Originally these seven little masterpieces were elements of an elaborate floral vase or other table ornament. They are rare and remarkably lifelike and most retain the ivory shanks that bore the wire attaching the flowers to the main body. (One petal of the dogwood flower has been drilled with a tiny hole that must have allowed it to be joined to a cluster of blossoms.) They are extraordinarily well preserved and vary in length from two inches to 1-1/14 inches. Chinese, circa 1880.
Carved in very rare lustrous huanghuali this holder for joss sticks was fashioned from the heavy and now extinct "silver rosewood" in the form of a sacred lotus blossom, sacred to the Buddha and symbol of transcendental purity rising from the mire below. Approximately seven inches tall and eight inches in diameter at the widest point, it is in excellent condition.
Gowned in court finery and garlanded in flowers, the Goddess Flora steps into a glade of poppy capsules (?) surrounded by stylized floral borders -- beauty in full bloom! Approximately 18-1/2 inches by 21-1/2 inches and in excellent condition, this superb example of wool-and-silk needlework might once have graced a noble seat-back or fire screen, French, late Seventeenth Century to early Eighteenth Century.
AVERY ART & ANTIQUES
Here is a rare find: a pair of Seventeenth Century candlesticks in lustrous bell metal the color of rose gold. (Please note that the color of the metal in the pictures is not the true, lustrous red-gold of the actual objects.) Engraved with designs of stylized flowers and festoons, they are about six inches tall and 4-1/2 inches in diameter. Both sticks have been pierced (not by me!) for electrical wiring.
AVERY ART & ANTIQUES
A very lively dragon spirals around the body of this large blue-decorated porcelain wine jar. Aside from two craquelure webs and a small pewter plug, the piece is in excellent condition., with no breaks or chips Korean, Eighteenth Century, approximately 10-1/2 inches tall and eight inches in diameter.
In remarkably perfect condition, this charming faux-bambou brass chamber stick, or "go-to-bed," still has its original shade, finely engraved with fleurs-de-lys. It measures approximately six inches tall and is French, circa 1830.
This sort of bouquetiere or pique-fleurs mural (cut-flower vase) was designed to stand close to the wall, or close to a mirror, in which its flowers would appear doubled. It was made in Moustiers, France, probably at Fouque factory (cf: Nouveau Tardy, Faiences de Moustier, page 98, fig. 185) in the third quarter of the Eighteenth Century. It displays the popular Louis XV motif of a central rococo cartouche with flags and arrows and a quiver...
In superb condition, this pair of Rouen faience is decorated with brilliant chinoiserie lambrequins. Bearing the the factory mark of La Veuve Levavasseur, they measure approximately 5-3/4 inches high and are four inches square at the flared tops. French, circa 1770.
Charmingly naive, a scene from a Jane Austen novel, this portrait miniature, watercolor and gouache on parchment, of a beautiful brunette features exquisite detail: the jewelry, the textiles and lace -- particularly the lace shawl and East Indian turban --, the workbasket on the table, the wainscoting and room furnishings, ... Dating from around 1800, the image, under the original glass, is approximately 2-1/2 inches in diameter, the ebonized frame is five inches by 5-1/2 inches...
All Items : Antiques : Decorative Art : Metals : Silver : Sterling : Pre 1837 VR item #22808 (stock #164AAA)
Very much in the George II style and incorporating a silver coin of that king’s reign in its silver bowl is this extraordinary sauce ladle, perhaps made to fit into a service of earlier manufacture. The handle is chased and engraved in a rococo chinoiserie manner, with fronds and flowers and an oriental parasol finial. The bowl is repousséd with panels of flowers and a shield...
All Items : Antiques : Decorative Art : Ceramics : French : Porcelain : Pre 1837 VR item #24823 (stock #187AAA)
Based on famous Eighteenth Century paintings, these country lovers, a smitten swain and the bashful object of his affection, were created by the famous Paris porcelain factory of Jacob Petit in the rue de Belleville around 1830 and probably were modeled by the sculptor Revenand. Their resplendent costumes, lavishly woven and embroidered, belie the couple’s humble origins: these are no field hand and barefoot housemaid, but a pair of courtiers playing peasants...
Bearing the incised mark, “Schramberg 2”, this exceptional 16-1/2 inch German charger, decorated entirely in grisaille transfers, was made around 1825 to rival the wares of France’s Creil and Montereau factories, which in turn flourished after Napoleon breeched the flood of English creamware that Louis XVI had let into France, therefore putting some 10,000 potters there out of work. Surrounded by borders of grapevines is a highly detailed scene of Zurich, circa 1800...
All Items : Vintage Arts : Regional Art : Americas : Latin American : Pre 1940 item #314948 (stock #362AAA)
This fine knife exemplifies the elegant, Aztec-inspired style for which famous Mexican silversmith/designer Hector Aguilar was known. Measuring approximately six inches by 1-1/4 inches, it dates from around 1935.
Finely carved in lustrous nephrite, soft green with a bluish tone, this figure of the Immortal Hotai shows the chubby god stepping forward, a branch over his shoulder that is ready to blossom into prosperity for its receiver. In superb condition, the figure is approximately 3-1/4 inches tall by 2-1/4 inches wide by 1-1/2 inches deep. Chinese, late Eighteenth Century to early Nineteenth Century.
All Items : Antiques : Regional Art : Americas : South American : Handiwork : Pre 1837 VR item #156432 (stock #287AAA)
An almost Picasso-like creation, this standing mate in heavy mine silver features an attached dished base raised up on four coiled feet that echo the “ears” of the cup. The only surface designs are a double row of ratcheted circles and four punched-in quatrefoils, all on the base. This eccentric little figure is Bolivian, late 18th Century, and measures approximately four inches by 4-3/4 inches at the base and 5-1/4 inches tall.
Together for more than a century, these mated gourds were used for generations of the same family in Japan. The gentleman's gourd is approximately 14 inches long and the lady's is about 8-1/2. (The latter one has a fine lacquer repair that shows in the close-up photo. The stoppers are carved persimmon wood, the lady's has a brass ring and a bone ring for hanging the two gourds.
An excellent example of the noted French instrument maker, Naudet, Hulot et Companie, is the handsome brass-bound wall unit. Dated circa 1880, it combines a holosteric barometer with two crescent thermometers, Reaumur(Centigrade) and Fehrenheit. The dial is about 6-1/2 inches in diameter, full height with swiveling bezel 8-1/2 inches and depth 2-1/2 inches. Excellent working condition.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Pre 1900 item #18619 (stock #116AAA)
AVERY ART & ANTIQUES
This finely crafted Indonesian betel nut box is the finest I have ever come across. The strapwork decorated body is in clearest white paktong, an alloy of copper, nickel and zinc much favored as a tarnish-free silver substitute by British silversmiths in the Eighteenth Century. There are three compartments inside for the betelnuts and the lime and betel leaves necessary for chewing them. Indonesian, Nineteenth Century. Approximately 7-3/4 inches long by four inches wide by 2-3/4 inches high...