Luigi Lucioni still life etching with sneakers & shirt
Please refer to our stock # 22B3 301 when inquiring.
Antiques Collaborative, Inc.
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6931 Woodstock Rd., P.O. Box 565
Quechee, VT 05059
(802) 296-5858
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View Seller Profile
6931 Woodstock Rd., P.O. Box 565
Quechee, VT 05059
(802) 296-5858
Guest Book
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Still-Life original engraving by Luigi Lucioni (Italian-American, 1900-1988), 1928, signed and titled by the artist in pencil in the lower margin. Image size: 7 7/8" x 6". An original and early still life engraving by Lucioni that portrays discarded sneakers and a crumpled sweatshirt hanging from a chair. This is a very rare image, created by the artist while he was still residing in New York City. This etching is in excellent condition and is archivally framed. Lucioni was a noted painter and engraver. Born in northern Italy, he immigrated to the U.S.A. in 1911 and settled in N. Bergen, New Jersey. He studied at Cooper Union and the National Academy of Design in New York and exhibited widely at the Penn. Academy of Fine Arts, Corcoran Gallery, Art Institute of Chicago, Carnegie Institute, and at other fine galleries and institutions. He maintained a studio in Washington Square in NYC until 1945. He is best known for his realistic detailed still lifes and many landscape etchings. Beginning in 1929, he spent part of each year in Manchester Depot, Vermont, where he loved to paint red barns and white birch trees.
Still-Life original engraving by Luigi Lucioni (Italian-American, 1900-1988), 1928, signed and titled by the artist in pencil in the lower margin. Image size: 7 7/8" x 6". An original and early still life engraving by Lucioni that portrays discarded sneakers and a crumpled sweatshirt hanging from a chair. This is a very rare image, created by the artist while he was still residing in New York City. This etching is in excellent condition and is archivally framed. Lucioni was a noted painter and engraver. Born in northern Italy, he immigrated to the U.S.A. in 1911 and settled in N. Bergen, New Jersey. He studied at Cooper Union and the National Academy of Design in New York and exhibited widely at the Penn. Academy of Fine Arts, Corcoran Gallery, Art Institute of Chicago, Carnegie Institute, and at other fine galleries and institutions. He maintained a studio in Washington Square in NYC until 1945. He is best known for his realistic detailed still lifes and many landscape etchings. Beginning in 1929, he spent part of each year in Manchester Depot, Vermont, where he loved to paint red barns and white birch trees.
