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Takeda Samurai Doll with Signed Base, Edo Period

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Directory: Antiques:Regional Art:Asian:Japanese:Dolls:Pre 1837 VR: item # 507587

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B & C   Antiques
P. O. Box 291
Derby, CT 06418
203-929-7312

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$1,295

Takeda Samurai Doll with Signed Base, Edo Period

Fine and rare early example of a Japanese Takeda ningyo (figurine) which shows all the typical characteristics of this Japanese doll genre: the extravagant pose, the dynamism, the upturned eyes and the downturned mouth. Ca. 1800. Representing a Kabuki actor playing a warrior, the figure is posed on a tree stump, carrying a pair of swords on his waist and a jingasa over his shoulder. His garments are made of embroidered chirimen (silk crepe) and brocade. Face and the hands are beautifully modeled from carved wood covered with gofun (crushed oyster shell). His face is classic for a Takeda ningyo, with an angry expression and eyebrows rising sharply from the furrow at the bridge of his nose. A light tinge of blue at the chin indicates his unrest, with no time for proper grooming. His upturned shoes are painted blue. The doll is mounted on its original lacquered wood stand which bears a signature or inscription to the underside.

Takeda ningyo have been considered as one of the most original manifestations of the Japanese doll maker’s art. They were inspired by actors, as evidenced by their theatrical and dynamic poses and extremely expressive, sensitively modeled and painted faces. Heads, hands and feet were set at sharp and exaggerated angles to give the impression of movement. This dynamic and eccentric pose, known as a “mie,” is the most striking component of a Takeda ningyo. The original stands for these dolls were characteristically decorated in black lacquer with a cut-out decorative painted reserve called “kozama.” (A similar figure is shown for sale in the Sotheby's Japanese and Korean Works of Art auction catalogues, New York, September 21, 2000, Lot No. 50.)

In his sumptuous book entitled “Ningyo: The Art of the Japanese Doll”, noted ningyo authority Alan Pate defines Takeda ningyo in this way. “Certain physical characteristics have been used to define a Takeda-ningyo, many of which have direct links with Kabuki acting and costuming conventions. They include a standing figure mounted on a stage-like base, with a dynamic or slightly twisted pose to the upper body, and one leg placed upon a rock, tree stump or some other object appropriate to the scene. In imitation of a Kabuki costume, the overcoat sleeves are usually thrown off in a gesture originally designed to allow an actor greater freedom of movement. This exposes the under coat, which is usually of chirimen (silk crepe), with richly embroidered sleeves. Tucked into their belts are two large swords. Unique among ningyo forms, they are frequently shown with blue feet and an upturned big toe.” All these characteristics are manifested in this example. Overall condition is quite good and appropriate to its age, with some wear and tear, some fading to the chirimen, and minor damage to the top of the head where there was likely once topknot. Dimensions: 9 ˝” high, 6” wide, 4” deep.


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