Catalog: Antiques: Decorative Art: Ceramics (42)

A marvelous pair of Dresden or Old Paris porcelain candlesticks with carefully painted cherubs holding to each nozzle while upholding while perched on stumps. The winged characters are draped with modesty scarves which swirl around the sticks. The quatrefoil bases are embellished with gold and encrusted with pink flowers.

The slightly brassy gilding cause me to date these beautiful candlesticks as early as 1880 since they are unmarked, to as late as 1910...

This porcelain masterpiece was produced by the famous British firm commonly known as Royal Crown Derby a name owing to the trademark featuring the royal crown patented to the firm by George III. The designers spared no expense in the production of this lavish rarity which stands stout on 4 paw feet reminiscent of the Chippendale style. The bowl is carefully and brilliantly painted with roses, vines, and fern leaves in gold...

The Jacob Petit factory at Fontainebleau produced these porcelain cornucopia vases Century 1840. The lavish cornucopias are mounted on rectangular bases decorated with rocaille and gilded swags and vines; the corners are finished with swans. The horn is molded, painted with flowers in reserve on each side. The rim is a rococo staple of undulating flourishes, decorated in gold in the upper interior. The base has a peach wash; the horn in a robin's egg blue palette...

These exceptional vases decorated in the Chinese style were produced by the firm inherited by Charles Mason who secured rights to the famous Mason's Patented Ironstone in 1813. The pottery made porcelain as well, but I believe that these vases are of ironstone...

A mulberry transfer English Staffordshire plate in the Athens pattern by William Adams & Sons made c. 1850. The inking is crisp and sharp, even on the backside as evidenced by the clear registry mark. The shape has 14 edges. Adams was one of the longest lived potters in England, operating as late as the 1990s.

Condition is Excellent.

Dimensions (inches)
Diameter: 9 1/8

Although Adderley is often credited by sellers as the maker of all Blue Chelsea series of table wares, the truth is that it was produced by many makers. This coffee pot is unmarked but clearly a fine Staffordshire example.

Our coffee pot sits on a hexagonal foot whose shaping continues in the body of the pot. It is sparsely decorated in the much beloved Blue Chelsea Sprig motif on a cream body...

This fine Staffordshire copper luster pitcher is decorated with a blue band of enamel, creating a very clean, simple design, accented with beading around the border and rim of the pitcher. The fancy serpentine and strap handles give it grace. The warmth of the copper makes it an attractive accessory to a bookshelf or cabinet.

5 1/2" h

This Victorian copper luster pitcher practically dances with joy for the colorful flowers strung around the blue band of its bulbous form. Beading borders the blue and rim of the pitcher. Equally exciting is the mythical figure on the beaker spout. Condition is excellent and still retains luminous shine even after 170 years of life.

6 1/2" h

A fantastic set of hand painted fish plates, each plate having its own distinctive scene, made in Limoges, France. The plates date circa 1900. Each plate is gold enameled at the rim. Diameter is 9 1/4". Condition is superb (see report below). Backstamp is L. R. I - a manufacturer whose identity I have not solved. With 12 plates, you could create a visually arresting focal point in your living room, dining, or hallway. Dimensions: 9.25" d Eleven plates are in superb antique condition...

A rare and lovely English porcelain compote with a canary yellow ground on the bowl and pedestal, the center of the bowl hand painted with a bouquet of flowers. Edges are and handle accents are enameled in aubergine. Underside is hand painted 3. Overall condition is excellent, with some soiling below average for age which we attribute to c. 1820-30. This compote is an excellent specimen. Dimension: 13" w

An exceptional and elegant tea set consisting of a teapot, sugar, and creamer, hand painted with grey ground, and colorful floral sprays. Generous scrolling and foliate gilding complete the treatment. The condition of this ensemble is well above average for its age which we assign to the 2d quarter of the 19th century - c. 1830-40, suffering occasional soling. The pieces are unmarked other than with a hand painted pattern number...

This glorious flow mulberry coffee pot is a treat on several counts, not the least of which is the fine ironstone construction and design of the pot with the Peruvian pattern by J Wedge Wood - not be confused with Josiah. The body flairs outward, cutting an impressive figure. Although there is regular crazing throughout, the condition of the pot is excellent. The underside is backstamped as noted, and also has a British Registry mark for the year 1875...

A wonderful hexagonal shaped ironstone flow mulberry covered dish with handles, often times called a vegetable dish, in the Jeddo pattern by William Adams and Sons, c. 1850. The dish and lid are structurally sound but there are a few condition defects to note. On the underside of the lid, there are 2 very shallow chips. On the underside of the foot, there are also 2 chips - 1 very small and the other about 1/4". We show pictures of all defects...

It has been a long while since we have offered a Massier duck for sale, due in no small part to their rarity. This duck was expertly modeled in the studio of Jerome Massier around the turn of the 20th century using the vivid and, in this case slightly iridescent glazes for which he and his cousins were justly famed. The duck is standing on what we surmise is a sandy beach, adorned with rich green, brown, and off white colors, beak slightly open. The underside is "signed" Jerome Massier Fils, Val...

A large ceramic studio art vase by the renowned Clement Massier whose work with lustrous iridescent glazes still commands admiration today. This ceramic vase is decorated with mythological and fantasy creatures, inscribed on the surface, each of which alternates between stylized fleurs de lys. The glazes are deep red - perhaps burgundy - infused with coppery tones. The style anticipates the Art Deco era, and speaks to Clement's leadership in the decorative arts world. The underside is inscrib...

Majolica wares were all about representing nature, and this gurgle fish pitcher is no exception. These fish pitchers came in a number of variations, most of which dealt with color schemes and minor design differences. This pitcher, we believe, represents the cream of the crop in a number of respects, the first of which is the gorgeou color, the primary one being the rich nearly forest green glaze which scales to mint green. The belly is white while the tale and bib are brown. The fish is poise...

A fine matched pair of ceramic recumbent lions of molded construction having maize yellow ware enamel. The careful observer will note that the lions are not a mirror match, but they complement each other and were most likely produced this way. While the condition of the lions is less than pristine, having minor enamel losses and one minor chip as shown in the photos, we believe that serious collectors will appreciate the earliness and uniqueness of these ceramic lions. We believe that they a...

These fine porcelain ewers are made in a neoclassical style with a slightly flaring base supporting a bulbous body whose neck narrows before ending in an elongated spout. Tall dramatic handles are attached to the vase. Rich cobalt blue panels alternate with white ground spaces each having simple floral embellishments surrounded by gilded swirls and scrolls. Heavy gilding is used throughout on these elegant ewers made c. 1895. The condition is very good except for a possible but well done repair ...