by 1.4 inches wide. This piece appears to be a young cherub, with a rounded chubby face, pudgy nose, and slight smile. The eyes are also beaded silver inlay, and the beaded silver eyes lend this piece a great deal of eye appeal. There is also an attached hoop at the top which attached this piece to a scale. This piece was likely filled with lead, and this piece served as a scale weight. This piece has a dark green patina, and is an exceptional example. This piece also hangs from a custom display stand, and can easily be removed. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1313572
Apolonia Ancient Art
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This exceptional piece is a massive Roman glass bottle that dates circa 2nd century A.D. This piece is approximately 12.1 inches high, and is in flawless condition with no cracks and/or chips. This beautiful piece is a pale blue-green color, is free blown, and has a slightly indented "dimple base". This piece also has a long cylindrical neck that is constricted at the lower end, and has a flanged "roll-band" below the rounded rim. This "roll-band" was designed to act as an aid for a portable seal over the opening, such as an animal skin or textile seal. This large-scale piece was also likely a storage vessel for a precious oil or unguent. This piece has a beautiful multi-colored iridescent patina, exceptional smooth surfaces, and some minute root marking. Large-scale Roman blown glass vessels like this example took a great deal of skill to produce, and large-scale pieces with balanced symmetry like this example are rare on the market. In addition, flawless examples like this piece are also not often seen as well. A rare and exceptional large-scale piece that has an interesting design with a brilliant multi-colored patina. Ex: Private Geneva, Switzerland, collection, circa 1980's. Ex: Christie's Antiquities, New York, June 2012, no. 138. ($6,000.00-$8,000.00 estimates.) Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1246443
Apolonia Ancient Art
$2,365.00
This esoteric piece is a Roman bronze herm that dates circa 1st-2nd century A.D. This piece is approximately 3 inches high, and has a beautiful dark green patina with some spotty dark red highlights. This piece is also complete, and has no restoration/repair. This piece has the typical Roman herm design, which is a square designed lower body, small square side handles that are seen just below the shoulders, and an attached bust seen at the top. The design of this attractive bronze is an imitation of a large marble or bronze sculpture, which was normally erected in front of private homes as a "protector type" object. The piece offered here was likely part of a private shrine that was inside of a private home or temple. What makes the design of this piece not so typical, is the realistic and young satyr head which has a young, sweet appearance. The head is seen slightly tilted to the right, and the thin neck, detailed hair, and upturned horns seen on the upper forehead is very esoteric. An analogous type/example is seen in Bonham's Antiquities, London, June 1997, no. 298. (800-1000 Pound estimates. See attached photo.) The piece offered here is a scarce example, as it has great artistic style and eye appeal. This piece stands on a custom display stand, and can be easily removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition: